adel sherovalec on 1 Feb 2001 14:26:12 -0000 |
[Date Prev] [Date Next] [Thread Prev] [Thread Next] [Date Index] [Thread Index]
[Nettime-bold] Re: <nettime> Announcements [10] |
felix, sorry about the silly 'riding the waves' post i was playing a joke on my friend tracey regards adel >From: Announcer <nettime-l@bbs.thing.net> >Reply-To: Announcer <nettime-l@bbs.thing.net> >To: nettime-l@bbs.thing.net >Subject: <nettime> Announcements [10] >Date: Wed, 31 Jan 2001 20:20:04 -0500 > >Table of Contents: > > http://meta.am/ - vocal extraction > m e t a <meta@meta.am> > > sports in cyberculture > Yukihiko Yoshida <yukihiko@sfc.keio.ac.jp> > > invitation - opening subREAL in Bucharest > "irina" <irina@icca.ro> > > Ghost Train > Vanessa Black <whitecube@asia.com> > > The CIAC's Electronic Magazine - no.12 > courrier@ciac.ca > > Privacy in the wireless world - Feb. 8 - Privacy Lecture Series > Ana Viseu <ana.viseu@utoronto.ca> > > for announcer > "geert lovink" <geert@xs4all.nl> > > ISEA ANNOUNCEMENT (English/Francais) > Felix Stalder <stalder@fis.utoronto.ca> > > Berlin - NetPolitics Happy Hour - Fri Feb 9 > Steven Clift <slc@publicus.net> > > Call for Net Artists > "Brooke Singer" <brookesinger@hotmail.com> > > > >------------------------------ > >Date: Tue, 30 Jan 2001 00:10:32 -0700 >From: m e t a <meta@meta.am> >Subject: http://meta.am/ - vocal extraction > > > >http://meta.am/sound/octave/vox/ > > > - vocal extraction > > > > > > >humanize something free of error. > > > > > > > > > > >//m >127.0.0.1 > >http://meta.am/ >216.71.169.143 > > > > > > > > >// > > > > > > > > > >------------------------------ > >Date: Tue, 30 Jan 2001 22:40:21 +0900 >From: Yukihiko Yoshida <yukihiko@sfc.keio.ac.jp> >Subject: sports in cyberculture > >Hello,List. >This is Yukihiko YOSHIDA writing. >I am looking for any infomation in the relationship >between sports and cyberculture,or dance and the one. >If you have any infomation,please let me know. > >Best Wishes from TOKYO > >Yukihiko YOSHIDA > >- --Yuk;-)iko YOSHIDA >Yukihiko YOSHIDA >Keio University,Graduate School for Media and Governance >moderator of Dance Mailing List: > <http://www.sfc.keio.ac.jp/~yukihiko/danceml.html> >e-mail address : yukihiko@sfc.keio.ac.jp >webpage: http://www.sfc.keio.ac.jp/~yukihiko/ >closest fax number: <:none> >current BGM:<Can't take my eyes off you/BoysTownGang> >Travel Path:<none> >currnet physical location:<tokio,kanagawa,fujisawa> >current physical status: < happy> >PGP Key <not ready yet> >trans(c) Yukihiko Yoshida 2001 > > > > > > >------------------------------ > >Date: Tue, 30 Jan 2001 15:47:17 +0200 >From: "irina" <irina@icca.ro> >Subject: invitation - opening subREAL in Bucharest > > > >S.P.A.C.E. Gallery - International Center for Contemporary Art, = >Bucharest, >SINDAN Cultural Center, > >FRAME - Finish Fund for Art Exchange Helsinki, > >Balkon Cluj Contemporary Art Magazine > > >Cordially invites you, on Wednesday January 31, 18:00 to attend the = >opening of > > >subREAL > >"Interviewing the cities: Helsinki" > >=95 > >followed by the launching of the Balkon Cluj Magazine, no 5, special = >issue focussing on visual arts in Finland. > >=95 > >The events will be honored by the presence of His Excellency Mr. Pekka = >Harttila, The Ambassador of Finland in Romania. > >The exhibition is on view until the 16th of February 2001 in =20 > >S.P.A.C.E. Gallery - ICCA, str.Selari nr.9-11, access from Intrarea = >Soarelui 1, tel/fax: 313.51.10; 313.51.11. > > > > > > >_________________________________________________________________ > >"Interviewing the cities" took shape in the mid 90s at K=FCnstlerhaus >Bethanien; was continued in 1997-1998 at the Akademie Schloss Solitude, >Stuttgart. It was developed in: Vienna, with the support of = >KulturKontakt; >Amsterdam, through the financing of Stichting De Appel; Helsinki, = >through a >residency from the Nordic Institute for Contemporary Art, also supported = >by Sindan Cultural Center, Cluj.