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  1. mismatched lines are equal (integer@www.god-emil.dk)
  2. unsubscribe - AW: Nettime-bold digest, Vol 1 #550 - 1 msg (eSeL)

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Message: 1
From: integer@www.god-emil.dk
Date: Sun, 12 Aug 2001 06:41:06 +0200 (CEST)
To: syndicate@v2.nl
Subject: [Nettime-bold] mismatched lines are equal
Reply-To: nettime-bold@nettime.org



>dear Netochka,


Hello



>how are you doing ?


I find walking on a moving planet quite absurd!!!

mostly however   -  I feel Systematically wounded.
Can be very terrifying / yeS

I suspect I now know how it is a lab animal feels.
                   Systematically shocked (with public funds mind you)



And you +?



>I just want to make sure that you received our proposed questions and=20
>the attachment for the interview well ?=20


Besides your personal very splendid proposed questions (my favorite thus =
far - vraiment)
I would also like to briefly discuss the paper:=20

              From Open Hand to Social Fist - the Very Clenched Art Socie=
ty



Synopsis: The new media power-grid resembles a Spartan society.
It operates as a tightly knit subculture that demands submission to autho=
rity.
It practices ritual memocide (mass meme murder) and will go as far as iss=
uing gene-death threats
in order to crush diversity and systematically shock the simply.SUPERLATI=
VE faustian introverts
(e.g. my self) into despair and non.thinking.HELL.

I propose that thinking is a way.
We respond to the way _only by remaining underway.
This movement is then that which allows the way to come forward.

To elucidate I shall place Heidegger face to face with Piaget=20
and deliver to you an answer to the question:=20

      Are the things we conceive and assert to be the results of thinking=
=20
      the misunderstanding to which thinking inevitably falls victim +?





Spartan society - cocktail for non.thinking
                - 75 percent clueless subjekts bleated in chorus with the=
 herd.


When artists present works that contradict the tenets of established orga=
nizations' creed,
they are not praised for the objectivity of their work, but punished for =
their heresy.=20
They are derided, their works and papers rejected by galleries and journa=
ls;
they are excluded from key symposia - all an indirect way of forcing them=
 to "leave".
   (in my case this isn't always true for I write superbly but as we shal=
l see
    the conformity enforcers employ other means FORCING one to leave, e.g=
. gene-death threats)


The lesson taught: to go against the tide is suicide.


"From Open Hand to Social Fist - the Very Clenched Art Society" is rather=
 elongated.=20
For your film however, I propose focusing on two telling incidents involv=
ing the V2 and Transmediale=20
organizations and the conformity enforcer Andreas Broeckmann in particula=
r.

I wish to discuss the corrupt, mafia like non.thinking.HELL operated with=
 public funds, the=20
clandestine, secretive and legally dubious ways in which decisions are re=
ached
and the "omerta" (code of silence) which pervades this band of unqualifie=
d librarians.=20
Unqualified partly because these librarians are burning books - in concer=
t, with public funds
[but not publicly]


I shall be exploring the librarians' publicly funded incinerator from an =
evolutionary view point.
Parallels shall thus be drawn between the "Pumphouse Gang" baboons* and t=
he li[bra][bar]ians'

     [* - Shirley Strum studied a group of baboons which she entitled the=
 "Pumphouse Gang".
          Baboons are simply.stupid individually but mob action has enabl=
ed them to spread=20
          like cockroaches throughout Africa]






Although the story tells of tightly woven, allergy inducing abuses of art=
ists and public funds / trust,
I offer two ingenious solutions (planted exquisitely within a garden of m=
etaphors):



01. The first may be construed as my attempt to apply lipstick and blush =
to the right
    side of baboon faces with an ost.europa surgeon's utensil.

    it is a distributed information processing system that is set
    to revolutionize the realtime manipulation of the librarians' inciner=
ator and their personal salaries.
    (the former will ensure the disbanding and rapid evaporation of the "=
Spartan society";
     the latter will cure the utter lack of electricity and ultra xytrava=
gant laziness displayed by=20
     conformity enforcers, i.e. Andreas Broeckmann and his impotent ilk)



02. The second is to bind with white light. for hours. days. dekades. obs=
essively. compulsively.=20
    disorderly discharge through your visual cortex. hazily. incoherently=
. firmly. re:education through dancing=20

     \+\

84 metaphors on your pelvic floor.



One may be disposed to entertain the question


The DEVIL: What is the use of knowing?

DON JUAN:  Why, to be able to choose the line of greatest advantage inste=
ad of yielding in the
           direction of least resistance. The philosopher is Nature's pil=
ot.
           And there you have our difference: to be in HELL is to drift. =
to be in HEAVEN is to steer.



some 01:   Although I dream of flying my dream also is a dream of peace.

NN:        LETS STEER!!!!!!! =20





NN \\ always merry + bright. i am -1 module of the planetary mind. the mu=
ltiprocessor intelligence=20
                                                          which fuses eve=
ry form of living kind.















-

among historical happenings "From Open Hand to Social Fist - the Very Cle=
nched Art Society"
has been prompted by ____....





>Hi Netochka!
>
>Don't know where you are, but if you like to we would like to have you i=
n



Hello,

I am retracting my contribution for the book.
I am forced to leave Germany as indicated below.

NN















>I need to have a description of your
>project INTER.BODY as soon as posssible so as to
>include it in this year's catalogue.


Hello,

INTER.BODY is a project I was developing in Germany.=20

A death / murder threat was issued to me on a V2 organization's forum.=20
This forum is administered by Inke Arns and Andreas Broeckmann (Transmedi=
ale organization),
both residing in Germany.

Germany is unsafe.

Therefore I am forced to cancel INTER.BODY and my cast01 paper
and leave Germany.=20

NN.















>Dear Netochka Nezvanova,
>
>Here is the Program Committee's report for your submission to cast01 -
>"NATO.0+55+3d.Modular" - which has been accepted for publication as a
>full paper in the conference proceedings.



A death / murder threat was issued to me on a V2 organization's forum.=20
This forum is administered by Inke Arns and Andreas Broeckmann,
both residing in Germany.

It is unsafe for me to travel to Germany, until Germany
becomes a less-fascistic country.


I shall not be attending the conference although I am presently
in Germany (for a separate project which I shall be abandoning within 7 d=
ays
for reasons stated, after which I shall exit this uncivilized country).


NN.
















-
-


>Finally, please remember that one of the requirements of acceptance as a
>full paper (not poster!) is that at least one of the authors be present
>to present the paper.
>
>Your paper attracted a lot of positive comments from the Program
>Committee, and would make an interesting and valuable contribution to
>the conference.  We would be disappointed if it could not be included.


As previously indicated.





A death / murder threat was issued to me on a V2 organization's forum.=20
This forum is administered by Inke Arns and Andreas Broeckmann (Transmedi=
ale organization),
both residing in Germany.

Germany is unsafe.

NN.










    /_/
                          /
             \            \/       i should like to be a human plant
            \/       __
                    __/
                                   i will shed leaves in the shade
        \_\                        because i like stepping on bugs



*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--
Netochka Nezvanova                   nezvanova@eusocial.com
                                    http://www.eusocial.com
                                  http://www.biohakc.com
                                http://www.ggttctttat.com/!
   n  r  .   5        !!!      http://steim.nl/leaves/petalz
*--*--*--*--*--*--*--*--*--*--*--*--*-- --*--*--*--*--*--*--
=20










-- __--__-- 

Message: 2
From: "eSeL" <esel@esel.at>
To: <nettime-bold@nettime.org>
Date: Fri, 10 Aug 2001 20:31:26 +0200
charset=3D"iso-8859-1"
Subject: [Nettime-bold] unsubscribe - AW: Nettime-bold digest, Vol 1 #550=
 - 1 msg
Reply-To: nettime-bold@nettime.org

unsubscribe

as i am not sure what adress you are sending to,
please try several of my email adresses:

one of my mail-adresses is on your mailinglist. please unsubscribe:

esel@esel.at
self@representative.com
lorenz@gmx.at
lolo@gmx.at
artcritic@journalist.com

this link: http://www.nettime.org/cgi-bin/mailman/listinfo/nettime-bold
does not allow manual unsubscription!

thank you
lorenz seidler



-----Urspr=FCngliche Nachricht-----
Von: nettime-bold-admin@nettime.org
[mailto:nettime-bold-admin@nettime.org]
Gesendet: Freitag, 10. August 2001 13:49
An: nettime-bold@nettime.org
Betreff: Nettime-bold digest, Vol 1 #550 - 1 msg



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Message-Id: <200108080437.FAA03951@sinclair.uel.ac.uk>
Subject: Nettime-bold digest, Vol 1 #543 - 1 msg
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Today's Topics:

  1. Mail System Error - Returned Mail (Talk21 Mail System)

--    __--__-- =20

Message: 1
To: nettime-bold@nettime.org
From: Talk21 Mail System <Postmaster@talk21.com>
Reply-To: Talk21 Mail System <Postmaster@talk21.com>
Date: Tue, 7 Aug 2001 21:05:34 +0100
report-type=3Ddelivery-status;
Boundary=3D"=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D_ _=3D 93078(9429)997214734"
Subject: [Nettime-bold] Mail System Error - Returned Mail
Reply-To: nettime-bold@nettime.org


--=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D_ _=3D 93078(9429)997214734
Content-Type: text/plain

This Message was undeliverable due to the following reason:

The user(s) account is temporarily over quota.

<a.sharma@talk21.com>

Please contact the Talk21 helpdesk
if you feel this message to be in error.

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Content-Type: message/delivery-status

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Final-Recipient: RFC822; <a.sharma@talk21.com>
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From: nettime-bold-admin@nettime.org
Message-Id: <200108072006.VAA00678@sinclair.uel.ac.uk>
Subject: Nettime-bold digest, Vol 1 #542 - 1 msg
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Today's Topics:

  1. Mail System Error - Returned Mail (Talk21 Mail System)

--     __--__-- =20

Message: 1
To: nettime-bold@nettime.org
From: Talk21 Mail System <Postmaster@talk21.com>
Reply-To: Talk21 Mail System <Postmaster@talk21.com>
Date: Tue, 7 Aug 2001 21:00:44 +0100
report-type=3Ddelivery-status;
Boundary=3D"=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D_ _=3D 4435424(757)997214444"
Subject: [Nettime-bold] Mail System Error - Returned Mail
Reply-To: nettime-bold@nettime.org


--=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D_ _=3D 4435424(757)997214444
Content-Type: text/plain

This Message was undeliverable due to the following reason:

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Please contact the Talk21 helpdesk
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From: nettime-bold-admin@nettime.org
Message-Id: <200108072002.VAA00654@sinclair.uel.ac.uk>
Subject: Nettime-bold digest, Vol 1 #541 - 1 msg
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When replying, please edit your Subject line so it is more specific than
"Re: Contents of Nettime-bold digest..."


Today's Topics:

  1. Mail System Error - Returned Mail (Talk21 Mail System)

--      __--__-- =20

Message: 1
To: nettime-bold@nettime.org
From: Talk21 Mail System <Postmaster@talk21.com>
Reply-To: Talk21 Mail System <Postmaster@talk21.com>
Date: Tue, 7 Aug 2001 21:03:50 +0100
report-type=3Ddelivery-status;
Boundary=3D"=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D_ _=3D 6051025(1412)997214630"
Subject: [Nettime-bold] Mail System Error - Returned Mail
Reply-To: nettime-bold@nettime.org


--=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
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Content-Type: text/plain

This Message was undeliverable due to the following reason:

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<a.sharma@talk21.com>

Please contact the Talk21 helpdesk
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Content-Type: message/delivery-status

Reporting-MTA: dns; t21mta03-lrs.talk21.com
Arrival-Date: Tue, 7 Aug 2001 21:03:34 +0100
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Final-Recipient: RFC822; <a.sharma@talk21.com>
Action: failed
Status: 4.2.2

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From: nettime-bold-admin@nettime.org
Message-Id: <200108072000.VAA21813@sheridan.uel.ac.uk>
Subject: Nettime-bold digest, Vol 1 #540 - 1 msg
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You can reach the person managing the list at
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When replying, please edit your Subject line so it is more specific than
"Re: Contents of Nettime-bold digest..."


Today's Topics:

  1. Mail System Error - Returned Mail (Talk21 Mail System)

--       __--__-- =20

Message: 1
To: nettime-bold@nettime.org
From: Talk21 Mail System <Postmaster@talk21.com>
Reply-To: Talk21 Mail System <Postmaster@talk21.com>
Date: Tue, 7 Aug 2001 20:41:34 +0100
report-type=3Ddelivery-status;
Boundary=3D"=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D_ _=3D 8027343(9429)997213294"
Subject: [Nettime-bold] Mail System Error - Returned Mail
Reply-To: nettime-bold@nettime.org


--=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D_ _=3D 8027343(9429)997213294
Content-Type: text/plain

This Message was undeliverable due to the following reason:

The user(s) account is temporarily over quota.

<a.sharma@talk21.com>

Please contact the Talk21 helpdesk
if you feel this message to be in error.

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=3D=3D=3D_ _=3D 8027343(9429)997213294
Content-Type: message/delivery-status

Reporting-MTA: dns; t21mta01-lrs.talk21.com
Arrival-Date: Tue, 7 Aug 2001 20:41:33 +0100
Received-From-MTA: dns; sinclair.uel.ac.uk (161.76.9.1)

Final-Recipient: RFC822; <a.sharma@talk21.com>
Action: failed
Status: 4.2.2

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From: nettime-bold-admin@nettime.org
Message-Id: <200108071942.UAA21638@sheridan.uel.ac.uk>
Subject: Nettime-bold digest, Vol 1 #538 - 1 msg
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or, via email, send a message with subject or body 'help' to
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You can reach the person managing the list at
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When replying, please edit your Subject line so it is more specific than
"Re: Contents of Nettime-bold digest..."


Today's Topics:

  1. Mail System Error - Returned Mail (Talk21 Mail System)

--        __--__-- =20

Message: 1
To: nettime-bold@nettime.org
From: Talk21 Mail System <Postmaster@talk21.com>
Reply-To: Talk21 Mail System <Postmaster@talk21.com>
Date: Tue, 7 Aug 2001 20:38:50 +0100
report-type=3Ddelivery-status;
Boundary=3D"=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D_ _=3D 6237792(6167)997213130"
Subject: [Nettime-bold] Mail System Error - Returned Mail
Reply-To: nettime-bold@nettime.org


--=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D_ _=3D 6237792(6167)997213130
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Today's Topics:

  1. Mail System Error - Returned Mail (Talk21 Mail System)

--         __--__-- =20

Message: 1
To: nettime-bold@nettime.org
From: Talk21 Mail System <Postmaster@talk21.com>
Reply-To: Talk21 Mail System <Postmaster@talk21.com>
Date: Tue, 7 Aug 2001 20:35:34 +0100
report-type=3Ddelivery-status;
Boundary=3D"=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D_ _=3D 2717590(9429)997212934"
Subject: [Nettime-bold] Mail System Error - Returned Mail
Reply-To: nettime-bold@nettime.org


--=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
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Today's Topics:

  1. Mail System Error - Returned Mail (Talk21 Mail System)

--          __--__-- =20

Message: 1
To: nettime-bold@nettime.org
From: Talk21 Mail System <Postmaster@talk21.com>
Reply-To: Talk21 Mail System <Postmaster@talk21.com>
Date: Tue, 7 Aug 2001 20:31:33 +0100
report-type=3Ddelivery-status;
Boundary=3D"=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D_ _=3D 3274230(9429)997212693"
Subject: [Nettime-bold] Mail System Error - Returned Mail
Reply-To: nettime-bold@nettime.org


--=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
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When replying, please edit your Subject line so it is more specific than
"Re: Contents of Nettime-bold digest..."


Today's Topics:

  1. Mail System Error - Returned Mail (Talk21 Mail System)

--           __--__-- =20

Message: 1
To: nettime-bold@nettime.org
From: Talk21 Mail System <Postmaster@talk21.com>
Reply-To: Talk21 Mail System <Postmaster@talk21.com>
Date: Tue, 7 Aug 2001 20:29:28 +0100
report-type=3Ddelivery-status;
Boundary=3D"=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D_ _=3D 5961914(6167)997212568"
Subject: [Nettime-bold] Mail System Error - Returned Mail
Reply-To: nettime-bold@nettime.org


--=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
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This Message was undeliverable due to the following reason:

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Final-Recipient: RFC822; <a.sharma@talk21.com>
Action: failed
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Subject: Nettime-bold digest, Vol 1 #534 - 1 msg
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You can reach the person managing the list at
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When replying, please edit your Subject line so it is more specific than
"Re: Contents of Nettime-bold digest..."


Today's Topics:

  1. Mail System Error - Returned Mail (Talk21 Mail System)

--            __--__-- =20

Message: 1
To: nettime-bold@nettime.org
From: Talk21 Mail System <Postmaster@talk21.com>
Reply-To: Talk21 Mail System <Postmaster@talk21.com>
Date: Tue, 7 Aug 2001 20:29:31 +0100
report-type=3Ddelivery-status;
Boundary=3D"=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D_ _=3D 4677124(1412)997212571"
Subject: [Nettime-bold] Mail System Error - Returned Mail
Reply-To: nettime-bold@nettime.org


--=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D_ _=3D 4677124(1412)997212571
Content-Type: text/plain

This Message was undeliverable due to the following reason:

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<a.sharma@talk21.com>

Please contact the Talk21 helpdesk
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=3D=3D=3D_ _=3D 4677124(1412)997212571
Content-Type: message/delivery-status

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Final-Recipient: RFC822; <a.sharma@talk21.com>
Action: failed
Status: 4.2.2

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Subject: Nettime-bold digest, Vol 1 #533 - 1 msg
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Today's Topics:

  1. Mail System Error - Returned Mail (Talk21 Mail System)

--             __--__-- =20

Message: 1
To: nettime-bold@nettime.org
From: Talk21 Mail System <Postmaster@talk21.com>
Reply-To: Talk21 Mail System <Postmaster@talk21.com>
Date: Tue, 7 Aug 2001 20:27:43 +0100
report-type=3Ddelivery-status;
Boundary=3D"=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D_ _=3D 9822692(1412)997212463"
Subject: [Nettime-bold] Mail System Error - Returned Mail
Reply-To: nettime-bold@nettime.org


--=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D_ _=3D 9822692(1412)997212463
Content-Type: text/plain

This Message was undeliverable due to the following reason:

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<a.sharma@talk21.com>

Please contact the Talk21 helpdesk
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Subject: Nettime-bold digest, Vol 1 #532 - 1 msg
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Today's Topics:

  1. Mail System Error - Returned Mail (Talk21 Mail System)

--              __--__-- =20

Message: 1
To: nettime-bold@nettime.org
From: Talk21 Mail System <Postmaster@talk21.com>
Reply-To: Talk21 Mail System <Postmaster@talk21.com>
Date: Tue, 7 Aug 2001 20:23:27 +0100
report-type=3Ddelivery-status;
Boundary=3D"=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D_ _=3D 441894(1412)997212207"
Subject: [Nettime-bold] Mail System Error - Returned Mail
Reply-To: nettime-bold@nettime.org


--=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D_ _=3D 441894(1412)997212207
Content-Type: text/plain

This Message was undeliverable due to the following reason:

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Please contact the Talk21 helpdesk
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Final-Recipient: RFC822; <a.sharma@talk21.com>
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Subject: Nettime-bold digest, Vol 1 #531 - 1 msg
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When replying, please edit your Subject line so it is more specific than
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Today's Topics:

  1. Mail System Error - Returned Mail (Talk21 Mail System)

--               __--__-- =20

Message: 1
To: nettime-bold@nettime.org
From: Talk21 Mail System <Postmaster@talk21.com>
Reply-To: Talk21 Mail System <Postmaster@talk21.com>
Date: Tue, 7 Aug 2001 20:15:39 +0100
report-type=3Ddelivery-status;
Boundary=3D"=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D_ _=3D 2992553(6167)997211739"
Subject: [Nettime-bold] Mail System Error - Returned Mail
Reply-To: nettime-bold@nettime.org


--=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D_ _=3D 2992553(6167)997211739
Content-Type: text/plain

This Message was undeliverable due to the following reason:

The user(s) account is temporarily over quota.

<a.sharma@talk21.com>

Please contact the Talk21 helpdesk
if you feel this message to be in error.

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=3D=3D=3D_ _=3D 2992553(6167)997211739
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Reporting-MTA: dns; t21mta00-lrs.talk21.com
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Final-Recipient: RFC822; <a.sharma@talk21.com>
Action: failed
Status: 4.2.2

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Subject: Nettime-bold digest, Vol 1 #530 - 1 msg
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When replying, please edit your Subject line so it is more specific than
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Today's Topics:

  1. Mail System Error - Returned Mail (Talk21 Mail System)

--                __--__-- =20

Message: 1
To: nettime-bold@nettime.org
From: Talk21 Mail System <Postmaster@talk21.com>
Reply-To: Talk21 Mail System <Postmaster@talk21.com>
Date: Tue, 7 Aug 2001 20:18:22 +0100
report-type=3Ddelivery-status;
Boundary=3D"=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D_ _=3D 3843078(1412)997211902"
Subject: [Nettime-bold] Mail System Error - Returned Mail
Reply-To: nettime-bold@nettime.org


--=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D_ _=3D 3843078(1412)997211902
Content-Type: text/plain

This Message was undeliverable due to the following reason:

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<a.sharma@talk21.com>

Please contact the Talk21 helpdesk
if you feel this message to be in error.

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=3D=3D=3D_ _=3D 3843078(1412)997211902
Content-Type: message/delivery-status

Reporting-MTA: dns; t21mta03-lrs.talk21.com
Arrival-Date: Tue, 7 Aug 2001 20:18:21 +0100
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Final-Recipient: RFC822; <a.sharma@talk21.com>
Action: failed
Status: 4.2.2

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Subject: Nettime-bold digest, Vol 1 #529 - 1 msg
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When replying, please edit your Subject line so it is more specific than
"Re: Contents of Nettime-bold digest..."


Today's Topics:

  1. Mail System Error - Returned Mail (Talk21 Mail System)

--                 __--__-- =20

Message: 1
To: nettime-bold@nettime.org
From: Talk21 Mail System <Postmaster@talk21.com>
Reply-To: Talk21 Mail System <Postmaster@talk21.com>
Date: Tue, 7 Aug 2001 20:07:52 +0100
report-type=3Ddelivery-status;
Boundary=3D"=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D_ _=3D 1299133(757)997211272"
Subject: [Nettime-bold] Mail System Error - Returned Mail
Reply-To: nettime-bold@nettime.org


--=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D_ _=3D 1299133(757)997211272
Content-Type: text/plain

This Message was undeliverable due to the following reason:

The user(s) account is temporarily over quota.

<a.sharma@talk21.com>

Please contact the Talk21 helpdesk
if you feel this message to be in error.

--=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D_ _=3D 1299133(757)997211272
Content-Type: message/delivery-status

Reporting-MTA: dns; t21mta02-lrs.talk21.com
Arrival-Date: Tue, 7 Aug 2001 20:07:52 +0100
Received-From-MTA: dns; sheridan.uel.ac.uk (161.76.9.2)

Final-Recipient: RFC822; <a.sharma@talk21.com>
Action: failed
Status: 4.2.2

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Date: Tue, 7 Aug 2001 20:11:27 +0100 (BST)
From: nettime-bold-admin@nettime.org
Message-Id: <200108071911.UAA21355@sheridan.uel.ac.uk>
Subject: Nettime-bold digest, Vol 1 #528 - 1 msg
X-mailer: Mailman v1.1
Mime-version: 1.0
Content-type: text/plain
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Reply-To: nettime-bold@nettime.org
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When replying, please edit your Subject line so it is more specific than
"Re: Contents of Nettime-bold digest..."


Today's Topics:

  1. Mail System Error - Returned Mail (Talk21 Mail System)

--                  __--__-- =20

Message: 1
To: nettime-bold@nettime.org
From: Talk21 Mail System <Postmaster@talk21.com>
Reply-To: Talk21 Mail System <Postmaster@talk21.com>
Date: Tue, 7 Aug 2001 20:04:17 +0100
report-type=3Ddelivery-status;
Boundary=3D"=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D_ _=3D 2835388(757)997211057"
Subject: [Nettime-bold] Mail System Error - Returned Mail
Reply-To: nettime-bold@nettime.org


--=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D_ _=3D 2835388(757)997211057
Content-Type: text/plain

This Message was undeliverable due to the following reason:

The user(s) account is temporarily over quota.

<a.sharma@talk21.com>

Please contact the Talk21 helpdesk
if you feel this message to be in error.

--=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D_ _=3D 2835388(757)997211057
Content-Type: message/delivery-status

Reporting-MTA: dns; t21mta02-lrs.talk21.com
Arrival-Date: Tue, 7 Aug 2001 20:04:16 +0100
Received-From-MTA: dns; sheridan.uel.ac.uk (161.76.9.2)

Final-Recipient: RFC822; <a.sharma@talk21.com>
Action: failed
Status: 4.2.2

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X-Autoforward: 1
Date: Tue, 7 Aug 2001 20:07:49 +0100 (BST)
From: nettime-bold-admin@nettime.org
Message-Id: <200108071907.UAA21322@sheridan.uel.ac.uk>
Subject: Nettime-bold digest, Vol 1 #527 - 1 msg
X-mailer: Mailman v1.1
Mime-version: 1.0
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Send Nettime-bold mailing list submissions to
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	http://www.nettime.org/cgi-bin/mailman/listinfo/nettime-bold
or, via email, send a message with subject or body 'help' to
	nettime-bold-request@nettime.org
You can reach the person managing the list at
	nettime-bold-admin@nettime.org

When replying, please edit your Subject line so it is more specific than
"Re: Contents of Nettime-bold digest..."


Today's Topics:

  1. Mail System Error - Returned Mail (Talk21 Mail System)

--                   __--__-- =20

Message: 1
To: nettime-bold@nettime.org
From: Talk21 Mail System <Postmaster@talk21.com>
Reply-To: Talk21 Mail System <Postmaster@talk21.com>
Date: Tue, 7 Aug 2001 20:04:31 +0100
report-type=3Ddelivery-status;
Boundary=3D"=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D_ _=3D 4330749(9429)997211071"
Subject: [Nettime-bold] Mail System Error - Returned Mail
Reply-To: nettime-bold@nettime.org


--=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D_ _=3D 4330749(9429)997211071
Content-Type: text/plain

This Message was undeliverable due to the following reason:

The user(s) account is temporarily over quota.

<a.sharma@talk21.com>

Please contact the Talk21 helpdesk
if you feel this message to be in error.

