nettime-l on Thu, 7 Jun 2001 17:13:23 +0200 (CEST)


[Date Prev] [Date Next] [Thread Prev] [Thread Next] [Date Index] [Thread Index]

[Nettime-bold] Re: <nettime> Announcements [16]



You wrote:

>
>Table of Contents:
>
>   Apparatus for browser&monitor                                                   
>     computer fine arts <doron@computerfinearts.com>                                 
>
>                                                                                   
>     "Henry Lee" <dw@dream-warriors.com>                                             
>
>   netzspannung.org/journal/issue0 (english - deutsch)                             
>     redaktion@netzspannung.org                                                      
>
>   [red]20010606 and space-time mapping                                            
>     hidenori watanave <derin@lovelink.co.jp>                                        
>
>   artits proposal                                                                 
>     Technologies To The People <tttp@irational.org>                                 
>
>   Medi@terra 2001 / athens / Call for projects                                    
>     "Dimos Dimitriou" <addfield@ath.forthnet.gr>                                    
>
>   Live EWMO au CND                                                                
>     "ewmo" <ewmo@technart.net>                                                      
>
>   book announcement--Barrett                                                      
>     Jud Wolfskill <wolfskil@MIT.EDU>                                                
>
>   Apparatus for browser&monitor                                                   
>     computer fine arts <doron@computerfinearts.com>                                 
>
>   THE GREAT VIRTUAL SKYSCRAPER PROJECT                                            
>     www@trashconnection.com                                                         
>
>   1000+1 Netzkunstprojekte / verybusy.org                                         
>     mail@spiv.de             
>
>   post to nettime list                                                           
>     lordjimpunk <lord@jimpunk.com>                                                  
>
>   |_ /\ |) (- |\|: back from riga - resturlaub                                    
>     "LADEN" <LADEN@lothringer13.de>                                                 
>
>   software installation                                             
>     aurora@easynet.co.uk (Sarah Thompson)                                           
>
>   Opening@MIG Thursday >06.07.01 6-9/ A symposium@ Engine 27: "Post media" >06.08.
>     Michele <michele@movingimagegallery.com>                                        
>
>   Branding the Campus                                                             
>     "geert lovink" <geert@xs4all.nl>                                                
>
>
>
>------------------------------
>
>Date: Tue, 05 Jun 2001 09:53:32 -0500
>From: computer fine arts <doron@computerfinearts.com>
>Subject: Apparatus for browser&monitor
>
>june 5, 2001
>.
> http://www.computerfinearts.com/contort/
>.
> quicktime streaming, fast connection recommended
>.
>
>
>------------------------------
>
>Date: Mon, 4 Jun 2001 15:17:40
>From: "Henry Lee" <dw@dream-warriors.com>
>
>Announcement of a new Internet Film Production
>
>"K-Town Cowboyz" (www.k-towncowboys.com)
>
>“K-Town Cowboys,” is a trilogy, each episode is 30 minutes each.  When all three are completed, it will be made into a 90 minute feature film.
>	Episode 1: Hyung (Big Brother) – Action: The Brotherhood - Two main Characters Tae and Ed-K meet to form a brotherhood, which is put to the test by harsh elements of K-Town.
>	Episode 2: Eur-ri (Honor) – Drama: The Trials and Tribulations of Tae and Ed-K's brotherhood.
>	Episode 3: Sa-rang (Love) – Love Story: The Fulfillment of a Promise – Power and Money is not all for a man.  The ultimate gift is Love.
>
>Purpose:          We want to share with the world the unique 1.5-generation (immigrated to America before the age of 10) Korean American's struggle in dealing with the bi-cultural dilemma and their 
>fight to maintain their cultural heritage in this multiethnic City of Angels.
>
>Furthermore, we want to represent the power and creativity of the 1.5-generation Korean Americans who are interested in expressing our perspective to the world through the medium of Film.
>
>We are involved in all aspect of making this Film, from pre-production, production, post-production, and music scoring, to distribution.
>
>Theme: 
>“Not Koreans, Not  Americans,
>we are the K-Town Cowboyz.”
>
>Korean Americans in Korea-town, Los Angeles, have their own style, culture, and flair, unique to themselves.  It is this life style, which will be portrayed through the on-the-edge, hardcore, street 
>character of Ed-K and contrasted by the strong, grounded,
>traditional character of Tae.  It is the story of their relationship as they face the harsh realities and disappointments of living in K-Town.
>
>Casting: We are currently looking for males and females between the ages of 18 and 30, who are interested in being involved with this project.
>  
>For any of the following positions: 	Female Lead, stunts, martial artists, male and female actors, production assistants, extras
>
>
>------------------------------
>
>Date: Tue, 5 Jun 2001 17:00:38 +0200
>From: redaktion@netzspannung.org
>Subject: netzspannung.org/journal/issue0 (english - deutsch)
>
>// die Netzspannung steigt
>
>Welcome to the first edition of netzspannung.org/
>journal, the magazine for media production and 
>inter-media research. 
>
>netzspannung.org/journal is an editorial module of
>the netzspannung.org Internet platform, which goes
>online in September 2001. netzspannung.org is a
>project by MARS - Exploratory Media Lab (GMD) and 
>was initiated by Monika Fleischmann and Wolfgang 
>Strauss.
>
>netzspannung.org/journal projects a map of media 
>activity. Different formats for print and online are
>created from a collection of texts and images which
>evolve gradually to a digital knowledge landscape.
>
>Telematically collaborative workspaces offer new
>opportunities but also create new areas of conflict
>in using electronic space. In this edition, we 
>reflect on conditions for collaborative workspaces
>and touch on related areas relevant to the set-up of
>netzspannung.org. The contributions are grouped into
>the following clusters: medialaboratories,
>awareness, online archives, copyright and 
>intellectual property, distributed systems, 
>experimental media spaces, and cultural exchange in
>the network.
>
>Enjoy!
>netzspannung.org/journal editors
>// Gabriele Blome / Andrea Helbach
>
>You can find the English version of the e-journal at
>http://netzspannung.org/journal/issue0/index_en.html
>
>- ----------------------------------------------------
>netzspannung.org/journal - magazine for media 
>production and inter-media research
>Contact: redaktion@netzspannung.org
>Please subscribe at
>http://netzspannung.org/journal/registrieren_en.html 
>- ----------------------------------------------------
>
>*****************
>DEUTSCHE VERSION
>*****************
>
>// die Netzspannung steigt
>
>Willkommen zur ersten Ausgabe von netzspannung.org/
>journal - dem Magazin für mediale Inszenierung und
>intermediale Forschung. 