=20 > >A sequel to the projects "The Art History Archive" and "Serving Art", >"Interviewing The Cities" aims at documenting private histories in = >relation >with institutions (political, cultural) and sites (architectural, = >natural). >The project is structured in three steps; main medium - b & w = >photography; >main strategy - interaction with people and environments.=20 >Steps: >1. "Re-enacting....". A series of double portraits of "visual = >communities" >(artists, curators, critics, collectors, architects, etc.). Using the >semiotic filter of technical photography, "Re-enacting...." recycles the >knowledge from the "Serving Art" series as a procedure for documenting = >the >role of the human factor within the art mechanisms. > >2. "Framing..." An exploration of urbanism, as manifest in the = >historical >development of representational buildings, cityscapes, parks etc. And a >visual research on the relation between nature and city through = >landscape >design. Inspired by the clich=E9s of institutional tourism, the series = >is >illustrating the connections between architecture/natural habitat and = >Power >. >3. "Listening to Sculpture" A thread based on the ambiguous function = >public >monuments fill in the process of building mentalities. Generating >referential energies ignored by the city dwellers at the level of >consciousness, monuments are pivotal in the analysis=20 > >The present exhibition of subREAL shows a selection of large scale b&w = >photographs made in Helsinki in June-July 2000. The outcome is a = >subjective record to certain ways of building private and collective = >memory, of defining human identities and the way they relate to = >institutional representations of power politics. >_______________________________________________________________________ > >Balkon Cluj Magazine, no 5, special issue focussing on visual arts in = >Finland, presents a selection of representative texts and images = >illustrating the Finnish contemporary art. From the content:: "How = >Finnish is the Finnish art?" - text de Marketta Seppalla, director of = >Frame Helsinki; "Great Balls of Fire" - Mikka Hannula, rector of the Art = >Academy in Helsinki; "High hopes for Finnish cinema's success stories" - = >Antti Selkokari;"Northern lights From the Early Avatars to Human Drama" = >- - Kari Yliannala. Balkon no. 5 was issued with the support of Sindan = >Cultural Center and FRAME. Editors of the Finnish selection: Calin Dan = >and Marketta Seppala=20 > > > > >_________________________________________________________________________= > > >ICCA - S.P.A.C.E. Gallery is a multidisciplinary project aimed at = >promoting European contemporary art and is supported by the Romanian = >Ministry of Culture EUROART The European Cultural Fund for Romania, = >financed by the European Union > >_________________________________________________________________________= >_ > >subREAL >(C=E3lin Dan/Josif Kir=E1ly) > >established 1990, Bucuresti, Romania >based in Amsterdam/Bucuresti > >Best known shows: > >Solo: >1994 - Center for Contemporary Art - Ujazdowski Castle, Warsaw >1995 - K=FCnstlerhaus Bethanien, Berlin >1996 - Neuer Berliner Kunstverein >1997 - Waschhaus Potsdam >1998 - Akademie Schloss Solitude, Stuttgart > >Group: >1992 - Istanbul Biennial, Fezhane, Istanbul >1993 - Venice Biennial - Aperto, Corderie dell'Arsenale, Venice >1994 - "Naturart", Ernszt Museum, Budapest >1995 - "Beyond Belief", Museum of Contemporary Art, Chicago >OSTranenie. Das Internationale Video Forum an der Stiftung Bauhaus >Dessau >1996 - "Manifesta 1", Kunsthal, Rotterdam >"Beyond Belief", Institute of Contemporary Art, Philadelphia >1997 - Ludwig Forum f=FCr Internationale Kunst, Aachen >SITE Santa Fe, Santa Fe >"2000 - 3.ArtSpace + Interface", Neue Galerie am Johaneum, Graz >1998 - Berlin Biennale, Postf=FChramt, Berlin >1999 - Venice Biennial, Romanian pavilion >"After the Wall", Moderna Museet, Stockholm >2000 - "Unlimited.Nl-3", Stichting De Appel, Amsterdam >"L'Autre Moiti=E9 de l'Europe", Jeu de Paume, Paris >Internationale Kurzfilmtages, Oberhausen > >Lectures and performances at: Gerrit Rietveld Academie, Amsterdam; >Literaturhaus Berlin; Universit=E4t Gesamthochschule, Paderborn; Photo = >and >Film