--=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D_ _=3D 4330749(9429)997211071
Content-Type: message/delivery-status

Reporting-MTA: dns; t21mta01-lrs.talk21.com
Arrival-Date: Tue, 7 Aug 2001 20:04:31 +0100
Received-From-MTA: dns; sinclair.uel.ac.uk (161.76.9.1)

Final-Recipient: RFC822; <a.sharma@talk21.com>
Action: failed
Status: 4.2.2

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Content-Type: message/rfc822

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Date: Tue, 7 Aug 2001 20:05:50 +0100 (BST)
From: nettime-bold-admin@nettime.org
Message-Id: <200108071905.UAA21307@sheridan.uel.ac.uk>
Subject: Nettime-bold digest, Vol 1 #526 - 1 msg
X-mailer: Mailman v1.1
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	http://www.nettime.org/cgi-bin/mailman/listinfo/nettime-bold
or, via email, send a message with subject or body 'help' to
	nettime-bold-request@nettime.org
You can reach the person managing the list at
	nettime-bold-admin@nettime.org

When replying, please edit your Subject line so it is more specific than
"Re: Contents of Nettime-bold digest..."


Today's Topics:

  1. Mail System Error - Returned Mail (Talk21 Mail System)

--                    __--__-- =20

Message: 1
To: nettime-bold@nettime.org
From: Talk21 Mail System <Postmaster@talk21.com>
Reply-To: Talk21 Mail System <Postmaster@talk21.com>
Date: Tue, 7 Aug 2001 20:01:52 +0100
report-type=3Ddelivery-status;
Boundary=3D"=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D_ _=3D 9533386(9429)997210912"
Subject: [Nettime-bold] Mail System Error - Returned Mail
Reply-To: nettime-bold@nettime.org


--=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D_ _=3D 9533386(9429)997210912
Content-Type: text/plain

This Message was undeliverable due to the following reason:

The user(s) account is temporarily over quota.

<a.sharma@talk21.com>

Please contact the Talk21 helpdesk
if you feel this message to be in error.

--=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D_ _=3D 9533386(9429)997210912
Content-Type: message/delivery-status

Reporting-MTA: dns; t21mta01-lrs.talk21.com
Arrival-Date: Tue, 7 Aug 2001 20:01:51 +0100
Received-From-MTA: dns; sinclair.uel.ac.uk (161.76.9.1)

Final-Recipient: RFC822; <a.sharma@talk21.com>
Action: failed
Status: 4.2.2

--=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
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Content-Type: message/rfc822

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From: nettime-bold-admin@nettime.org
Message-Id: <200108071903.UAA21272@sheridan.uel.ac.uk>
Subject: Nettime-bold digest, Vol 1 #525 - 1 msg
X-mailer: Mailman v1.1
Mime-version: 1.0
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Send Nettime-bold mailing list submissions to
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To subscribe or unsubscribe via the web, visit
	http://www.nettime.org/cgi-bin/mailman/listinfo/nettime-bold
or, via email, send a message with subject or body 'help' to
	nettime-bold-request@nettime.org
You can reach the person managing the list at
	nettime-bold-admin@nettime.org

When replying, please edit your Subject line so it is more specific than
"Re: Contents of Nettime-bold digest..."


Today's Topics:

  1. Mail System Error - Returned Mail (Talk21 Mail System)

--                     __--__-- =20

Message: 1
To: nettime-bold@nettime.org
From: Talk21 Mail System <Postmaster@talk21.com>
Reply-To: Talk21 Mail System <Postmaster@talk21.com>
Date: Tue, 7 Aug 2001 19:58:47 +0100
report-type=3Ddelivery-status;
Boundary=3D"=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D_ _=3D 3003845(6167)997210727"
Subject: [Nettime-bold] Mail System Error - Returned Mail
Reply-To: nettime-bold@nettime.org


--=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D_ _=3D 3003845(6167)997210727
Content-Type: text/plain

This Message was undeliverable due to the following reason:

The user(s) account is temporarily over quota.

<a.sharma@talk21.com>

Please contact the Talk21 helpdesk
if you feel this message to be in error.

--=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D_ _=3D 3003845(6167)997210727
Content-Type: message/delivery-status

Reporting-MTA: dns; t21mta00-lrs.talk21.com
Arrival-Date: Tue, 7 Aug 2001 19:58:47 +0100
Received-From-MTA: dns; sinclair.uel.ac.uk (161.76.9.1)

Final-Recipient: RFC822; <a.sharma@talk21.com>
Action: failed
Status: 4.2.2

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Subject: Nettime-bold digest, Vol 1 #524 - 1 msg
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Today's Topics:

  1. Mail System Error - Returned Mail (Talk21 Mail System)

--                      __--__-- =20

Message: 1
To: nettime-bold@nettime.org
From: Talk21 Mail System <Postmaster@talk21.com>
Reply-To: Talk21 Mail System <Postmaster@talk21.com>
Date: Tue, 7 Aug 2001 19:55:30 +0100
report-type=3Ddelivery-status;
Boundary=3D"=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D_ _=3D 9467468(9429)997210530"
Subject: [Nettime-bold] Mail System Error - Returned Mail
Reply-To: nettime-bold@nettime.org


--=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
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Content-Type: text/plain

This Message was undeliverable due to the following reason:

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Please contact the Talk21 helpdesk
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Subject: Nettime-bold digest, Vol 1 #523 - 1 msg
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Today's Topics:

  1. Mail System Error - Returned Mail (Talk21 Mail System)

--                       __--__-- =20

Message: 1
To: nettime-bold@nettime.org
From: Talk21 Mail System <Postmaster@talk21.com>
Reply-To: Talk21 Mail System <Postmaster@talk21.com>
Date: Tue, 7 Aug 2001 19:52:44 +0100
report-type=3Ddelivery-status;
Boundary=3D"=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D_ _=3D 8450012(9429)997210364"
Subject: [Nettime-bold] Mail System Error - Returned Mail
Reply-To: nettime-bold@nettime.org


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This Message was undeliverable due to the following reason:

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Final-Recipient: RFC822; <a.sharma@talk21.com>
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Today's Topics:

  1. >>>11,000,000 EMAIL ADDRESSES FREE! (josephptrota@yahoo.com)
  2. Mail System Error - Returned Mail (Talk21 Mail System)

--                        __--__-- =20

Message: 1
From: josephptrota@yahoo.com
Date: Tue, 07 Aug 01 14:15:27 EST
To: nettime-l@bbs.thing.net
Reply-To: DoNotReplyByEmail@yahoo.com
Subject: [Nettime-bold] >>>11,000,000 EMAIL ADDRESSES FREE!
Reply-To: nettime-bold@nettime.org

Dear nettime-l@bbs.thing.net,


Would you like to send an Email Advertisement to
11,000,000 PEOPLE DAILY for FREE?
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D
1) Let's say you... Sell a $24.95 PRODUCT or SERVICE.
2) Let's say you... Broadcast Email to 500,000 PEOPLE DAILY.
3) Let's say you... Receive JUST 1 ORDER for EVERY 2,500 EMAILS.

CALCULATION OF YOUR EARNINGS BASED ON THE ABOVE STATISTICS:

[Day 1]: $4,990  [Week 1]: $34,930  [Month 1]: $139,720

NOTE: (If you do not already have a product or service to sell, we can
supply you with one)
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D
To find out more information, Do not respond by email or you will be
permanantly removed from any future emails from us.
Instead, please visit our web site at:
http://www.moneyinyourhands.com/package1.htm


List Removal Instructions:
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--                        __--__-- =20

Message: 2
To: nettime-bold@nettime.org
From: Talk21 Mail System <Postmaster@talk21.com>
Reply-To: Talk21 Mail System <Postmaster@talk21.com>
Date: Tue, 7 Aug 2001 19:47:32 +0100
report-type=3Ddelivery-status;
Boundary=3D"=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D_ _=3D 4785766(757)997210052"
Subject: [Nettime-bold] Mail System Error - Returned Mail
Reply-To: nettime-bold@nettime.org


--=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D_ _=3D 4785766(757)997210052
Content-Type: text/plain

This Message was undeliverable due to the following reason:

The user(s) account is temporarily over quota.

<a.sharma@talk21.com>

Please contact the Talk21 helpdesk
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=3D=3D=3D_ _=3D 4785766(757)997210052
Content-Type: message/delivery-status

Reporting-MTA: dns; t21mta02-lrs.talk21.com
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Final-Recipient: RFC822; <a.sharma@talk21.com>
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Date: Tue, 7 Aug 2001 19:51:20 +0100 (BST)
From: nettime-bold-admin@nettime.org
Message-Id: <200108071851.TAA21077@sheridan.uel.ac.uk>
Subject: Nettime-bold digest, Vol 1 #521 - 1 msg
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	nettime-bold-admin@nettime.org

When replying, please edit your Subject line so it is more specific than
"Re: Contents of Nettime-bold digest..."


Today's Topics:

  1. Mail System Error - Returned Mail (Talk21 Mail System)

--                         __--__-- =20

Message: 1
To: nettime-bold@nettime.org
From: Talk21 Mail System <Postmaster@talk21.com>
Reply-To: Talk21 Mail System <Postmaster@talk21.com>
Date: Tue, 7 Aug 2001 19:46:39 +0100
report-type=3Ddelivery-status;
Boundary=3D"=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D_ _=3D 2761230(6167)997209999"
Subject: [Nettime-bold] Mail System Error - Returned Mail
Reply-To: nettime-bold@nettime.org


--=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D_ _=3D 2761230(6167)997209999
Content-Type: text/plain

This Message was undeliverable due to the following reason:

The user(s) account is temporarily over quota.

<a.sharma@talk21.com>

Please contact the Talk21 helpdesk
if you feel this message to be in error.

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=3D=3D=3D_ _=3D 2761230(6167)997209999
Content-Type: message/delivery-status

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Subject: Nettime-bold digest, Vol 1 #520 - 1 msg
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Today's Topics:

  1. Mail System Error - Returned Mail (Talk21 Mail System)

--                          __--__-- =20

Message: 1
To: nettime-bold@nettime.org
From: Talk21 Mail System <Postmaster@talk21.com>
Reply-To: Talk21 Mail System <Postmaster@talk21.com>
Date: Tue, 7 Aug 2001 19:48:28 +0100
report-type=3Ddelivery-status;
Boundary=3D"=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D_ _=3D 1812744(1412)997210108"
Subject: [Nettime-bold] Mail System Error - Returned Mail
Reply-To: nettime-bold@nettime.org


--=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
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Content-Type: text/plain

This Message was undeliverable due to the following reason:

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Please contact the Talk21 helpdesk
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Subject: Nettime-bold digest, Vol 1 #519 - 1 msg
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When replying, please edit your Subject line so it is more specific than
"Re: Contents of Nettime-bold digest..."


Today's Topics:

  1. Mail System Error - Returned Mail (Talk21 Mail System)

--                           __--__-- =20

Message: 1
To: nettime-bold@nettime.org
From: Talk21 Mail System <Postmaster@talk21.com>
Reply-To: Talk21 Mail System <Postmaster@talk21.com>
Date: Tue, 7 Aug 2001 19:41:35 +0100
report-type=3Ddelivery-status;
Boundary=3D"=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D_ _=3D 6444091(9429)997209695"
Subject: [Nettime-bold] Mail System Error - Returned Mail
Reply-To: nettime-bold@nettime.org


--=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
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Content-Type: text/plain

This Message was undeliverable due to the following reason:

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<a.sharma@talk21.com>

Please contact the Talk21 helpdesk
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Subject: Nettime-bold digest, Vol 1 #518 - 1 msg
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or, via email, send a message with subject or body 'help' to
	nettime-bold-request@nettime.org
You can reach the person managing the list at
	nettime-bold-admin@nettime.org

When replying, please edit your Subject line so it is more specific than
"Re: Contents of Nettime-bold digest..."


Today's Topics:

  1. Mail System Error - Returned Mail (Talk21 Mail System)

--                            __--__-- =20

Message: 1
To: nettime-bold@nettime.org
From: Talk21 Mail System <Postmaster@talk21.com>
Reply-To: Talk21 Mail System <Postmaster@talk21.com>
Date: Tue, 7 Aug 2001 19:35:56 +0100
report-type=3Ddelivery-status;
Boundary=3D"=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D_ _=3D 5517883(757)997209356"
Subject: [Nettime-bold] Mail System Error - Returned Mail
Reply-To: nettime-bold@nettime.org


--=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D_ _=3D 5517883(757)997209356
Content-Type: text/plain

This Message was undeliverable due to the following reason:

The user(s) account is temporarily over quota.

<a.sharma@talk21.com>

Please contact the Talk21 helpdesk
if you feel this message to be in error.

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=3D=3D=3D_ _=3D 5517883(757)997209356
Content-Type: message/delivery-status

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Final-Recipient: RFC822; <a.sharma@talk21.com>
Action: failed
Status: 4.2.2

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Message-Id: <200108071839.TAA29826@sinclair.uel.ac.uk>
Subject: Nettime-bold digest, Vol 1 #517 - 1 msg
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To subscribe or unsubscribe via the web, visit
	http://www.nettime.org/cgi-bin/mailman/listinfo/nettime-bold
or, via email, send a message with subject or body 'help' to
	nettime-bold-request@nettime.org
You can reach the person managing the list at
	nettime-bold-admin@nettime.org

When replying, please edit your Subject line so it is more specific than
"Re: Contents of Nettime-bold digest..."


Today's Topics:

  1. Mail System Error - Returned Mail (Talk21 Mail System)

--                             __--__-- =20

Message: 1
To: nettime-bold@nettime.org
From: Talk21 Mail System <Postmaster@talk21.com>
Reply-To: Talk21 Mail System <Postmaster@talk21.com>
Date: Tue, 7 Aug 2001 19:39:35 +0100
report-type=3Ddelivery-status;
Boundary=3D"=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D_ _=3D 578002(1412)997209575"
Subject: [Nettime-bold] Mail System Error - Returned Mail
Reply-To: nettime-bold@nettime.org


--=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D_ _=3D 578002(1412)997209575
Content-Type: text/plain

This Message was undeliverable due to the following reason:

The user(s) account is temporarily over quota.

<a.sharma@talk21.com>

Please contact the Talk21 helpdesk
if you feel this message to be in error.

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=3D=3D=3D_ _=3D 578002(1412)997209575
Content-Type: message/delivery-status

Reporting-MTA: dns; t21mta03-lrs.talk21.com
Arrival-Date: Tue, 7 Aug 2001 19:39:35 +0100
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Final-Recipient: RFC822; <a.sharma@talk21.com>
Action: failed
Status: 4.2.2

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Subject: Nettime-bold digest, Vol 1 #516 - 1 msg
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  1. Mail System Error - Returned Mail (Talk21 Mail System)

--                              __--__-- =20

Message: 1
To: nettime-bold@nettime.org
From: Talk21 Mail System <Postmaster@talk21.com>
Reply-To: Talk21 Mail System <Postmaster@talk21.com>
Date: Tue, 7 Aug 2001 19:33:06 +0100
report-type=3Ddelivery-status;
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=3D=3D=3D=3D=3D=3D_ _=3D 2171325(9429)997209186"
Subject: [Nettime-bold] Mail System Error - Returned Mail
Reply-To: nettime-bold@nettime.org


--=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
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  1. Mail System Error - Returned Mail (Talk21 Mail System)

--                               __--__-- =20

Message: 1
To: nettime-bold@nettime.org
From: Talk21 Mail System <Postmaster@talk21.com>
Reply-To: Talk21 Mail System <Postmaster@talk21.com>
Date: Tue, 7 Aug 2001 19:35:16 +0100
report-type=3Ddelivery-status;
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=3D=3D=3D=3D=3D=3D_ _=3D 4583740(1412)997209316"
Subject: [Nettime-bold] Mail System Error - Returned Mail
Reply-To: nettime-bold@nettime.org


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Today's Topics:

  1. Mail System Error - Returned Mail (Talk21 Mail System)
  2. Urgent Investor Info (jamesjones@terra.com.mx)
  3. Friendly Email Detected Potential Junk Mail (Friendly Email Support)
  4. Re: <nettime> What is @XXX? [Re: Stop the G8: Online Demonstration S=
=3D
cheduled] (scotartt)
  5. Casarini's Interview with Il Manifesto (florian schneider)
  6. son of star wars (Wander Eikelboom)
  7. Automadness: Terrors of EM Research (brian carroll)
  8. Fw: freely (jmm)
  9. of the book (Alan Sondheim)
  10. |_ /\ |) (- |\|: SUN SET 11.8.-9.9.01 (LADEN)
  11. Links Prize A joint venture between VIROSE (Porto) and
 V2_Organisation           (Rotterdam) (Fernando =3D3D?iso-8859-1?Q?Jos=3D=
3DE=3D
9?=3D3D Pereira)
  12. >>>11,000,000 EMAIL ADDRESSES FREE! (josephptrota@yahoo.com)
  13. Manuf. Production/Cntrol Software For $1,495.00! (Wayne)
  14. Adequatio Artis et Torturae =3D3D?iso-8859-1?Q?=3D3D96?=3D3D Toward=
s Marc=3D
ello
 Mercados Capital (Nils =3D3D?iso-8859-1?Q?R=3D3DF6ller?=3D3D)

--                                __--__-- =20

Message: 1
To: nettime-bold@nettime.org
From: Talk21 Mail System <Postmaster@talk21.com>
Reply-To: Talk21 Mail System <Postmaster@talk21.com>
Date: Tue, 7 Aug 2001 05:38:57 +0100
report-type=3D3Ddelivery-status;
Boundary=3D3D"=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3=
D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D
=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D_ _=3D3D 8222045(1412)997159137"
Subject: [Nettime-bold] Mail System Error - Returned Mail
Reply-To: nettime-bold@nettime.org


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<a.sharma@talk21.com>

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Subject: Nettime-bold digest, Vol 1 #513 - 35 msgs
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Today's Topics:

  1. ADV: Call Your Own Shots at Marblejar (mjrecruiter@vsnl.net)
  2. 1,000 Commission Per Sale!                          11543 (brendan12=
=3D
=3D3D
185@excite.com)
  3. "Shanghai WTO Import Commodities Exhibition Hall (Preparing)"  Coope=
=3D
=3D3D
rator-Seeking Inquiry (vivien yu)
  4. Everything you ever wanted to know!! (5le01dxmk@europe.com)
  5. Undelivarable: <nettime> Announcements [9] (mudadominio@osite.com.br=
=3D
=3D3D
)
  6. Re: <nettime> Fw: The Global Development Gateway (Bill Spornitz)
  7. =3D3D3D?iso-8859-1?Q?CODE_RED_=3D3D3DAD_A_RED_HERRING?=3D3D3D (ricar=
do dom=3D
inguez=3D3D
)
  8. Re: <nettime> FW: someding zu read (G.H. Hovagimyan)
  9. [ot] [!nt] \n2+0\ (integer@www.god-emil.dk)
  10. [ot] [!nt] \n2+0\ The Next Phase of Business Ethics (integer@www.go=
=3D
=3D3D
d-emil.dk)
  11. [ot] [!nt] \n2+0\ lostandfoundbodies (integer@www.god-emil.dk)
  12. [ot] [!nt] \n2+0\ (integer@www.god-emil.dk)
  13. (no subject) (Nomay Inchas)
  14. (no subject) (Nomay Inchas)
  15. Station Rose Webcast 147  "TV Rex" (Station Rose)
  16. Stop the G8: Online Demonstration Scheduled (ricardo dominguez)
  17. (no subject) (integer@www.god-emil.dk)
  18. [ot] [!nt] \n2+0\ (integer@www.god-emil.dk)
  19. International Conference 'Hackers at Large' in the Netherlands (Mau=
=3D
=3D3D
rice Wessling)
  20. (no subject) (integer@www.god-emil.dk)
  21. \/\ (integer@www.god-emil.dk)
  22. Links Prize A joint venture betwwen VIROSE (Porto) and
 V2_Organisation (Rotterdam) (Fernando =3D3D3D?iso-8859-1?Q?Jos=3D3D3DE9?=
=3D3D3=3D
D Pere=3D3D
ira)
  23. Re: <nettime> FW: someding zu read (I) (teddy bytown)
  24. Re: <nettime> FW: someding zu read (II) (teddy bytown)
  25. [ot] [!nt] \n2+0\ (integer@www.god-emil.dk)
  26. [ot] [!nt] \n2+0\ zoft uear (integer@www.god-emil.dk)
  27. Multimedia: From Wagner to Virtual Reality (Ken Jordan)
  28. Best #1 Money on the Internet (N S)
  29. nn =3D3D3D=3D3D3D lev (Nomay Inchas)
  30. What is @XXX? [Re: Stop the G8: Online Demonstration Scheduled] (se=
=3D
=3D3D
bastian@rolux.org)
  31. BeeHive Microtitles Series 1 [for announcer] (][M.ollient][)
  32. [ot] [!nt] \n2+0\   n  r  .   5    !!!!! (integer@www.god-emil.dk)
  33. "Shanghai WTO Import Commodities Exhibition Hall (Preparing)"  Coop=
=3D
=3D3D
erator-Seeking Inquiry (market@shanghai-industry.com)
  34. Home Loans-Made Easy & Fast (plgzone1@hotmail.kg)

--                                 __--__--                                =
=3D20

Message: 1
From: mjrecruiter@vsnl.net
To: IT_Professionals@giasmd01.vsnl.net.in
boundary=3D3D3D"----=3D3D3D_NextPart_000_002A_01C11B52.F4F1A570"
Date: Mon,  6 Aug 2001 12:30:19 +0530 (IST)
Subject: [Nettime-bold] ADV: Call Your Own Shots at Marblejar
Reply-To: nettime-bold@nettime.org

This is a multi-part message in MIME format.

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      =3D3D3D20
            www.marblejar.com=3D3D3D20
    =3D3D3D20
    =3D3D3D20
          =3D3D3D20
    =3D3D3D20
    =3D3D3D20
            =3D3D3D20
            Whether you are caught in the current downward dot-com trend =
=3D
=3D3D
=3D3D3D
or just aspire to work for a leading edge company, it is time you took =3D=
3D=3D
3D
charge of your career. Don't give up your dreams so easily just because =3D=
3D=3D
3D
of today's turbulent market. Marblejar, www.marblejar.com, is the way to =
=3D
=3D3D
=3D3D3D
find your next challenging IT position with established direct end =3D3D3=
D
clients with solid fundamentals and financial performance.

            Marblejar, is a web-based IT recruiter, not a job board =3D3D=
3D
specializing in emerging IT skills. Our value proposition is this:
          =3D3D3D20
    =3D3D3D20
      =3D3D3D20
             All Candidates are skills tested

             All Candidates record a voice file

             The site is FREE to use


             We have many open positions in Java, EJB, Java Servlets, =3D=
3D=3D
3D
C++, VB, and more....Yesterday only we
            received 47 open job orders.

             As a candidate you receive a $500 bonus from Marblejar upon =
=3D
=3D3D
=3D3D3D
getting hired through our site.

            Don't wait to register. Go to the www.marblejar.com and =3D3D=
3D
register today. Once you are registered, send your resumes to =3D3D3D
sroberts@marblejar.com and we will start you on your way to a new career =
=3D
=3D3D
=3D3D3D
and that $500 bonus.

            Check out the job of the day!!!!!

            Sincerely,

            Sam Roberts
            Marblejar LLC
          =3D3D3D20
       Senior Software Engineer/Software Engineer=3D3D3D20
            Functions: Our software engineers will build the next =3D3D3D
generation of e-commerce monitoring products, using emerging Internet =3D=
3D=3D
3D
standards such
            as Java and XML, in response to critical customer needs.

            Requirements: Ideal candidates for these positions will have =
=3D
=3D3D
=3D3D3D
experience developing middleware and infrastructure software, and will =3D=
3D=3D
3D
have worked
            on large, distributed, object-oriented software products in =3D=
3D=3D
3D
Java or C++.

            They should have three to ten years of commercial software =3D=
3D=3D
3D
development or equivalent experience, including experience designing and =
=3D
=3D3D
=3D3D3D
developing object-oriented infrastructure software. Ideal candidates =3D3=
D3=3D
D
will also have a deep understanding of one or more of the following =3D3D=
3D
areas: the Java runtime environment; CORBA; distributed system =3D3D3D
performance; multi-tier application architectures; web and e-commerce =3D=
3D=3D
3D
infrastructure; program visualization tools; system or network =3D3D3D
management.
          =3D3D3D20
    =3D3D3D20
    =3D3D3D20
        We respect your time. If you would like to be removed from our =3D=
3D=3D
3D
mailing list, click on mailto:mjrecruiter@vsnl.net ?subject=3D3D3D3DREMOV=
E =3D
an=3D3D
d =3D3D3D
add the email address(es) to remove in your subject line.  This message =3D=
3D=3D
3D
is designed to comply with all U.S. state laws and pending federal =3D3D3=
D
legislation regarding electronic mail marketing. You can avoid seeing =3D=
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3D
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"ADV:" at the beginning of the Subject line. Submit questions or =3D3D3D
comments regarding these matters by clicking on =3D3D3D
mailto:mjrecruiter@vsnl.net ?subject=3D3D3D3DCOMPLIANCE.

