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<nettime-ann> The ARCHIVE OF DIGITAL ART features Giselle BEIGUELMAN
Image Science on Fri, 24 Apr 2015 23:14:38 +0200 (CEST)


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<nettime-ann> The ARCHIVE OF DIGITAL ART features Giselle BEIGUELMAN


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The ARCHIVE OF DIGITAL ART features Giselle BEIGUELMAN
www.digitalartarchive.at

Giselle BEIGUELMAN, internationally renowned media artist, scholar and curator is currently Professor at the School of Architecture and Urbanism at the University of Sao Paulo (FAU-USP). Her research focuses on contemporary nomadism and digital culture practices. Her recently published book Possible Futures: Art, Museum and Digital Archives, is dedicated to the discussion of preserving digital memory and culture. She was the curator of Tecnofagias the 3rd 3M Digital Art Show and of the on-line festivals HTTP_Video and HTTP_Pix.

Her art works reflect on urbanity and community as seen through digital media and have been exhibited worldwide at festivals and museums such as ZKM (Karlsruhe, Germany), Gallery {AT} Calit2 (UCSD, USA) and the Sao Paulo Biennial.

Her current work Unlooping Film | Cinema sem Volta 2014 is an endless slideshow fed with Instagram pictures produced by conflicting groups, which use the same hashtags. It performs a battle of language between the multitude and the masses.

BEIGUELMANs interventions in public spaces, networked projects and mobile art applications are often characterized by a strong interactivity and incorporation of spectators. Multi-user applications invite to participate in the art work by using mobile devices and sharing music, texts and pictures.

She is also a pioneer in digital poetry, one of her most famous works is The book after the book  1999, a hypertextual and visual essay that states at the end of the page:  The Internet is no more than a big text. On the front, at the screen, text reveals itself as image.

Stephen WILSON: "Giselle BEIGUELMAN attempts to explore the future of reading and wirting in "The Book after the Book", a work focused on nonlinear narrative"

Simone OSTHOFF: The Book after the Book, is a hypertextual and visual essay where criticism and Web art melt into the context of the Nets reading and writing condition

Find out more >
https://www.digitalartarchive.at/database/artists/general/artist/beiguelman.html

The ARCHIVE OF DIGITAL ART (ADA), the most advanced online archive for digital art, invites ARTISTS and SCHOLARS to become members of the online community and set up their ADA profile!

Please register here: 
www.digitalartarchive.at/support/account-request.html

COLLABORATIVE ANALYSIS AND PROACTIVE KNOWLEDGE TRANSFER
With the support of two large international grants, the archive has been transferred into a Web 2.0 environment. The aim is to provide community features and user-oriented applications to enable a collective scientific exchange between artists, researchers, engineers and the public to foster interdisciplinary and global collaborative analysis and a proactive process of knowledge transfer.
To ensure a high academic standard, five published articles and/or curated exhibitions are required to become a member of the ADA community.

SHARE YOUR RESEARCH WITH PEERS AND THE COMMUNITY
Members of the community can upload images, videos, publications and PDFs, announce upcoming events, post comments, document exhibitions, conferences and other relevant news. Community features allow active exchange of professional information with peers. The new Light box tool facilitates the examination and comparison of various image phenomena for teaching and research purposes.

ADA: THOUSANDS OF ARTWORKS
Since its foundation in 1999, the ARCHIVE OF DIGITAL ART (former Database  of Virtual Art) has grown to be the most important online archive for digital art. In cooperation with established media artists, researchers and institutions it has been documenting the rapidly evolving world of digital art and its related fields for more than a decade and contains today a selection of thousands of artworks at the intersection of art, science and technology.

ARTISTS represented, among many others: Rebecca ALLEN, Suzanne  ANKER, Cory ARCANGEL, Roy ASCOTT, Louis BEC, Maurice BENAYOUN, Paolo CIRIO, Charlotte DAVIES, FLEISCHMANN & STRAUSS, Masaki  FUJIHATA, Ken GOLDBERG, Agnes HEGED
ÃS, Lynn HERSHMAN LEESON, Ryoji IKEDA, Eduardo KAC, Ken RINALDO, KNOWBOTIC RESEARCH,  Lev MANOVICH, George LEGRADY, Golan LEVIN, Rafael  LOZANO-HEMMER, Joseph NECHVATAL, Michael NAIMARK, David ROKEBY, Jeffrey SHAW, Julius v. BISMARCK, Paul SERMON, Karl SIMS,  SOMMERER & MIGNONNEAU, STANZA, Nicole STENGER, THOMSON &  CRAIGHEAD, Peter WEIBEL, et al.

ADVISORY BOARD: Christiane PAUL, Roy ASCOTT, Erkki HUHTAMO,  Gunalan NADARAJAN, Martin ROTH, et. al.

ADA team:
Oliver GRAU, Michaela SEISER (Editor, Community Admin)
Sebastian HALLER, Janina HOTH, Valerie KUMMER, Viola R
ÃHSE,
Wendy COONES, Ann-Christin RENN (Editorial Team)

digitalart.editor {AT} donau-uni.ac.at 
www.digitalartarchive.at










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