| nettime-l on Tue, 26 Jun 2001 05:46:03 +0200 (CEST) |
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| [Nettime-bold] Re: <nettime> Announcements [9x] |
You wrote:
>
>Table of Contents:
>
> As a researcher /As a dancer
> Yukihiko Yoshida <yukihiko@sfc.keio.ac.jp>
>
> no_art.garanty + ilnecwhattrhee + rhino + alpha
> lordjimpunk <lord@jimpunk.com>
>
> videomail_mix.mx
> fran ilich <ilich@sputnik.com.mx>
>
> Steve Reinke | Recent Work
> "SMART Project Space" <tom@smartprojectspace.net>
>
> FREE OF CHAT
> www@trashconnection.com
>
> Interview Yourself - Latest Interviews 6/23/01
> Amy Alexander <plagiari@plagiarist.org>
>
> kick baby kick- baby play
> shu lea cheang <shulea@earthlink.net>
>
> 'net-art is lame...'
> Cem Gencer <cemgencer@ultratv.net>
>
> Inserts - Dora Garcia
> =?iso-8859-1?Q?Jos=E9?= Luis Brea <jlbrea@aleph-arts.org>
>
>
>
>------------------------------
>
>Date: Wed, 20 Jun 2001 12:57:02 +0900
>From: Yukihiko Yoshida <yukihiko@sfc.keio.ac.jp>
>Subject: As a researcher /As a dancer
>
>Dear list,
>
>I was determined my field the other day.
>
>My fields is in the following.
>
>== Trans-Fields Cultural Studies/ Archival Cultural Studies ==
>
> --Database/Hypertext/Semantic Web
> --WebStudies
>
> --CyberCulture(Studies)
> --MediaStudies/MediaActivism
> --Art/Act
> --Technology and Culuture
> --Visual Cultural Studies
> --Visual Studies (Jonathan Crary calls this field in this name)
> --Art/Design/Architecture
> --PerformanceArt
> etc
> --Visual Cognition and Theory
> --Culture and Representation
> --Body Culture Studies/SportsMedia
>
> --Organization / Governance
> --Copyright
>
>In fact, I am a young researcher.
>On the other hand,I am a dancer.
>And as some of you know, I am moderating japanese interdiciplinary
>dance studies mailing list.
>
>In Japanese Academy,there is few multi-dimentional researcher (or artist.)
>Then I must be black sheep of family :-)
>
>How are you all ?
>
>Literature is already digital.
>Dance is already digital.
>Cultural Studies is already digital.
>Sometime,I write codes and drafts. Some traditonal professors cannot
>categolize me.
>I believe the topic,dance and technology, is interdiciplinary fields.
>Some of you work as dancer.
>Some of you work as programmer.
>Some of you work as reseacher.
>But most of you has multi-diciplinary is multi-dimentional.
>
>Best Wishes from TOKYO
>
>Yukihiko
>
>- --Yuk;-)iko YOSHIDA
>Yukihiko YOSHIDA
>Artist/Systems Humanist/Generalist
>
>Keio University,Graduate School for Media and Governance
>Japanese Society for Dance Research
>The moderator of Dance Mailing List:
> <http://www.sfc.keio.ac.jp/~yukihiko/danceml.html>
>Citizen of World
>webpage: http://www.sfc.keio.ac.jp/~yukihiko/
>closest fax number: <:none>
>Travel Path:<none>
>currnet physical location:<tokio,JPN>
>PGP Key <not ready yet>
>trans(c) Yukihiko Yoshida 2001
>
>
>
>
>------------------------------
>
>Date: Thu, 21 Jun 2001 17:48:44 +0200
>From: lordjimpunk <lord@jimpunk.com>
>Subject: no_art.garanty + ilnecwhattrhee + rhino + alpha
>
>
>
>http://alpha.jimpunk.com
>need a fast connection
>screen resolution of 1024 X 768
>Netscape >= 4.04 or I.E. >= 4.01
>
>
>
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>http://alpha.jimpunk.com
>http://www.jimpunk.com/grey
>http://powerbul.free.fr
>
>
>
>screen resolution of 1024 X 768
>Flash Player
>Netscape >= 4.04 or I.E. >= 4.01
>
>
>------------------------------
>
>Date: Thu, 21 Jun 2001 23:17:54 -0500
>From: fran ilich <ilich@sputnik.com.mx>
>Subject: videomail_mix.mx
>
>Almost a year after Fernando Llanos started e-mailing video-art on a weekly
>basis, he will mix live bits of them.