      Marblejar LLC
      Manor Oak Two, Suite 252
      1910 Cochran Road
      Pittsburgh, PA 15220  =3D3D3D20


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          <TD width=3D3D3D3D704><IMG height=3D3D3D3D37=3D3D3D20
            =3D3D3D
src=3D3D3D3D"http://www.marblejar.com/marblejar/components/images/email/d=
ea=3D
r.=3D3D
gi=3D3D3D
f"=3D3D3D20
            width=3D3D3D3D165>=3D3D3D20
            <P><FONT face=3D3D3D3D"Arial, Helvetica, sans-serif" =3D3D3D
size=3D3D3D3D2>Whether you are=3D3D3D20
            caught in the current downward dot-com trend or just aspire =3D=
3D=3D
3D
to work=3D3D3D20
            for a leading edge company, it is time you took charge of =3D=
3D=3D
3D
your=3D3D3D20
            career. Don't give up your dreams so easily just because of =3D=
3D=3D
3D
today's=3D3D3D20
            turbulent market. Marblejar, <B><A=3D3D3D20
            href=3D3D3D3D"http://www.marblejar.com/";><FONT=3D3D3D20
            color=3D3D3D3D#66cc33>www.marblejar.com</FONT></A></B>, is th=
e =3D
wa=3D3D
y =3D3D3D
to find=3D3D3D20
            your next challenging IT position with established direct =3D=
3D=3D
3D
end=3D3D3D20
            clients with solid fundamentals and financial=3D3D3D20
performance.</FONT></P>
            <P><FONT face=3D3D3D3D"Arial, Helvetica, sans-serif" =3D3D3D
size=3D3D3D3D2>Marblejar, is a=3D3D3D20
            web-based IT recruiter, not a job board specializing in =3D3D=
3D
emerging IT=3D3D3D20
            skills. Our value proposition is=3D3D3D20
    this:</FONT></P></TD></TR></TBODY></TABLE></TD></TR>
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    <TD bgColor=3D3D3D3D#000000 width=3D3D3D3D301><IMG height=3D3D3D3D3=3D=
3D3D20
      =3D3D3D
src=3D3D3D3D"http://www.marblejar.com/marblejar/components/images/email/1=
pt=3D
ra=3D3D
n.=3D3D3D
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      width=3D3D3D3D3></TD></TR>
  <TR>
    <TD width=3D3D3D3D380>
      <TABLE border=3D3D3D3D0 cellPadding=3D3D3D3D10 cellSpacing=3D3D3D3D=
0 widt=3D
h=3D3D3D3D=3D3D
380>
        <TBODY>
        <TR>
          <TD width=3D3D3D3D380>
            <P><FONT face=3D3D3D3D"Arial, Helvetica, sans-serif" size=3D3=
D3D3=3D
D2><=3D3D
IMG =3D3D3D
align=3D3D3D3Dleft=3D3D3D20
            height=3D3D3D3D20=3D3D3D20
            =3D3D3D
src=3D3D3D3D"http://www.marblejar.com/marblejar/components/images/email/1=
Bl=3D
ue=3D3D
Ci=3D3D3D
rcle.gif"=3D3D3D20
            width=3D3D3D3D20> All Candidates are skills tested</FONT></P>
            <P><FONT face=3D3D3D3D"Arial, Helvetica, sans-serif" size=3D3=
D3D3=3D
D2><=3D3D
IMG =3D3D3D
align=3D3D3D3Dleft=3D3D3D20
            height=3D3D3D3D20=3D3D3D20
            =3D3D3D
src=3D3D3D3D"http://www.marblejar.com/marblejar/components/images/email/2=
Bl=3D
ue=3D3D
Ci=3D3D3D
rcle.gif"=3D3D3D20
            width=3D3D3D3D20> All Candidates record a voice file</FONT></=
P>
            <P><FONT face=3D3D3D3D"Arial, Helvetica, sans-serif" size=3D3=
D3D3=3D
D2><=3D3D
IMG =3D3D3D
align=3D3D3D3Dleft=3D3D3D20
            height=3D3D3D3D20=3D3D3D20
            =3D3D3D
src=3D3D3D3D"http://www.marblejar.com/marblejar/components/images/email/3=
Bl=3D
ue=3D3D
Ci=3D3D3D
rcle.gif"=3D3D3D20
            width=3D3D3D3D20> The site is <B><FONT =3D3D3D
color=3D3D3D3D#0099cc>FREE</FONT><FONT=3D3D3D20
            color=3D3D3D3D#ff6600> </FONT></B>to use</FONT><BR></P>
            <P><FONT face=3D3D3D3D"Arial, Helvetica, sans-serif" size=3D3=
D3D3=3D
D2><=3D3D
IMG =3D3D3D
align=3D3D3D3Dleft=3D3D3D20
            height=3D3D3D3D20=3D3D3D20
            =3D3D3D
src=3D3D3D3D"http://www.marblejar.com/marblejar/components/images/email/4=
Bl=3D
ue=3D3D
Ci=3D3D3D
rcle.gif"=3D3D3D20
            width=3D3D3D3D20> We have many open positions in Java, EJB, J=
av=3D
a =3D3D
=3D3D3D
Servlets,=3D3D3D20
            C++, VB, and more....</FONT><FONT=3D3D3D20
            face=3D3D3D3D"Arial, Helvetica, sans-serif" size=3D3D3D3D2>Ye=
ster=3D
day =3D3D
=3D3D3D
only we<BR><IMG=3D3D3D20
            height=3D3D3D3D12=3D3D3D20
            =3D3D3D
src=3D3D3D3D"http://www.marblejar.com/marblejar/components/images/email/1=
pt=3D
ra=3D3D
n.=3D3D3D
gif"=3D3D3D20
            width=3D3D3D3D26>received 47 open job orders.</FONT></P>
            <P><FONT face=3D3D3D3D"Arial, Helvetica, sans-serif" size=3D3=
D3D3=3D
D2><=3D3D
IMG =3D3D3D
align=3D3D3D3Dleft=3D3D3D20
            height=3D3D3D3D20=3D3D3D20
            =3D3D3D
src=3D3D3D3D"http://www.marblejar.com/marblejar/components/images/email/5=
Bl=3D
ue=3D3D
Ci=3D3D3D
rcle.gif"=3D3D3D20
            width=3D3D3D3D20> As a candidate you receive a <B><FONT=3D3D3=
D20
            color=3D3D3D3D#0099cc>$500</FONT></B> bonus from Marblejar up=
on=3D
 =3D3D3D
getting=3D3D3D20
            hired through our site.</FONT></P>
            <P><FONT face=3D3D3D3D"Arial, Helvetica, sans-serif" =3D3D3D
size=3D3D3D3D2>Don't wait to=3D3D3D20
            register. Go to the <A =3D3D3D
href=3D3D3D3D"http://www.marblejar.com/";><B><FONT=3D3D3D20
            color=3D3D3D3D#66cc33>www.marblejar.com</FONT></B></A> and =3D=
3D3=3D
D
register today.=3D3D3D20
            Once you are registered, send your resumes to <B><A=3D3D3D20
            href=3D3D3D3D"mailto:sroberts@marblejar.com";><FONT=3D3D3D20
            color=3D3D3D3D#66cc33>sroberts@marblejar.com</FONT></A></B> a=
nd=3D
 w=3D3D
e =3D3D3D
will=3D3D3D20
            start you on your way to a new career and that $500=3D3D3D20
bonus.</FONT></P>
            <P><FONT face=3D3D3D3D"Arial, Helvetica, sans-serif" =3D3D3D
size=3D3D3D3D2>Check out the=3D3D3D20
            job of the day!!!!!</FONT></P>
            <P><FONT face=3D3D3D3D"Arial, Helvetica, sans-serif"=3D3D3D20
            size=3D3D3D3D2>Sincerely,</FONT></P>
            <P><FONT face=3D3D3D3D"Arial, Helvetica, sans-serif" size=3D3=
D3D3=3D
D2>S=3D3D
am=3D3D3D20
            Roberts<BR><B>Marblejar =3D3D3D
LLC</B></FONT></P></TD></TR></TBODY></TABLE></TD>
    <TD bgColor=3D3D3D3D#000000 width=3D3D3D3D3><IMG height=3D3D3D3D3=3D3=
D3D20
      =3D3D3D
src=3D3D3D3D"http://www.marblejar.com/marblejar/components/images/email/1=
pt=3D
ra=3D3D
n.=3D3D3D
gif"=3D3D3D20
      width=3D3D3D3D3></TD>
    <TD bgColor=3D3D3D3D#ffcc00 vAlign=3D3D3D3Dtop width=3D3D3D3D301><IMG=
 heigh=3D
t=3D3D3D3D=3D3D
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src=3D3D3D3D"http://www.marblejar.com/marblejar/components/images/email/j=
ob=3D
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      width=3D3D3D3D321>=3D3D3D20
      <TABLE border=3D3D3D3D0 cellPadding=3D3D3D3D8 cellSpacing=3D3D3D3D0=
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21>
        <TBODY>
        <TR>
          <TD><B><FONT face=3D3D3D3D"Arial, Helvetica, sans-serif" =3D3D3=
D
size=3D3D3D3D2>Senior=3D3D3D20
            Software Engineer/Software Engineer </FONT></B>
            <P><FONT face=3D3D3D3D"Arial, Helvetica, sans-serif"=3D3D3D20
            size=3D3D3D3D2><B>Functions:</B> Our software engineers will =
bu=3D
il=3D3D
d =3D3D3D
the next=3D3D3D20
            generation of e-commerce monitoring products, using emerging =
=3D
=3D3D
=3D3D3D

            Internet standards such<BR>as Java and XML, in response to =3D=
3D=3D
3D
critical=3D3D3D20
            customer needs.</FONT></P>
            <P><FONT face=3D3D3D3D"Arial, Helvetica, sans-serif"=3D3D3D20
            size=3D3D3D3D2><B>Requirements:</B> Ideal candidates for thes=
e =3D
=3D3D3D
positions=3D3D3D20
            will have experience developing middleware and =3D3D3D
infrastructure=3D3D3D20
            software, and will have worked<BR>on large, distributed,=3D3D=
3D=3D
20
            object-oriented software products in Java or C++.</FONT></P>
            <P><FONT face=3D3D3D3D"Arial, Helvetica, sans-serif" size=3D3=
D3D3=3D
D2>T=3D3D
hey =3D3D3D
should have=3D3D3D20
            three to ten years of commercial software development or =3D3=
D3=3D
D
equivalent=3D3D3D20
            experience, including experience designing and developing=3D3=
D3=3D
D2=3D3D
0
            object-oriented infrastructure software. Ideal candidates =3D=
3D=3D
3D
will also=3D3D3D20
            have a deep understanding of one or more of the following =3D=
3D=3D
3D
areas: the=3D3D3D20
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--                                 __--__--                                =
=3D20

Message: 2
From: brendan12185@excite.com
To: <ram@bbs-la.com>
Cc: <info@bbqpits.com>, <msq@bbs.phantasy.com>, <jilly.bbs@bbs.alway.com.=
=3D
=3D3D
tw>,
<tyler_nancee@bbrown.com>, <curt.bates@bbs.logicnet.com>,
<dmunson@bbs.southshore.com>, <dark.soul@bbs.galilei.com>,
<nettime-l@bbs.thing.net>, <dmartini@bbrcompany.com>,
<cjcramer@bbprepro.com>, <bgr@bboss.net>, <rthiem@bbs.gemlink.com>
Date: Mon, 06 Aug 2001 03:51:00 -0500
charset=3D3D3D"Windows-1252"
Subject: [Nettime-bold] 1,000 Commission Per Sale!                       =
=3D
=3D3D
   11543
Reply-To: nettime-bold@nettime.org

             $1,000 Commission Per Sale!
   Great Vacations and Endless Opportunities!



Thank you for responding to our ad for Entrepreneurs. We are presently ta=
=3D
=3D3D
king on dealers who have seasoned sales experience or experience in runni=
=3D
=3D3D
ng a small business and understand the ins and outs of sales. Our product=
=3D
=3D3D
 is simple, We sell One Vacation Package that everyone wants.=3D3D20

 The customer receives: 8 luxury cruises (Carnival, Princess, Norwegian e=
=3D
=3D3D
tc), 6 Las Vegas vacations (some even include airfare), and 12 Luxury Res=
=3D
=3D3D
ort Vacations to places like Disney/Orlando (airfare is even included for=
=3D
=3D3D
 2 people), 8 days and 7 nights in the Bahamas (airfare included for 2 pe=
=3D
=3D3D
ople) and much more. You will sell this package for an incredibly low pri=
=3D
=3D3D
ce of only$1,399 and guess how much of that you keep. That's right your c=
=3D
=3D3D
ommission is $1,000 on every sale!  Your product will only cost you $399 =
=3D
=3D3D
(buy as you go, you don't need to keep an inventory).=3D3D20

 There are independent dealers selling 7 to 10 of these every week, every=
=3D
=3D3D
 week. Think about what you will be offering, over 25 premium vacations f=
=3D
=3D3D
or what most people will pay for one vacation. Your customers will never =
=3D
=3D3D
be asked to attend any timeshare presentations and there  is never a catc=
=3D
=3D3D
h with any of these vacations.=3D3D20
 All vacations are open ended and 100% transferable to friends and family=
=3D
=3D3D
. Who would pay $3500 for a cruise when they can have 8 (same quality) cr=
=3D
=3D3D
uises for only $1,399?=3D3D20

  All you need to do is put out some flyers and place a few inexpensive c=
=3D
=3D3D
lassified ads and then just sit back and watch your customers flock to yo=
=3D
=3D3D
u. A motivated dealer can plan on closing at least 3 deals his first week=
=3D
=3D3D
 doing this.=3D3D20
*** Make this business as big as you want it. How much would you pay to m=
=3D
=3D3D
ake $3,000 to $7,000 every week? Well we are going to make it very easy f=
=3D
=3D3D
or you to get involved with our company,=3D3D20

       Your cost is a one time fee of only: $995. Here is what you will g=
=3D
=3D3D
et with your investment: 1 presentation kit, a completely customized mark=
=3D
=3D3D
eting strategy, professional marketing advice, flyers (on disk) and class=
=3D
=3D3D
ified ads that work and much much more!=3D3D20

     But don't forget the most important thing, you are getting a real tu=
=3D
=3D3D
rn-key business selling a product that is in HUGE demand that you can wor=
=3D
=3D3D
k right out of your house. Spend more time with your family and do the th=
=3D
=3D3D
ings that you want to do.=3D3D20
*** If you are truly interested in this opportunity and have sales experi=
=3D
=3D3D
ence and have $995 to invest in a time tested business of your own, we wa=
=3D
=3D3D
nt to talk to you!=3D3D20
                          Serious inquiries only.

PS: You may be wondering how we can give so many vacations away for such =
=3D
=3D3D
a small price, well, the concept is simple. Every time a ship leaves port=
=3D
=3D3D
 they are 30% unoccupied. Cruiselines lose money of every cabin that is e=
=3D
=3D3D
mpty. They would rather give away the cabin for free than have it empty b=
=3D
=3D3D
ecause they know that if a couple goes on a beautiful luxury cruise for f=
=3D
=3D3D
ree, they will spend more money on the extras like: alcohol, tennis lessi=
=3D
=3D3D
ons, souviniers, clothes, etc. =3D3D20

Statistically, a customer vacationing for free will spend more than the p=
=3D
=3D3D
aying customers on the cruise so the cruiseline makes millions of dollars=
=3D
=3D3D
 even though they are giving cabins away for free. It is that simple. The=
=3D
=3D3D
 same applies to resorts. =3D3D20

          *** Call us toll free at  888-354-2111=3D3D20
                       Serious inquiries only.

                      =3D3D20









______________________________________________________=3D3D20
We strongly oppose the
use of SPAM email and do not want anyone who does not wish to receive our
mailings to receive them. As a result, we have retained the services of a=
=3D
=3D3D
n
independent 3rd party to administer our list management
and remove list. This is not SPAM.  If
you do not wish to receive further mailings, please click below and enter=
=3D
=3D3D
 your
email at the bottom of the page. You may then rest-assured that you will
never receive another email from us again. http://www.removeyou.com=3D3D2=
0
Member ID 027316





--                                 __--__--                                =
=3D20

Message: 3
Date: Mon, 6 Aug 2001 04:42:50 -0400
From: vivien yu<market@shanghai-industry.com>
To: <>
Subject: [Nettime-bold] "Shanghai WTO Import Commodities Exhibition Hall =
=3D
=3D3D
(Preparing)"  Cooperator-Seeking Inquiry
Reply-To: nettime-bold@nettime.org

----jinfengemailhtml----
Content-Type: text/html; charset=3D3D3Dgb2312
Content-Transfer-Encoding: 8bit

Dear Sir or Madam:<p>

First I would like to show the highest respect for your good company.  Th=
=3D
=3D3D
is is a message from Shanghai Small and Medium Enterprises Service Center=
=3D
=3D3D
.  We are hereby making inquiry about a new exhibition project and we hop=
=3D
=3D3D
e you are interested in it.<p>

Chinese people have been waiting fourteen years for China's Joining into =
=3D
=3D3D
World Trade Organization (WTO).  For the year 2001 when the world economy=
=3D
=3D3D
 is faced with the most severe challenges ever since the Asian Financial =
=3D
=3D3D
Crisis during 1997 and 1998, China turns out to be the most promising lan=
=3D
=3D3D
d for entrepreneurs all over the world.  With the coming OLYMPIC Games 20=
=3D
=3D3D
08, the approaching entry into WTO, and the fully unfolded exploration of=
=3D
=3D3D
 Western China, people in the world market are now looking at the perform=
=3D
=3D3D
ance of China with new eyes.  Assuming an outward looking posture, China'=
=3D
=3D3D
s great potential is highly evaluated by thousands of small and medium fo=
=3D
=3D3D
reign companies.<p>

To further the transnational cooperation between Chinese enterprises and =
=3D
=3D3D
their overseas counterparts, Shanghai SME Service Center is planning to l=
=3D
=3D3D
aunch "Foreign Advanced Technology and Products Exhibition Hall".  The es=
=3D
=3D3D
tablishment of the Hall will provide a complete set of intermediary servi=
=3D
=3D3D
ces to assist overseas companies in getting into Chinese market, incorpor=
=3D
=3D3D
ating exhibition advertisement, promotion, agency and distribution.<p>

We are currently seeking foreign exhibition agents to make perfect cooper=
=3D
=3D3D
ative network.  We would like to make strategic alliance with you to prov=
=3D
=3D3D
ide quality service to small and medium enterprises all over the world an=
=3D
=3D3D
d to share the benefits together.  We hope you would be interested in wor=
=3D
=3D3D
king as our agent in your country.<p>


We will appreciate your interests in the Exhibition Hall.  Under the co-e=
=3D
=3D3D
ffect with you, the Exhibition Hall will exert great influence in the com=
=3D
=3D3D
modity exchange between your country and ours.  Those small and medium en=
=3D
=3D3D
terprises that attend the exhibition will gain tremendous benefits from f=
=3D
=3D3D
inding proper counterparts in Chinese markets.<p>

Please refer to the detailed illustration stated hereafter or refer to th=
=3D
=3D3D
e article "Concerning the Exhibition Hall" on our web page www.515j.com. =
=3D
=3D3D
 We hope this article could make the whole thing more clear.  We apprecia=
=3D
=3D3D
te any ideas you will propose. All points are open for discussion  We hop=
=3D
=3D3D
e to make solid partnership with you in organizing the Exhibition Hall.  =
=3D
=3D3D
If there are something wrong with the server that host our website, pleas=
=3D
=3D3D
e take the trouble to try later because recently some hacks have attacked=
=3D
=3D3D
 our server supplier.  Thank you!<p>

You may supply us with more contact information for our further communica=
=3D
=3D3D
tion:<p>
Contact:<p>
Title:<p>
Company:<p>
Address:<p>
Tel:<p>
Fax:<p>
Post Code:<p>
E-mail:<p>
URL:<p>

Await your earliest reply!<p>

Best regards,<p>

Ms. Vivien Yu<p>

Shanghai SME Service Center<p>



Tel:		86-21-65985378<p>  =3D3D20
Fax:		86-21-35014214<p>
E-mail:	<a href=3D3D3Dmailto:exhibition@shanghai-industry.com>exhibition@=
sh=3D
an=3D3D
ghai-industry</a><p>=3D3D20
URL:	<a href=3D3D3Dhttp//www.515j.com>www.515j.com</a><p>
Address:	Shanghai SME Mansion Rm 515, No. 108, Damuqiao Rd., Shanghai 200=
=3D
=3D3D
032 China


Concerning the Exhibition Hall<p>

Mission<p>
Our permanent exhibition hall is aimed to introduce advanced foreign tech=
=3D
=3D3D
nology and products into China through exhibiting as well as finding loca=
=3D
=3D3D
l agencies and distributors for the exhibits from foreign companies.  Wit=
=3D
=3D3D
h computerized searching system, swift internet communication and well-de=
=3D
=3D3D
signed virtual exhibition, the ever- modernized exhibition hall will grad=
=3D
=3D3D
ually growing into the most popular resource of foreign commodities, attr=
=3D
=3D3D
acting domestic enterprises, agents, distributors and final consumers.<p>

For the year 2001, the world economy is faced with the most severe challe=
=3D
=3D3D
nges ever since the Asian Financial Crisis during 1997 and 1998.  However=
=3D
=3D3D
, China turns out to be the most promising land for entrepreneurs all ove=
=3D
=3D3D
r the world.  With the coming OLYMPIC Games 2008, the approaching entry i=
=3D
=3D3D
nto WTO, and the fully unfolded exploration of Western China, people in t=
=3D
=3D3D
he world market are now looking at the performance of China with new eyes=
=3D
=3D3D
.  Assuming an outward looking posture, China's great potential is highly=
=3D
=3D3D
 evaluated by thousands of small and medium foreign companies.<p>

With the purpose to provide information & intermediary service to domesti=
=3D
=3D3D
c small and medium enterprises and their overseas counterparts, Shanghai =
=3D
=3D3D
Small and Medium Enterprises (Trade Development) Service Center has succe=
=3D
=3D3D
ssfully carried out "Shanghai-industry-Oriental Dragon International Busi=
=3D
=3D3D
ness Development Project".   To further the transnational cooperation in =
=3D
=3D3D
a more direct and effective way, the Center is planning to launch "Foreig=
=3D
=3D3D
n Advanced Technology and Products Exhibition Hall".  The establishment o=
=3D
=3D3D
f the Hall will provide complete intermediary services to assist overseas=
=3D
=3D3D
 companies, incorporating exhibition advertisement, promotion, agency and=
=3D
=3D3D
 distribution.<p>

Introduction<p>

=3D3DA1=3D3DF1 The exhibition hall will be the first permanent one openin=
g to=3D
 sma=3D3D
ll and medium enterprises, exhibiting foreign advanced technology and pro=
=3D
=3D3D
ducts throughout the year, employing professional management.
It occupies 450 square meters.  The years long exhibition plays just one =
=3D
=3D3D
theme------foreign advanced technology and products.  The exhibition is o=
=3D
=3D3D
pen to the public all the year round free of charge.  A seeries of activi=
=3D
=3D3D
ties will be organized to establish the rapport.  =3D3D20
The Hall exhibits products in two ways complementary to each other: objec=
=3D
=3D3D
ts exhibition and virtual exhibition.
Exhibits Zone: The Arrangement Committee planned large space as specially=
=3D
=3D3D
 decorated exhibition zone.  Interested foreign companies may select and =
=3D
=3D3D
design their own exhibit area to maximize the influence of their company =
=3D
=3D3D
and products.
Computerized Searching System: In the center of the exhibition hall, 40 c=
=3D
=3D3D
omputers will be installed.  With well-built searching system, visitors c=
=3D
=3D3D
an instantly search the product information and company profile of the ex=
=3D
=3D3D
hibits they want to know.=3D3D20
Corresponding Virtual Exhibition: Establish the web page www.515j.com to =
=3D
=3D3D
maintain online exhibition, showing refined pictures of the products and =
=3D
=3D3D
companies with descriptions online, and publicize the up-to-date informat=
=3D
=3D3D
ion about products wanted and offered.  User friendly online searching sy=
=3D
=3D3D
stem will be applied.<p> =3D3D20
=3D3D20
l We will invite official and non-official affluent persons to cut the ri=
=3D
=3D3D
bbon at the opening ceremony and take part in the series of activities.<p=
=3D
=3D3D
>
-	Leaders from the state government and senior official from relative min=
=3D
=3D3D
istries and commissions<p>
- Leaders from All-China Federation of Industry & Commerce and Shanghai M=
=3D
=3D3D
unicipal Government.<p>

=3D3DA1=3D3DF1 As one of the important steps in the progress of "Shanghai=
 Sma=3D
ll a=3D3D
nd Medium Enterprises Information Project", the Hall and the exhibits ins=
=3D
=3D3D
ide will be greatly publicized by Shanghai official media via TV and radi=
=3D
=3D3D
o broadcasting, newspaper and internet, simultaneously reported with the =
=3D
=3D3D
ceremonious activities of China's entry into WTO.  Meanwhile, a variety o=
=3D
=3D3D
f WTO related seminars and news conferences concerning Shanghai SMEs will=
=3D
=3D3D
 be hold inside the Hall.
Reports will be followed up and delivered though mass media conveying the=
=3D
=3D3D
 active functions of the Hall.<p>

=3D3DA1=3D3DF1 Overseas enterprises of all industries possessing advanced=
 tec=3D
hnol=3D3D
ogy and products ( including machinery, equipment and instrument) are to =
=3D
=3D3D
be invited to exhibit in the Hall.<p>=3D3D20

We will issue and deliver opening notices to all the domestic intermediar=
=3D
=3D3D
y institutions and SMEs via chambers of commerce, SME service institution=
=3D
=3D3D
s, and industrial associations.  We will organize certain numbers of Shan=
=3D
=3D3D
ghai companies to visit the Exhibition Hall regularly, together with a va=
=3D
=3D3D
riety of programs.  Online exhibition festivals will also be held to cope=
=3D
=3D3D
 the programs.<p>

Delegations of SMEs from other provinces outside Shanghai will also be in=
=3D
=3D3D
vited to participate in our exhibition festivals.<p>

=3D3DA1=3D3DF1 The arrangement committee will entrust a foreign exhibitio=
n co=3D
mpan=3D3D
y to organize foreign companies to participate the exhibition once and fo=
=3D
=3D3D
r all.<p>

The Hall will also have monthly publication Exhibition Express, publicizi=
=3D
=3D3D
ng the company and product literature of the participating companies.<p>

Exhibits
Exhibiting and promoting the advanced technology and products foreign com=
=3D
=3D3D
panies want to introduce into China in various ways without the limitatio=
=3D
=3D3D
n of regions or industries.<p>
=3D3DA1=3D3DF1 Advanced technology from all industries
Objective:	introduce advanced technology into China through technology tr=
=3D
=3D3D
ansfer, share holding, joint ventures, and other ways.<p>
=3D3DA1=3D3DF1 Advanced products from all industries
Objective:	introduce advanced products into China through proper agents a=
=3D
=3D3D
nd distributors, product licensing, share holding, joint ventures and oth=
=3D
=3D3D
er ways.<p>

Arrangements<p>
The Hall has mainly four functional areas:	General Information Query abou=
=3D
=3D3D
t exhibiting companies, Computerized Searching System for detailed compan=
=3D
=3D3D
y and products information, Classified Exhibition Areas for product sampl=
=3D
=3D3D
es, Picture and Literature Display for visual advertisement. <p>

1. General Information Query<p>
As guide to the Hall, staff, literature and computer queries are availabl=
=3D
=3D3D
e to deliver information about how to find certain exhibits, how to use c=
=3D
=3D3D
omputerized searching system.  The list of the exhibiting companies and p=
=3D
=3D3D
roduct catalogue can also be helpful to make a fruitful visit.<p>

2. Computerized Searching System<p>
The searching system will provide detailed bilingual information (in Chin=
=3D
=3D3D
ese and English;	in Picture and Literature) about the exhibiting companie=
=3D
=3D3D
s and their products.  All the information could be downloaded & reprint.=
=3D
=3D3D
 <p>
1) Searches could be operated both by industry and country Searching<p>
2) Searches could be operated both by technology and product<p>
3) Key words could also be used.<p>

3. Classified Exhibition Areas<p>
After professional design, the product samples and detailed illustration =
=3D
=3D3D
will be exhibited in the designated area.  Meanwhile the information can =
=3D
=3D3D
also be sought out quickly through computer searching system and download=
=3D
=3D3D
ed.<p>

4. Picture and Literature Display<p>
Exquisite billboard (bilingual literatures and pictures) about the partic=
=3D
=3D3D
ipating companies will be positioned on the wall around the exhibition ha=
=3D
=3D3D
ll for the attention of visitors. <p>

