integer on 8 Aug 2000 11:32:11 -0000 |
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[Nettime-bold] fuck you integer. fuck you, fuck art. sol.la.la. - humans prefer cameras to be held upright and are profoundly disturbed by tilted cameras. |
Date: Tue, 08 Aug 2000 13:11:59 +0200 From: "Rasmus B. Lunding" <ras.blund@ .dk> > nn = t!pd > humans prefer cameras to be held upright > - and are profoundly disturbed by tilted cameras. et aprez : From: "Rasmus B. Lunding" <ras.blund@ .dk> pure intellectual student-art-statement-nonsense-crap bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla bla blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah just because lars von fucking trier made a "dogma" -(the best pr-stunt to have been pulled in DK so far) -movie about some idiots and about his own dick, these neo-ghetto-avant-art-fuckers think that they have pulled the rabbit out the fucking hat, and have kept theire experimental art-shit in the direction it has always been, ...but nope, guys like von fucking trier has turned into little spoiled kids, who think that theire own little personal psychological problems, fobias and disbehaviours is of special universal interest, because of theire "great" artistic approaches. i mean, look at triers new "epos" a musical with fucking bjork, pure sentimental shit (it will probably go down well in fucking usa, -personally I have never seen any american movies (neither avant-ones) which not sooner or later did bring sentimental issues up, -usually without knowing it -these guys are so down right easy to spot in theire naive righteousness.(unfair generalising, I know -this is however what it looks like, seen from Europe) all this goes for these net-art-people as well, fuck you integer. everything you attack shows what person you are, if somebody think of themselves as being "real art", the avant-art, the true art of today, the art of the future!!!!!!!!!!! it is definitely you and your bunch of people, fuck you, fuck art art is fucking dead, see nowadays art only exist in places far away from anybody who could dream of questioning the artistic statement. Cage, Russolo, Fluxus, all these guys and girls ideas were unfortunately conquered to death. These people would definitively have had quite another approach towards life-production, life-producing today, if they were here and active. But the art-mafia surely managed to turn these originally approaches into the opposite of what they were intended to be, unfortunately. The intellectual approached have by far been overtaken the approach which implements communication with reallife here and now, it is also much less riscier of course, you can hide behind your statements and manifests and rest in your ivory-tower. professor carstensen (danish professor at the fucking art-academy in Copenhagen), has put it very precisely: (or maybe it was one of his fucking students) art only becomes present when the artist defines it, this pate-sandwich is art if i put it into the museum (or any other place -defined by the artist -off course) and argue that it is art, if you (my dear member of the mob) experience this pate-sandwich out in reallife, it is but merely a pate-sandwich. in other words the communication has stopped, the artist is no longer intested in communicating his/hers experience/philosophy of product -that is only to those being member of the cult, those resting together with him/her in the ivory-tower. we have turned into segmentation, into the new tribal behaviour codes, also conducted by the likes of mindfuck corp, revealing itself through the expressive need of having ones own language for instance, + other ways of expressing the group identity, expecially the socalled danish context-art-scene is another good example of how it has becomed much more important to define yourself within the tribe, with the language and codes of the tribe, establishing yourself within the tribe, than it is to communicate with the surrounding reallife, the result is a new kind of cirkus, a new kind of sportistic event, which is quite interesting to observe. lars von fucking trier is not a part of this particular scene, but he certainly has the role of the clown. as integer on the net, so quite programming for a while integer, and join a basic course in psychology. bla bla bla bla free.m9ndfukc. hier triffst du life forms mit echten namen statt nicknames! m9ndfukc macht spaß! und sie macht ernst: die virtuelle koridor wird zum bindeglied ins real life: life forms mit echten namen treffen sich auch im echten leben. da+da! http://www.m9ndfukc.com _______________________________________________ Nettime-bold mailing list Nettime-bold@nettime.org http://www.nettime.org/cgi-bin/mailman/listinfo/nettime-bold