>
>netzspannung.org/journal ist ein redaktionelles
>Modul der Internet-Plattform netzspannung.org, die
>im September 2001 online geht. netzspannung.org ist
>ein Projekt vom MARS - Exploratory Media Lab (GMD)
>und wurde von Monika Fleischmann und Wolfgang
>Strauss initiiert.
>
>netzspannung.org/journal zeigt eine Landkarte des
>medialen Geschehens. Aus einer Datenbasis werden
>unterschiedliche Formate für Print- und Online
>generiert, die sich sukzessive zu einer digitalen
>Wissenslandschaft ausweiten. 
>
>Telematisch kollaborative Arbeitsumgebungen bieten
>neue Chancen, verweisen jedoch zugleich auch auf
>neue Konfliktsituationen im Umgang mit dem
>elektronischen Raum. Das Journal von
>netzspannung.org reflektiert in dieser Ausgabe die
>Bedingungen kollaborativer Arbeitsräume und berührt
>jene verwandten Diskurse, die beim Aufbau von
>netzspannung.org relevant sind. Die Beiträge sind
>zusammengefasst in die folgenden Cluster:
>Medienlabore, Awareness, Online-Archive, Copyright
>und Intellectual Property, Verteilte Systeme,
>Experimentelle Medienräume, und Kulturvermittlung
>im vernetzten Raum.
>
>Wir wünschen viel Anregung und Vergnügen beim Lesen!
>Redaktion netzspannung.org/journal
>// Gabriele Blome, Andrea Helbach
>
>Die deutsche Version des e-Journals finden Sie unter
>http://netzspannung.org/journal/issue0
>
>- ----------------------------------------------------
>netzspannung.org/journal - Magazin für mediale
>Inszenierung und intermediale Forschung
>Kontakt: redaktion@netzspannung.org
>Registrieren Sie sich unter:
>http://netzspannung.org/journal/registrieren.html 
>- ----------------------------------------------------
>
>
>------------------------------
>
>Date: Wed, 06 Jun 2001 11:55:32 +0900
>From: hidenori watanave <derin@lovelink.co.jp>
>Subject: [red]20010606 and space-time mapping
>
>Hello everyone,
>I made the experimental works.
>
>one,[red]20010606,
>This work is made to transform the 3-dimensional map of Shibuya_TOKYO extremely.
>http://member.nifty.ne.jp/derin/qtvr/red/index.html
>This is project expressing the appearance which the world transforms by feeling.
>
>one,[Harajuku space-time mapping/archiving workshop]
>This is the common project of Hiroya Tanaka, my friend,and me.
>http://www.spacetimedesigns.org/jikuumap/maps.html
>(sorry japanese only)
>
>The participants of a project (workshop) take a photograph of a town
>with a digital camera, and submit for the map on the Internet.The map is
>programmed so that it may be gradually distorted by the weight of the
>contributed photograph.
>We exhibit signs that the map changes gradually, on Quicktime movie.
>http://www.spacetimedesigns.org/jikuumap/yoyogi_small.mov
>http://www.spacetimedesigns.org/jikuumap/omote_small.mov
>
>please gimme a comment.:)
>
>yours,
>- -- 
>++ hidenori watanave (26)
>A) 3d-graffitist @ Lovelink
>B) Kyoto Univ.of Art'n Design
>C) Asagaya college of Art'n Design
>++
>http://member.nifty.ne.jp/derin/
>09098352695
>
>
>------------------------------
>
>Date: Wed, 6 Jun 2001 11:55:25 +0200
>From: Technologies To The People <tttp@irational.org>
>Subject: artits proposal
>
>
>IDENSITY CALAF/BARCELONA 01-02.
>Projects of Critical Participation and Social Interaction in the Public Spac=
>e.
>
>IDENSITY becomes the thematic axis of a programme that gathers=20
>projects, promotes participation and proposes debates in the field of=20
>creation linked to the public space.
>
>Community space, interaction, identity, communication, confrontation,=20
>participation and conflict are elements that, connected to social and=20
>cultural factors, which are characteristic of the place, become=20
>active instruments to project and actively participate in the public=20
>space.
>
>These activities are developed between two urban areas with different=20
>characteristics: a population of three thousand inhabitants in an=20
>industrial and rural context, namely Calaf, and another of three=20
>million inhabitants in an urban context with more complex=20
>characteristics, that is, Barcelona.
>
>Taking these two specific contexts a field for projects to happen is=20
>proposed and open to experimentation. It is also addressed to=20
>creators who develop their work by means of representation or action=20
>in urban contexts, working directly in the field of the human=20
>interaction which is normally found to the public space. The working=20
>process is stressed through the project, participation and debate.
>
>IDENTITAT         DENSITAT      LLOC          COMUNITAT
>IDENTIDAD        DENSIDAD      LUGAR      COMUNIDAD
>IDENTITY           DENSITY         SITE           COMMUNITY
>
>
>
>
>Antecedents of the Project IDENSITY.CALAF/BARCELONA 01-02.
>
>IDENSITY.CALAF/BARCELONA 01-02 maintains the sense and the spirit of=20
>Calaf Public Art 1999-2000, gathering a number of people involved in=20
>creative practices related to the public space, either through=20
>activities of participation and theorisation, or through an open and=20
>critical debate.
>
>In this new stage of the project the aim is to reaffirm the goals met=20
>in the former convocation and start a renewal in order to widen its=20
>own horizon. This renewal implies the consolidation of the theoretic=20
>potential generated in all the activities, the expansion of the=20
>connection with other cities that organise activities in the field of=20
>creation and contemporary art, and also establishing ties with=20
>education and teaching: artists' collectives, schedules, schools and=20
>faculties, either of art, architecture or design.
>
>IDENSITY. CALAF/BARCELONA 01-02 is a project that has a=20
>multidisciplinary character focused on new areas of activity in the=20
>public space. It is based on open working processes, participation,=20
>questioning and debate. The different interrelated stages that=20
>constitute this programme are:
>- -Public call of projects from other contexts (2001).
>- -Carrying out the projects in the contexts of Calaf and Barcelona (2001).
>- -Exhibition of the work in progress (2001-2002).
>- -Debates. (2002)
>- -Publication.(2002)
>
>
>
>Activities Promoted by IDENSITAT.CALAF/BARCELONA 01-02.
>
>
>Public Call to Artists Who Relate their Activity to the Public Space
>
>This is a public and open call addressed to artists who have made=20
>projects and developed activities or performed in different=20
>contextual areas of the public space. Working processes which are=20
>open and applied to other social and cultural areas will also be=20
>considered.