Academy, G=F6teborg; Art Academy Stockholm; High School for Design, >Pforzheim; Art Academy, Stuttgart; Merz Akademie, Stuttgart; Art & Tech >Institute, Linz. > >Residencies: >1995-1996 - K=FCnstlerhaus Bethanien, Berlin >1997-1998 - Akademie "Schloss Solitude", Stuttgart >1999 - Schloss Pl=FCschow - Meckelenburgisches K=FCnstlerhaus, = >Pl=FCschow; >Kultur Kontakt, Vienna >2000 - Nordic Institute for Contemporary Art, Helsinki >2001 - Kloster Cismar/Gr=F6mitz > >Grants: >1995-1996 - Philip Morris Kunstf=F6rderung > =20 > >**************************************************************** >Irina Cios >Director >Centrul International pentru Arta Contemporana - CIAC - Bucuresti >International Center for Contemporary Arts - ICCA - Bucharest >Str. Selari nr. 9-11, sect. 3 >PO-BOX 1-827 >tel/fax: 40.1.313.5110, 40.1.313.5111 >http://www.icca.ro > > > > > >------------------------------ > >Date: Tue, 30 Jan 2001 15:22:42 +0100 >From: Vanessa Black <whitecube@asia.com> >Subject: Ghost Train > > > >White Cube are happy to present: > > >GHOST TRAIN > >Gro Husby Andresen > > > > > > > >THURSDAY 01. FEB 20.00 C.SUNDTSGT. 55 > > > > > > >Ever lost in space? Return to: http://www.societyofcontrol.com/WhiteCube > > > > > > > > > >Footnote: This message is sent in HTML and plain text. > >You do not get this email without having it requested. >Please reply 'unsubscribe' if you want to be taken off the list. >Spamming is bad, don't do it! > > > >------------------------------ > >Date: Tue, 30 Jan 2001 16:41:37 -0500 >From: courrier@ciac.ca >Subject: The CIAC's Electronic Magazine - no.12 > > >*advance apologies for cross-posting* > >The CIAC's Electronic Art Magazine - No.12 - January 2001 > >The twelfth issue of the CIAC's Electronic Art Magazine is now on line. >It focuses on Web art produced in East-Central Europe. This issue >includes the following articles: > >*Feature: The Ground for Net Art in the Former Eastern Block (Central >and Eastern Europe) by Rossitza Daskalova >*Perspective: Behind the Cyrillic Curtain: notes on Internet art and >culture in Russia by Katherine Liberovskaya >*Spotlight: Media Arts: the Hungarian Model by Nina Czegledy >*2 Interviews: Olia Lialina and Igor Stromajer, Krassimir Terziev >*Reviews of Web Projects by: Apsolutno, Vuk Cosic, Petko Dourmana, Tiia >Johannson & Raivo Kelomees + al., Olia Lialina, Calin Man, Slobodan >Miladinov, Alexei Shulgin & Natalie Bookchin, Igor Stromajer, Teo >Spiller >* Review of ISEA2000 by Sylvie Parent > > >We also published Alex Galloway's conference that took place >during la Biennale de Montréal 2000. >(see the "Conference" page in the Biennale de Montréal 2000 section) > > >Welcoming all our readers! > >Sylvie Parent and Rossitza Daskalova >The CIAC's Electronic Art Magazine >http://www.ciac.ca > > >------------------------------ > >Date: Tue, 30 Jan 2001 22:33:55 -0500 >From: Ana Viseu <ana.viseu@utoronto.ca> >Subject: Privacy in the wireless world - Feb. 8 - Privacy Lecture Series > >PRIVACY LECTURE SERIES ><http://privacy.openflows.org> > > >"Privacy in the Wireless World" >Thursday, February 8, 2001 >7:00 to 8:30 p.m. > >Mike Gurski >Senior Policy and Technology Adivisor >Information Privacy Commission of Ontario > >140 St. George, Room 728 >Faculty of Information Studies (building adjacent to Robarts Library) >University of Toronto > > >As more and more communication media are going wireless, it becomes urgent >to analyze the privacy implications of a wireless world. This is the aim of >Mike Gurski's lecture. To do so he departs from the general questions of >what is wireless and why we should be concerned about privacy in a wireless >world, to then engage in a schematic analysis of the privacy goals in a >wireless world and what different organizations and institutions can do to >achieve them. Mike Gurski will then draw on his personal experience to >offer a case study which illustrates the different problems and solutions >of a wireless future. > > >Mike Gurski is the Senior Policy and Technology Adivisor for the >Information Privacy Commission of Ontario. Mike has published articles on >e-mail