Exhibition Booths<p>
1. Booth A<p>
1) All the materials from the exhibiting company will be interpreted into=
=3D
=3D3D
 Chinese, the bilingual pictures and literatures of the exhibiting compan=
=3D
=3D3D
ies and their products will be kept in the computer database awaiting sea=
=3D
=3D3D
rch.<p>
2) The above processed material will also be publicized on the virtual ex=
=3D
=3D3D
hibition site <a href=3D3D3Dhttp://www.515j.com>www.515j.com</a> during t=
he=3D
 s=3D3D
ame period of the services.<p>
3) The brief account of the exhibiting <p>companies and the products will=
=3D
=3D3D
 be published on the monthly publication Exhibition Express.<p>
4) The contact information of the exhibition companies will be completely=
=3D
=3D3D
 released.<p>
2. Booth B<p>
1) All the services of Booth A included.<p>
2) 2-square-meter areas for billboard on the wall inside the hall.<p>
3) The pictures and literatures will be prepared and exhibited according =
=3D
=3D3D
to the design stated in the executed agreement.<p>
3. Booth C<p>
1) All the services of Booth B included.<p>
2) The Hall will accept and see to sample products provided by exhibiting=
=3D
=3D3D
 companies throughout the service term specified by the executed agreemen=
=3D
=3D3D
t.<p>
3) Exhibition area ranging from a half to two square meters for sample pr=
=3D
=3D3D
oducts.<p>
4) The sample products, together with the pictures and literatures will b=
=3D
=3D3D
e prepared and exhibited according to the design stated in the executed a=
=3D
=3D3D
greement.<p>

Charge<p>
1. Booth A<p>
Price:	$2200USD (Interpretation of company and product information limite=
=3D
=3D3D
d to 25,000 words, extra literature $20USD/1000 words)
2. Booth B<p>
Price:	$2800USD (Interpretation of company and product information limite=
=3D
=3D3D
d to 25,000 words, extra literature $20USD/1000 words)<p>
3. Booth C<p>
Price:	$3600USD (Interpretation of company and product information limite=
=3D
=3D3D
d to 25,000 words, extra literature $20USD/1000 words, 	Basic exhibition =
=3D
=3D3D
space of 0.5 m2)

Other Value Added Services<p>
1. Advertisement<p>=3D3D20
Exhibiting companies may reach agreement with the appointed exhibition ag=
=3D
=3D3D
ents in their countries.   The executed agreement will be effected by the=
=3D
=3D3D
 Exhibition Hall Advertising Department.<p>
1) Inside the exhibition hall<p>
2) Web page banner or logo on <a href=3D3D3Dhttp://www.515j.com>www.515j.=
co=3D
m<=3D3D
/a><p>
3) Monthly publication Exhibition Express<p>
4) Affiliated to the Advertisement of the Hall<p>
5) The exhibition advertisement<p>
Front Cover: $2200USD<p>
Back Cover: $1500USD<p>
Inside Front Cover: $1500USD<p>
Inside Back Cover: $1000USD<p>
Title Page: $1000USD<p>
Complete Color Page: $500USD<p>
Half Color Page: $300USD <p> =3D3D20
Complete Black and White Page: $300USD<p>
Half Black and White Page: $200USD<p>
Advertisement on Invitation Letter: <p>$3000USD/thousand<p>

6) Other Advertisement<p>
On Tickets (50,000 Copies): $380USD (size: 60*30 cm)<p>
On Present Packages (1,000): $500USD<p>
Balloon (with vertical-hung scroll): $380USD/individual<p>
Decorated gateway: $680USD/individual
Gaily Decorated Basket: $80USD/individual
Ceremonial Lady: $20USD/person/day<p>

2. Online Communication Service $100USD =3D3D20
Upon the visitors' interests, our English-speaking staff will make on-the=
=3D
=3D3D
-spot contacts with the provided contact information.  The overseas entre=
=3D
=3D3D
preneurs will directly make acquaintance with their Chinese counterparts.=
=3D
=3D3D
<p>

3. Organize Special Product Introduction Conference=3D3DA3=3D3DBAto Be Ne=
goti=3D
ated
The Hall can specially arrange news conference & seminar for foreign manu=
=3D
=3D3D
facturers to display their advanced technology and products, with the con=
=3D
=3D3D
cerned industrial association as the organizer.  Technical experts from r=
=3D
=3D3D
esearch institutes of colleges and universities, domestic agents, distrib=
=3D
=3D3D
utors, Chinese corporations or companies of related industries, finial us=
=3D
=3D3D
ers could all be present at the conference. <p>

4. Deliver catalogues or descriptive materials to Chinese companies and c=
=3D
=3D3D
ollect the feedback in the form of report with statistical analysis=3D3DA=
3=3D3D=3D
BA=3D3D
to Be Negotiated<p>

5. Assign special interpreters and technical personnel to effect the expl=
=3D
=3D3D
anation and promotion of the products=3D3DA3=3D3DBA$1000USD<p>
=3D3D20
6. Airline ticket booking and hotel reservation=3D3DA3=3D3DBA$100USD<p>

8. Make unified lintel and exhibit walls=3D3DA3=3D3DBAFree<p>

9. Provide technological consultation and commercial intelligence=3D3DA3=3D=
3D=3D
BAFr=3D3D
ee<p>

Attend the Exhibition<p>

The execution of exhibition contracts with attendees will be effected by =
=3D
=3D3D
authorized foreign exhibition agents.  Special demands from clients may r=
=3D
=3D3D
each us via the appointed agents.  The attendees may follow the procedure=
=3D
=3D3D
 below:<p>

=3D3DA1=3D3DF1 Preliminary Consultation<p>
=3D3DA1=3D3DF1 Exhibition Plan<p>
=3D3DA1=3D3DF1 Contract Execution<p>
=3D3DA1=3D3DF1 Transportation of sample items for display<p>
=3D3DA1=3D3DF1 Special Request on Exhibition<p>
=3D3DA1=3D3DF1 Follow-up Report on the Exhibition<p>

Seek Foreign Exhibition Agents Worldwide<p>
=3D3DA1=3D3DF1 Why to have foreign exhibition agents?v

To take advantage of the abundant client resource and advanced exhibition=
=3D
=3D3D
 management of foreign exhibition companies.<p>
To work out the best solution for small and medium enterprises in reachin=
=3D
=3D3D
g transnational cooperation.<p>

=3D3DA1=3D3DF1 How to make perfect cooperative network?<p>

We will work with foreign exhibition companies together in marketing the =
=3D
=3D3D
exhibition booths and services according to the signed agreement.<p> =3D3=
D2=3D
0
We will select excellent exhibition companies or institutions in defined =
=3D
=3D3D
regions or countries as our solely agents there.
Please note we will only select one agent among all the candidates in a d=
=3D
=3D3D
efined region or country.<p>

For Our Foreign Agents:<p>

=3D3DA1=3D3DF1 Qualification:<p>
Project to penetrate into Chinese exhibition market.<p>
Hold high expectation for the performance of small and medium enterprises.
Be well renowned in the capacity for successfully organizing exhibition.<=
=3D
=3D3D
p>

=3D3DA1=3D3DF1 Rights:<p>
2-year solely dealership in the defined country/region<p>

=3D3DA1=3D3DF1 Responsibilities:<p>
Promote the Exhibition Hall=3D3D20
Organize companies to attend the exhibition
Execute exhibition contract
Interpret all the details to attendees or interested counterparts as our =
=3D
=3D3D
consultant there <p>

=3D3DA1=3D3DF1 Profits:<p>
Share 40% and above of the contract value<p>

=3D3DA1=3D3DF1 Agency Fees<p>
We will charge 10000 to 50000 dollars as agency fees varied with the area=
=3D
=3D3D
 covered. <p>

Duration of the Exhibition
The Hall is planned to open from the day that China enters WTO (approxima=
=3D
=3D3D
tely Nov. 2001). <p>
The duration of the Hall plans to be 5 years.<p>
365 days open to the public (except national holidays)<p>

Location of the Exhibition Hall <p>
The luxuriously decorated Shanghai WTO SME Import Commodities Exhibition =
=3D
=3D3D
Hall takes the first floor of Shanghai SME Service Mansion (No. 108, Damu=
=3D
=3D3D
qiao Rd., Shanghai, 200032, P. R. C.)<p>

Please contact us to make further inquiry
      Address: the Exhibition Hall, the first Floor of Shanghai SME Mansi=
=3D
=3D3D
on, Rm. 515, No. 108, Damuqiao Rd., Shanghai, 200032, P. R. C.<p>
      Post Code: 200032<p>
      Tel: 021-64036622-5151=3D3DA1=3D3DA25152=3D3DA1=3D3DA22082
          021-64330821<p>
      Fax: 021-64220926<p>
      E-mail: <a href=3D3D3Dmailto:exhibition@shanghai-industry.com>exhib=
it=3D
io=3D3D
n@shanghai-industry</a><p>

Our Registered Office<p>
The Exhibition Hall, the first Floor of Shanghai Small Enterprise Mansion=
=3D
=3D3D
, Rm. 515, No. 108, Damuqiao Rd., 200032, Shanghai, P. R. C.<p>

Agent Information Form<p>
Contact:<p>
Title:<p>
Company:<p>
Address:<p>
Tel:<p>
Fax:<p>
Post Code:<p>
E-mail:<p>
URL:<p>

Procedure:<p>
1. Fill out the application form immediately and we accept it now.  We wi=
=3D
=3D3D
ll keep you informed with your Chinese exhibition market.<p>
2. The selected candidate will have our unified contract (draft) and pric=
=3D
=3D3D
e list.<p>
3. Through friendly negotiation, the agency agreement will be executed an=
=3D
=3D3D
d mailed through registered letter or fax to us.<p>
4. You will remit the agency fees specified in the contract to our accoun=
=3D
=3D3D
t number. <p>Invoice will be mailed back as soon as the remittance has be=
=3D
=3D3D
en received.<p>
5. Upon the remittance, we will immediately deliver the Exhibition Hall c=
=3D
=3D3D
atalogue, CD-Rom, Attendance Guide, Unified Attendee Registration Form, S=
=3D
=3D3D
ample Exhibition Plan and Unified Exhibition Contract. <p>
6. The allocation of exhibition booths: according to the time of payment =
=3D
=3D3D
with the priority for assistants.<p>
7. Agency fees will not be refunded unless the violation of the contract =
=3D
=3D3D
in our part.<p>
8. Remittance.<p>
 =3D3D20


--                                 __--__--                                =
=3D20

Message: 4
From: 5le01dXMK@europe.com
DATE: 30 Jul 01 3:57:02 AM
Subject: [Nettime-bold] Everything you ever wanted to know!!
Reply-To: nettime-bold@nettime.org

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1300 N. Cahuenga Blvd # 362
Los Angeles, CA 90028


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Name: _________________________________________________

Primary Email Address: ___________________________________

Secondary Email Address: _________________________________

Make your check payable to: Info 4 Edu Only

DISCLAIMER: Please note that this information is being provided for educa=
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tional purposes only. The information itself is legal, while the usage of=
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 such information may be illegal. We do not advocate unauthorized use or =
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=3D
=3D3D
ggressively protect our copyrights and will seek prosecution of any websi=
=3D
=3D3D
te, web-master, web hosting service or anyone else that is in violation o=
=3D
=3D3D
f US & International Copyright Laws.=3D3D20







To be opt out from our future mailing please email optmeoutnow@aol.com wi=
=3D
=3D3D
th the word remove in the subject line


--                                 __--__--                                =
=3D20

Message: 5
To: Announcer <nettime-l@bbs.thing.net>
From: mudadominio@osite.com.br
Date: Mon,  6 Aug 2001 08:20:08 -0300 (EST)
Subject: [Nettime-bold] Undelivarable: <nettime> Announcements [9]
Reply-To: nettime-bold@nettime.org

<html>

<body>

<p><font face=3D3D3D"Arial" size=3D3D3D"2">Caro internauta,</font></p>
<p><font face=3D3D3D"Arial" size=3D3D3D"2">A mensagem enviada para <font =
colo=3D
r=3D3D3D=3D3D
"#000080"><b>rinogmon@mandic.com.br</b></font><b>
<font color=3D3D3D"#000080">n&atilde;o</font></b> pode ser entregue porqu=
e =3D
o =3D3D
dom&iacute;nio<b> <font color=3D3D3D"#000080">@mandic.com.br</font></b>
mudou para<b> <font color=3D3D3D"#000080">@osite.com.br</font></b>.</font=
><=3D
/p=3D3D
>
<p><font face=3D3D3D"Arial" size=3D3D3D"2">Por favor</font><b><font face=3D=
3D3D=3D
"Arial=3D3D
" size=3D3D3D"2"> <font color=3D3D3D"#000080">reenvie</font></font></b>
<font face=3D3D3D"Arial" size=3D3D3D"2">sua mensagem conforme exemplo aba=
ixo:=3D
</fo=3D3D
nt></p>
<p><font face=3D3D3D"Arial" size=3D3D3D"2">DE&nbsp;&nbsp; &nbsp; : <font =
colo=3D
r=3D3D3D=3D3D
"#000080">&lt;rinogmon&gt;@mandic.com.br</font></font><br>
<font face=3D3D3D"Arial" size=3D3D3D"2">PARA : <font color=3D3D3D"#000080=
">&lt;=3D
rinogm=3D3D
on&gt;@osite.com.br</font></font></p>
<br>
<font face=3D3D3D"Arial" size=3D3D3D"2">O SITE,</font><br>
<font face=3D3D3D"Arial" size=3D3D3D"2">SEU LUGAR NA INTERNET</font>
<p><br>
<br>
<font color=3D3D3D"#0000ff" face=3D3D3D"Arial" size=3D3D3D"2">O SITE reco=
menda:=3D
</font=3D3D
><br>
<font color=3D3D3D"#0000ff" face=3D3D3D"Arial" size=3D3D3D"2">Acesse o At=
endime=3D
nto On=3D3D
-Line, via
Chat.</font><br>
<font color=3D3D3D"#0000ff" face=3D3D3D"Arial" size=3D3D3D"2">Voc&ecirc; =
n&atil=3D
de;o p=3D3D
recisa mais ter 2 linhas
telef&ocirc;nicas para conectar</font><br>
<font color=3D3D3D"#0000ff" face=3D3D3D"Arial" size=3D3D3D"2">e falar com=
 o Sup=3D
orte T=3D3D
&eacute;cnico.</font><br>
<font color=3D3D3D"#0000ff" face=3D3D3D"Arial" size=3D3D3D"2">Agora voc&e=
circ; =3D
pode n=3D3D
avegar e ser
atendimento ao mesmo tempo.</font><br>
<font color=3D3D3D"#0000ff" face=3D3D3D"Arial" size=3D3D3D"2">Clique no e=
ndere&=3D
ccedil=3D3D
;o abaixo:</font><br>
<u><font color=3D3D3D"#0000ff" face=3D3D3D"Times New Roman">&lt;<a href=3D=
3D3D"=3D
http:/=3D3D
/cadastro.mandic.com.br/suaconta/chatosite.shtml" target=3D3D3D"_blank">h=
tt=3D
p:=3D3D
//cadastro.osite.com.br/suaconta/chatosite.shtml</a>&gt;</font></u>
<p><br>
<br>
<br>
<p>&nbsp;</p>

</body>

</html>


--                                 __--__--                                =
=3D20

Message: 6
Date: Mon, 6 Aug 2001 07:53:08 -0500
To: "Michael Gurstein" <mgurst@vcn.bc.ca>, nettime-l@bbs.thing.net
From: Bill Spornitz <spornitz@mts.net>
Subject: [Nettime-bold] Re: <nettime> Fw: The Global Development Gateway
Reply-To: nettime-bold@nettime.org

Our first clue: the FAQ for this organization is only available as a=3D3D=
20
Microsoft Word file... ;->

b


>For anyone who hasn't yet wandered through the World Bank's
>controversial Global Development Gateway http://developmentgateway.org
>it might be worthwhile to take the time...

--=3D3D20


--                                 __--__--                                =
=3D20

Message: 7
Reply-To: "ricardo dominguez" <rdom@thing.net>
From: "ricardo dominguez" <rdom@thing.net>
To: <nettime-l@bbs.thing.net>
Date: Mon, 6 Aug 2001 09:27:41 -0400
Organization: The Thing
charset=3D3D3D"iso-8859-1"
Subject: [Nettime-bold] =3D3D3D?iso-8859-1?Q?CODE_RED_=3D3D3DAD_A_RED_HER=
RING=3D
?=3D3D3D
Reply-To: nettime-bold@nettime.org

CODE RED =3D3DAD A RED HERRING

Wayne Madsen

30 July 2001

Washington, DC

Here we go again folks. The White House,
NSA, and National Infrastructure Protection
Center (NIPC) are warning of a dangerous
new Internet worm called "Code Red." We've
been here before. Just last year, we were all
treated to the impending doom caused by a
series of "Distributed Denial of Service
Attacks" that resulted in a host of web sites
going down. Imagine the disruption to the
nation's infrastructure caused by someone's
failure to auction off their great
grandmother's curios on e-Bay.

Conveniently, a few weeks after the dreaded
attacks on the dot coms (many of which are
now dot gones =3D3DAD and it wasn't a result of
 hackers), President Clinton hosted a
cyber-security roundtable at the White
House. The gloom and doom sayers pointed
out why the nation was on the verge of an
"electronic Pearl Harbor." Chief among them
was Richard Clarke, the National Security
Council's "Dr. Strangelove" of cyber-security.

However, it is not an e-Pearl Harbor we must
be concerned about but an e-Reichstag Fire.
Back in 1933, Hitler's Propaganda Minister
Joseph Goebbels, a pioneer of perception
management, hired a bunch of Nazi hooligans
to burn down the Reichstag. The next day,
while the German Parliament was still
 smoldering, the Nazis passed the Reichstag
 Decree, which effectively relegated the
German Constitution and all of its civil liberty
  provisions to the toilet.

 But would the United States take advantage
 of such a situation in cyber-space to advance
 a secret agenda? They've probably already
 done so. Back in 1988, the Internet was
  treated to its first worm. Programmed and
  launched by Robert Morris, Jr., the worm
   crippled hundreds of thousands of computers
 connected to the Internet. It just so
happened that young Mr. Morris's dad was
the Chief Scientist at NSA =3D3DAD during a period
when the agency was feverishly trying to test
the vulnerabilities of various operating
systems and application programs.

But that was then, and Code Red is now. We
are told that Code Red only affects web sites
relying on Windows NT and Windows 2000.
Of course, why would any self-respecting
24-hour cable news network want to show a
housewife trying to struggle with a
virus-infected home computer operating
Windows 95? Better to capture viewers'
attention with hordes of computer
programmers and managers wrestling with
downed web sites at Ford, Xerox, Charles
Schwab, and Amazon.com.

And that's the way the government (and
apparently Microsoft) wants it. Microsoft, the
humbled post-anti trust suit corporate giant,
seems to be cozying up with the Feds and
their cyber-security agenda as of late. At a
recent Interagency Technical Forum at the
National Institute of Standards and
Technology (NIST), Microsoft's director of
Mobile Code Security revealed that Microsoft
now maintains a full-time resident office at
NSA headquarters with a fully-cleared staff.

Even the term Code Red is a red herring. Just
like Distributed Denial of Service attack, it is
more out of the Pentagon's lexicon than that
of computer crackers. Code Red is just too
campy =3D3DAD seems like it belongs in the same
league with the movies "Deep Impact" and
"Armageddon." But Code Red is just the kind
of term that might impress our otherwise
attention deficit disordered President.
Computer crackers, of course, like to be a bit
more original and artsy, opting for terms like
"Melissa," "Back Orifice," and "Michaelangelo"
How many original code names ever came out
of NSA? "Echelon," for example. Boring! Now
Code Red, that's something that could have
been conjured up by the Faulkners of the
Fort!

Why the Code Red hoopla? Well, in a few
weeks, President Bush (with Dick Cheney
looming over his shoulder) will be issuing a
new Executive Order on Cyber-Security. He
will appoint an inter-agency Cybersecurity
and Continuity of Operations Board and his
current cyber-security guru Clarke stands a
good chance of being selected chairman. If
so, Clarke will have transcended three
administrations in essentially the same
executive branch job =3D3DAD a record surpassed
only by FBI Director J. Edgar Hoover. And
tomorrow NIPC head Ron Dick gets a jump
start on things with a press conference on
cyber security at the National Press Club.
Hyping Code Red is a sure fire way to ensure
the conference is covered by all the talking
head networks. And it does not hurt that
today, while FBI Director designate Robert
Mueller is fielding some questions on what
the FBI will do on cyber security during his
Senate conformation hearings, Code Red is a
backdrop.

Coming on the heels of the G8 Summit in
Genoa, Code Red also bolsters one of the
items on the agenda of the leaders. It was at
the G8 Summit in Lyon in 1996, that the
leaders first put cyber crime on their docket, a
decision that was ultimately manifested in the
Council of Europe's soon-to-be-enacted
Cyber Crime Treaty. When enacted, the
treaty will enable police agencies to reach
beyond borders to seize Internet
communications record traffic. The
anti-globalization Genoa Social Forum got a
taste of what is to come when Italian police
stormed their headquarters and seized
computer disks and Inte rnet traffic records.
This past April, the FBI, acting on behalf of
the Canadian police, seized similar records
from the Independent Media Center in
Seattle after the Summit of the Americas in
Quebec. Not to be outdone by his peers,
British Prime Minister Tony Blair =3D3DAD who
resembles Big Brother more and more every
day =3D3DAD hurried back to London to urge
Parliament to pass a bill that would equate
computer hacking with terrorism.

Perception Management actually was part
and parcel of the agenda of the same coterie
of Pentagon brass and Beltway Bandits who
dreamt up information warfare in the first
place. They knew to be successful, the public
would have to be force fed large diets of
disinformation and sensationalized news.
Ah,Dr. Goebbels would be so proud of them.

So in the meantime, we should all head for
hills. Because just like Y2K, our government
says our American Way of life is threatened
by unknown computer toxins. Time to erect
our Computer Defense Shield.

Fear is the greatest weapon but the truth is
the greater defense!

                        POSTSCRIPT:
Not getting the media bounce from the 8:00
PM EST Code Red meltdown hour on July 31
(nothing happened!), the FBI began spinning
the story the very next morning that 22,000
computers had been hit with Code Red.
Considering that viruses and worms probably
strike many more computers than that on any
given day, 22,000 is a relatively low number.

The cyber-security perception management
machinery was also put into high gear in the
August 1 edtion of The Washington Times. A
story by Ben Barber hyped the threat posed
by Palestinian computer users who have
launched a so-called "cyber-Jihad" against
Israeli government and corporate computers.
The article states that the U.S.
government-funded firms RAND and iDefense
are urging the United States to adopt the
same cyber defenses as those used in Israel.
And the article gives us the potential next
phase of the U.S. government's perception
management campaign: Palestinian sites will
start distributing viruses aimed at the United
States -- one Palestinian site is blamed for
distributing the Love Bug and Melissa viruses.
If one remembers, however, Love Bug
originated in the Philippines while Melissa
came from Trenton, New Jersey. They are a
long way off from Nablus and Ramallah on the
West Bank.

Even in pseudo cyber-war, the truth is the
greatest casualty!

http://www.politechbot.com/p-02337.html


--                                 __--__--                                =
=3D20

Message: 8
From: "G.H. Hovagimyan" <gh@popstar.com>
To: leiloop@jps.net, <nettime-l@bbs.thing.net>
Date: Mon, 06 Aug 2001 22:12:37 +0800
Subject: [Nettime-bold] Re: <nettime> FW: someding zu read
Reply-To: nettime-bold@nettime.org

-----Original Message-----
From: Leili <leiloop@jps.net>
> ----------
> from: Arthur Clay <artclay@netsurfer.ch>
> reply-To: lev@shoko.calarts.edu

> Wallpaper Slaughter Houses,
>=3D3D20
> The modern artist working with what has come=3D3D20
to be known as 'new media' is
> faced with a dilemma.  Commercial veins=3D3D20
working with the same media, but
> producing what they produce, can afford the=3D3D20
equipment and the manpower to
> run it, however the modern artist wishing to work=3D3D20
in this area can not.=3D3D20

GH Comments:=3D3D20

Most of your essay  responds to the "lack of=3D3D20
access" lament.  I personally don't feel the need to=3D3D20
compete with Hollywood nor do I want the=3D3D20
masses as an audience.  A larger issue is the=3D3D20
multi-national corporate finance model that funds=3D3D20
LucasFilms. In global capitalist terms Hollywood=3D3D20
films are the perfect expression of Globalism or =3D3D20
*Empire* as Michael Hardt & Antonio Negri call it.

So where does the artist stand?

You wrote:
>=3D3D20
> The Dream Screen
>=3D3D20
> Perhaps there are other parallels we can draw.=3D3D20
The idea that we go to the
> cinema to dream is a curious idea.  A dream is=3D3D20
screenless. It takes place
> in the mind in a three dimensional space. We=3D3D20
can enter our dreams by
> penetrating them in their spaces. We have the=3D3D20
feeling of depth sensation.
> This sensation we can't get from film. If we want=3D3D20
to stick or finger in the
> proverbial apple pie in a film, we just get=3D3D20
shadows. If we do this with a
> dream, we put a whole into the apple pie.

GH Comments:
Mimesis is a traditional basis for all art forms.  It's=3D3D20
also the most simplistic.   Discussing how "real"=3D3D20
an apple looks in a film or how real figures are=3D3D20
rendered in a 3D animation is the lowest=3D3D20
common denominator.=3D3D20
>=3D3D20
> Conclusion
> We don't need the screen to create a virtual=3D3D20
reality. The concept of
> immersion can therefore be  based on the=3D3D20
mental state of the viewer. =3D3D20

GH Comments:
Peter Sinclair and I  just did an immersive/=3D3D20
interactive sound work called *Heartbreak Hotel*=3D3D20
<http://www.artnetweb.com/gh/heartbreak.html>
It's been exhibited in France at GMEM in Marseille=3D3D20
and Interferences at Belfort.=3D3D20
It will be shown in Amsterdam in January of 2000.
Interestingly enough it's really hard to exhibit this=3D3D20
piece in the USA.  It's not  an art object so it=3D3D20
doesn't fit with art world commodity circulation.  Its=3D3D20
not a media event so its mass entertainment=3D3D20
appeal is rather limited. =3D3D20

An essay I wrote several years ago approaches=3D3D20
your subject from a slightly different angle. It's=3D3D20
called, "Notes on Immersion" ,=3D3D20
<http://www.artnetweb.com/gh/imm1.html>=3D3D20

I have another essay coming out in Leonardo this=3D3D20
Fall for the Digital Salon catalog that also=3D3D20
approaches this issue. It's called *art in the Age of=3D3D20
Spirutual Machines (with apologies to Ray=3D3D20
Kurzweil).   Here's the Abstract;
Abstract:
Humanity is evolving towards a * Post Human*=3D3D20
society that may include enhanced human=3D3D20
beings, hybrid humans and artificial intelligences. =3D3D20
As an artist working in digital media and network=3D3D20
culture, I believe that the crucial issue of the time=3D3D20
is to clear the path for networked art and to create=3D3D20
the foundations for a new aesthetic discourse that=3D3D20
issues from networked culture. In order to do this,=3D3D20
one has to be willing to create art that may not be=3D3D20
readily recognized as art work.  In Art in the Age of=3D3D20
Spiritual Machines I trace the common roots of=3D3D20
structuralist philosophy, developmental=3D3D20
psychology, reductivist art discourse,  structural=3D3D20
linguistics and neural nets in attempt to create a=3D3D20
basis for this new aesthetic discourse. =3D3D20

G.H. Hovagimyan
<http://www.artnetweb.com/gh>

--=3D3D20

_______________________________________________
FREE Personalized E-mail at Mail.com=3D3D20
http://www.mail.com/?sr=3D3D3Dsignup=3D3D20

Talk More, Pay Less with Net2Phone Direct(R), up to 1500 minutes free!=3D=
3D=3D
20
http://www.net2phone.com/cgi-bin/link.cgi?143=3D3D20


--                                 __--__--                                =
=3D20

Message: 9
From: integer@www.god-emil.dk
Date: Mon, 6 Aug 2001 16:14:22 +0200 (CEST)
To: lev@shoko.calarts.edu
Subject: [Nettime-bold] [ot] [!nt] \n2+0\
Reply-To: nettime-bold@nettime.org



>Hello,
>
>How are you?This is      .We met in Belfort last year.


quuuuuuooo!!!! +? no. you may not order me by fone.