>
>Stressing the Working Process and Investigation
>
>A selection committee chooses the artists who will participate and=20
>who will carry out a stay in Calaf and Barcelona with the aim of=20
>making a project related to both specific contexts. In this sense,=20
>the people or the working teams who would like to participate in this=20
>programme must explain which are the basic lines of activity=20
>developed in both contexts.
>
>Giving Support to the Production of Contemporary Creation.
>
>Three of the proposed projects will be selected and funded so they=20
>can be carried out. There is a period of approximately a year to make=20
>the proposal. These projects will be publicly presented in the year=20
>2002, together with a programme of debates.
>
>Stimulating Debate and Communication
>
> A series of artists and theorists, who develop their work in a=20
>hybrid area, are invited to expose their positions and ideas in order=20
>to establish a theoretical point of discussion.
>
>Enacting a Divulgating and Pedagogical Function
>
> An itinerant exhibition and a publication comprising the projects=20
>developed are the elements that makethe explanation of this programme=20
>in other places possible. Other parallel activities can be developed=20
>by means of itinerancy.
>
>
>
>Terms of the Call.
>
>The participation in IDENSITY. CALAF / BARCELONA 01-02 is open and it=20
>has a multidisciplinary character. It is addressed to artists who=20
>work in the field of public space. It is possible to participate with=20
>finished works or with projects. These must have focused their=20
>investigation on specific contexts and must formulate proposals of=20
>critical participation and social interaction in the public space.
>
>In order to make the work comprehensible it is necessary to attach=20
>all the information that is deemed suitable, as well as the=20
>references to the context.
>
>It is mandatory to outline the guidelines which the project will be=20
>based upon, just in case it is selected. To elaborate them the=20
>following instructions must be taken into account:
>
>- - The proposals must follow the general guidelines detailed in this=20
>set of terms.
>- - The projects may refer to specific aspects of Calaf and Barcelona,=20
>and to common or contrasting elements of both places.
>- - In Calaf a workshop that involves a sector of its population=20
>(associations, groups, collectives, students, among others) must be=20
>held, in such a way that the social fabric of the town is involved in=20
>the working process.
>
>The final project will be written out after a stay in both places.
>
>The selection committee of this call will be constituted by:
>
>Manuel Delgado: Anthropologist and professor of urban anthropology in=20
>the University of Barcelona.
>Nuria Enguita: Exhibition manager in the Antoni T=E0pies Foundation of Barce=
>lona.
>Antoni Muntadas: Artist.
>Ramon Parramon: Artist, professor and director of IDENSITY. CALAF /=20
>BARCELONA 01-02.
>
>Realisation of the Projects in the Context of Calaf and Barcelona.
>
>Seven authors (or working teams) will be selected among all those who=20
>have presented a work in order to develop a specific project in the=20
>context of Calaf and Barcelona. The seven chosen artists or teams=20
>will be able to realise their proposal in the period comprised=20
>between the 3rd and the 16th of September 2001. The stay will be=20
>split in two weeks, one spent in Calaf and another in Barcelona.
>
>This stay may be considered as a field work that will last fifteen=20
>days, so that during this period the participants can concentrate all=20
>their efforts in the making of their own projects. Therefore, there=20
>will be the possibility to work on ideas related to the specific=20
>contexts of Calaf and Barcelona. Afterwards, three out of these seven=20
>projects will be selected for a later materialisation, construction=20
>and realisation of the workshop.
>
>In Calaf, the Town Council will facilitate the basic materials and=20
>the required information for these three selected participants to=20
>elaborate their own specific projects. In Barcelona, the Centre of=20
>Contemporary Culture of Barcelona and Hangar will allow access to a=20
>working place and to some of their facilities: computers, video=20
>edition and working areas, among others.
>
>
>In Barcelona, the working area does not need to be restricted to a=20
>specific zone, although the selection of areas where agglutinative=20
>processes of the urban fabric take place will be considered. There=20
>will be free access to the Documentation Centre of the Centre of=20
>Contemporary Culture of Barcelona, so that any information needed=20
>while outlining the project may be obtained.
>
>=46ood and lodging expenses for the three final participants will be=20
>covered by the organisation. They will also have access to a working=20
>place, to basic equipment and to any required information needed to=20
>write out the project.
>
>If a collective presents the project, the organisation will cover the=20
>food and lodging costs of only two members of the group.
>
>Exhibition of the Process
>
>Apart from this stay in Calaf and Barcelona (September 2001),=20
>simultaneously, some activities will be realised centred in allowing=20
>communication between participants and groups who take part in and=20
>develop the social processes affecting the city itself. Through this=20
>mechanism, the formal device that becomes the exhibition will be=20
>constructed. This exhibition will be itinerant throughout the year=20
>2002.
>
>The exhibition of all this process will have a documentary and an=20
>audio-visual character (slides, photographs, videos, CD-ROM, etc).
>
>Production
>
>Three out of the seven specific projects realised in the context of=20
>Calaf and Barcelona will be selected and publicly presented=20
>afterwards by mid 2002.
>These projects will be funded with 5000 euros each as payment for=20
>wages and material expenses.
>
>The selected projects will appear in different forms: an exhibition,=20
>a publication in paper and an electronic one in the IDENSITY website.=20
>The exhibition will be held in Barcelona, Calaf and Madrid. It will=20
>also be part of the Itinerant Exhibition Programme of the Artistic=20
>Diffusion Bureau belonging to the Cultural Area of the Diputaci=F3 of=20
>Barcelona.
>
>Submission of the Proposals
>
>- - Submit a dossier (photographs, slides, videos, magnetic medium or=20
>other means of reproduction) showing other projects or works already=20
>done.
>- - Attach a written document defining the basic guidelines adapted to=20
>the characteristics of this call.
>- - Include a curriculum and a photocopy of each participant's identity=20
>card or passport.
>
>The projects should be sent from the 1st April to the 30th June of 2001 to:
>
>Ajuntament
>Calaf Art Public
>Pla=E7a Gran, 2
>E-08280 Calaf
>
>Phone number: 93 869 85 12
>=46ax: 93 868 04 62
>(Consultation timetable: Tuesdays and Thursdays, from 9 AM to 1 PM)
>
>Or through the following electronic address: idensitat@cccb.org
>http://idensitat.cccb.org
>
>The mailing and collection of the projects will be the sole=20
>responsibility of the participants. It will be possible to collect=20
>the unwanted projects from the 1st of September to the 1st of October=20
>2001.
>
>Regarding the Ownership of the Works
>
>- - The selected works and the related projects will remain their=20
>authors' property. Their reproduction will be allowed to appear in a=20
>published form and/or to be distributed through the Internet (during=20
>a period of two years after the date of its publication), and also in=20
>all those instances related to the promotion of the IDENSITY. CALAF /=20
>BARCELONA 01-02 event.
