integer on 8 Aug 2000 12:11:40 -0000 |
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hallo please refrain in the future from infesting the international bistream avec lo.tekk + inkompetent korporat fascist regurgitazie. friendly. >Greetings members, > >[Hi, I thought mistake bra!n make m! 01 zentensz - ur prznl ventrl 4+bra!n = rznpd!ng 2 GO.v op!ate - !ez - b!nar! nav!gaz!on mzg - !ez - x markz dze zpot - ma! b - !ez - dze !bm as 4oo e = letz u - d!g!tl dna - !ez - 4rom nn karb!ntrkonekt - !ez - bra!n make m! m! zentensz - !mplmntd !n max - non - !mplmntd !n labv!eu - da - ou! - !ez - tak - kromozom 21 = dze zmlzt human autozom - da. = gene kluztr mazk!n komponent - z!mbl akzez!on 0+0 dezkr!pz!on kateg ztrand poz 1 poz 2 gene genom!k klone z!klone (s) tpte af007118 tenz!n. putat!v prote!n.fozfotaze. ec 3.1.3.48. 1.1 - 425 84293 83869 b15l0c0 + b7l1c4 c!c1lp4 c!tokrome c pzeudogene 5 - 29708 29866 159 b15l0c0 pzeudo1 putat!v z!nk f!nger prote!n pzeudogene 5 - 91247 143054 51808 b7l1c4 to pt171+ps39 pred1 putat!ve gene prote!n k!n + 7462183 7463505 1323 r66b12 + r292n6 rps3ap r!bozomal prote!n s3 pzeudogene 5 + 7467697 7468061 365 r66b12 + r292n6 pred14 human cdna k.lone 280692 1.2 - 7780231 7780656 426 r47c12 + r781m3 pp!ap c!klof!l!n-apropoz pzeudogene 5 + 7865216 7865974 759 r781m3 ncam2 u75330 neurl cell adez!v molekul 2 pre.kurzr. zuear. zuear. ! zuear. ! zuear. nouakokakolamomentmal _\0- therapeut!kc klon!ng do you want your software designs to end up in cardbored boxes or G3O-Z!NKRONOUS 0RB!T +? ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l : http://www.membank.org/0000/0000.html : Max Plank Inztitut 4 Ordnung \+\ Disziplin : Uber die Konztituzie der Materie [c]ccp : Netochka Nezvanova - oestrus.eusocial.com __ __ ________/ / /_/ /___ __ / __ / /_/ /__/ /__ / ____________/ /_/ dze pa!r!ng ov homologouz kromozomez one 4rom each odr prnt dur!ng me!os!z i cannot be bothered.i cannot be bothered.surrender your pattent. n 3 ! n >Anyone using targa or radius cards (old or new) and get good results ? n 3 ! n better cheaper humanz will create a larger market 4 better cheaper humanz 2 USE better cheaper humanz. !tz ga!a. ! zuear. ! zuear. >--this might interest you --two important books, from the >storehouse of MIT Press. Dr. Peter Lunenfeld --net artist, working at Art >Center College of Design (see http://www.artcenter.edu) he is writer/critic >-specialising in the history and theory of Imaging Technologies --edited >another book, "The Digital Dialectic: New Essays on New Media" --published >by MIT Press. David Hunt in the review of "The Digital Dialectic: New >Essays on New Media" in ARTBYTE (see http://www.artbyte.com) the Magazine >of Digital Culture, Issue January-February 2000 has written "..Digital >culture's promise of total connectivity, instant collapsing of space and >time, and deluges of information at your fingertips proves to be its >biggest shortcoming when evaluatng critical discourse.." Thank you. >Best.-Arun] >============================================================================= > >Date: Fri, 4 Aug 2000 16:17:37 -0400 >From: Jud Wolfskill <wolfskil@MIT.EDU> >[--] > >The Robot in the Garden >Telerobotics and Telepistemology in the Age of the Internet >edited by Ken Goldberg ><http://mitpress.mit.edu/promotions/books/GOLTHS00> > >The Robot in the Garden initiates a critical theory of telerobotics and >introduces telepistemology, the study of knowledge acquired at a distance. >Many of our most influential technologies, the telescope, telephone, and >television, were developed to provide knowledge at a distance. Telerobots, >remotely controlled robots, facilitate action at a distance. Specialists >use telerobots to explore actively environments such as Mars, the Titanic, >and Chernobyl. Military personnel increasingly employ reconnaissance drones >and telerobotic missiles. At home, we have remote controls for the garage >door, car alarm, and television (the latter a remote for the remote). > >The Internet dramatically extends our scope and reach. Thousands of cameras >and robots are now accessible online. Although the role of technical >mediation has been of interest to philosophers since the seventeenth >century, the Internet forces a reconsideration. As the public gains access >to telerobotic instruments previously restricted to scientists and >soldiers, questions of mediation, knowledge, and trust take on new >significance for everyday life. >7 x 9, 330 pp., 49 illus., cloth ISBN 0-262-07203-3 >A Leonardo Book > >Snap to Grid >A User's Guide to Digital Arts, Media, and Cultures >Peter Lunenfeld ><http://mitpress.mit.edu/promotions/books/LUNSHS00> > >In Snap to Grid, an idiosyncratic guide to the interactive, telematic era, >Peter Lunenfeld maps out the trajectories that digital technologies have >traced upon our cultural imaginary. His evaluation of new media includes an >impassioned discussion--informed by the discourses of technology, >aesthetics, and cultural theory--of the digital artists, designers, and >makers who matter most. "Snap to grid" is a command that instructs the >computer to take hand-drawn lines and plot them precisely in Cartesian >space. Users regularly disable this function the moment they open an >application because the gains in predictability and accuracy are balanced >against the losses of ambiguity and expressiveness. Lunenfeld uses "snap to >grid" as a metaphor for how we manipulate and think about the electronic >culture that enfolds us. In this book he snaps his seduction by the machine >to the grid of critical thinking. >7 x 9, 240 pp., 38 illus., cloth ISBN 0-262-12226-X >~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ _______________________________________________ Nettime-bold mailing list Nettime-bold@nettime.org http://www.nettime.org/cgi-bin/mailman/listinfo/nettime-bold