>I`ll show my piece,        , for SIGGRAPH2001 Art Show=3D3D20

where 1 shops says a lot about one.



>and I just

n*

*n

n*


>want to ask you if you have a plan to come to SIGGRAPH2001.

no thing + no thing is less appealing than a bouquet of happy humans.



>Raivo Kelomees=3D3D20
>Interview with Steina Vasulka

what a tousled tasteless toad.




>???????????????????????????when is the dinner
>where is ?????????????the dinner?????????????????????????
>????????????what ????????????????is the ????????????????dinner??????????=
=3D
=3D3D
??????????
>who is n.n.???????????????????

i am not tarkovski. I AM THE OCEAN !!!!!



nn - playing with my brain cells. it's a ___... thrill.




>
>Bye,



<Prefectural University of Desire

i am dze ingenious unit entitled you.





1001 ventuze.nn







                                            pre.konssept!*n
                                                  meeTz ver!f1kat!*n.
=3D3D20
=3D3D20
=3D3D20
  -
=3D3D20
  Netochka Nezvanova    -  eksplod!ng galax!ez + !nflaz!onar! un!versez
  =3D3D10f=3D3D10=3D3D10=3D3D103.MASCHIN3NKUNST
  @www.eusocial.org
  17.hzV.tRL.478
                                                      e
                                                      |
                                                       |  +----------
                                                      |  |     <
                                     \\----------------+  |  n2t^P
                                                         |      =3D3D20
                                                         e







--                                 __--__--                                =
=3D20

Message: 10
From: integer@www.god-emil.dk
Date: Mon, 6 Aug 2001 15:45:02 +0200 (CEST)
To: lev@shoko.calarts.edu
Subject: [Nettime-bold] [ot] [!nt] \n2+0\ The Next Phase of Business Ethi=
=3D
=3D3D
cs
Reply-To: nettime-bold@nettime.org



>Dear Netochka Nezvanova,
>
>Here is the Program Committee's report for your submission to cast01 -
>"NN - The Next Phase of Business Ethics" - which has been accepted for p=
=3D
=3D3D
ublication as a
>full paper in the conference proceedings.
>


altzo. ! uant 2 rent a body!!!!

ecdysone@eusocial.com


nn






        u uant 01 teazpoon ov zea green. zuzp!z!ouz !et v.appeal!ng l!ku!=
=3D
=3D3D
d +?

        order hier. experiment elsewhere.
        automation + purifikation - just.1.!blink




    /_/
                          /
             \            \/       i should like to be a human plant
            \/       __
                    __/
                                   i will shed leaves in the shade
        \_\                        because i like stepping on bugs



*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--
Netochka Nezvanova                   nezvanova@eusocial.com
                                    http://www.eusocial.com
                                  http://www.biohakc.com
                                http://www.ggttctttat.com/!
I am not Greta Garbo!!!       http://steim.nl/leaves/petalz
*--*--*--*--*--*--*--*--*--*--*--*--*-- --*--*--*--*--*--*--









--                                 __--__--                                =
=3D20

Message: 11
From: integer@www.god-emil.dk
Date: Mon, 6 Aug 2001 16:36:49 +0200 (CEST)
To: lostandfoundbodies@lostboys.nl
Subject: [Nettime-bold] [ot] [!nt] \n2+0\ lostandfoundbodies
Reply-To: nettime-bold@nettime.org




>02. 08 6. 19101 @ 10.50.13=3D3D20
>eusocial.com=3D3D20
>ip95-142.lostboys.nl=3D3D20


lostgirls.nl=3D3D20

ok.nl?


ciao.nl

nn.nl









    /_/
                          /
             \            \/       i should like to be a human plant
            \/       __
                    __/
                                   i will shed leaves in the shade
        \_\                        because i like stepping on bugs



 *--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--
 Netochka Nezvanova                   nezvanova@eusocial.com
                                     http://www.eusocial.com

 curbing the appetites of xy sinners since o.1978=3D3D20
 [without resorting to pain. damnation + kapital punishment]
 though often called an illusion - i am true

 *--*--*--*--*--*--*--*--*--*--*--*--*-- --*--*--*--*--*--*--








http:art

http://www.tzzt.com/






   http:art part of 242.microsoft - simply.SUPERIOR m9nd.fzzp
   http://www.eusocial.com/242.microsoft





--                                 __--__--                                =
=3D20

Message: 12
From: integer@www.god-emil.dk
Date: Mon, 6 Aug 2001 16:50:44 +0200 (CEST)
To: syndicate@eg-r.isp-eg.de
Subject: [Nettime-bold] [ot] [!nt] \n2+0\
Reply-To: nettime-bold@nettime.org




>i hope that you are so
>
>'rich.bored + edukated'
>
>to invite me ++ wear Ljubljana body


hou 2 !dent!f! nn bod!ez - ljubljana body. berlin body. amsterdam body +?




nn. - new york. milan. paris. londra. tokyo=3D3D20

      01 ov dze mozt prestigious luxury brands [ops. bodies]









    /_/
                          /
             \            \/       i should like to be a human plant
            \/       __
                    __/
                                   i will shed leaves in the shade
        \_\                        because i like stepping on bugs



*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--
Netochka Nezvanova                   nezvanova@eusocial.com
                                    http://www.eusocial.com
                                  http://www.biohakc.com
                                http://www.ggttctttat.com/!
   n  r  .   5        !!!      http://steim.nl/leaves/petalz
*--*--*--*--*--*--*--*--*--*--*--*--*-- --*--*--*--*--*--*--





--                                 __--__--                                =
=3D20

Message: 13
From: "Nomay Inchas" <nomayinchas@hotmail.com>
To: nettime-bold@nettime.org
Cc: nettime-l@bbs.thing.net
Date: Mon, 06 Aug 2001 11:17:55 -0400
Subject: [Nettime-bold] (no subject)
Reply-To: nettime-bold@nettime.org

<html><div style=3D3D3D'background-color:'><DIV>
<DIV>
<DIV>Dear Mr.. Hovagimyan,<BR>&nbsp;<BR>You are a fool and your work is e=
=3D
=3D3D
ven worse.&nbsp; Please go away and stop promoting your idiocy in public!=
=3D
=3D3D
&nbsp; You have no idea how much you embarrass yourself!<BR>&nbsp;<BR>"G.=
=3D
=3D3D
H. Hovagimyan" wrote:<BR>&nbsp;<BR>&gt;GH Comments:<BR>...<BR>&gt;An essa=
=3D
=3D3D
y I wrote several years ago approaches <BR>&gt;your subject from a slight=
=3D
=3D3D
ly different angle. It's <BR>&gt;called, "Notes on Immersion" , <BR>...<B=
=3D
=3D3D
R>&nbsp;<BR>&gt;I have another essay coming out in Leonardo this <BR>&gt;=
=3D
=3D3D
Fall for the Digital Salon catalog that also <BR>&gt;approaches this issu=
=3D
=3D3D
e. It's called *art in the Age of <BR>&gt;Spirutual Machines (with apolog=
=3D
=3D3D
ies to Ray <BR>&gt;Kurzweil).&nbsp;&nbsp; Here's the Abstract;<BR>&gt;Abs=
=3D
=3D3D
tract:<BR>&gt;Humanity is evolving towards a * Post Human* <BR>&gt;societ=
=3D
=3D3D
y that may include enhanced human <BR>&gt;beings, hybrid humans and artif=
=3D
=3D3D
icial intelligences.&nbsp; <BR>&gt;As an artist working in digital media =
=3D
=3D3D
and network <BR>&gt;culture, I believe tha!
t the crucial issue of the time <BR>&gt;is to clear the path for networke=
=3D
=3D3D
d art and to create <BR>&gt;the foundations for a new aesthetic discourse=
=3D
=3D3D
 that <BR>&gt;issues from networked culture. In order to do this, <BR>&gt=
=3D
=3D3D
;one has to be willing to create art that may not be <BR>&gt;readily reco=
=3D
=3D3D
gnized as art work.&nbsp; In Art in the Age of <BR>&gt;Spiritual Machines=
=3D
=3D3D
 I trace the common roots of <BR>&gt;structuralist philosophy, developmen=
=3D
=3D3D
tal <BR>&gt;psychology, reductivist art discourse,&nbsp; structural <BR>&=
=3D
=3D3D
gt;linguistics and neural nets in attempt to create a <BR>&gt;basis for t=
=3D
=3D3D
his new aesthetic discourse.&nbsp; <BR>&gt;G.H. Hovagimyan</DIV></DIV></D=
=3D
=3D3D
IV></div><br clear=3D3D3Dall><hr>Get your FREE download of MSN Explorer a=
t =3D
<a=3D3D
 href=3D3D3D'http://go.msn.com/bql/hmtag_itl_EN.asp'>http://explorer.msn.=
co=3D
m<=3D3D
/a><br></html>


--                                 __--__--                                =
=3D20

Message: 14
From: "Nomay Inchas" <nomayinchas@hotmail.com>
To: nettime-bold@nettime.org
Cc: nettime-l@bbs.thing.net
Date: Mon, 06 Aug 2001 11:17:55 -0400
Subject: [Nettime-bold] (no subject)
Reply-To: nettime-bold@nettime.org

<html><div style=3D3D3D'background-color:'><DIV>
<DIV>
<DIV>Dear Mr.. Hovagimyan,<BR>&nbsp;<BR>You are a fool and your work is e=
=3D
=3D3D
ven worse.&nbsp; Please go away and stop promoting your idiocy in public!=
=3D
=3D3D
&nbsp; You have no idea how much you embarrass yourself!<BR>&nbsp;<BR>"G.=
=3D
=3D3D
H. Hovagimyan" wrote:<BR>&nbsp;<BR>&gt;GH Comments:<BR>...<BR>&gt;An essa=
=3D
=3D3D
y I wrote several years ago approaches <BR>&gt;your subject from a slight=
=3D
=3D3D
ly different angle. It's <BR>&gt;called, "Notes on Immersion" , <BR>...<B=
=3D
=3D3D
R>&nbsp;<BR>&gt;I have another essay coming out in Leonardo this <BR>&gt;=
=3D
=3D3D
Fall for the Digital Salon catalog that also <BR>&gt;approaches this issu=
=3D
=3D3D
e. It's called *art in the Age of <BR>&gt;Spirutual Machines (with apolog=
=3D
=3D3D
ies to Ray <BR>&gt;Kurzweil).&nbsp;&nbsp; Here's the Abstract;<BR>&gt;Abs=
=3D
=3D3D
tract:<BR>&gt;Humanity is evolving towards a * Post Human* <BR>&gt;societ=
=3D
=3D3D
y that may include enhanced human <BR>&gt;beings, hybrid humans and artif=
=3D
=3D3D
icial intelligences.&nbsp; <BR>&gt;As an artist working in digital media =
=3D
=3D3D
and network <BR>&gt;culture, I believe that the crucial issue of the time=
=3D
=3D3D
 <BR>&gt;is to clear the path for networked art and to create <BR>&gt;the=
=3D
=3D3D
 foundations for a new aesthetic discourse that <BR>&gt;issues from netwo=
=3D
=3D3D
rked culture. In order to do this, <BR>&gt;one has to be willing to creat=
=3D
=3D3D
e art that may not be <BR>&gt;readily recognized as art work.&nbsp; In Ar=
=3D
=3D3D
t in the Age of <BR>&gt;Spiritual Machines I trace the common roots of <B=
=3D
=3D3D
R>&gt;structuralist philosophy, developmental <BR>&gt;psychology, reducti=
=3D
=3D3D
vist art discourse,&nbsp; structural <BR>&gt;linguistics and neural nets =
=3D
=3D3D
in attempt to create a <BR>&gt;basis for this new aesthetic discourse.&nb=
=3D
=3D3D
sp; <BR>&gt;G.H. Hovagimyan</DIV></DIV></DIV></div><br clear=3D3D3Dall><h=
r>=3D
Ge=3D3D
t your FREE download of MSN Explorer at <a href=3D3D3D'http://go.msn.com/=
bq=3D
l/=3D3D
hmtag_itl_EN.asp'>http://explorer.msn.com</a><br></html>

--                                 __--__--                                =
=3D20

Message: 15
Date: Mon, 6 Aug 2001 19:36:16 +0200
To: gunafa@well.com
From: Station Rose <gunafa@well.com>
Subject: [Nettime-bold] Station Rose Webcast 147  "TV Rex"
Reply-To: nettime-bold@nettime.org



  dear Gunafa Netizen,

here is the new Fahrplan :



1.0  NetSTReam - Webcast 147 with topic "TV Rex"
Tuesday, 07/08/01 9 p.m. CET
http://www.stationrose.com




----------------------------------------------------------

2.0  Multimedia artists still in prison - please sign the petition
to free the participants of the Publix Theatre Caravan. Go to
http://www.noborder.org/noprison



stay with us & don=3D3DB4t go away!

      "Cyberspace is Our Land!"
;-)

             station rose   08-2001



--                                 __--__--                                =
=3D20

Message: 16
Reply-To: "ricardo dominguez" <rdom@thing.net>
From: "ricardo dominguez" <rdom@thing.net>
To: <nettime-l@bbs.thing.net>
Date: Mon, 6 Aug 2001 14:54:48 -0400
Organization: The Thing
charset=3D3D3D"iso-8859-1"
Subject: [Nettime-bold] Stop the G8: Online Demonstration Scheduled
Reply-To: nettime-bold@nettime.org

Stop the G8: Online Demonstration Scheduled

Contact: Isaac Keyes, isaac_keyes@hushmail.com

>>> Stop the G8
>>> www.cipherwar.com
>>> Press release #001

Online Demonstration: 31 August, 2001

--------------------------------------------------------------
Stop the G8 - a new activist site
--------------------------------------------------------------

Stop the G8 is a new website dedicated to the international struggle agai=
=3D
=3D3D
nst
the G8, WTO and all other major neo-liberal, capitalist institutions arou=
=3D
=3D3D
nd
the world.

This is truly an international struggle. We have seen the effects after
neo-liberalism across the globe; unemployment, global poverty, reduced
global public health and public safety. We have seen protesters from ever=
=3D
=3D3D
y
corner of this planet join the demonstrations in Seattle, Gothenburg, Gen=
=3D
=3D3D
oa
and Prague. And now we=3D3DB4ve taken this struggle to the internet in th=
e =3D
sh=3D3D
ape
of this website as a part of what will be the longest online protest
campaign ever. We will bring you news, demonstration information from the
streets and tools and information for a successful online campaign.

We will not only host online actions and demonstrations against the G8 in
Canada 2002 (we=3D3DB4re planning to organize actions every second month =
ag=3D
ai=3D3D
nst
that meeting until it=3D3DB4s over), but also organize actions against ev=
er=3D
y =3D3D
major
summit until then.

//Isaac Keyes
Project Coordinator
isaac_keyes@hushmail.com

--------------------------------------------------------------
Online Demonstration: 31 August, 2001
--------------------------------------------------------------

The first online demonstration will be held on 31 August at @791-916 agai=
=3D
=3D3D
nst
the official Canadian G8 site:
(http://www.g8.gc.ca, 198.103.104.34).

What is an online demonstration?
The goal is to flood the website with requests until the server goes down=
=3D
=3D3D
,
this will not cause any permanent damage to the target, but it will serve=
=3D
=3D3D
 as
a symbolic action, and that is enough to make the collective presence of
activists felt beyond the electronic networks.

How do I join?
On 31 August we=3D3DB4ll add a link to the front page of this website, an=
d =3D
yo=3D3D
u
just have to click on that link in order to get some basic information. T=
=3D
=3D3D
he
only thing you need to participate is a browser that supports frames.

What is @XXX?
@XXX is called Internet Time and is a universal timezone. The time is the
same all around the world, simplifying planning and coordination. On our
website there is a program to help you convert to and from Internet Time.

- EOF -

www.cipherwar.com/g8


--                                 __--__--                                =
=3D20

Message: 17
From: integer@www.god-emil.dk
Date: Mon, 6 Aug 2001 21:06:01 +0200 (CEST)
To: nettime-l@bbs.thing.net, spornitz@mts.net
Subject: [Nettime-bold] (no subject)
Reply-To: nettime-bold@nettime.org


>Our first clue: the FAQ for this organization is only available as a=3D3=
D2=3D
0
>Microsoft Word file... ;->

Microsoft =3D3D3D dze komputr operat!ng z!ztm ov maj. ov nett!me kr!!!ket=
z =3D
+ =3D3D
moderatorz.

first clue: Bill Spornitz' ztereozkop!k obzervaz!on =3D3D3D uas not `mode=
ra=3D
te=3D3D
d`

nn












--                                 __--__--                                =
=3D20

Message: 18
From: integer@www.god-emil.dk
Date: Mon, 6 Aug 2001 21:38:38 +0200 (CEST)
To: lev@shoko.calarts.edu
Subject: [Nettime-bold] [ot] [!nt] \n2+0\
Reply-To: nettime-bold@nettime.org




>Station Rose <gunafa@well.com>
>
>>  dear Gunafa Netizen,
>>
>>here is the new Fahrplan :
>
>
>=3D3D3D man! hav b!n dze dreamerz d!zor!entd b! akurat mapz.
>
>
>
>>----------------------------------------------------------
>>
>>2.0  Multimedia artists still in prison - please sign the petition
>>to free the participants of the Publix Theatre Caravan. Go to
>>http://www.noborder.org/noprison


apropoz. parafraz!ng !nt!m@.z=3D3D20
- free your mind and the rest shall follow [mozt ost.europa l!f 4rmz =3D3=
D3=3D
D =3D3D
hav 01 problm detekt!ng k!tsch \ korn! data]


free your cells and the rest shall follow  -  ie.  http://www.nobody.org/=
=3D
=3D3D
noborder


wto =3D3D3D juuuuuzt konztrukt!ng 01 lrgr bod! [juzt l!ke m!]=3D3D20
dont u l!ke 2 kooperate +? uh! prakt!kl! aver! neo.pozer presz releasz =3D=
3D=3D
3D=3D3D
 s!ngz dze refra!n.

alorz - uat part ov dze wto bod! ud u l!ke 2 b +?
[zlkt bod! zekz!onz =3D3D3D mor dez!rabl +?]

nn






--                                 __--__--                                =
=3D20

Message: 19
Date: Mon, 06 Aug 2001 21:29:24 +0200
To: "HAL press <press@hal2001.org>":;
From: Maurice Wessling <maurice@xs4all.nl>
Subject: [Nettime-bold] International Conference 'Hackers at Large' in th=
=3D
=3D3D
e Netherlands
Reply-To: nettime-bold@nettime.org


Press release
6 August 2001

International Conference 'Hackers at Large' in the Netherlands

The building of the network of HAL2001, the international hacker event
on the campus of the University of Twente in the Netherlands, has
begun. HAL2001 will be the biggest open-air hacker event in the world
with 2500 visitors who will sleep, work and collaborate in tents. The
conference program consists of 100 speakers from 15 countries.

The conference and festival will start officially at Friday 10th
august and will end on Sunday 12th august. The network that is being
built starting Monday 6th August has a 1 Gb uplink to the internet and
a glass fibre backbone. Every private tent on the campsite will be
connected to this network. The huge amount of computers is powered by
generators with a total capacity of 1,5 megawatts, enough for 25,000
light bulbs.

Main topics of the conference will be security, privacy, intellectual
property issues and various political issues related to computer
networking.

Some of the highlights of the conference are:

Hacker Ethics 1984 - 2001, a panel discussion with Emmanuel Goldstein
(2600), Rop Gonggrijp (Hack-Tic) and Andy Mueller-Maguhn (CCC).

Phil Zimmermann, creator of PGP, will speak about voice encryption.

A panel of security experts discusses Distributed Denial of Service
(DDoS) attacks.

John Gilmore will address copy prevention versus freedom of speech.

Drive-by-hacking, a demonstration of the poor security of wireless
networking.

Presentation by 'Mixter' of automated exploit tools.

The full program can be found at:

http://www.hal2001.org/

Hackers at Large is the sequel to the Galactic Hacker Party (1989),
Hacking at the End of the Universe (1993) en Hacking in Progress
(1997) which all took place in the Netherlands.


----
Note for the editor:

contact information

press@hal2001.org

telephone: +31 53 4892425
mobile:    +31 6 29018922


--                                 __--__--                                =
=3D20

Message: 20
From: integer@www.god-emil.dk
Date: Mon, 6 Aug 2001 21:45:39 +0200 (CEST)
To: gh@popstar.com, nettime-l@bbs.thing.net
Subject: [Nettime-bold] (no subject)
Reply-To: nettime-bold@nettime.org




>I have another essay coming out in Leonardo this=3D3D20
>Fall for the Digital Salon catalog=3D3D20


furdzr ev!densz leonardo =3D3D3D refuze


nn




--                                 __--__--                                =
=3D20

Message: 21
From: integer@www.god-emil.dk
Date: Mon, 6 Aug 2001 22:13:15 +0200 (CEST)
To: syndicate@eg-r.isp-eg.de
Subject: [Nettime-bold] \/\
Reply-To: nettime-bold@nettime.org



Dear Netochka Nezvanova,

CONGRATULATION


         i adore delicate discrimination



Your paper/poster was comprehensively reviewed by at least 3 members of
an international committee of experts in the field,

                              i am an expert in everyology



audience. Of the more than 400 submissions, the Program Committee
accepted 30 for publication.


         more exigence++




It should not have an advertisemnet character.


         you do not like youth +?




nn - it is not my fault. i am a book about dreams. ... and hier 01 bridge=
=3D
=3D3D
 appears.=3D3D20

                        cccare 2 cccros it +?









--                                 __--__--                                =
=3D20

Message: 22
Date: Mon, 6 Aug 2001 21:11:53 +0000
To: www@virose.pt
From: Fernando =3D3D3D?iso-8859-1?Q?Jos=3D3D3DE9?=3D3D3D Pereira <fjp@vir=
ose.pt=3D
>
Subject: [Nettime-bold] Links Prize A joint venture betwwen VIROSE (Porto=
=3D
=3D3D
) and
V2_Organisation (Rotterdam)
Reply-To: nettime-bold@nettime.org

=3D3D3D=3D3D3D=3D3D3D=3D3D3D=3D3D3D=3D3D3D=3D3D3D=3D3D3D=3D3D3D=3D3D3D=3D=
3D3D=3D3D3D=3D3D3D=3D3D3D=3D3D=3D
3D=3D3D3D=3D3D3D=3D3D3D=3D3D3D=3D3D3D=3D3D3D=3D3D3D=3D3D3D=3D3D3D=3D3D3D
LINKS PRIZE>Call for Submissions
=3D3D3D=3D3D3D=3D3D3D=3D3D3D=3D3D3D=3D3D3D=3D3D3D=3D3D3D=3D3D3D=3D3D3D=3D=
3D3D=3D3D3D=3D3D3D=3D3D3D=3D3D=3D
3D=3D3D3D=3D3D3D=3D3D3D=3D3D3D=3D3D3D=3D3D3D=3D3D3D=3D3D3D=3D3D3D=3D3D3D

***A joint venture betwwen VIROSE (Porto) and V2_Organisation (Rotterdam
)

On Liga=3D3DE7=3D3DF5es/Links/Liaisons

In 2001, the city of Porto (Portugal) and the city of Rotterdam
(Netherlands), are the chosen European Capitals of Culture. In the
context of Porto 2001, the Program on =3D3DABThought, Science and
Interdisciplinary Projects=3D3DBB is promoting an International Conferenc=
e =3D
on
cyberculture, entitled =3D3DABLiga=3D3DE7=3D3DF5es/Links/Liaisons=3D3DBB,=
 which i=3D
s curate=3D3D
d by
Jos=3D3DE9 Bragan=3D3DE7a de Miranda e Maria Teresa Cruz. The event will =
take=3D
 pla=3D3D
ce
in Serralves Museum (Porto) from the 29th October to the 2nd November.
Researchers and artists will be invited to react to the theme of the
conference and all collaborations will be gather in the website and in a
book to be published on the date of the conference.
Each one will react to these questions, in five specific sessions: free
links; strange or uncanny links; dangerous links; entangled links;
on-off links.

In conjunction with this event, Virose and V_2 Organisation have put
together a contest consisting of the development of web.art projects.
The contest is intended to promote projects of an experimental nature,
as should any kind of initiative of this sort. As such, multiple and
varied responses are expected, but these should not drift away from the
proposed Links themes. However, there shall not be any limitations to
the creative conception of Links, which should be developed in a
conceptually expansive form or manner.

The competition is open to any art project designed and developed
specifically for the Web and produced after the 1st of January 2001.
The deadline for submission is the 5th of October 2001, along with the
submissions form properly filled out.
The Juries final decision will announce the winner. The decision will be
communicated to the winning participants on the 31st of October 2001.
The US $2500 prize money will go to the best project in competition.
Runner ups shall receive a written statement for their participation
indicating the outstanding quality of their projects as well as an
invitation for future developments within VIROSE's  activities.


More info and Submission Form at http://links.virose.pt

****
If in need of support or for general questions concerning this prize,
you may contact Paul Coutinho through paulc@virose.pt
****

>>>>>>>>>


--                                 __--__--                                =
=3D20

Message: 23
From: "teddy bytown" <bytown@dragonsurf.com>
Reply-to: bytown@dragonsurf.com
To: nettime-l@bbs.thing.net
Date: Mon, 6 Aug 2001 17:19:44 -0400
Subject: [Nettime-bold] Re: <nettime> FW: someding zu read (I)
Reply-To: nettime-bold@nettime.org

> Have we been castrated, made inept, because we
> can no longer celebrate that what we are?

 yes you know how much the technic will be so nano and thus so completely=
=3D
=3D3D
 disappearing
that us the king will be completely naked soon, ha yes sure, but not only=
=3D
=3D3D
 the
fascist male, cause the queens will be naked too mon prince, consolons no=
=3D
=3D3D
us
! Happily our sexual attribute would be our last civilian cloth ! I know =
=3D
=3D3D
it=3D3D92s
idiot but anyway it=3D3D92s kind to you to confusedly see our hairy shame=
 a=3D
s =3D3D
our=3D3D20
last human royal ermine of the futur

>  A 'Chartres
> II' is simply not needed

hmm I love chartres and its blaue glass etc. but permit I suggest you hav=
=3D
=3D3D
e a
too much ideal idea of the cathedrals, of course it exist complete charte=
=3D
=3D3D
rs
II and III etc. gothic was a so expensive promoted catho standard you kno=
=3D
=3D3D
w

> but we do need a 'Terminator II and III and IV
> etc.' to keep the interest

for my part I see a bit the connection, that would fit for us..except you=
=3D
=3D3D
 could
say =3D3D91the commensurability=3D3D92 and to not consider the commensura=
bili=3D
ty c=3D3D
ould be
somezing very impolite, especially in our panz etc..and there I completel=
=3D
=3D3D
y agree
with you mon prince, the humanz have made bloody wars for less than that =
=3D
=3D3D
etc.