>- - The association Calaf Public art and the Town Council of Calaf will=20
>include in all their documentary files and public archive all the=20
>documentation generated by the IDENSITY. CALAF / BARCELONA 01-02=20
>event.
>
>The participation in this call implies the acceptance of its terms.
>
>Organisation
>
>
>IDENSIDAD. CALAF / BARCELONA 01-02
>Organised by:
>Associaci=F3 Calaf Art P=FAblic
>
>With special support:
>Ayuntamiento de Calaf
>Centre de Cultura Contempor=E0nia de Barcelona
>Ajuntament de Barcelona. Institut de Cultura
>
>
>Support:
>Diputaci=F3 de Barcelona
>Generalitat de Catalunya. Departament de Cultura.
>Hangar. Centre de Producci=F3 d'Arts Visuals i Multim=E8dia
>INJUVE. Ministerio de Trabajo y Asuntos Sociales
>
>
>
>General Guidelines
>
>Projects of critical participation and social interaction in the public spac=
>e.
>
>The creation that is developed in a hybrid territory: a place of=20
>contagion with other fields of knowledge.
>
>Creation linked to other fields: anthropology, urbanism, history,=20
>sociology, pedagogy, and contact with specific cultural communities.=20
>In short, creative works approached from a perspective based on=20
>multidisciplinary roots.
>
>Creation as a working process linked to a place or to a specific=20
>context and proposing mechanisms of involvement in the social field.
>
>Creation as an activity in process able to transform either space,=20
>the relationship with the place and memory.
>
>Interference with social and cultural contexts. Works that act as an=20
>entrance into specific aspects of the cultural context, so that=20
>particular fragments may be analysed, debated, questioned and/or=20
>reinterpreted.
>
>Critical analysis of the social and contextual realities to which the=20
>work refers to.  Alignments and alternative proposals opposed to=20
>consensual approaches.
>
>A creative practice that establishes a communication with individuals=20
>or social areas traditionally kept away from the artistic channels.
>
>Propose new strategies and new means of presentation in order to=20
>reach new audiences. Works that simultaneously use several=20
>technologies and final formalisations: actions in the urban public=20
>space, works for television channels or in the web, etc.
>
>The creative practice that proposes a working methodology based on=20
>investigation and a discourse that is coherent with this=20
>investigation.
>
>Approach the working process as a creative practice that requires an=20
>analysis of the situation and a later speculative proposal. A=20
>previous field of work and a proposal determined by this=20
>investigation.
>
>
>Organisation
>
>IDENSITY. CALAF / BARCELONA 01-02 is a public call organised by:
>Calaf Public Art Association
>
>With special support from:
>Town Council of Calaf
>Centre of Contemporary Culture of Barcelona. CCCB
>Diputaci=F3 de Barcelona (provincial government)
>
>With the support of:
>Generalitat de Catalunya (Catalan autonomous government). Department=20
>of Culture,
>Ministry of Education and Culture. General Direction of Fine Arts and=20
>Cultural Patrimony
>
>With the collaboration of:
>Hangar, Centre of Production of Visual Arts and Multimedia
>INJUVE, Ministry of Work and Social Affairs
>
>
>
>
>
>
>
>------------------------------
>
>Date: Wed, 6 Jun 2001 18:02:00 +0300
>From: "Dimos Dimitriou" <addfield@ath.forthnet.gr>
>Subject: Medi@terra 2001 / athens / Call for projects
>
>Medi@terra 2001
>
>International Art and Technology Festival
>http://www.mediaterra.org
>
>De-Globalizing / Re-Globalizing Culture
>
>14 September - 15 October 2001
>
>Lavrion-Athens >> Sofia - Plovdiv >> Maribor >> Frankfurt
>
>call: http://www.mediaterra.org/mediaterra2001/files/calleng.html
>entry form: http://www.mediaterra.org/mediaterra2001/files/form.html
>
>
>
>The Medi@terra Festival is among the cultural events which are organised in
>the context of the Olympic Games of 2004 in Athens.
>
>
>
>
>CALL FOR PROJECTS
>
>The annual Medi@terra Festival is changing form. Under the title
>De-Globalizing / Re-Globalizing, the Festival is travelling from the South
>to the North in the form of a microMuseum.
>
>Medi@terra, having developed an intense activity around the questions posed
>by digital culture, has been included among the events which are organised
>on the opportunity of the Olympic Games of 2004 in Athens. Its inclusion in
>the Cultural Olympiad for the years 2001 - 2004 has recently been announced.
>
>Medi@terra supports and puts into practice the view of a continuously
>evolving festival, both in terms of its form and ideas. As such, it invites
>all those with an interest in research and experimentation around the new
>conditions that are now being shaped to take part in its new effort: a
>moving Festival that will start off from Greece, travel through the Balkans
>and end up in Germany.
>This movement will be made through a microMuseum: a small, adaptable
>structure which, making use of new technology, can contain a large number of
>works of art, views, proposals and presentations, as well as systems and
>friendly areas for communication and meetings. The works that will travel
>with the microMuseum are ones which experiment with the new platforms for
>the production and exhibition of the modern art work through different
>creative media. The microMuseum is based on the logic of the kiosk that one
>finds mainly in Greece (peripteron), with a reference at the same time to
>the concept of the 'small museum,' an idea which began in the 16th century
>and continues among today's artists.
>
>In each host city, the events of Medi@terra will be set up within and around
>the microMuseum: CD-ROM art, net art, computer art, digital photography,
>interactive objects and "hand luggage-sized" installations, sound
>environments and electronic music, screenings, an archive with printed
>matter, texts in digital form, audio-visual propositions and presentations
>as well as cultural events organised by the artists and art centres of each
>city. A debate on the subject of the other side of globalisation will round
>off the activities of the Festival.
>
>An art centre in each city-stop will undertake the setting up and
>realisation of the microMuseum in collaboration with its various associates,
>and will participate as a co-organiser in the preparations and making of
>decisions. In addition, each centre will be able to take part in
>Medi@terra's journey as a member of the "Observing Cities' Net" via the
>Internet. Through the Internet it will be possible to follow the path of the
>microMuseum and participate in its events from a distance, from every point
>on the globe. The "Observing Cities' Net" is initiated by the network of
>centres which co-organise the festival, while all the members of the network
>can observe, guide, disseminate information and participate with work and
>activities in the unfolding events of the journey.
>
>The microMuseum will start from the city of Lavrion, famous from the
>antiquity for its silver-mines that have supported the Hellenic Democracy of
>the Golden Age, whilst in the 19th century the first industrial unit was
>created there. Today, this unit has been turned into a technological park
>and the Municipality is participating in a programme for the "smart city."