>
>Using simple interfaces (applications and shareware downloaded from the net)
>he will launch previously edited loops from his videos to generate rythms
>and audiovisual temporal compositions.
>
>Its a formal exercise of rethinking, on deconstruction and recycling of his
>artwork.
>
>For more information about the videomail project, please visit:
>
>http://www.fllanos.com
>
>when:
>friday june 22, 2001.
>20-24 hrs.
>
>where:
>x'teresa arte actual.
>(lic. verdad # 8, centro histórico)
>mexico city
>
>who:
>sinética socorro tic auxilio tac fernando llanos dj rare conche
>
>
>nos vemos en el futuro.
>
>ilich.
>editor @ large, sputnik.
>
>http://www.sputnik.com.mx
>
>
>------------------------------
>
>Date: Fri, 22 Jun 2001 16:26:42 +0200
>From: "SMART Project Space" <tom@smartprojectspace.net>
>Subject: Steve Reinke | Recent Work
>
>SMART Project Space | 1e Constantijn Huygensstraat 20, Amsterdam
>
>requests the pleasure of your company at the screening of a program of
>recent work by Steve Reinke
>
>Saturday June 23, 22.00-24.00 hours | the artists will be in attendance
>
>SMART Cinema: open from Tuesday through Sunday at 22.00 hours
>
>Steve Reinke | Recent Work
>I'm not going to go to the Anne Frank House - I don't think I could take
>it - being a tourist is bad enough - though I'm not really a tourist - I'm
>here working - my camera's the one on vacation - taking holiday sounds and
>images - it's having a nice change of pace - for me it's still the same old
>thing - talking and talking. I don't want to go inside the Anne Frank
>House - I don't even know why they call it that - she didn't own it - as far
>as I know she didn't have any real estate holdings - not in this
>neighbourhood anyway, that's for sure - and I want to remember Shelly
>Winters as she was in "A Place in the Sun" - I don't care about the Oscar -
>I want to remember her tipping out of the boat - tippy canoe and beaver
>too - falling into the lake and drowning - I don't want to remember her any
>other way - except possibly her other sea-faring role, "The Poseidon
>Adventure."
>
>Incidents of Travel, 1998, 6 min
>Spiritual Animal Kingdom, 1998, 24 min
>Afternoon (March 22, 1999), 1999, 24 min
>Sad Disco Fantasia, 2001, 24 min
>Amsterdam Camera Vacation w/ Night Lecture, On Spinoza, 2001,
>work-in-progress, ~12 min
>
>Program sponsored by: Gemeente Amsterdam, Mondriaan Stichting, Mentrum,
>Brand Bier, Beam Systems
>
>SMART Project Space | www.smartprojectspace.net
>Exhibition Space: 1e Constantijn Huygensstraat 20
>Office: Keizersgracht 720, NL-1017 EW Amsterdam
>Mail to: P.O.Box 15004, NL-1001 MA Amsterdam
>Phone: +31 20 427.5951 / 427.5952
>Phone/fax.: +31 20 420.6028
>Email: info@smartprojectspace.net
>
>If this e-mail was forwarded to you by way of someone other then SMART
>Project Space, and you would appreciate to receive further mailings
>announcing exhibitions at SMART Project Space, you can send mail to
>info@smartprojectspace.net with the following command in the body of your
>email message: "subscribe e-mailing SPS"
>
>If you would want to remove yourself from this mailing list, you can send
>mail to info@smartprojectspace.net with the following command in the body of
>your email message: "unsubscribe e-mailing SPS"
>
>
>------------------------------
>
>Date: 22 Jun 2001 08:02:56 -0700
>From: www@trashconnection.com
>Subject: FREE OF CHAT
>
>FREE OF CHAT
>
>1)Bodies of trash and connection
>2)Digital trash as the new space for research
>3)Net.art, net.politics, net.democracy and net.reality
>4)Net.love
>
>http://chat.trashconnection.com
>
>
> () _()_ http://www.trashconnection.com
> _()_ /||\ || \()/ \()_ \()_
> || /\ /\ || || ||
> /\ /\ /\ /\
>__________________________________________
>Get your free domain name and domain-based
>e-mail from Namezero.com
>New! Namezero Plus domains now available.