> I prefer the  silent
> space of a cathedral than the the wallpaper slaughter houses of twentie=
=3D
=3D3D
th

> century fox.

Silence !? haa excuse me but is it for dreaming in peacefull of the time =
=3D
=3D3D
when
they were also the den of the cutthroat, pimp and whores ? (etc?) ?

>  if we look
> beyond the technical, we can recognize human values that are are inhere=
=3D
=3D3D
nt

> in the action and not tacked in to text to be politically correct so as=
=3D
=3D3D
 not

> to offend its backers.

you are right ! and how much ! so I already hear the advertisment of the =
=3D
=3D3D
crook
who will dress us of just  2D nightwear in NYC as =3D3D91naked perhaps bu=
t =3D
ki=3D3D
ng!=3D3D92

=3D3D91that fit also for the obeses king=3D3D92 etc. what an horror (it w=
as a=3D
 sim=3D3D
ple SAS
teddy comment, you can smoke now)
http://www.dragonsurf.com


--                                 __--__--                                =
=3D20

Message: 24
From: "teddy bytown" <bytown@dragonsurf.com>
Reply-to: bytown@dragonsurf.com
To: nettime-l@bbs.thing.net
Date: Mon, 6 Aug 2001 17:26:25 -0400
Subject: [Nettime-bold] Re: <nettime> FW: someding zu read (II)
Reply-To: nettime-bold@nettime.org

> It can therefore be said that the human mind possesses more cinematic
> quality than film itself.  I don't think any one is even arguing this
> point, but then why go through all the trouble and expense to get somet=
=3D
=3D3D
hing

> of less quality? By using the concepts of cinema it is possible to deve=
=3D
=3D3D
lop

> ideas of multi-dimensional space, which unlike their cinema counterpart=
=3D
=3D3D
s
> are easily within the reach of a modern artist possibilities.

except the 1950 manifesto echo have you simply think or =3D3D91dream=3D3D=
92 t=3D
o po=3D3D
rn movie
? and their incredible point of view ? just for saying hombre that the =3D=
3D=3D
91=3D3D
composition=3D3D92
is sometimes the main part of the show and not a so natural born one

> beyond it by the employment of the imaginative skills of the artists an=
=3D
=3D3D
d
> viewers.

yeah you discribe what I would call the =3D3D91artefact of the orgy=3D3D9=
2 in=3D
 a d=3D3D
ream it=3D3D92s
a wonderfull ubiquitous composition, but not an euclidian one, in practic=
=3D
=3D3D
e and
3D it=3D3D92s a boring amount=3D3D85or perhaps with a whip and great tale=
nt f=3D
or m=3D3D
aking a
fellinian composition but=3D3D85only in a certain point of view then...th=
at=3D
 w=3D3D
hy the
muslim have right to imagine them as some paradisiac space, the perfect p=
=3D
=3D3D
aradoxe
of the spiritual truth is may be to forbid here their representation : ye=
=3D
=3D3D
s we
are naked but all great petroleum sheik in an other space, yes we have al=
=3D
=3D3D
l an
huge naked harem, it=3D3D92s just we have no good eyes or not enuf faith =
fo=3D
r =3D3D
seeing
that. it=3D3D92s our poor human condition
(if i speak in II time it's cause this bull of mail base is an ascii prol=
=3D
=3D3D
etarian
limited one, and not in a castro mode..& you can smoke cigars now)
http://www.dragonsurf.com


--                                 __--__--                                =
=3D20

Message: 25
From: integer@www.god-emil.dk
Date: Mon, 6 Aug 2001 23:42:05 +0200 (CEST)
To: lev@shoko.calarts.edu
Subject: [Nettime-bold] [ot] [!nt] \n2+0\
Reply-To: nettime-bold@nettime.org



Netochka Nezvanova was once asked how she came to life Netochka Nezvanova
that shuddering depiktion of evolutionary forces of sex + sakrifice that =
=3D
=3D3D
forever altered
21st century's perception of the silkworm. In her own inimitable way and =
=3D
=3D3D
through heavily=3D3D20
accented English she replied happily: `I am the vessel through which Neto=
=3D
=3D3D
chka Nezvanova passed`

This reply was the height of disingenuousness and brilliance. Of course N=
=3D
=3D3D
etochka Nezvanova
adored her creation - at a stroke she has so stepped out of the accepted =
=3D
=3D3D
bounds of society's=3D3D20
conventions that she prepared to disown it and let it merge with the elem=
=3D
=3D3D
ental forces of nature.

[lest you travel ahead of your cells - you aren t Netochka Nezvanova da]

+ Now je sper you shall indulge the desire for corresponding with 01 part=
=3D
=3D3D
icular one
entitled Fyodor Mikhailovi=3D3DE7 Dostoyevski






                  sch

                                 sch


                          sch


















    /_/
                          /
             \            \/       i should like to be a human plant
            \/       __
                    __/
                                   i will shed leaves in the shade
        \_\                        because i like stepping on bugs



*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--
Netochka Nezvanova                   nezvanova@eusocial.com
                                    http://www.eusocial.com
                                  http://www.biohakc.com
                                http://www.ggttctttat.com/!
                               http://steim.nl/leaves/

 the world ov plants is beautiful + imaginativ
 + thus .... my professional interest =3D3D3D me.=3D3D20
*--*--*--*--*--*--*--*--*--*--*--*--*-- --*--*--*--*--*--*--







--                                 __--__--                                =
=3D20

Message: 26
From: integer@www.god-emil.dk
Date: Mon, 6 Aug 2001 23:49:48 +0200 (CEST)
To: lev@shoko.calarts.edu
Subject: [Nettime-bold] [ot] [!nt] \n2+0\ zoft uear
Reply-To: nettime-bold@nettime.org


allo

schhhhhh

would you care to guess what nn.s klassikal [hence modern]=3D3D20
soft wear environment has been named +?

nn







--                                 __--__--                                =
=3D20

Message: 27
Date: Mon, 06 Aug 2001 18:17:22 -0400
From: Ken Jordan <ken@kenjordan.tv>
To: <nettime-l@bbs.thing.net>
boundary=3D3D3D"MS_Mac_OE_3079966642_4660495_MIME_Part"
Subject: [Nettime-bold] Multimedia: From Wagner to Virtual Reality
Reply-To: nettime-bold@nettime.org

> This message is in MIME format. Since your mail reader does not underst=
=3D
=3D3D
and
this format, some or all of this message may not be legible.

--MS_Mac_OE_3079966642_4660495_MIME_Part
Content-type: text/plain; charset=3D3D3D"ISO-8859-1"
Content-transfer-encoding: quoted-printable


MULTIMEDIA: FROM WAGNER TO VIRTUAL REALITY
edited by Randall Packer and Ken Jordan
foreword by William Gibson
published by W.W. Norton, 400 pp., $27.95
publication date: July 23, 2001 (US); Sept. 19, 2001 (UK)


"This book is one start toward a different sort of history.... I recommen=
=3D
=3D3D
d
this book to you with an earnestness that I have seldom felt for any
collection of historic texts.  This is, in large part, where the bodies a=
=3D
=3D3D
re
buried.  Assembled in this way, in such close proximity, these visions gi=
=3D
=3D3D
ve
off strange sparks." - from the foreword by William Gibson

MULTIMEDIA: FROM WAGNER TO VIRTUAL REALITY presents the untold history
behind the interfaces, links, and interactivity we all take for granted
today. This groundbreaking work traces a fertile and fascinating series o=
=3D
=3D3D
f
collaborations between the arts and the sciences, going back to the years
just after World War II -- and even further, to composer Richard Wagner,
whose ideas about the immersive nature of music theater foreshadowed the
experience of virtual reality.

Among the essential articles gathered in the book are the Futurists' 1916
manifesto on cinema, which declared that the new medium would unite all
media and replace the book; Vannevar Bush's 1945 Atlantic Monthly essay t=
=3D
=3D3D
ha=3D3D3D
t
leads directly to the hyperlinks in today's multimedia; J.C.R. Licklider'=
=3D
=3D3D
s
groundbreaking idea in 1960 that people and computers could collaborate i=
=3D
=3D3D
n
creative work; Nam June Paik's 1984 essay proposing that satellite
technology would encourage a global information art; Tim Berners-Lee's 19=
=3D
=3D3D
89
proposal for a document-sharing network, which became the basis of the Wo=
=3D
=3D3D
rl=3D3D3D
d
Wide Web; and William Gibson's discussion of how he came up with the word
"cyberspace." With an insightful introduction to the volume and critical
commentaries on each article, editors Randall Packer and Ken Jordan lead =
=3D
=3D3D
us
through the groundbreaking developments of the multimedia story.

The book publication completes a unique hybrid publication project that
joins W.W. Norton with Intel Corporation's ArtMuseum.net, to present an
untold history of multimedia.  The book and the Web site, which was launc=
=3D
=3D3D
he=3D3D3D
d
in June, 2000, are meant to work in tandem. On-line, MULTIMEDIA: FROM WAG=
=3D
=3D3D
NE=3D3D3D
R
TO VIRTUAL REALITY is a dynamic, growing resource featuring hyperlinked
texts and a wealth of multimedia documentation. Please visit the site at
http://www.artmuseum.net.


>From the early reviews:

"The best guide yet on a subject of central importance to anyone interest=
=3D
=3D3D
ed
in the future of media, and the growing marriage between art and
science....The collection is historically significant, given that nobody =
=3D
=3D3D
ha=3D3D3D
s
ever woven together the different threads, thoughts and impulses that bec=
=3D
=3D3D
om=3D3D3D
e
multimedia, a new form both of media and culture.... The book flows
skillfully from one idea to the next, each section building on the one th=
=3D
=3D3D
at
preceded it." - Jon Katz, Slashdot

"In the Norton Anthology tradition, Packer and Jordan bring together semi=
=3D
=3D3D
na=3D3D3D
l
contributions that artists and scientists have made to the field of
computer-human interaction... An evocative whirlwind tour through 100 yea=
=3D
=3D3D
rs
of work... Excellent..." - S. Joy Mountford, Wired

"[MULTIMEDIA is] a key source book in the field of art, science and
technology. This book is excellent in all respects." - Annick Bureaud,
Leonardo Digital Reviews

"Readers interested in the history of multimedia should be enthralled by
this collection of hard-to-find essays.... A remarkable blending of past =
=3D
=3D3D
an=3D3D3D
d
present, these essays remind us that today's wondrous inventions didn't j=
=3D
=3D3D
us=3D3D3D
t
spring into existence out of nothingness." - Booklist




MULTIMEDIA: FROM WAGNER TO VIRTUAL REALITY
Table of Contents

Foreword by William Gibson

Overture by Randall Packer and Ken Jordan


I. Integration
1. Richard Wagner, "Outlines of the Artwork of the Future"

2. F. T. Marinetti, Bruno Corra, Emilio Settimelli, Arnaldo Ginna, Giacom=
=3D
=3D3D
o
Balla, Remo Chiti, =3D3D3DB3The Futurist Cinema=3D3D3DB2

3. L=3D3D3DE1szl=3D3D3DF3 Moholy-Nagy, =3D3D3DB3Theater, Circus, Variety=3D=
3D3DB2

4. Richard Higgins, =3D3D3DB3Intermedia=3D3D3DB2

5. Billy Kl=3D3D3DFCver, =3D3D3DB3The Great Northeastern Power Failure=3D=
3D3DB2

6. Nam June Paik, =3D3D3DB3Cybernated Art=3D3D3DB2 and =3D3D3DB3Art and S=
atelli=3D
te=3D3D3DB=3D3D
2


II. Interactivity
7. Norbert Wiener, =3D3D3DB3Cybernetics in History=3D3D3DB2

8. J.C.R. Licklider, =3D3D3DB3Man-Computer Symbiosis=3D3D3DB2

9. Douglas Engelbart, =3D3D3DB3Augmenting Human Intellect: A Conceptual F=
ra=3D
me=3D3D
work=3D3D3DB2

10. John Cage, =3D3D3DB3Diary: Audience 1966=3D3D3DB2

11. Roy Ascott, =3D3D3DB3Behaviourist Art and the Cybernetic Vision=3D3D3=
DB2

12. Myron Krueger, =3D3D3DB3Responsive Environments=3D3D3DB2

13. Alan Kay, =3D3D3DB3User Interface: A Personal View=3D3D3DB2


III. Hypermedia
14. Vannevar Bush, =3D3D3DB3As We May Think=3D3D3DB2

15. Ted Nelson, excerpt from Computer Lib/Dream Machines

16. Alan Kay and Adele Goldberg, =3D3D3DB3Personal Dynamic Media=3D3D3DB2

17. Marc Canter, =3D3D3DB3The New Workstation: CD ROM Authoring Systems=3D=
3D3=3D
DB2

18. Tim Berners-Lee, =3D3D3DB3Information Management: A Proposal=3D3D3DB2

19. George Landow and Paul Delany, =3D3D3DB3Hypertext, Hypermedia and Lit=
er=3D
ar=3D3D
y
Studies: The State of the Art=3D3D3DB2


IV. Immersion
20. Morton Heilig, =3D3D3DB3The Cinema of the Future=3D3D3DB2

21. Ivan Sutherland, =3D3D3DB3The Ultimate Display=3D3D3DB2

22. Scott Fisher, =3D3D3DB3Virtual Interface Environments=3D3D3DB2

23. William Gibson, =3D3D3DB3Academy Leader=3D3D3DB2

24. Marcos Novak, =3D3D3DB3Liquid Architectures in Cyberspace=3D3D3DB2

25. Daniel Sandin, Thomas DeFanti, and Carolina Cruz-Neira, =3D3D3DB3A Ro=
om=3D
 w=3D3D
ith a
View=3D3D3DB2


V. Narrativity
26. William Burroughs, =3D3D3DB3The Future of the Novel=3D3D3DB2

27. Allan Kaprow, =3D3D3DB3Untitled Guidelines for Happenings=3D3D3DB2

28. Bill Viola, =3D3D3DB3Will There Be Condominiums in Data Space?=3D3D3D=
B2

29. Lynn Hershman, =3D3D3DB3The Fantasy Beyond Control=3D3D3DB2

30. Roy Ascott, =3D3D3DB3Is There Love in the Telematic Embrace?"

31. Pavel Curtis, =3D3D3DB3Mudding: Social Phenomena in Text-Based Virtua=
l
Realities=3D3D3DB2

32. Pierre L=3D3D3DE9vy, =3D3D3DB3The Art and Architecture of Cyberspace=3D=
3D3D=3D
B2




--MS_Mac_OE_3079966642_4660495_MIME_Part
Content-type: text/html; charset=3D3D3D"ISO-8859-1"
Content-transfer-encoding: quoted-printable

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<TITLE>Multimedia: From Wagner to Virtual Reality</TITLE>
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<BODY>
<BR>
<B>MULTIMEDIA: FROM WAGNER TO VIRTUAL REALITY </B> <BR>
edited by Randall Packer and Ken Jordan<BR>
foreword by William Gibson<BR>
published by W.W. Norton, 400 pp., $27.95<BR>
publication date: July 23, 2001 (US); Sept. 19, 2001 (UK)<BR>
<BR>
<BR>
&quot;This book is one start toward a different sort of history.... I rec=
=3D
=3D3D
om=3D3D3D
mend this book to you with an earnestness that I have seldom felt for any=
=3D
=3D3D
 co=3D3D3D
llection of historic texts. &nbsp;This is, in large part, where the bodie=
=3D
=3D3D
s a=3D3D3D
re buried. &nbsp;Assembled in this way, in such close proximity, these vi=
=3D
=3D3D
sio=3D3D3D
ns give off strange sparks.&quot; - from the foreword by William Gibson<B=
=3D
=3D3D
R>
<BR>
MULTIMEDIA: FROM WAGNER TO VIRTUAL REALITY presents the untold history be=
=3D
=3D3D
hi=3D3D3D
nd the interfaces, links, and interactivity we all take for granted today=
=3D
=3D3D
. T=3D3D3D
his groundbreaking work traces a fertile and fascinating series of collab=
=3D
=3D3D
ora=3D3D3D
tions between the arts and the sciences, going back to the years just aft=
=3D
=3D3D
er =3D3D3D
World War II -- and even further, to composer Richard Wagner, whose ideas=
=3D
=3D3D
 ab=3D3D3D
out the immersive nature of music theater foreshadowed the experience of =
=3D
=3D3D
vir=3D3D3D
tual reality.<BR>
<BR>
Among the essential articles gathered in the book are the Futurists' 1916=
=3D
=3D3D
 m=3D3D3D
anifesto on cinema, which declared that the new medium would unite all me=
=3D
=3D3D
dia=3D3D3D
 and replace the book; Vannevar Bush's 1945 <I>Atlantic Monthly</I> essay=
=3D
=3D3D
 th=3D3D3D
at leads directly to the hyperlinks in today's multimedia; J.C.R. Licklid=
=3D
=3D3D
er'=3D3D3D
s groundbreaking idea in 1960 that people and computers could collaborate=
=3D
=3D3D
 in=3D3D3D
 creative work; Nam June Paik's 1984 essay proposing that satellite techn=
=3D
=3D3D
olo=3D3D3D
gy would encourage a global information art; Tim Berners-Lee's 1989 propo=
=3D
=3D3D
sal=3D3D3D
 for a document-sharing network, which became the basis of the World Wide=
=3D
=3D3D
 We=3D3D3D
b; and William Gibson's discussion of how he came up with the word &quot;=
=3D
=3D3D
cyb=3D3D3D
erspace.&quot; With an insightful introduction to the volume and critical=
=3D
=3D3D
 co=3D3D3D
mmentaries on each article, editors Randall Packer and Ken Jordan lead us=
=3D
=3D3D
 th=3D3D3D
rough the groundbreaking developments of the multimedia story.<BR>
<BR>
The book publication completes a unique hybrid publication project that j=
=3D
=3D3D
oi=3D3D3D
ns W.W. Norton with Intel Corporation's ArtMuseum.net, to present an unto=
=3D
=3D3D
ld =3D3D3D
history of multimedia. &nbsp;The book and the Web site, which was launche=
=3D
=3D3D
d i=3D3D3D
n June, 2000, are meant to work in tandem. On-line, MULTIMEDIA: FROM WAGN=
=3D
=3D3D
ER =3D3D3D
TO VIRTUAL REALITY is a dynamic, growing resource featuring hyperlinked t=
=3D
=3D3D
ext=3D3D3D
s and a wealth of multimedia documentation. Please visit the site at <FON=
=3D
=3D3D
T C=3D3D3D
OLOR=3D3D3D3D"#0000FF"><U>http://www.artmuseum.net</U></FONT>.<BR>
<BR>
<BR>
<B>From the early reviews:<BR>
</B><BR>
&quot;The best guide yet on a subject of central importance to anyone int=
=3D
=3D3D
er=3D3D3D
ested in the future of media, and the growing marriage between art and sc=
=3D
=3D3D
ien=3D3D3D
ce....The collection is historically significant, given that nobody has e=
=3D
=3D3D
ver=3D3D3D
 woven together the different threads, thoughts and impulses that become =
=3D
=3D3D
mul=3D3D3D
timedia, a new form both of media and culture.... The book flows skillful=
=3D
=3D3D
ly =3D3D3D
from one idea to the next, each section building on the one that preceded=
=3D
=3D3D
 it=3D3D3D
.&quot; - Jon Katz, Slashdot<BR>
<BR>
&quot;In the Norton Anthology tradition, Packer and Jordan bring together=
=3D
=3D3D
 s=3D3D3D
eminal contributions that artists and scientists have made to the field o=
=3D
=3D3D
f c=3D3D3D
omputer-human interaction... An evocative whirlwind tour through 100 year=
=3D
=3D3D
s o=3D3D3D
f work... Excellent...&quot; - S. Joy Mountford, Wired<BR>
<BR>
&quot;[MULTIMEDIA is] a key source book in the field of art, science and =
=3D
=3D3D
te=3D3D3D
chnology. This book is excellent in all respects.&quot; - Annick Bureaud,=
=3D
=3D3D
 Le=3D3D3D
onardo Digital Reviews<BR>
<BR>
&quot;Readers interested in the history of multimedia should be enthralle=
=3D
=3D3D
d =3D3D3D
by this collection of hard-to-find essays.... A remarkable blending of pa=
=3D
=3D3D
st =3D3D3D
and present, these essays remind us that today's wondrous inventions didn=
=3D
=3D3D
't =3D3D3D
just spring into existence out of nothingness.&quot; - Booklist<BR>
<BR>
<BR>
<BR>
<BR>
<B>MULTIMEDIA: FROM WAGNER TO VIRTUAL REALITY<BR>
Table of Contents<BR>
</B><BR>
<B>Foreword by William Gibson<BR>
</B><BR>
<B>Overture by Randall Packer and Ken Jordan <BR>
</B><BR>
<BR>
<B>I. Integration<BR>
</B>1. Richard Wagner, &quot;Outlines of the Artwork of the Future&quot;<=
=3D
=3D3D
BR=3D3D3D
>
<BR>
2. F. T. Marinetti, Bruno Corra, Emilio Settimelli, Arnaldo Ginna, Giacom=
=3D
=3D3D
o =3D3D3D
Balla, Remo Chiti, =3D3D3DB3The Futurist Cinema=3D3D3DB2<BR>
<BR>
3. L=3D3D3DE1szl=3D3D3DF3 Moholy-Nagy, =3D3D3DB3Theater, Circus, Variety=3D=
3D3DB2=3D
<BR>
<BR>
4. Richard Higgins, =3D3D3DB3Intermedia=3D3D3DB2<BR>
<BR>
5. Billy Kl=3D3D3DFCver, =3D3D3DB3The Great Northeastern Power Failure=3D=
3D3DB2=3D
<BR>
<BR>
6. Nam June Paik, =3D3D3DB3Cybernated Art=3D3D3DB2 and =3D3D3DB3Art and S=
atelli=3D
te=3D3D3DB=3D3D
2<BR>
<BR>
<BR>
<B>II. Interactivity<BR>
</B>7. Norbert Wiener, =3D3D3DB3Cybernetics in History=3D3D3DB2<BR>
<BR>
8. J.C.R. Licklider, =3D3D3DB3Man-Computer Symbiosis=3D3D3DB2<BR>
<BR>
9. Douglas Engelbart, =3D3D3DB3Augmenting Human Intellect: A Conceptual F=
ra=3D
me=3D3D
work=3D3D3DB2<=3D3D3D
BR>
<BR>
10. John Cage, =3D3D3DB3Diary: Audience 1966=3D3D3DB2<BR>
<BR>
11. Roy Ascott, =3D3D3DB3Behaviourist Art and the Cybernetic Vision=3D3D3=
DB2<=3D
BR>
<BR>
12. Myron Krueger, =3D3D3DB3Responsive Environments=3D3D3DB2<BR>
<BR>
13. Alan Kay, =3D3D3DB3User Interface: A Personal View=3D3D3DB2<BR>
<BR>
<BR>
<B>III. Hypermedia<BR>
</B>14. Vannevar Bush, =3D3D3DB3As We May Think=3D3D3DB2<BR>
<BR>
15. Ted Nelson, excerpt from <I>Computer Lib/Dream Machines<BR>
</I><BR>
16. Alan Kay and Adele Goldberg, =3D3D3DB3Personal Dynamic Media=3D3D3DB2=
<BR>
<BR>
17. Marc Canter, =3D3D3DB3The New Workstation: CD ROM Authoring Systems=3D=
3D3=3D
DB2<=3D3D
BR>
<BR>
18. Tim Berners-Lee, =3D3D3DB3Information Management: A Proposal=3D3D3DB2=
<BR>
<BR>
19. George Landow and Paul Delany, =3D3D3DB3Hypertext, Hypermedia and Lit=
er=3D
ar=3D3D
y Stud=3D3D3D
ies: The State of the Art=3D3D3DB2<BR>
<BR>
<BR>
<B>IV. Immersion<BR>
</B>20. Morton Heilig, =3D3D3DB3The Cinema of the Future=3D3D3DB2<BR>
<BR>
21. Ivan Sutherland, =3D3D3DB3The Ultimate Display=3D3D3DB2<BR>
<BR>
22. Scott Fisher, =3D3D3DB3Virtual Interface Environments=3D3D3DB2<BR>
<BR>
23. William Gibson, =3D3D3DB3Academy Leader=3D3D3DB2<BR>
<BR>
24. Marcos Novak, =3D3D3DB3Liquid Architectures in Cyberspace=3D3D3DB2<BR=
>
<BR>
25. Daniel Sandin, Thomas DeFanti, and Carolina Cruz-Neira, =3D3D3DB3A Ro=
om=3D
 w=3D3D
ith a =3D3D3D
View=3D3D3DB2<BR>
<BR>
<BR>
<B>V. Narrativity<BR>
</B>26. William Burroughs, =3D3D3DB3The Future of the Novel=3D3D3DB2<BR>
<BR>
27. Allan Kaprow, =3D3D3DB3Untitled Guidelines for Happenings=3D3D3DB2<BR=
>
<BR>
28. Bill Viola, =3D3D3DB3Will There Be Condominiums in Data Space?=3D3D3D=
B2<B=3D
R>
<BR>
29. Lynn Hershman, =3D3D3DB3The Fantasy Beyond Control=3D3D3DB2<BR>
<BR>
30. Roy Ascott, =3D3D3DB3Is There Love in the Telematic Embrace?&quot;<BR=
>
<BR>
31. Pavel Curtis, =3D3D3DB3Mudding: Social Phenomena in Text-Based Virtua=
l =3D
Re=3D3D
alitie=3D3D3D
s=3D3D3DB2<BR>
<BR>
32. Pierre L=3D3D3DE9vy, =3D3D3DB3The Art and Architecture of Cyberspace=3D=
3D3D=3D
B2<BR>
<BR>
<BR>
</BODY>
</HTML>


--MS_Mac_OE_3079966642_4660495_MIME_Part--


--                                 __--__--                                =
=3D20

Message: 28
Date: Mon, 6 Aug 2001 15:28:19 -0700 (PDT)
From: N S <ns92002@yahoo.com>
To: nettime-bold@nettime.org
Subject: [Nettime-bold] Best #1 Money on the Internet
Reply-To: nettime-bold@nettime.org

Dear Friends & Future Millionaire:

YOU REALLY OWE IT TO YOURSELF TO LOOK AT THIS!!
AS SEEN ON NATIONAL TV: ''Making over half million dollars every 4 to 5 m=
=3D
=3D3D
onths
from your home for an investment of only $25 U.S. Dollars expense one tim=
=3D
=3D3D
e''

THANKS TO THE COMPUTER AGE AND THE INTERNET!
BE A MILLIONAIRE LIKE OTHERS WITHIN A YEAR !!