>
>Medi@terra will continue its journey through the cities of Sofia & Plovdiv
>(Bulgaria), Maribor (Slovenia), ending up at the International Book Fair in
>Frankfurt where the honoured country this year is Greece. Here, the
>microMuseum will present, along with all the things experienced on the
>journey, material with information (videos, photographs, texts, etc.) which
>artists will have produced throughout the duration of the journey.
>
>
>Important Dates
>
>Submission of:
>
>VIDEO ART & COMPUTER ANIMATION
>NET ART & CD ROM
>DIGITAL SOUND ART & ELECTRONIC MUSIC
>COMPUTER ART & DIGITAL PHOTOGRAPHY
>Material for the ARCHIVE & E-BOOKs
>20 July
>
>Submission of proposals for INTERACTIVE OBJECTS / INTERACTIVE INSTALLATIONS
>31 June
>
>
>
>
>VIDEO ART & COMPUTER ANIMATION
>
>Conditions of participation:
>
>The work should be in mini DV or VHS format, PAL system
>
>It can be in any language. English sub-titles essential.
>Submission Deadline: 20/07/2001
>
>
>INTERACTIVE OBJECT / INSTALLATION
>
>Conditions of participation:
>
>The work, when packed, should have maximum dimensions those of an item of
>hand luggage so as to be transportable (61 x 25 x 41 cm)
>It should be interactive
>It should be packed in a wooden or metal case or container "hand
>luggage-sized" (it should not require extra packing)
>It should be technologically autonomous
>It should be easy to set up by someone without specialised knowledge
>It should weigh up to 20 kilos
>It should be accompanied by guidelines for its use/exhibition
>Submission Deadline for Proposal/Design: 31/06/2001
>
>In the case that the proposal is selected, the work must be completed by 25
>August 2001.
>
>
>INTERACTIVE DIGITAL MEDIA
>
>INTERNET
>CD-ROM
>Submission Deadline: 20/07/2001
>
>
>DIGITAL SOUND ART AND ELECTRONIC MUSIC
>
>Conditions of participation:
>
>The work should be in wav audio format (stereo, 44.1 kHz, 16bit) AND in mp3
>format (96 or 128 kBits, 44.1 kHz, stereo), on CD-ROM
>It should have a maximum duration of 8 minutes
>It should have been created within the last two years
>Submission Deadline: 20/07/2001
>
>
>COMPUTER ART & DIGITAL PHOTOGRAPHY
>
>Conditions of Participation:
>
>The work should have maximum dimensions 10 x 15 cm
>It can be printed on all kinds of paper
>It should be unframed
>Submission Deadline: 20/07/2001
>
>
>ARCHIVE of the microMuseum
>
>- - This can include electronic books, proposals, biographies, portraits,
>testimonies, etc. in digital, internet or printed form (video, CD-ROM,
>internet, printed matter). The content can be: a message from the creator, a
>presentation by an artist, a demo, a documentary or a proposal. More
>specifically:
>
>For VIDEO
>- - The work should be in mini DV format
>- - It should have a maximum duration of 5 minutes
>
>For CD-ROM, INTERNET:
>- - The work should be PC compatible
>
>For PRINTED MATTER:
>- - The printed matter can be in any language, so long as it is accompanied by
>a summary of the contents in English.
>
>For e-BOOKS
>- - The texts must should be on one of the following themes: a) journey from
>the South to the North, b) from the other side of globalization, c) from the
>small to the large, d) from the single to the multiple
>- - It can be scientific, literary, an essay, personal, a diary, thoughts,
>suggestions, even a comic, in digital form
>- - It should be forwarded in English
>- - It can be from 500 to 10,000 words
>
>
>For DIGITAL MUSIC
>- - The work should have a maximum duration of 8 minutes
>- - It should be designed to function adequately if reproduced by the
>multimedia hardware available on an average computer (medium sized desktop
>stereo speakers and sound blaster class audio / mini card).
>
>Submission Deadline: 20/07/2001
>
>
>HOW TO DECLARE YOUR PARTICIPATION
>
>Fill in the Entry Form that you will find at www.mediaterra.org and send it
>along with the material required for each category, as described above, to
>the Fournos Centre for Art and New Technologies
>
>by post: 168 Mavromichali Street, 114 72, Athens
>by fax: +301 6470 069
>by e-mail: info@fournos-culture.gr
>For more information, contact Daphne Dragona, In Charge of Communication and
>Co-ordination of the Festival by telephone on +301 6460 748 or +301 6420 451
>or Email daphne@fournos-culture.gr
>
>
>Medi@terra 2001 International Art and Technology Festival
>Is organized by:
>
>Fournos Center for Art and New Technologies
>Hellenic Ministry of Culture
>Hellenic Cultural Heritage SA, Cultural Olympiad 2001 - 2004
>Lavrion Municipal Development Enterprise
>Is co-organized by:
>
>ArtToday Foundation [Bulgaria]
>Student Computer Art Society [Bulgaria]
>Multimedia Lab KIBLA [Slovenia]
>Intima Virtual Base [Slovenia]
>European Media Art Festival [Germany]
>CICV Pierre Schaeffer / next-movies [France]
>
>
>
>
>MEDI@TERRA 2001 - STEERING COMMITTEE
>
>Manthos Santorineos, Artistic Director of Medi@terra & Director of Fournos
>Dodo Santorineou, Co-Director of Fournos and Medi@terra
>Maria X, Co-Director of Fournos and Medi@terra
>Maria Roussou, Head of the Virtual Reality Department, Foundation of the
>Hellenic World
>Dimos Dimitriou, Artist
>Dimitris Kamarotos, Composer-Musicologist
>Zoe Kazazaki, Head of the International Organizations Department, Hellenic
>Ministry of Culture
>Maria Theodorou, Adviser of the Hellenic Cultural Heritage SA, Cultural
>Olympiad 2001 - 2004
>Andreas Nefeloudis, President of the Lavrion Municipal Development
>Enterprise
>
>
>MEDI@TERRA 2001 - PROGRAMMING COMMITTEE
>
>Manthos Santorineos, Artistic Director of Medi@terra & Director of Fournos
>Maria X, Co-Director of Fournos and Medi@terra
>Maria Roussou, Head of the Virtual Reality Department, Foundation of the
>Hellenic World
>Dimos Dimitriou, Artist
>Dimitris Kamarotos, Composer-Musicologist
>Pierre Bongiovanni, Director of the CICV Pierre Schaeffer, France
>Peter Tomaz Dobrila, Director of the KIBLA Multimedia Lab, Slovenia
>Alfred Rotert, Co-Director of the European Media Art Festival of Osnabruck,
>Germany
>Dimitrina Sevova, Curator of the Communication Front Festival & Member of
>the ArtToday Foundation, Bulgaria
>Rosen Petkov, President of Student Computer Art Society & Director of the
>ComputerSpace Festival, Bulgaria
>
>
>
>
>
>
>
>
>
>------------------------------
>
>Date: Wed, 6 Jun 2001 19:52:35 +0200
>From: "ewmo" <ewmo@technart.net>
>Subject: Live EWMO au CND
>
>- ----------------------------
>LE 9 JUIN 2001 CND
>- ----------------------------
>
>EWMO play PHEX
>EXTRA-ORDINAIRE -
>carte blanche au TNT-
>Centre National de la Danse -
>9 Juin 2001 - 20h30
>15, rue Geoffroy-l'Asnier
>75004 Paris
>
>- ---------------------------------------------------------------------
>- ----------- Live minimal & film expérimental ewmo ----
>- ---------------------------------------------------------------------
>
>w i t h
>
>Beffroi
>Live minimal électronique bruitiste basé sur l'accumulation et le
>détournement.