encryption and P3P (Platform for Privacy Preferences), a privacy >specification for the Web, as well as papers on Privacy Design Principles >and Privacy Impact Assessments for Integrated Justice Technology Systems. >This was done in partnership with the United States Justice Department's >Office of Justice Programs. Mike also consults with the Ontario Government >on their Enterprise Information Architecture, Public Key Infrastructure >Inititiatives and Smart Card Project. Mike is also a member of the Policy >Outreach Group the World Wide Consortium that is implementing >P3Pinitiative. > > >To register for the Privacy Lecture Series email list please go to ><http://privacy.openflows.org> > > >For more info contact: >Ana Viseu <aviseu@oise.utoronto.ca> >Robert Guerra <robert@cryptorights.org> >- ----++++----++++---- >Tudo vale a pena se a alma nao e pequena. >http://fcis.oise.utoronto.ca/~aviseu > > > > >------------------------------ > >Date: Wed, 31 Jan 2001 15:04:26 +1100 >From: "geert lovink" <geert@xs4all.nl> >Subject: for announcer > >http://conferences.oreilly.com/p2p/tim_letter.html > >The first and most important conference on P2P >The O'Reilly Peer-to-Peer Conference >Westin St. Francis Hotel, San Francisco, CA >February 14-16, 2001 >- >---------------------------------------------------------------------------- >- ---- > >Space is Limited. Register Early >A conference update from Tim O'Reilly > >The P2P Conference program has been finalized. There are over fifty >sessions >in three tracks, covering everything from file sharing systems to >distributed computation, Web services, and p2p architectures for mobile and >embedded systems. Expect hard-core technical content, as well as a strong >business track, covering business models, market opportunities, and >application case studies for peer-to-peer technologies. >Check out our lineup of more than ninety speakers and technology >innovators, >entrepreneurs, and business leaders, including Ray Ozzie of Groove, Ian >Clarke of Freenet, Gene Kan of Gnutella, Johnny Deep of AIMster, Bill Joy >of >Sun Microsystems, Eric Schmidt of Novell, Dave Stutz and Christian Huitema >of Microsoft, David Anderson of SetiAtHome and United Devices, and many >more > >We'll also be hearing from industry analysts, venture capitalists, and >journalists, including Professor Larry Lessig of Stanford Law School, Clay >Shirky of the Accelerator Group, Tim O'Reilly of O'Reilly & Associates, Bob >Knighten of the Intel Peer to Peer Working Group, Dan Gillmor of the San >Jose Mercury News, Rob 'CmdrTaco' Malda and Jeff 'Hemos' Bates of Slashdot, >and Justin Hibbard of Red Herring. > >In addition to the many talks and panels, we're creating space for hallway >conversations and "birds of a feather" sessions where attendees can get >together with peers to discuss issues and opportunities. > >The vendor expo will be open every day from 10 a.m. to 6 p.m. in the foyer >outside the Grand Ballroom. > >I hope to see you there. > >Tim O'Reilly > > > > > >------------------------------ > >Date: Wed, 31 Jan 2001 10:06:14 -0500 >From: Felix Stalder <stalder@fis.utoronto.ca> >Subject: ISEA ANNOUNCEMENT (English/Francais) > > >(advance apologies for cross-posting) >(le francais suit ci-bas) > >ISEA (the Inter-Society for the Electronic Arts) is currently >transforming its organizational structure. Collaborative efforts >with groups throughout the world will replace the single headquarters >that previously was in Montreal. > >The ISEA Board of Directors invites proposals from arts centers, >universities, and other non-profit organizations who would like to host >a part of the ISEA organization. > > >Possible activities include: >- - publishing our newsletter (regularly, or in cooperation with others) > >- - maintaining the ISEA web site > >- - developing/revising a specific section of the web site (members pages, >list of artist grants, etc.) > >- - developing educational materials for ISEA > >- - developing a mentoring program > >- - representing ISEA in other international efforts > >- - maintaining contact with our members > >- - global