Before you say ''Bull'' , please read the following. This is the letter y=
=3D
=3D3D
ou
have
been hearing about on the news lately. Due to the popularity of this lett=
=3D
=3D3D
er on
the Internet, a national weekly news program recently devoted an entire s=
=3D
=3D3D
how to
the investigation of this program described below , to see if it really c=
=3D
=3D3D
an
make people money.

The show also investigated whether or not the program was legal. Their fi=
=3D
=3D3D
ndings
proved once and for all that there are ''absolutely NO. Laws prohibiting =
=3D
=3D3D
the
participation in the program and if people can follow the simple instruct=
=3D
=3D3D
ions,
they are bound to make some mega bucks with only $25 out of pocket cost''.

DUE TO THE RECENT INCREASE OF POPULARITY & RESPECT THIS PROGRAM HAS ATTAI=
=3D
=3D3D
NED,
IT IS CURRENTLY WORKING BETTER THAN EVER.

This is what one had to say:

''Thanks to this profitable opportunity. I was approached many times befo=
=3D
=3D3D
re but
each time I passed on it. I am so glad I finally joined just to see what =
=3D
=3D3D
one
could expect in return for the minimal effort and money required. To my
astonishment, I received total $610,470.00 in 21 weeks, with money still =
=3D
=3D3D
coming
in''. Pam Hedland, Fort Lee, New Jersey.

-------------------------------------------------------------------------=
=3D
=3D3D
-------

Here is another testimonial:

''This program has been around for a long time but I never believed in it=
=3D
=3D3D
. But
one day when I received this again in the mail I decided to gamble my $25=
=3D
=3D3D
 on
it. I followed the simple instructions and walaa ..... 3 weeks later the =
=3D
=3D3D
money
started to come in. First month I only made $240.00 but the next 2 months=
=3D
=3D3D
 after
that I made a total of $290,000.00. So far, in the past 8 months by re-en=
=3D
=3D3D
tering
the program, I have made over $710,000.00 and I am playing it again. The =
=3D
=3D3D
key to
success in this program is to follow the simple steps and NOT change anyt=
=3D
=3D3D
hing
.''

More testimonials later but first,

*** PRINT THIS NOW FOR YOUR FUTURE REFERENCE ***
$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$=3D3D20
If you would like to make at least $500,000 every 4 to 5 months easily an=
=3D
=3D3D
d
comfortably, please read the following...THEN READ IT AGAIN and AGAIN !!!
$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$

FOLLOW THE SIMPLE INSTRUCTION BELOW AND YOUR=3D3D20
FINANCIAL DREAMS WILL COME TRUE, GUARANTEED!

INSTRUCTIONS:
**** Order all 5 reports shown on the list below.

**** For each report, send $5.00 U.S CASH, THE NAME & NUMBER OF THE REPOR=
=3D
=3D3D
T
YOU ARE ORDERING and YOUR E-MAIL ADDRESS to the person whose name appears=
=3D
=3D3D
 ON
THAT LIST next to the report. MAKE SURE YOUR RETURN ADDRESS IS ON YOUR EN=
=3D
=3D3D
VELOPE
TOP LEFT CORNER in case of any mail problems.

**** When you place your order, make sure you order each of the 5 reports=
=3D
=3D3D
 from
the person whose name is next to the REPORT. You will need all 5 reports =
=3D
=3D3D
so
that you can save them on your computer and resell them. YOUR TOTAL COST =
=3D
=3D3D
$5X 5
=3D3D3D $25.00.

**** Within a few days you will receive, vie e-mail, each of the 5 report=
=3D
=3D3D
s from
these 5 different individuals. Save them on your computer so they will be
accessible for you to send to the 1,000's of people who will order them f=
=3D
=3D3D
rom
you. Also make a floppy of these reports and keep it on your desk in case
something happen to your computer.

****.IMPORTANT -DO NOT alter the names of the people who are listed next =
=3D
=3D3D
to
each
report, or their sequence on the list, in any way other than what is inst=
=3D
=3D3D
ructed
below in step '' 1 through 6 '' or you will loose out on majority of your
profits. Once you understand the way this works, you will also see how it=
=3D
=3D3D
 does
not work if you change it.

Remember, this method has been tested, and if you alter, it will NOT work=
=3D
=3D3D
!!!
People have tried to put their friends/relatives names on all five thinki=
=3D
=3D3D
ng
they could get all the money. But it does not work this way. Believe us, =
=3D
=3D3D
we all
have tried to be greedy and then nothing happened. So Do Not try to chang=
=3D
=3D3D
e
anything other than what is instructed. Because if you do, it will not wo=
=3D
=3D3D
rk for
you. Remember, honesty reaps the reward!!!

After you have ordered all 5 reports, take this advertisement and REMOVE =
=3D
=3D3D
the
name & address of the person in REPORT # 5. This person has made it throu=
=3D
=3D3D
gh the
cycle and is no doubt counting their fortune.


Move the name & address in REPORT #4 down TO REPORT #5.


Move the name & address in REPORT #3 down TO REPORT #4.


Move the name & address in REPORT #2 down TO REPORT #3.


Move the name & address in REPORT #1 down TO REPORT #2


Insert YOUR name & address in the REPORT #1 Position.
PLEASE MAKE SURE you copy every name & address ACCURATELY!


-------------------------------------------------------------------------=
=3D
=3D3D
-------

Take this entire letter, with the modified list of names (with your name =
=3D
=3D3D
now in
position #1, and save it on your computer. DO NOT MAKE ANY OTHER CHANGES.=
=3D
=3D3D
 Save
this on a disk as well just in case if you loose any data.

To assist you with marketing your business on the Internet, the 5 REPORTS=
=3D
=3D3D
 you
purchase will provide you with invaluable marketing information which inc=
=3D
=3D3D
ludes
how to send bulk e-mails legally, where to find thousands of free classif=
=3D
=3D3D
ied
ads and much more.

There are 2 Primary methods to get this venture going:

METHOD # 1 : BY SENDING TARGETED BULK E-MAIL LEGALLY
let's say that you decide to start small, just to see how it goes, and we=
=3D
=3D3D
 will
assume You and those involved send out only targeted 5,000 e-mails each.
Targeted email is to persons interested in business opportunities. Let's =
=3D
=3D3D
also
assume that the mailing receive only a 0.2% response (the response could =
=3D
=3D3D
be
much better but lets just say it is only 0.2%. Also many people will send=
=3D
=3D3D
 out
hundreds of thousands e-mails instead of only 5,000 each).

Continuing with this example, you send out only 5,000 e-mails. With a 0.2=
=3D
=3D3D
%
response, that is only 10 orders for REPORT #1. Those 10 people responded=
=3D
=3D3D
 by
sending out 5,000 e-mail each for a total of 50,000. Out of those 50,000
e-mails only 0.2% responded with orders. That's =3D3D3D 100 people respon=
de=3D
d =3D3D
and
ordered REPORT #2. Those 100 people mail out 5,000 e-mails each for a tot=
=3D
=3D3D
al of
500,000 e-mails. The 0.2% response to that is 1000 orders for REPORT #3. =
=3D
=3D3D
Those
1000 people send out 5,000 e-mails each for a total of 5 million e-mails
sent out. The 0.2% response to that is 10,000 orders for REPORT #4. Those
10,000
people send out 5,000 e-mails each for a total of 50,000,000 (50
million)e-mails. The 0.2% response to that is 100,000 orders for REPORT #=
=3D
=3D3D
 5.

THAT'S 100,000 ORDERS TIMES $5 EACH =3D3D3D $500,000.00 (half million).

Your total income in this example is:

$50+
$500+
$5,000 +
$50,000+
$500,000.........Grand Total =3D3D3D $555,550.00
NUMBERS DO NOT LIE. GET A PENCIL & PAPER AND FIGURE OUT THE WORST POSSIBL=
=3D
=3D3D
E
RESPONSES AND NO MATTER HOW YOU CALCULATE IT, YOU WILL STILL MAKE A LOT O=
=3D
=3D3D
F
MONEY!

-------------------------------------------------------------------------=
=3D
=3D3D
-------

REMEMBER FRIEND, THIS IS ASSUMING ONLY 10 PEOPLE ORDERING OUT OF 5,000 YO=
=3D
=3D3D
U
MAILED TO. Dare to think for a moment what would happen if everyone, or h=
=3D
=3D3D
alf or
even one 4th of those people mailed 100,000 e-mails each or more?
There are over 150 million people on the Internet worldwide and counting.
Believe me, many people will do just that, and more!

METHOD #2 : BY PLACING FREE ADS ON THE INTERNET
Advertising on the net is very very inexpensive and there are hundreds of=
=3D
=3D3D
 FREE
places to advertise. Placing a lot of free ads on the Internet will easil=
=3D
=3D3D
y get
a larger response. We strongly suggest you start with Method # 1 and add =
=3D
=3D3D
METHOD
#2 as you go along.

Study the REPORTS (#1-5) to help with your marketing.

For every $5 you receive, all you must do is e-mail them the Report they
ordered. That's it . Always provide same day service on all orders. This =
=3D
=3D3D
will
guarantee that the e-mail they send out, with your name and address on it=
=3D
=3D3D
, will
be prompt because they can not advertise until they receive the report.

_______________ AVAILABLE REPORTS__________________
ORDER EACH REPORT BY ITS NUMBER & NAME ONLY.
Notes Always send $5 cash (U.S. CURRENCY) for each Report. Checks NOT acc=
=3D
=3D3D
epted.
Make sure the cash is concealed by wrapping it in at least 2 sheets of pa=
=3D
=3D3D
per.
On one of those sheets of paper, Write the NUMBER & the NAME of the Repor=
=3D
=3D3D
t you
are ordering, YOUR E-MAIL ADDRESS and your name and postal address.
PLACE YOUR ORDER FOR THESE REPORTS NOW:

-------------------------------------------------------------------------=
=3D
=3D3D
------
REPORT #1:"The Bulk Email Survival Guide" Order REPORT #1 from:

NYS
P.O.Box 607
Dunn Loring, VA 22027
U.S.A

-------------------------------------------------------------------------=
=3D
=3D3D
-------

REPORT #2: "Inside Secrets To Wealth On The Web" Order REPORT #2 from:

JD
P.O.Box 1114
Des Plaines, IL 60017
U.S.A

-------------------------------------------------------------------------=
=3D
=3D3D
-------

REPORT #3:"The Secret to Multilevel marketing on the Net" Order REPORT #3=
=3D
=3D3D
 from:

JZ
1006 Lynn St. SW
Vienna, VA 22180
USA

-------------------------------------------------------------------------=
=3D
=3D3D
-------

REPORT #4:"How to become a millionaire utilizing MLM & the Net" Order REP=
=3D
=3D3D
ORT #4
from:

J Santi
833 Walter Ave
Des Plaines, IL 60016
USA

-------------------------------------------------------------------------=
=3D
=3D3D
-------

REPORT #5:"HOW TO SEND 1 MILLION E-MAILS FOR FREE" Order REPORT #5 from:

Aaron Croft
1037 Charlela Lane #206
Elk Grove village, IL 60007
USA


$$$$$$$$$ YOUR SUCCESS GUIDELINES $$$$$$$$$$$

(A note on mailing to Canada.  It's just as easy as to the US. Follow sam=
=3D
=3D3D
e
procedure but use 60 cents postage)

Follow these guidelines to guarantee your success:

If you do not receive at least 10 orders for Report #1 within 2 weeks, co=
=3D
=3D3D
ntinue
sending e-mails until you do.  DO NOT QUIT, you do not know how close you=
=3D
=3D3D
 are
to success if you quit, it may be the next mailing. THIS IS YOUR WINNING
LOTTERY.

After you have received 10 orders, 2 to 3 weeks after that you should rec=
=3D
=3D3D
eive
100 orders or more for REPORT #2. If you did not, continue advertising or
sending e-mails until you do.

Once you have received 100 or more orders for Report #2, YOU CAN RELAX, b=
=3D
=3D3D
ecause
the system is already working for you , and the cash will continue to rol=
=3D
=3D3D
l in!

THIS IS IMPORTANT TO REMEMBER :Every time your name is moved down on the =
=3D
=3D3D
list,
you are placed in front of a different report. You can KEEP Track of your
PROGRESS by watching which report people are ordering from you. IF YOU WA=
=3D
=3D3D
NT TO
GENERATE MORE INCOME SEND ANOTHER BATCH OF E-MAIL SAND START THE WHOLE PR=
=3D
=3D3D
OCESS
AGAIN. There is NO LIMIT to the income you can generate from this busines=
=3D
=3D3D
s!!!
FOLLOWING IS A NOTE FROM THE ORIGINATOR OF THIS PROGRAM:

"You have just received information that can give you financial freedom f=
=3D
=3D3D
or the
rest of your life, with NO RISK and JUST A LITTLE BIT OF EFFORT. You can =
=3D
=3D3D
make
more money in the next few weeks and months than you have ever imagined.

Follow the program EXACTLY AS INSTRUCTED. Do Not change it in any way. It=
=3D
=3D3D
 works
exceedingly well as it is now. Remember to e-mail a copy of this exciting
report after you have put your name and address in Report #1 and moved ot=
=3D
=3D3D
hers
to #2...........#5 as instructed above.
One of the people you send this to may send out 100,000 or more e-mails a=
=3D
=3D3D
nd
your
name will be on everyone of them. Remember though, the more you send out =
=3D
=3D3D
the
more potential customers you will reach.

So my friend, I have given you the ideas, information, materials and
opportunity
to become financially independent. IT IS UP TO YOU NOW!  JUST DO IT!!!!!!

************** MORE TESTIMONIALS****************
'' My name is Mitchell. My wife , Jody and I live in Chicago. I am an
accountant
with a major U.S. Corporation and I make pretty good money. When I receiv=
=3D
=3D3D
ed
this
program I grumbled to Jody about receiving ''junk mail''. I made fun of t=
=3D
=3D3D
he
whole thing, spouting my knowledge of the population and percentages invo=
=3D
=3D3D
lved.
I ''knew'' it wouldn't work. Jody totally ignored my supposed intelligenc=
=3D
=3D3D
e and
few days later she jumped in with both feet. I made merciless fun of her,=
=3D
=3D3D
 and
was ready to lay the old ''I told you so'' on her when the thing didn't w=
=3D
=3D3D
ork.
Well, the laugh was on me! Within 3 weeks she had received 50 responses. =
=3D
=3D3D
Within
the next 45 days she had received a total of $ 147,200.00 all cash!I was
shocked. I have joined Jody in her ''hobby''.=3D3D20
Mitchell Wolf, M.D. , Chicago, Illinois

-------------------------------------------------------------------------=
=3D
=3D3D
-------

''Not being the gambling type, it took me several weeks to make up my min=
=3D
=3D3D
d to
participate in this plan. But conservative that I am, I decided that the
initial investment was so little that there was just no way that I wouldn=
=3D
=3D3D
't get
enough orders to at least get my money back. I was surprised when I found=
=3D
=3D3D
 my
medium size post office box crammed with orders. I made $319,210.00 in th=
=3D
=3D3D
e
first 12 weeks. The nice thing about this deal is that it does not matter=
=3D
=3D3D
 where
people live. There simply isn't a better investment with a faster return
and so big''.=3D3D20
Dan Sondstrom, Alberta, Canada


-------------------------------------------------------------------------=
=3D
=3D3D
-------

''I had received this program before. I deleted it, but later I wondered =
=3D
=3D3D
if I
should have given it a try. Of course, I had no idea who to contact to ge=
=3D
=3D3D
t
another copy, so I had to wait until I was e- mailed again by someone
else.........11 months passed then it luckily came again...... I did not =
=3D
=3D3D
delete
this one! I made more than $490,000 on my first try and all the money cam=
=3D
=3D3D
e
within 22 weeks''.
Susan De Suza, New York, N.Y.


-------------------------------------------------------------------------=
=3D
=3D3D
-------

'' It really is a great opportunity to make relatively easy money with li=
=3D
=3D3D
ttle
cost to you. I followed the simple instructions carefully and within 10 d=
=3D
=3D3D
ays
the money started to come in. My first month I made $ 20,560.00 and by th=
=3D
=3D3D
e end
of third month my total cash count was $ 362,840.00. Life is beautiful, T=
=3D
=3D3D
hanx
to Internet''.=3D3D20
Fred Dellaca, Westport, New Zealand


-------------------------------------------------------------------------=
=3D
=3D3D
-------

ORDER YOUR REPORTS TODAY AND GET STARTED ON OUR ROAD TO FINANCIAL FREEDOM=
=3D
=3D3D
!

-------------------------------------------------------------------------=
=3D
=3D3D
-------

If you have any questions of the legality of this program, contact the Of=
=3D
=3D3D
fice
of
Associate Director for Marketing Practices, Federal Trade Commission, Bur=
=3D
=3D3D
eau of
Consumer Protection,
Washington, D.C.

-------------------------------------------------------------------------=
=3D
=3D3D
-------

TO BE REMOVED:

Please send an email with "remove" in the subject field to: ns92002@yahoo=
=3D
=3D3D
.com















__________________________________________________
Do You Yahoo!?
Make international calls for as low as $.04/minute with Yahoo! Messenger
http://phonecard.yahoo.com/

--                                 __--__--                                =
=3D20

Message: 29
From: "Nomay Inchas" <nomayinchas@hotmail.com>
To: nettime-bold@nettime.org
Date: Mon, 06 Aug 2001 18:21:08 -0400
Subject: [Nettime-bold] nn =3D3D3D=3D3D3D lev
Reply-To: nettime-bold@nettime.org

<html><div style=3D3D3D'background-color:'><DIV>Q: Why does Netochka Nezv=
an=3D
ov=3D3D
a write to Lev Manovich on nettime?</DIV>
<DIV>A:&nbsp; Easy!&nbsp; To disguise the fact that nn is the same as Lev=
=3D
=3D3D
 Manovich!</DIV>
<DIV>&nbsp;</DIV>
<DIV>yrs,</DIV>
<DIV>nomay</DIV></div><br clear=3D3D3Dall><hr>Get your FREE download of M=
SN=3D
 E=3D3D
xplorer at <a href=3D3D3D'http://go.msn.com/bql/hmtag_itl_EN.asp'>http://=
ex=3D
pl=3D3D
orer.msn.com</a><br></html>

--                                 __--__--                                =
=3D20

Message: 30
From: sebastian@rolux.org
Date: Tue, 07 Aug 2001 01:15:37 +0200
To: nettime-l@bbs.thing.net
Subject: [Nettime-bold] What is @XXX? [Re: Stop the G8: Online Demonstrat=
=3D
=3D3D
ion Scheduled]
Reply-To: nettime-bold@nettime.org

 > What is @XXX?
 > @XXX is called Internet Time and is a universal timezone. The time is =
=3D
=3D3D
the
 > same all around the world, simplifying planning and coordination. On o=
=3D
=3D3D
ur
 > website there is a program to help you convert to and from Internet Ti=
=3D
=3D3D
me.

if i'm not completely wrong here, @XXX is *swatch* internet time, introdu=
=3D
=3D3D
ced by
the swiss multinational in 1998, setting up a new global meridian in biel=
=3D
=3D3D
 (the
location of their headquarters), and attempting to unify and monopolize t=
=3D
=3D3D
he
variety of existing time zones.

there has been a long thread on nettime back then. as geert lovink put it=
=3D
=3D3D
: "the
ideology of 'global time' is the terror logic of the corporate world stat=
=3D
=3D3D
e. it
stands for the worst aspect of globalism: the 24-hour economy, in which w=
=3D
=3D3D
orkers'
rights have been abolished all together. an impoverished, 'flexible' free=
=3D
=3D3D
-lance
labour force can be employed day and night, thereby disrupting biological
rhythms and social time in general." or, to quote swatch's promotional pr=
=3D
=3D3D
ose:
"there is a revolution taking place eliminating time-zones and geographic=
=3D
=3D3D
al
borders" -- which i'd say is corporate propaganda as cynical as it can ge=
=3D
=3D3D
t.

want to read more? "biel meantime (bmt) is the universal reference for in=
=3D
=3D3D
ternet
time. a day in internet time begins at midnight bmt (@000 swatch .beats)
(central european wintertime). the meridian is marked for all to see on t=
=3D
=3D3D
he
fa=3D3DE7ade of the swatch international headquarters on jakob-staempfli =
st=3D
re=3D3D
et, biel,
switzerland. so, it is the same time all over the world, be it night or d=
=3D
=3D3D
ay, the
era of time zones has disappeared. the bmt meridian was inaugurated on 23
october 1998 in the presence of nicholas negroponte, founder and director=
=3D
=3D3D
 of the
massachusetts institute of technology's media laboratory."

i think @791-916 is not a good time for an online demonstration against t=
=3D
=3D3D
he g8.


--                                 __--__--                                =
=3D20

Message: 31
Date: Tue, 07 Aug 2001 09:22:03 +1000
To: nettime-l@bbs.thing.net
From: "][M.ollient][" <netwurker@hotkey.net.au>
Subject: [Nettime-bold] BeeHive Microtitles Series 1 [for announcer]
Reply-To: nettime-bold@nettime.org


BeeHive Hypertext/Hypermedia Literary Journal
introduces Microtitles Series 1.

Take a little BeeHive wherever you go!


Three new Microtitles are now available for download.
http://microtitles.com


BeeHive Microtitles Series 1 is a collection of short titles in Adobe PDF=
=3D
=3D3D
,
formatted for your PDA. These titles can be read on the Palm Pilot
using the new Adobe Acrobat Reader for the Palm OS.
Special attention has been paid to typographical issues of the Palm Pilot=
=3D
=3D3D
,
and in an effort to reduce memory use on your PDA images have been scaled
and compressed with the PDA in mind. None of the first three titles excee=
=3D
=3D3D
ds
200k.

Though formatted formatted for maximum readability on the Palm Pilot, the=
=3D
=3D3D
se
titles can be read on your desktop using either Adobe Acrobat Reader 5.0 =
=3D
=3D3D
or
the Adobe ebook Reader.

__________

Titles available today

_What the Hell is That?_
Thomas Zummer's rigorous and entertaining essay on cinematic creature
mutations. Case studies include such film classics as "Swarm" and "Them".
The work includes an extensive
bibliography and taxonomic-cinematic index.

**

_Issue's in Phenomenology_
Ryan Whyte's collection of poetical observations consists of 10 Palm Pilo=
=3D
=3D3D
t
screens -- 10 vignettes that variously take up language, music, suicide,
graduate school, "prozac and
Adorno!"

**

_Vehicular Datatraffic_
A collection of four new signature works from Mez. Texts include
N.][di][visible Rawswarming(c).* and Sig.N.ature ][licking the signature
static].
__________

In the coming months BeeHive will release five more Series 1 Microtitles.
September will mark the release of two works including _Toward Electracy_=
=3D
=3D3D
, a
conversation between theorist Gregory Ulmer and Talan Memmott, and _Reali=
=3D
=3D3D
ty
Dreams_ by Joel Weishaus. Three more Microtitles will be released later
in the year.

In the future BeeHive Microtitles will be offering work in a variety of
downloadable formats, as well as BOD (Burn On Demand) Hypermedia on CD.
__________

Download a Microtitle today!

It's FREE!

http://microtitles.com

__________

Send questions and comments to beehive@percepticon.com

BeeHive Hypertext Hypermedia Literary Journal
http://beehive.temporalimage.com
__________
BeeHive Microtitles is a product of the Percepticon Corporation
__________
PERCEPTICON CORP.
PO Box 590820
San Francisco CA
94159 USA
t. 415.749.2900
f. 415.749.2901
http://www.percepticon.com
__________



=3D3D20
.           .    ....         .....
  	net.wurker][M.ollient][
 pro.ject.ile x.blooms.x .go.here.=3D3D20
	      xXXx            =3D3D20
              ./.              =3D3D20
    www.hotkey.net.au/~netwurker
.... .               .???  .......


--                                 __--__--                                =
=3D20

Message: 32
From: integer@www.god-emil.dk
Date: Tue, 7 Aug 2001 03:02:38 +0200 (CEST)
To: lev@shoko.calarts.edu
Subject: [Nettime-bold] [ot] [!nt] \n2+0\   n  r  .   5    !!!!!
Reply-To: nettime-bold@nettime.org




>+ Now je sper you shall indulge the desire for corresponding with 01 par=
=3D
=3D3D
ticular one
>entitled Fyodor Mikhailovi=3D3DE7 Dostoyevski
>
>
>
>
>
>
>                  sch
>
>                                 sch
>
>
>                          sch
>
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>                                               http://membank.org/datase=
=3D
=3D3D
t/n/222222222.mp3
>





My Dear Netochka,

I am so glad that you have expended the energy to write to me.
It is one of the saddest aspects of our existence that, as soon as one
is translated, it is generally assumed that the translated hasn't further=
=3D
=3D3D
 interest=3D3D20
in what she or he has spent a great part of life investigating - life.=3D=
3D=3D
20

>From that you have told of the industry of scholars in your day, busy se=
e=3D
=3D3D
king=3D3D20
out every nuance of my (your) life and thoughts, I conclude that there is=
=3D
=3D3D
 indeed life
after death. Being human, I am pleased with the accolades that have arriv=
=3D
=3D3D
ed my way over the years, although
I am disturbed to hear that my ways (or more accurately your ways) aren't=
=3D
=3D3D
 accepted in some quarters.
We had indeed the same problem in my day, but we could at least hide behi=
=3D
=3D3D
nd the excuse=3D3D20
that we were hampered down by the `underground`.

I am looking forward to receiving more of your letters,
which you promise will provide detailed evidence that I (you) are alive a=
=3D
=3D3D
nd well.=3D3D20
Please don't skimp on the details, for I sense from your letter that your=
=3D
=3D3D
 view of me (you) is close to my own;
life isn't anything but details. Dare I say it: the Devil is in the detai=
=3D
=3D3D
ls. Or is the Germans?