>Sons brisés, transformés, reconstruits.
>*Références -> Fennesz, vague électronica, Jim O'Rourke, label Mego.
>
>Rekelsit
>Univers live minimal dansable se structurant sur des bases rock.
>Rythmiques, fréquences, mélodies.
>*Références -> Schneider TM, Fennesz, Mouse on Mars
>
>E-di
>Mix électronic bruitiste proche de la musique contemporaine écrite.
>Abstrait, minimal, ambiant.
>*Références -> Pansonic, Oval, label Mego, Boulez, Despentes
>
>Tek
>Films séquentiels originaux ou détournés montés en systèmes complexes.
>Corps, images, hasard.
>*Références -> Tscherkassky, O'Neill, Drummond, Sharit
>
>- ---------------------------------------------------------------------
>
>http://www.technart.net/ewmo (interface à coller)
>
>renseignements ewmo:
>
>cécile 06 74 68 49 17
>Edi 06 87 66 55 44
>
>Information / réservation / vente
>16, rue Geoffroy-l'Asnier
>T 01 42 74 06 44
>mcs@cnd.fr
>
>- ---
>
>Studio CND
>15, rue Geoffroy-l'Asnier
>75004 Paris
>Métro : Saint-Paul, Pont-Marie
>
>EXTRA ORDINAIRE du 5 au 9 juin
>Information / réservation / vente
>16, rue Geoffroy-l'Asnier
>T 01 42 74 06 44
>mcs@cnd.fr
>
>Passe abonnés CND
>50 F (7,62 euros), TR 40 F (6,10 euros)
>Passe non-abonnés
>70 F (10,67 euros), TR 60 F (9,15 euros)
>www.cnd.fr
>
>Tarif réduit :
>moins de 26 ans, demandeurs d'emploi, groupe 10 personnes
>http://www.cnd.fr/pages/TNT/extraordinaire.html
>
>- ---------------------------------------------------------------
>
>- - Ewmo est produit et Luna prod -
>don't forget technart.net
>
>
>
>
>
>------------------------------
>
>Date: Wed, 6 Jun 2001 16:33:17 -0400
>From: Jud Wolfskill <wolfskil@MIT.EDU>
>Subject: book announcement--Barrett
>
>
>I thought readers of NetTime-L might be interested in this book.  For more
>information please visit http://mitpress.mit.edu/promotions/books/BARJHS01
>
>The MIT Guide to Teaching Web Site Design
>Edward Barrett, Deborah A. Levinson, and Suzana Lisanti
>
>Most books on Web design focus on the appearance of the finished product
>and pay little attention to the ideas and processes involved in intelligent
>interactive design. This book is based on the premise that the principles
>that have defined good communication design in the past apply equally well
>to the Web. The basic process is one of defining the purpose, audience, and
>style appropriate to one's objectives. Another premise is that effective
>Web site design is an inherently collaborative process requiring not only
>technical skills but more traditional written and oral communication
>skills. Hence, this book stresses a social, process-oriented approach both
>to design and to classroom instruction.
>
>The book covers all aspects of teaching Web design, from optimal class size
>and classroom configuration to peer review of completed projects. It is
>written in an accessible style and uses many examples from the Web design
>course taught by the authors at MIT.
>
>Edward Barrett is Senior Lecturer in the Program in Writing and Humanistic
>Studies; Deborah A. Levinson is Electronic Publishing Consultant, Web
>Communication Services; and Suzana Lisanti is Director, Web Publishing
>Services, all at the Massachusetts Institute of Technology.
>
>6 x 9, 123 pp., 36 illus., cloth ISBN 0-262-02500-0
>
>Technical Communication, Multimedia, and Information Systems series
>- --------------------------------------------------------------------------------
>Jud Wolfskill					617.253.2079 phone
>Associate Publicist					617.253.1709 fax
>MIT Press						wolfskil@mit.edu
>5 Cambridge Center					http://mitpress.mit.edu
>Fourth Floor
>Cambridge, MA  02142
>
>
>------------------------------
>
>Date: Wed, 06 Jun 2001 12:07:33 -0500
>From: computer fine arts <doron@computerfinearts.com>
>Subject: Apparatus for browser&monitor
>
>june 5, 2001
>.
> http://www.computerfinearts.com/contort/
>.
> quicktime streaming, fast connection recommended
>.
>
>
>------------------------------
>
>Date: 6 Jun 2001 17:30:19 -0700
>From: www@trashconnection.com
>Subject: THE GREAT VIRTUAL SKYSCRAPER PROJECT
>
>SUBMIT YOUR VIRTUAL SPACE NOW! SUBMIT YOUR VIRTUAL SPACE NOW! SUBMIT YOUR VIRTUAL SPACE NOW! 
>
>http://www.trashconnection.com
>
>0----00----00----00----00----00----00----00----00----00----00----00----0
>   _   _   _   _       _  _           _  _  _  *  _         _  _
>   |  |_) |_| |_  |_| |  | | | | | | |_ |   |  | | | | |   |  | | |  |
>   |  | \ | | __| | | |_ |_| |\| |\| |_ |_  |  | |_| |\| * |_ |_| |\/|
>
>0----00----00----00----00----00----00----00----00----00----00----00----0
>
>
>__________________________________________
>Get your free domain name and domain-based
>e-mail from Namezero.com
>New! Namezero Plus domains now available.