>Find out more at: http://www.namezero.com
>
>
>------------------------------
>
>Date: Fri, 22 Jun 2001 23:24:39 -0700 (PDT)
>From: Amy Alexander <plagiari@plagiarist.org>
>Subject: Interview Yourself - Latest Interviews 6/23/01
>
>http://plagiarist.org/iy
>
>Plagiarist.org is pleased to announce the latest additions to
>to the Interview Yourself Literary Archive:
>
>Agricola de Cologne - as interviewed by Agricola de Cologne
>erational - as interviewed by erational
>narcissus - as interviewed by narcissus
>stany genbrugge - as interviewed by stany genbrugge
>europe2nantes - as interviewed by europe2nantes
>vesti - as interviewed by vesti
>and
>wowm - as interviewed by wowm
>
>
>Remember, Interviews are accepted on a rolling basis at
>interview@plagiarist.org
>
>Join the Web Celebs at Interview Yourself... Celebrity interviews just
>like Warhol used to do 'em.... only cheaper.
>
>
>....IY-IY-IY-IY-IY-IY...Interview Yourself Interview Yourself Interview
>Yourself....
>
>
>- -plagiarist
>
>- --
>plagiarist.org
>Recontextualizing script-kiddyism as net-art for over 1/20 of a century.
>
>
>
>------------------------------
>
>Date: Sat, 23 Jun 2001 16:17:16 +0800
>From: shu lea cheang <shulea@earthlink.net>
>Subject: kick baby kick- baby play
>
>- --============_-1218838253==_ma============
>Content-Type: text/plain; charset="us-ascii" ; format="flowed"
>
>
>FOR IMMEDIATE RELEASE, June 22, 2001
>
>"Baby Play" premiers at NTT/InterCommunication Center [ICC], Tokyo
>A new Net installation by Shu Lea Cheang
>
>June 22-July 29, 2001
>
>For more information about "Baby Play," please visit: http://www.ntticc.or.jp
>
>To participate in "Baby Play," please visit: http://babyplay.ntticc.or.jp
>
>"Baby Play" interlinks a large-scale foosball field ("Baby Play" is derived
>from the French name for foosball, "baby foot") with the Net as a ME-motion
>(memory-emotion) playing field. "Baby Play" is installation 1.0 of
>Cheang's "Locker Baby" project (2001-2002), which features three Net
>installations based on a fictional scenario set in the year 2030. Produced
>by the Dolly Polly Transgency (DPT) with genes extracted from deep sea
>pearls, the clone generation of Locker Babies are born out of Tokyo coin
>lockers and entrusted to retrieve our collective deposits of ME-motion data
>on the Net.
>
>"Baby Play" is comprised of an immense foosball playing field (15m x 7.5m),
>22 inflatable designer locker babies (140cm in height), 8 playing rods (5m
>in length), a large-scale projection and a "Baby Play" website. As local
>gallery participants engage in a game of foosball, the image of the ball
>bouncing in the actual playing field is sent to the ME-motion virtual field
>on the Net. The movement of the ball in the actual playing field is
>tracked by 36 touch sensors and sent to the "Baby Play" website where the
>virtual moving ball retrieves sound and text files as ME-motion data. The
>public is invited to utilize the 36 virtual lockers for data deposit and to
>play ball on the Net.
>
>Cheang, whose work netlinks physical and online spaces, has exhibited
>at Walker Art Center (Bowling Alley 1995), ICC Biennal (Buy One Get One, 1997)
>and created the Guggenheim Museum's first web based art project, entitled
>"Brandon." (1998-1999). Baby Play marks her return to large scale net
>installation
>after the release of her cyberporn feature film, "I.K.U." (2000).