outreach > >- - developing geographic networks of individuals and organizations in >electronic arts, especially in those areas where ISEA has not been active >in the past > >- - developing discipline specific networks of individuals and >organizations > (sound, curators, etc.) > >- - working on events that could be co-sponsored by ISEA > >- - ISEA “chats" either on the web site or through the ISEA forum > >- - WE ARE OPEN TO OTHER SUGGESTIONS > > >Activities can be shared among several organizations (for example, >the newsletter might rotate). > >Organizations which are interested in hosting a part of the ISEA should >send >the following information by February 10 to: > >"Kathy Rae Huffman" <kathy@vgtv.com> >and >"Thecla Schiphorst" <schiphorst@techbc.ca> > > >Name of Organization >Name of Director of Organization or Project Manager Address >email address of contact person >Areas of Interest of the organization: > > >Once an organization is selected, we will enter into a written agreement >concerning the use of the ISEA name. > >Organizations are encouraged to seek their own funds to support ISEA >activities. >Grants submitted to funding agencies in the name of ISEA must be >distributed to >the ISEA Board of Directors 30 days before their deadline, so that the >Board can >provide feedback and assure the consistent development of ISEA efforts. >Grants >which are not in English must include a summary in English, and the full >version >in the original language. > >Long term projects may include a local and/or international advisory board >including ISEA members who may volunteer to work with various organizations >throughout the world. > >We look forward to building a strong international electronic art community >through all of your efforts. > >The Board of ISEA > > > > >ISEA change ses modalitiés d'organisation. Ses efforts porterons sur la >collaboration avec des groupes dans le monde entier, et cala va remplacer >le siege unique qui était située à Montréal. > >Le conseil d'administration d'ISEA invite des propositions des centres >d'arts, >des universities et des autres organisations à but non lucratif qui >voudraient >accueillir une partie des activites d'ISEA. > >Les activities possibles incluent: > >- - editer notre bulletin (regulièrement, ou en collaboration avec des >autres) > >- - maintenir le site Web d'ISEA > >- - le développement ou revison d' une section sécifique du site Web (pages >de > membres, liste de sobventions pour les artistes,, etc...) > >- - le développement de contenus educatifs pour ISEA > >- - le développement d'un programme de "mentors" (guides pour les jeunes >artistes) > >- - le représentation d'ISEA dans d'autres initiatives internationaux > >- - maintenir le contact avec nos membres > >- - le développement globale d'ISEA > >- -le développement des réseaux géographiques des individus et des >organisations >dans le domain des arts électroniques, particuliérement dans les zones ou >ISEA > n'a pas encore un presence significante > >- - le développement des réseaux par discipline (individus et >organisations) : >son/musique, commisaires d'expositions, etc... > >- - participer aux événements qui pourraient être co-sponsorizé par ISEA - > >- - ainimer des "chats" d'ISEA sur le site Web ou par le liste de >discussion de >forum d'ISEA > >- - NOUS SOMMES OUVERTS AU AUTRES POSSIBILITIES! > >Les groupes qui sont intéressées par le possibilitie d'accueillir une >partie de l'ISEA > devraient envoyer l'information suivante avant le 10 fevrier à : > >Pour la version francaise s.v.p. contacter Cynthia B Rubin ><cbrubin@brainiac.com> > >Nom de l'organisation >Nom du directeur de l'organisation ou chef du projet l'address de >organisation >email du contact >les motivations de cette organisation dans le cadre d'ISEA > >Une fois qu'une organisation est sélectionée pour une activitie, nous >signernons un >accord écrit sur l'utilisation du nom d'ISEA. > >Des organisations sont encouragés de trouver leurs propres fonds pour des >activités > d'ISEA. Des propositios pour les souventions soumises aux agences au nom >d'ISEA > doivent être