anita culp on Wed, 22 Mar 2000 01:49:25 +0100 (CET)


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[Nettime-bold] [Fwd: unsubscribe guests tgulch@artswire.org] 

why did I get this?



take my email off the list please.

On Tue, 21 Mar 2000, Thundergulch wrote:

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> 
> <fontfamily><param>Geneva</param><smaller>
> 
> 
> <bold>THUNDERGULCH SPRING PRESENTATIONS BY ARTISTS WORKING IN DIGITAL
> MEDIA
> 
> </bold>
> 
> Thundergulch, the Lower Manhattan Cultural Council's initiative devoted
> to arts and technology, announces its continuation of salon-style
> presentations of works by artists working in digital media.  An evolution
> of the @ the wall series initiated at The New York Information Technology
> Center, Thundergulch @ the Sony Wonder Technology Lab will showcase
> artwork by six prominent NYC Internet artists.  
> 
> 
> Sony Wonder Technology Lab's High Definition Theater 
> 
> 550 Madison Ave (main entrance is on 56th Street, between Madison and
> Fifth Aves) http://www.sonywondertechlab.com
> 
> 
> Presentations begin @ 6:00 pm
> 
> 
> <bold><underline>Thursday, April 13
> 
> </underline>A NYC Sampling from Art Entertainment Network (AEN)
> 
> </bold>
> 
> Featuring Vivian Selbo, Natalie Jeremijenko & Eric Zimmerman 
> 
> 
> Art Entertainment Network (AEN) is an online exhibition of more than 40
> Web-based artist projects that exploit the convergence of media on the
> Internet in order to explode the boundaries between art and entertainment
> -- and daily (online) life.  AEN is a concept portal curated by Steve
> Dietz, Director of New Media Initiatives at The Walker Art Center,
> designed by Vivian Selbo.  (http://aen.walkerart.org)
> 
> 
> Vivian Selbo is an artist and website designer with recent work including
> Killer @pp: Its @ll t@lk!.  In addition to designing AEN for Gallery 9,
> she recently produced 16 Objects, Ready or Not, for Michael Craig-Martin,
> Conversations with Contemporary Artists, and InterNyet for the Museum of
> Modern Art, New York.  During her tenure as interface director of
> ada'web, four projects, including her own Vertical Blanking Interval,
> became part of the design collection at the Museum of Modern Art, San
> Francisco.
> 
>  
> 
> 
> Natalie Jeremijenko is a design engineer and internationally renowned
> techno-artist.  Her work includes digital, electromechanical, and
> interactive systems in addition to biotechnological work.  Her sculptural
> science experiment, Tree Logic, was displayed at the opening of MASS
> MoCA, North Adams, MA in Summer 1999.  She has also been included in the
> Whitney Biennial '97, Documenta '97, and ARS Electronic Prix '96.  A
> forthcoming retrospective of her work at the Museum of Contemporary Art
> in Australia is scheduled for -date--.  
> 
>  
> 
> Eric Zimmerman is an accomplished game designer, artist, and academic
> exploring the emerging field of game design.  His diverse activities made
> him one of Interview Magazine's "30 to Watch" in 1999 and also one of
> International Design Magazine's ID 40 (40 influential designers) in 2000.
>  His current digital projects include SiSSY FiGHT 2000
> (http://www.sissyfight.com) and STRAIN, which premiered at New York's
> Rotunda Gallery in 1999 and will be released this year on the Internet.
> 
> 
> *********************************************************************************************************************************************************
> 
> <bold><underline>Thursday, May 4
> 
> </underline>Thundergulch/World Views intersects with the Whitney
> Biennial
> 
> 
> </bold>Featuring Diane Ludin, Prema Murthy & John Simon
> 
>    
> 
> Prema Murthy and Diane Ludin are the two recent Thundergulch residents
> from Lower Manhattan Cultural Council's World Views residency program,
> that takes place on the 91st floor of the World Trade Center.  Prema
> Murthy, as part of the Fakeshop artgroup, and John Simon are both
> exhibiting in the "Internet" category of this year's Whitney Biennial.
> (http://www.whitney.org)
> 
> 
> Diane Ludin, an Internet artist, is in the process of developing the
> work, Speed Economies: Broadcast Documents as part of her residency in
> the World Views program.  She is creating a net-specific media collage,
> Genetic Response System: version 2.0, which is being commissioned by
> Turbulence and launching in May.  She is also included in the group show,
> Tenacity, at The Swiss Institute, New York (March 24 - May 13).  Ludin
> has developed past works with Prema Murthy, both individually and with
> Fakeshop. 
> 
> 
> Prema Murthy is an artist exploring online performance and digital media
> in conjunction with performance and installation works in physical space.
>  Her individual pieces have included the web-based MIMIC (1997)
> (http://www.thing.net/~mimic) and BindiGirl ( ) (1999), which was
> featured on THETHING.BBS.  Fakeshop, of which she is a core member, is
> both an ongoing electronic arts project and a performance and
> installation series.  In conjunction with the Whitney Biennial, Fakeshop
> will produce a live event, developed in collaboration with other digital
> artists, musicians, and theorists.  
> 
> 
> John Simon is an artist who uses technology as a process and a medium. 
> He creates thought-provoking pieces that explore themes such as color
> theory and time and is well known for his Java applet, Every Icon.
> (http://www.interport.net/~jfsjr)  In addition to his inclusion in the
> upcoming Whitney Biennial, Simon's solo exhibition at Sandra Gering
> Gallery, New York opens in mid-April. 
> (http://www.sandrageringgallery.com) 
> 
> 
> *********************************************************************************************************************************************************
> 
> ARTBYTE: The Magazine of Digital Culture is a media sponsor of these
> presentations. Through this collaboration, ARTBYTE hopes to bring
> together the creative forces merging art and technology, reaching out to
> the artists, designers, and others who are shaping the look and feel of
> the future.   http://www.artbyte.com 
> 
> **********************************************************************************************************************************************************
> 
> Special thanks to Sonder Wonder Technology Lab for hosting these
> presentations.
> 
> 
> 
> Funding for Thundergulch is generously provided by the Bell Atlantic
> Foundation, The Cowles Charitable Trust, Heathcote Art Foundation, the
> May and Samuel Rudin Family Foundation, and the Andy Warhol Foundation
> for the Visual Arts. This project is made possible, in part, with public
> funds from the National Endowment for the Arts, the New York City
> Department of Cultural Affairs, and the Electronic Media and Film Program
> and the Media Arts Technical Assistance Fund of the New York State
> Council on the Arts, a State Agency. Thundergulch is also grateful for
> past and in-kind support from AT&T Foundation, Chase Manhattan
> Foundation, Harvestworks Digital Media Arts, J.P. Morgan, the New York
> Information Technology Center, Parsons School of Design Digital Design
> Department, the Port Authority of New York and New Jersey, Rudin
> Management and VOID.
> 
> </smaller></fontfamily>
> 
> Thundergulch
> 
> c/o Lower Manhattan Cultural Council
> 
> 5 World Trade Center, Suite 9235
> 
> New York, NY 10048
> 
> tel (212) 432-0900
> 
> fax (212) 432-3646
> 
> email: tgulch@artswire.org
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> http://www.thundergulch.org
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