>Find out more at: http://www.namezero.com
>
>
>------------------------------
>
>Date: Thu, 07 Jun 2001 04:13:47 +0200
>From: =?iso-8859-1?Q?=22Stephan_=28Spiv=29_Schr=F6der=22?= <mail@spiv.de>
>Subject: 1000+1 Netzkunstprojekte / verybusy.org
>
>
>*** Netzkunstsuchmaschine seit 98 www.verybusy.org
>
>
>Hallo Liste,
>
>nach etwas weniger als 2 Jahren verzeichnet die autonome Suchmaschine für 
>Netz und Medienkunst www.verybusy.org fast 1000 durch User eingetragene 
>Netz/medienkunstr-Projekte (935) und eine immense Anzahl von Instutitionen, 
>E-zines, Festivals etc.
>
>Alle Listenneulinge möchte ich einladen, ihre Netzkunstprojekte bei 
>www.verybusy.org kostenlos zu registrieren und Anbieter von "per Hand" 
>gepfelgten Netzkunst Listen  zur kooperation bzw. Datenabgleich bitten.
>
>Die verybusy.org Suchmaschine kann sehr einfach über:
>- -- copy & paste ------------------------------8>< - - - -- -----
><form action="http://www.verybusy.org/cgi-bin/search.pl" name="Formular" 
>target="_blank">
>SEARCH AT www.verybusy.org
><input type="text" name="searchkeys" size="20">
><input type="hidden" name="parameter" value="all">
><input type="hidden" name="target" value="_blank">
><input type="submit" name="Submit" value="go">&nbsp;
><input type="button" name="add" value="add project" 
>onClick="document.location.href = 'http://www.verybusy.org/add_remote.htm'">
></form>
>- -- copy & paste ------------------------------8>< - - - -- -----
>
>direkt in eure Websites integriert werden. Geplant ist ausserdem die 
>Suchmaschine demnächst mit einigen Neuerungen auf Version 4.0 zu trimmen. 
>Der Einsender des 1000sten Netzkunstprojektes gewinnt Ausserdem einen 
>Preis. (email kontakt erfoderlich)
>
>spiv.
>verybusy.org
>
>
>
>
>
>------------------------------
>
>Date: Wed, 06 Jun 2001 16:00:35 +0200
>From: lordjimpunk <lord@jimpunk.com>
>Subject: post to nettime  list
>
>hello
>
>
>
>can you post this for the nettime list
>
>
>
>http://www.jimpunk.com/
>http://connection11111111111111111111111111111111111.jimpunk.com/
>http://www.jimpunk.com/project/star/
>
>
>
>
>
>screen resolution of 1024 X 768
>Flash Player
>Netscape >= 4.04 or I.E. >= 4.01
>
>thanx
>
>cyril
>
>
>------------------------------
>
>Date: Wed, 6 Jun 2001 17:21:05 +0200
>From: "LADEN" <LADEN@lothringer13.de>
>Subject: |_ /\ |) (- |\|: back from riga - resturlaub
>
>program angels projects proudly present
>
>BACK FROM RIGA+BACK FROM RIGA+BACK FROM RIGA+BACK FROM RIGA
>
>Resturlaub - der etwas andere Reisebericht
>
>auf der Terrasse des "Hotel President"
>lothringer13/LADEN
>Sa, 09.Juni 2001, 20 Uhr
>
>mit Hannes Gamper, Karl-Heinz Einberger, Valentin Goderbauer
>und Rainer Haas (www.netzhal.de/riga)
>
>Was geschah auf dem Hausboot der Kuenstlergruppe "noass"???
>Kampf dem "Dilemma der Ortlosigkeit"! Hier! Jetzt! :-)
>************************************************************
>LADENgefluester:
>..:)++ Aufgrund unseres Aufrufes vor einem Monat meldete sich der
>Finder der vermissten Polizistenbrille.
>Nur: wie finden wir jetzt den Polizisten?
>Wer kennt ihn? Braucht er die Brille bei dem Wetter ueberhaupt?
>Sachdienliche Hinweise erneut an die Program Angels...:-)**++$$
>
>...**++&&..und wie kann man beim Spiel FC-Bayern gegen Valencia vor der
>zweiten
>Halbzeit einschlafen, noch dazu wenn man unweit der Leopoldstrasse
>wohnt?...##**:)
>************************************************************
>lothringer13/LADEN
>Eine Einrichtung des Kulturreferates der Landeshauptstadt Muenchen
>Lothringerstr. 13
>D - 81667 Muenchen
>Tel/Fax: 089/ 45911905
>http://www.lothringer13.de/LADEN
>LADEN@lothringer13.de
>Oeffnungszeiten Do - So 16 - 20 Uhr
>
>We apologize for crosspostings - to subscribe/unsubscribe contact:
>LADEN@lothringer13.de
>************************************************************
>
>
>
>------------------------------
>
>Date: Wed, 6 Jun 2001 21:11:31 -0400
>From: aurora@easynet.co.uk (Sarah Thompson)
>Subject: software installation
>
>
>"Software Installation"
>
>A new article by Sarah Thompson on the announcement of the exhibition:
>                        Absolute One
>the surrounding net context and selected historical relations___
>
>referencing: Volker Grassmuck, Concept for Wizards of OS (nettime 1998),
>Eating Disorder: The Story of a Shape (Matthew Fuller/ C-Theory 1997 ), and
>current related texts by  Aurora Fonda, Marina Grzinic, and Sarah Cook
>
>published at:  http://www.content-type.org.uk
>
>
>
>
>
>
>------------------------------
>
>Date: Wed, 06 Jun 2001 17:20:09 -0700
>From: Michele <michele@movingimagegallery.com>
>Subject: Opening@MIG Thursday >06.07.01 6-9/ A symposium@ Engine 27: "Post media" >06.08.01 7-9/ 21st Century Wildstyle 06.09.01  
>
>
>- ----------------------------------------------------------------------------------------------------------
>
>ARTIST RECEPTION
>[ Thursday June 7 (6pm - 9pm) ]
>
>
>Yael Kanarek @
>Moving Image Gallery
>414 Broadway 3rd Floor
>NY, NY 1001
>
>
>World of Awe > Silicon Canyon
>
>June 7, 2001-June 28, 2001
>http://www.worldofawe.net/thejournal/navigation/Silicon_Canyon.pdf
>Gallery hours:
>Mon, Tue & Fri 10:00-2:00
>Wed & Thu: 10:00-2:00, 4:00-7:00
>
>Artist reception: June 7, 2001 6:00-9:00
>
>WOA > Silicon Canyon as a physical installation will included computer 
>objects and a new series of digital "Sunset/Sunrise" renderings.