distribuées au conseil d'administration d'ISEA 30 jours >avant >leur >date-limite, pour le raison que le conseil puisse fournir le "feedback" >(commentaire) >et assurer le développement uniforme des efforts d'ISEA. Les propositions >qui ne sont > pas écrites en anglais doivent inclure un sommaire en anglais, et >egalement le texte >complet dans la version orgininale. > >Les projets à long terme peuvent inclure un comité consultatif local et/ou >internationale comprenant les membres d'ISEA qui peuvent offrir de >travailler >avec des divers organisation dans le monde entier. > >Grâce à tous vos efforts nous attendons avec intêret l'etablissement d'une >communauté forte dans le domains des artes électroniques. > >Le conseil d'administration d'ISEA > >- --------------------++----- >Les faits sont faits. >http://www.fis.utoronto.ca/~stalder > > > > > >------------------------------ > >Date: Wed, 31 Jan 2001 10:04:24 -0600 >From: Steven Clift <slc@publicus.net> >Subject: Berlin - NetPolitics Happy Hour - Fri Feb 9 > > >Greetings, > >I'll be in Berlin next week. I am part of the Social Software Panel ><http://groups.yahoo.com/group/do-wire/message/775> at the >Transmediale event <http://www.transmediale.de/> on Thursday, >February 8. > >NetPolitcs Happy Hour? > > From 18:00-20:00 on Friday, February 9 from I'd like to organize a >small NetPolitics Happy Hour near the Podewil Centre for Contemporary Arts ><http://www.transmediale.de/01/en/map.htm> between sessions. NetPolitics >covers anyone who works with the Internet and political news site, >advocacy, political parties, e-government, parliaments, community >participation, and those simply interested in e-democracy in general. > >I've done this in London, Stockholm and soon Brussels as part of my >Democracies Online Newswire <http://www.e-democracy.org/do> outreach >efforts (full info below). Lots of fun. It is always interesting to see >who shows up and the kinds of connections that are made. > >To indicate your interest in attending (or virtually attending) join my >special e-mail list for contacts in Germany. Send an e-mail to: > > do-de-subscribe@yahoogroups.com > >We'll use this special e-list to set up the event and perhaps other >activities. I'll be in Berlin through Noon on Sunday, February 11. > >Sincerely, >Steven Clift >Democracies Online > >P.S. I am hoping to connect with those working on the Bundestag's >parliamentary online efforts late in the afternoon on Wednesday, Feb. 7. >If you know someone specific on the inside, please try to link us up. >Thanks. > > > > >------------------------------ > >Date: Wed, 31 Jan 2001 13:42:52 -0500 >From: "Brooke Singer" <brookesinger@hotmail.com> >Subject: Call for Net Artists > >Looking for net art for an upcoming exhibition at the Pittsburgh Center for >the Arts. The show is called APT (Art, Performance and Technology) and >opens >in mid May 2001. It will coincide with the International Sculpture > Conference taking >place >in Pittsburgh Summer 2001 that will honor Nam June Paik. >Please send a brief proposal and examples of work to Brooke Singer at >msinger@andrew.cmu.edu. Keep in mind that work will reside on one computer >(Mac) shared by 10 artists. Standalones will be considered along with >browser based work. > >Submission Deadline Extended to February 6th. > > >_________________________________________________________________ >Get your FREE download of MSN Explorer at http://explorer.msn.com > > >------------------------------ > ># distributed via <nettime>: no commercial use without permission ># <nettime> is a moderated mailing list for net criticism, ># collaborative text filtering and cultural politics of the nets ># more info: majordomo@bbs.thing.net and "info nettime-l" in the msg body ># archive: http://www.nettime.org contact: nettime@bbs.thing.net _________________________________________________________________________ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. _______________________________________________ Nettime-bold mailing list Nettime-bold@nettime.org http://www.nettime.org/cgi-bin/mailman/listinfo/nettime-bold