>
>A set of 36 essential sound data based on Ryu Murakami's
>1980's novel "Coin Locker Babies" is contributed by Atau Tanaka.
>
>Baby Play is curated by Hisanori Gogota at NTT[ICC].
>For further information contact:
>Hisanori Gogota <gogota@ntticc.or.jp>
>or Julia Friedman <Info@juliafriedman.com>
>
>
>- --============_-1218838253==_ma============
>
>
>------------------------------
>
>Date: Sat, 23 Jun 2001 11:02:56 +0300
>From: Cem Gencer <cemgencer@ultratv.net>
>Subject: 'net-art is lame...'
>
>
>online exhibition of 'net-art is lame...' @ www.cemgencer.org/exp/0001.htm
>
>total size: 154246 bytes (approx. 40 secs on 33.6 kbaud)
>(please turn up your volume first and use your mouse)
>
>
>cem gencer
>cgencer@mac.com
>www.artologue.org (turkish forum on contemporary art issues & modern life)
>
>
>
>------------------------------
>
>Date: Sun, 24 Jun 2001 17:56:15 +0200
>From: =?iso-8859-1?Q?Jos=E9?= Luis Brea <jlbrea@aleph-arts.org>
>Subject: Inserts - Dora Garcia
>
>aleph is pleased to announce the launch of INSERTS IN REAL TIME, by Dora García
>
>"Inserts in Real Time" is a project unfolding as a series of "real"
>interventions in "real" time by means of performances, carried out by
>actors following the instructions of Dora García.
>
>These performances will take place in different venues throughout the year
>2001, within the context of different festivals and/or exhibitions
>("Festival a/d Werf"- Utrecht, "Stromereien"- Zurich, "Marres"- Maastricht,
>"La Gallera"- Valencia, "La Caixa" - Barcelona)
>
>Each of the projects-performances has its own time development, from a few
>minutes (The Locked Room) to several hours (The Notebook, Proxy) and even
>to months (The Black Veil, The Circle, Coma), or, potentially, forever (All
>The Stories). Because of this temporal extension, nobody (not even the
>artists, sometimes not even the performers) can witness the performances in
>their totality. Therefore a very important part of the "Inserts in Real
>Time" project is the distribution of information about the project (which
>is done through the net).
>
>Each performance, or "insert", is completed by a "Diary", consisting of
>notes, reflections, documentation, photographs, QT movies, and real diaries
>written by the artist or the performers, and sent by means of e-mails to
>the site every day that a performance takes place. This means that each
>insert exist both as action and as narration.
>
>All this information can be visited in the website "Inserts in Real Time"
>http://aleph-arts.org/inserts/
>
>Aleph has created as well a distribution/subscription list offering you the
>possibility of receiving directly in your mailbox the messages constructing
>the diaries.
>
>http://aleph-arts.org/inserts/subscribe/
>
>This means that you can easily follow the development of the performances,
>being part of a parallel audience to the project, an audience slightly
>"shifted" from the real time audience directly witnessing the performances.
>
>"Inserts in Real Time" consists of 10 projects, three of them being
>performed right now ("Proxy", "The Glass Wall", and "Crowd", this last
>project made in collaboration with the American choreographer David Hernandez).
>
>A fourth insert is being launched these days: All The Stories. In "All The
>Stories", public and performer are one and the same person. This means that
>every visitor of the site
>
>http://aleph-arts.org/inserts/allthestories/
>
>is a potential performer of the insert. If you subscribe to "Inserts…",
>then you will be a potential performer… forever, if you wish. Check it out.
>
>All inserts can be visited at:
>http://aleph-arts.org/inserts/
>
>More information about the project can be found at:
>http://aleph-arts.org/inserts/intro.html
>
>If you wish to subscribe, do it at
>http://aleph-arts.org/inserts/subscribe/
>
>
>------------------------------
>
>
>
>
>
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># collaborative text filtering and cultural politics of the nets
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