>
>The exhibition focuses on one area in the Sunset/Sunrise called Silicon 
>Canyon, which is a graveyard for old hardware and software from the silicon 
>based computer chips era. In the Love Letter 87/9.3 the traveler wrote 
>about Silicon Canyon:
>
>"And if I wasn't sure I was alive, I would surely think I was in heaven."
>
>World of Awe is an ongoing cross-media project since 1995. A fantastical 
>environment that magnifies the formation of a personal world-view. Its 
>landscape is the Sunset/Sunrise, a desert terrain trapped in the mind frame 
>between night and day. Through this landscape, roams a traveler in search 
>of a lost treasure, http://www.worldofawe.net.
>
>Special thanks to: Harvestworks, Luis Perez, John Klima, Mike Saarf, Yoav 
>Gal, Jim Ford and the Kernel.
>
>
>- ----------------------------------------------------------------------------------------------------------
>
>
>[ Friday June 8th (7 - 9pm) ]
>
>
>A symposium: "Post media", the medium as a hero: using appropriation as an 
>historical reference to create a evolving body of work.
>
>Engine 27
>173 Franklin St. (btw. Greenwich and Hudson)
>Admission is free.
>
>
>
>Michele Thursz introduces:
>
>
>Post Media is a presentation exploring the use of various media and issues
>pertaining to a collective of "new media" artists.
>
>This presentation focuses on the artist as the medium and references the
>inner process of the project juxtaposed the outer projection of
>technology as a heroic medium.
>
>In refocusing on the Artist and the integral use of appropriation, Post
>Media demonstrates the exchange of global and theoretical
>histories and the broadening of the vocabulary of the artist, and of the
>artist's and viewer's perception of time, identity, and space.
>
>
>// Presenters //
>
>*8 bit construction Perry Mahone aka Cory Arcangel, Rick Stryker aka Paul 
>Davis, Dyawn Delario aka Joseph
>Bonn http://beigerecords.com/
>*Natoarts Frank Ruy,and Miska Draskocy http://www.natoarts.com/
>*World of Awe Yael Kanarek, , Luis Perez http://www.worldofawe.net
>*DJ Spooky Paul D. Miller http://www.djspooky.com
>*Soundlab Howard Goldkrand http://www.soundlab.org
>*Mandiberg shop Michael Maniberg http://www.mandiberg.com
>
>
>- ----------------------------------------------------------------------------------------------------------
>
>- ----------------------------------------------------------------------------------------------------------
>
>
>[ Saturday June 9 (10pm - ) ]
>
>Sound lab Cultural Alchemy / Madame Chao Production presents:
>
>An evening of live arcade sounds and battles
>
>553 Broadway $15 at door $12 presale (available at Kim's and Other Music)
>353 Broadway Infomix: 212.726.1724
>
>Live Cybercast http://wwwmotherbrain.org , http://www.soundlab.org
>
>DJ SPOOKY, CANNIBAL OX, ANTI POP, SINGE&VERB, PROZAC, MUTAMASSIK, INFANT 
>READER LESSONS 1&5, KAIJU and 8 - BIT CONSTRUCTION
>
>VJ : BLIP, Pan Optic, How2 Luke, Madame Choa and Fondue
>
>
>
>
>
>
>
>------------------------------
>
>Date: Thu, 7 Jun 2001 08:57:05 +1000
>From: "geert lovink" <geert@xs4all.nl>
>Subject: Branding the Campus
>
>From: "Kunstraum der Universität Lüneburg" <kunstraum@uni-lueneburg.de>
>Sent: Wednesday, June 06, 2001 1:49 AM
>
>BRANDING THE CAMPUS.
>KUNST > ARCHITEKTUR > DESIGN > IDENTITÄTSPOLITIK
>
>Herausgegeben von Beatrice von Bismarck, Diethelm Stoller, Astrid Wege, Ulf
>Wuggenig
>
>Die Publikation erscheint in einer deutschen und einer englischen Version
>144 Seiten s/w und Farbe
>Richter Verlag Düsseldorf 2001
>ISBN 3-933807-39-5
>
>Branding the Campus is an extraordinary record of an equally extraordinary
>art project by Christian Philipp Müller, and a valuable critical primer on
>the history, aesthetics, and politics of university campus design. Through a
>collaborative investigation involving students at University of Lüenberg,
>the artist unpacks the complex philosophical and architectural heritage of
>the campus form and outlines the profound social, economic, and political
>pressures confronting its identity today. This is a must-have book for
>anyone interested in the best of contemporary project-based art - smart and
>beautiful. As such, others in the fields of architecture, urban studies,
>cultural studies, and critical theory will all benefit from the book's
>insights. --Miwon Kwon Assistant Professor of Art History University of
>California Los Angeles
>
>Christian Philipp Müllers exemplary project for the campus of the university
>in Lüneburg happens at a moment where we see an increasing urgency and
>necessity to think about non brand oriented exchange and interconnectedness
>.As Indian economist Amaryta Sen points out there is a necessity for
>"emipiral connections that link freedom of different kind," a mutually
>beneficial exchange is what is to be triggered. Mueller's project shows a
>necessity for collaboration between different models which enhances
>differences and allows disparated conditions to emerge through exposure and
>protection. Müller opposes multitude versus the homogenization of
>universitarian branding. The way how he succeeds in constructing new
>temporalities is evoking Toni Negri's and Michael Hardt's brilliant
>interpretation of globalization where multitude "designates new spaces as
>its journyes establish new residencies. Autonomous movement is what defines
>the place proper to multitude."--Hans Ulrich Obrist, Kurator am Musée d'Art
>Moderne de la Ville de Paris und Chefredakteur von Point d'Ironie.
>________________
>
>Kunstraum der Universität Lüneburg
>
>Künstlerisch-wissenschaftliche Projektleitung:
>Beatrice von Bismarck, Diethelm Stoller, Ulf Wuggenig
>
>Postanschrift: Kunstraum der Universität Lüneburg
>Projektbüro
>D-21332 Lüneburg
>
>Phon: +49.4131.78-1210
>Phax: +49.4131.78-1246
>Web: http://kunstraum.uni-lueneburg.de
>
>
>
>
>------------------------------
>
>#  distributed via <nettime>: no commercial use without permission
>#  <nettime> is a moderated mailing list for net criticism,
>#  collaborative text filtering and cultural politics of the nets
>#  more info: majordomo@bbs.thing.net and "info nettime-l" in the msg body
>#  archive: http://www.nettime.org contact: nettime@bbs.thing.net
>


_______________________________________________
Nettime-bold mailing list
Nettime-bold@nettime.org
http://www.nettime.org/cgi-bin/mailman/listinfo/nettime-bold