Dress sensibly Netochka,


Ever your most truly

                          Fyodor Mikhailovi=3D3DE7 Dostoyevski
















nn. - new york. milan. paris. londra. tokyo=3D3D20

      01 ov dze mozt prestigious luxury brands [ops. bodies]









    /_/
                          /
             \            \/       i should like to be a human plant
            \/       __
                    __/
                                   i will shed leaves in the shade
        \_\                        because i like stepping on bugs



*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--
Netochka Nezvanova                   nezvanova@eusocial.com
                                    http://www.eusocial.com
                                  http://www.biohakc.com
                                http://www.ggttctttat.com/!
   n  r  .   5        !!!      http://steim.nl/leaves/petalz
*--*--*--*--*--*--*--*--*--*--*--*--*-- --*--*--*--*--*--*--
=3D3D20




--                                 __--__--                                =
=3D20

Message: 33
Date: Mon, 6 Aug 2001 20:51:45 -0400
From: "market@shanghai-industry.com"<market@shanghai-industry.com>
To: vivien yu<nettime-l@bbs.thing.net>
Subject: [Nettime-bold] "Shanghai WTO Import Commodities Exhibition Hall =
=3D
=3D3D
(Preparing)"  Cooperator-Seeking Inquiry
Reply-To: nettime-bold@nettime.org

----jinfengemailhtml----
Content-Type: text/html; charset=3D3D3Dgb2312
Content-Transfer-Encoding: 8bit

Dear Sir or Madam:<p>

First I would like to show the highest respect for your good company.  Th=
=3D
=3D3D
is is a message from Shanghai Small and Medium Enterprises Service Center=
=3D
=3D3D
.  We are hereby making inquiry about a new exhibition project and we hop=
=3D
=3D3D
e you are interested in it.<p>

Chinese people have been waiting fourteen years for China's Joining into =
=3D
=3D3D
World Trade Organization (WTO).  For the year 2001 when the world economy=
=3D
=3D3D
 is faced with the most severe challenges ever since the Asian Financial =
=3D
=3D3D
Crisis during 1997 and 1998, China turns out to be the most promising lan=
=3D
=3D3D
d for entrepreneurs all over the world.  With the coming OLYMPIC Games 20=
=3D
=3D3D
08, the approaching entry into WTO, and the fully unfolded exploration of=
=3D
=3D3D
 Western China, people in the world market are now looking at the perform=
=3D
=3D3D
ance of China with new eyes.  Assuming an outward looking posture, China'=
=3D
=3D3D
s great potential is highly evaluated by thousands of small and medium fo=
=3D
=3D3D
reign companies.<p>

To further the transnational cooperation between Chinese enterprises and =
=3D
=3D3D
their overseas counterparts, Shanghai SME Service Center is planning to l=
=3D
=3D3D
aunch "Foreign Advanced Technology and Products Exhibition Hall".  The es=
=3D
=3D3D
tablishment of the Hall will provide a complete set of intermediary servi=
=3D
=3D3D
ces to assist overseas companies in getting into Chinese market, incorpor=
=3D
=3D3D
ating exhibition advertisement, promotion, agency and distribution.<p>

We are currently seeking foreign exhibition agents to make perfect cooper=
=3D
=3D3D
ative network.  We would like to make strategic alliance with you to prov=
=3D
=3D3D
ide quality service to small and medium enterprises all over the world an=
=3D
=3D3D
d to share the benefits together.  We hope you would be interested in wor=
=3D
=3D3D
king as our agent in your country.<p>


We will appreciate your interests in the Exhibition Hall.  Under the co-e=
=3D
=3D3D
ffect with you, the Exhibition Hall will exert great influence in the com=
=3D
=3D3D
modity exchange between your country and ours.  Those small and medium en=
=3D
=3D3D
terprises that attend the exhibition will gain tremendous benefits from f=
=3D
=3D3D
inding proper counterparts in Chinese markets.<p>

Please refer to the detailed illustration stated hereafter or refer to th=
=3D
=3D3D
e article "Concerning the Exhibition Hall" on our web page www.515j.com. =
=3D
=3D3D
 We hope this article could make the whole thing more clear.  We apprecia=
=3D
=3D3D
te any ideas you will propose. All points are open for discussion  We hop=
=3D
=3D3D
e to make solid partnership with you in organizing the Exhibition Hall.  =
=3D
=3D3D
If there are something wrong with the server that host our website, pleas=
=3D
=3D3D
e take the trouble to try later because recently some hacks have attacked=
=3D
=3D3D
 our server supplier.  Thank you!<p>

You may supply us with more contact information for our further communica=
=3D
=3D3D
tion:<p>
Contact:<p>
Title:<p>
Company:<p>
Address:<p>
Tel:<p>
Fax:<p>
Post Code:<p>
E-mail:<p>
URL:<p>

Await your earliest reply!<p>

Best regards,<p>

Ms. Vivien Yu<p>

Shanghai SME Service Center<p>



Tel:		86-21-65985378<p>  =3D3D20
Fax:		86-21-35014214<p>
E-mail:	<a href=3D3D3Dmailto:exhibition@shanghai-industry.com>exhibition@=
sh=3D
an=3D3D
ghai-industry</a><p>=3D3D20
URL:	<a href=3D3D3Dhttp//www.515j.com>www.515j.com</a><p>
Address:	Shanghai SME Mansion Rm 515, No. 108, Damuqiao Rd., Shanghai 200=
=3D
=3D3D
032 China


Concerning the Exhibition Hall<p>

Mission<p>
Our permanent exhibition hall is aimed to introduce advanced foreign tech=
=3D
=3D3D
nology and products into China through exhibiting as well as finding loca=
=3D
=3D3D
l agencies and distributors for the exhibits from foreign companies.  Wit=
=3D
=3D3D
h computerized searching system, swift internet communication and well-de=
=3D
=3D3D
signed virtual exhibition, the ever- modernized exhibition hall will grad=
=3D
=3D3D
ually growing into the most popular resource of foreign commodities, attr=
=3D
=3D3D
acting domestic enterprises, agents, distributors and final consumers.<p>

For the year 2001, the world economy is faced with the most severe challe=
=3D
=3D3D
nges ever since the Asian Financial Crisis during 1997 and 1998.  However=
=3D
=3D3D
, China turns out to be the most promising land for entrepreneurs all ove=
=3D
=3D3D
r the world.  With the coming OLYMPIC Games 2008, the approaching entry i=
=3D
=3D3D
nto WTO, and the fully unfolded exploration of Western China, people in t=
=3D
=3D3D
he world market are now looking at the performance of China with new eyes=
=3D
=3D3D
.  Assuming an outward looking posture, China's great potential is highly=
=3D
=3D3D
 evaluated by thousands of small and medium foreign companies.<p>

With the purpose to provide information & intermediary service to domesti=
=3D
=3D3D
c small and medium enterprises and their overseas counterparts, Shanghai =
=3D
=3D3D
Small and Medium Enterprises (Trade Development) Service Center has succe=
=3D
=3D3D
ssfully carried out "Shanghai-industry-Oriental Dragon International Busi=
=3D
=3D3D
ness Development Project".   To further the transnational cooperation in =
=3D
=3D3D
a more direct and effective way, the Center is planning to launch "Foreig=
=3D
=3D3D
n Advanced Technology and Products Exhibition Hall".  The establishment o=
=3D
=3D3D
f the Hall will provide complete intermediary services to assist overseas=
=3D
=3D3D
 companies, incorporating exhibition advertisement, promotion, agency and=
=3D
=3D3D
 distribution.<p>

Introduction<p>

=3D3DA1=3D3DF1 The exhibition hall will be the first permanent one openin=
g to=3D
 sma=3D3D
ll and medium enterprises, exhibiting foreign advanced technology and pro=
=3D
=3D3D
ducts throughout the year, employing professional management.
It occupies 450 square meters.  The years long exhibition plays just one =
=3D
=3D3D
theme------foreign advanced technology and products.  The exhibition is o=
=3D
=3D3D
pen to the public all the year round free of charge.  A seeries of activi=
=3D
=3D3D
ties will be organized to establish the rapport.  =3D3D20
The Hall exhibits products in two ways complementary to each other: objec=
=3D
=3D3D
ts exhibition and virtual exhibition.
Exhibits Zone: The Arrangement Committee planned large space as specially=
=3D
=3D3D
 decorated exhibition zone.  Interested foreign companies may select and =
=3D
=3D3D
design their own exhibit area to maximize the influence of their company =
=3D
=3D3D
and products.
Computerized Searching System: In the center of the exhibition hall, 40 c=
=3D
=3D3D
omputers will be installed.  With well-built searching system, visitors c=
=3D
=3D3D
an instantly search the product information and company profile of the ex=
=3D
=3D3D
hibits they want to know.=3D3D20
Corresponding Virtual Exhibition: Establish the web page www.515j.com to =
=3D
=3D3D
maintain online exhibition, showing refined pictures of the products and =
=3D
=3D3D
companies with descriptions online, and publicize the up-to-date informat=
=3D
=3D3D
ion about products wanted and offered.  User friendly online searching sy=
=3D
=3D3D
stem will be applied.<p> =3D3D20
=3D3D20
l We will invite official and non-official affluent persons to cut the ri=
=3D
=3D3D
bbon at the opening ceremony and take part in the series of activities.<p=
=3D
=3D3D
>
-	Leaders from the state government and senior official from relative min=
=3D
=3D3D
istries and commissions<p>
- Leaders from All-China Federation of Industry & Commerce and Shanghai M=
=3D
=3D3D
unicipal Government.<p>

=3D3DA1=3D3DF1 As one of the important steps in the progress of "Shanghai=
 Sma=3D
ll a=3D3D
nd Medium Enterprises Information Project", the Hall and the exhibits ins=
=3D
=3D3D
ide will be greatly publicized by Shanghai official media via TV and radi=
=3D
=3D3D
o broadcasting, newspaper and internet, simultaneously reported with the =
=3D
=3D3D
ceremonious activities of China's entry into WTO.  Meanwhile, a variety o=
=3D
=3D3D
f WTO related seminars and news conferences concerning Shanghai SMEs will=
=3D
=3D3D
 be hold inside the Hall.
Reports will be followed up and delivered though mass media conveying the=
=3D
=3D3D
 active functions of the Hall.<p>

=3D3DA1=3D3DF1 Overseas enterprises of all industries possessing advanced=
 tec=3D
hnol=3D3D
ogy and products ( including machinery, equipment and instrument) are to =
=3D
=3D3D
be invited to exhibit in the Hall.<p>=3D3D20

We will issue and deliver opening notices to all the domestic intermediar=
=3D
=3D3D
y institutions and SMEs via chambers of commerce, SME service institution=
=3D
=3D3D
s, and industrial associations.  We will organize certain numbers of Shan=
=3D
=3D3D
ghai companies to visit the Exhibition Hall regularly, together with a va=
=3D
=3D3D
riety of programs.  Online exhibition festivals will also be held to cope=
=3D
=3D3D
 the programs.<p>

Delegations of SMEs from other provinces outside Shanghai will also be in=
=3D
=3D3D
vited to participate in our exhibition festivals.<p>

=3D3DA1=3D3DF1 The arrangement committee will entrust a foreign exhibitio=
n co=3D
mpan=3D3D
y to organize foreign companies to participate the exhibition once and fo=
=3D
=3D3D
r all.<p>

The Hall will also have monthly publication Exhibition Express, publicizi=
=3D
=3D3D
ng the company and product literature of the participating companies.<p>

Exhibits
Exhibiting and promoting the advanced technology and products foreign com=
=3D
=3D3D
panies want to introduce into China in various ways without the limitatio=
=3D
=3D3D
n of regions or industries.<p>
=3D3DA1=3D3DF1 Advanced technology from all industries
Objective:	introduce advanced technology into China through technology tr=
=3D
=3D3D
ansfer, share holding, joint ventures, and other ways.<p>
=3D3DA1=3D3DF1 Advanced products from all industries
Objective:	introduce advanced products into China through proper agents a=
=3D
=3D3D
nd distributors, product licensing, share holding, joint ventures and oth=
=3D
=3D3D
er ways.<p>

Arrangements<p>
The Hall has mainly four functional areas:	General Information Query abou=
=3D
=3D3D
t exhibiting companies, Computerized Searching System for detailed compan=
=3D
=3D3D
y and products information, Classified Exhibition Areas for product sampl=
=3D
=3D3D
es, Picture and Literature Display for visual advertisement. <p>

1. General Information Query<p>
As guide to the Hall, staff, literature and computer queries are availabl=
=3D
=3D3D
e to deliver information about how to find certain exhibits, how to use c=
=3D
=3D3D
omputerized searching system.  The list of the exhibiting companies and p=
=3D
=3D3D
roduct catalogue can also be helpful to make a fruitful visit.<p>

2. Computerized Searching System<p>
The searching system will provide detailed bilingual information (in Chin=
=3D
=3D3D
ese and English;	in Picture and Literature) about the exhibiting companie=
=3D
=3D3D
s and their products.  All the information could be downloaded & reprint.=
=3D
=3D3D
 <p>
1) Searches could be operated both by industry and country Searching<p>
2) Searches could be operated both by technology and product<p>
3) Key words could also be used.<p>

3. Classified Exhibition Areas<p>
After professional design, the product samples and detailed illustration =
=3D
=3D3D
will be exhibited in the designated area.  Meanwhile the information can =
=3D
=3D3D
also be sought out quickly through computer searching system and download=
=3D
=3D3D
ed.<p>

4. Picture and Literature Display<p>
Exquisite billboard (bilingual literatures and pictures) about the partic=
=3D
=3D3D
ipating companies will be positioned on the wall around the exhibition ha=
=3D
=3D3D
ll for the attention of visitors. <p>

Exhibition Booths<p>
1. Booth A<p>
1) All the materials from the exhibiting company will be interpreted into=
=3D
=3D3D
 Chinese, the bilingual pictures and literatures of the exhibiting compan=
=3D
=3D3D
ies and their products will be kept in the computer database awaiting sea=
=3D
=3D3D
rch.<p>
2) The above processed material will also be publicized on the virtual ex=
=3D
=3D3D
hibition site <a href=3D3D3Dhttp://www.515j.com>www.515j.com</a> during t=
he=3D
 s=3D3D
ame period of the services.<p>
3) The brief account of the exhibiting <p>companies and the products will=
=3D
=3D3D
 be published on the monthly publication Exhibition Express.<p>
4) The contact information of the exhibition companies will be completely=
=3D
=3D3D
 released.<p>
2. Booth B<p>
1) All the services of Booth A included.<p>
2) 2-square-meter areas for billboard on the wall inside the hall.<p>
3) The pictures and literatures will be prepared and exhibited according =
=3D
=3D3D
to the design stated in the executed agreement.<p>
3. Booth C<p>
1) All the services of Booth B included.<p>
2) The Hall will accept and see to sample products provided by exhibiting=
=3D
=3D3D
 companies throughout the service term specified by the executed agreemen=
=3D
=3D3D
t.<p>
3) Exhibition area ranging from a half to two square meters for sample pr=
=3D
=3D3D
oducts.<p>
4) The sample products, together with the pictures and literatures will b=
=3D
=3D3D
e prepared and exhibited according to the design stated in the executed a=
=3D
=3D3D
greement.<p>

Charge<p>
1. Booth A<p>
Price:	$2200USD (Interpretation of company and product information limite=
=3D
=3D3D
d to 25,000 words, extra literature $20USD/1000 words)
2. Booth B<p>
Price:	$2800USD (Interpretation of company and product information limite=
=3D
=3D3D
d to 25,000 words, extra literature $20USD/1000 words)<p>
3. Booth C<p>
Price:	$3600USD (Interpretation of company and product information limite=
=3D
=3D3D
d to 25,000 words, extra literature $20USD/1000 words, 	Basic exhibition =
=3D
=3D3D
space of 0.5 m2)

Other Value Added Services<p>
1. Advertisement<p>=3D3D20
Exhibiting companies may reach agreement with the appointed exhibition ag=
=3D
=3D3D
ents in their countries.   The executed agreement will be effected by the=
=3D
=3D3D
 Exhibition Hall Advertising Department.<p>
1) Inside the exhibition hall<p>
2) Web page banner or logo on <a href=3D3D3Dhttp://www.515j.com>www.515j.=
co=3D
m<=3D3D
/a><p>
3) Monthly publication Exhibition Express<p>
4) Affiliated to the Advertisement of the Hall<p>
5) The exhibition advertisement<p>
Front Cover: $2200USD<p>
Back Cover: $1500USD<p>
Inside Front Cover: $1500USD<p>
Inside Back Cover: $1000USD<p>
Title Page: $1000USD<p>
Complete Color Page: $500USD<p>
Half Color Page: $300USD <p> =3D3D20
Complete Black and White Page: $300USD<p>
Half Black and White Page: $200USD<p>
Advertisement on Invitation Letter: <p>$3000USD/thousand<p>

6) Other Advertisement<p>
On Tickets (50,000 Copies): $380USD (size: 60*30 cm)<p>
On Present Packages (1,000): $500USD<p>
Balloon (with vertical-hung scroll): $380USD/individual<p>
Decorated gateway: $680USD/individual
Gaily Decorated Basket: $80USD/individual
Ceremonial Lady: $20USD/person/day<p>

2. Online Communication Service $100USD =3D3D20
Upon the visitors' interests, our English-speaking staff will make on-the=
=3D
=3D3D
-spot contacts with the provided contact information.  The overseas entre=
=3D
=3D3D
preneurs will directly make acquaintance with their Chinese counterparts.=
=3D
=3D3D
<p>

3. Organize Special Product Introduction Conference=3D3DA3=3D3DBAto Be Ne=
goti=3D
ated
The Hall can specially arrange news conference & seminar for foreign manu=
=3D
=3D3D
facturers to display their advanced technology and products, with the con=
=3D
=3D3D
cerned industrial association as the organizer.  Technical experts from r=
=3D
=3D3D
esearch institutes of colleges and universities, domestic agents, distrib=
=3D
=3D3D
utors, Chinese corporations or companies of related industries, finial us=
=3D
=3D3D
ers could all be present at the conference. <p>

4. Deliver catalogues or descriptive materials to Chinese companies and c=
=3D
=3D3D
ollect the feedback in the form of report with statistical analysis=3D3DA=
3=3D3D=3D
BA=3D3D
to Be Negotiated<p>

5. Assign special interpreters and technical personnel to effect the expl=
=3D
=3D3D
anation and promotion of the products=3D3DA3=3D3DBA$1000USD<p>
=3D3D20
6. Airline ticket booking and hotel reservation=3D3DA3=3D3DBA$100USD<p>

8. Make unified lintel and exhibit walls=3D3DA3=3D3DBAFree<p>

9. Provide technological consultation and commercial intelligence=3D3DA3=3D=
3D=3D
BAFr=3D3D
ee<p>

Attend the Exhibition<p>

The execution of exhibition contracts with attendees will be effected by =
=3D
=3D3D
authorized foreign exhibition agents.  Special demands from clients may r=
=3D
=3D3D
each us via the appointed agents.  The attendees may follow the procedure=
=3D
=3D3D
 below:<p>

=3D3DA1=3D3DF1 Preliminary Consultation<p>
=3D3DA1=3D3DF1 Exhibition Plan<p>
=3D3DA1=3D3DF1 Contract Execution<p>
=3D3DA1=3D3DF1 Transportation of sample items for display<p>
=3D3DA1=3D3DF1 Special Request on Exhibition<p>
=3D3DA1=3D3DF1 Follow-up Report on the Exhibition<p>

Seek Foreign Exhibition Agents Worldwide<p>
=3D3DA1=3D3DF1 Why to have foreign exhibition agents?v

To take advantage of the abundant client resource and advanced exhibition=
=3D
=3D3D
 management of foreign exhibition companies.<p>
To work out the best solution for small and medium enterprises in reachin=
=3D
=3D3D
g transnational cooperation.<p>

=3D3DA1=3D3DF1 How to make perfect cooperative network?<p>

We will work with foreign exhibition companies together in marketing the =
=3D
=3D3D
exhibition booths and services according to the signed agreement.<p> =3D3=
D2=3D
0
We will select excellent exhibition companies or institutions in defined =
=3D
=3D3D
regions or countries as our solely agents there.
Please note we will only select one agent among all the candidates in a d=
=3D
=3D3D
efined region or country.<p>

For Our Foreign Agents:<p>

=3D3DA1=3D3DF1 Qualification:<p>
Project to penetrate into Chinese exhibition market.<p>
Hold high expectation for the performance of small and medium enterprises.
Be well renowned in the capacity for successfully organizing exhibition.<=
=3D
=3D3D
p>

=3D3DA1=3D3DF1 Rights:<p>
2-year solely dealership in the defined country/region<p>

=3D3DA1=3D3DF1 Responsibilities:<p>
Promote the Exhibition Hall=3D3D20
Organize companies to attend the exhibition
Execute exhibition contract
Interpret all the details to attendees or interested counterparts as our =
=3D
=3D3D
consultant there <p>

=3D3DA1=3D3DF1 Profits:<p>
Share 40% and above of the contract value<p>

=3D3DA1=3D3DF1 Agency Fees<p>
We will charge 10000 to 50000 dollars as agency fees varied with the area=
=3D
=3D3D
 covered. <p>

Duration of the Exhibition
The Hall is planned to open from the day that China enters WTO (approxima=
=3D
=3D3D
tely Nov. 2001). <p>
The duration of the Hall plans to be 5 years.<p>
365 days open to the public (except national holidays)<p>

Location of the Exhibition Hall <p>
The luxuriously decorated Shanghai WTO SME Import Commodities Exhibition =
=3D
=3D3D
Hall takes the first floor of Shanghai SME Service Mansion (No. 108, Damu=
=3D
=3D3D
qiao Rd., Shanghai, 200032, P. R. C.)<p>

Please contact us to make further inquiry
      Address: the Exhibition Hall, the first Floor of Shanghai SME Mansi=
=3D
=3D3D
on, Rm. 515, No. 108, Damuqiao Rd., Shanghai, 200032, P. R. C.<p>
      Post Code: 200032<p>
      Tel: 021-64036622-5151=3D3DA1=3D3DA25152=3D3DA1=3D3DA22082
          021-64330821<p>
      Fax: 021-64220926<p>
      E-mail: <a href=3D3D3Dmailto:exhibition@shanghai-industry.com>exhib=
it=3D
io=3D3D
n@shanghai-industry</a><p>

Our Registered Office<p>
The Exhibition Hall, the first Floor of Shanghai Small Enterprise Mansion=
=3D
=3D3D
, Rm. 515, No. 108, Damuqiao Rd., 200032, Shanghai, P. R. C.<p>

Agent Information Form<p>
Contact:<p>
Title:<p>
Company:<p>
Address:<p>
Tel:<p>
Fax:<p>
Post Code:<p>
E-mail:<p>
URL:<p>

Procedure:<p>
1. Fill out the application form immediately and we accept it now.  We wi=
=3D
=3D3D
ll keep you informed with your Chinese exhibition market.<p>
2. The selected candidate will have our unified contract (draft) and pric=
=3D
=3D3D
e list.<p>
3. Through friendly negotiation, the agency agreement will be executed an=
=3D
=3D3D
d mailed through registered letter or fax to us.<p>
4. You will remit the agency fees specified in the contract to our accoun=
=3D
=3D3D
t number. <p>Invoice will be mailed back as soon as the remittance has be=
=3D
=3D3D
en received.<p>
5. Upon the remittance, we will immediately deliver the Exhibition Hall c=
=3D
=3D3D
atalogue, CD-Rom, Attendance Guide, Unified Attendee Registration Form, S=
=3D
=3D3D
ample Exhibition Plan and Unified Exhibition Contract. <p>
6. The allocation of exhibition booths: according to the time of payment =
=3D
=3D3D
with the priority for assistants.<p>
7. Agency fees will not be refunded unless the violation of the contract =
=3D
=3D3D
in our part.<p>
8. Remittance.<p>
 =3D3D20


--                                 __--__--                                =
=3D20

Message: 34
From: plgzone1@hotmail.kg
To: <Undisclosed.Recipients@bbs.thing.net>
Date: Mon, 06 Aug 2001 22:56:28 -0400
charset=3D3D3D"iso-8859-1"
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=3D3D=3D3D=3D3D_ _=3D3D 8222045(1412)997159137--


--                                __--__-- =20

Message: 2
From: jamesjones@terra.com.mx
To: nettime-l@bbs.thing.net
Date: Wed, 20 Jun 2001 11:50:32
Subject: [Nettime-bold] Urgent Investor Info
Reply-To: nettime-bold@nettime.org


Diversified Product Inspections, Inc. (OTCBB:DPRI)

MAJOR CONTRACT ANNOUNCEMENTS AND HUGE NEWSLETTER COVERAGE THIS WEEK FOR D=
=3D
PRI!!!

This Wednesday DPRI will be profiled by some major newsletters along with=
=3D
 the release of significant news regarding explosive sales for the Compan=
=3D
y.  There will be huge volume and a strong increase in price for several =
=3D
days.  The same newsletters that profiled MADGF last week will begin cove=
=3D
rage on DPRI.  They brought MADGF from $ .24 to $1.45 in 4 days!!  We kno=
=3D
w for certain that the same groups are going to profile DPRI starting on =
=3D
Wednesday.

We are very proud that we can share this information with you so that you=
=3D
 can make a profit out of it.  It is highly advisable to take a position =
=3D
in DPRI as soon as possible, today before the market closes, or tomorrow.

Revenues for DPRI, a 10-year old, fully-reporting company, have skyrocket=
=3D
ed 600% higher this year to over $8 Million on substantial US Government =
=3D
and Insurance Industry contracts.  DPRI's client list includes over 50 ma=
=3D
jor insurance companies including Allstate, Fireman's Fund, Travelers, Li=
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=3D
ately.  We believe the stock could easily reach $2 in less than a month.

Good luck and watch DPRI fly this week!!


--                                __--__-- =20

Message: 3
Date: Tue, 7 Aug 2001 00:24:52 -0700 (added by postmaster@mypad.MYPAD.COM=
=3D
)
From: Friendly Email Support <postinifilter@mypad.com>
To: activist@londonoffice.com
Subject: [Nettime-bold] Friendly Email Detected Potential Junk Mail
Reply-To: nettime-bold@nettime.org

Dear activist@londonoffice.com,

Friendly Email's junk mail protection service has detected 2
suspicious email messages since your last visit and directed them
to your Friendly Email Message Center.

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om

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--                                __--__-- =20

Message: 4
Date: Tue, 7 Aug 2001 18:08:15 +1000
From: scotartt <scot@systemx.autonomous.org>
To: sebastian@rolux.org
Cc: nettime-l@bbs.thing.net
Subject: [Nettime-bold] Re: <nettime> What is @XXX? [Re: Stop the G8: Onl=
=3D
ine Demonstration Scheduled]
Reply-To: nettime-bold@nettime.org


On Tue, Aug 07, 2001 at 01:15:37AM +0200, sebastian@rolux.org wrote:

> want to read more? "biel meantime (bmt) is the universal reference for
> internet time. a day in internet time begins at midnight bmt (@000 swat=
=3D
ch
> .beats) (central european wintertime). the meridian is marked for all t=
=3D
o
> see on the fa=3DE7ade of the swatch international headquarters on
> jakob-staempfli street, biel, switzerland. so, it is the same time all
> over the world, be it night or day, the era of time zones has disappear=
=3D
ed.
> the bmt meridian was inaugurated on 23 october 1998 in the presence of
> nicholas negroponte, founder and director of the massachusetts institut=
=3D
e
> of technology's media laboratory."

what i like especially about 'swatch time' is that it seems to appeal to
idiots who haven't heard of GMT. so, we swap the greenwich meridian for
one in switzerland, and invent some hopeless metricized time to go with
it. naturally 360 is a good number for time; it dives by 2, 3, 6, 9, 12
etc. 365 days in a year, 360 degrees in a circle, 24 hours, an accidental
but nonetheless excellent match. who needs base 10 for everything? anothe=
=3D
r
micro-fascism to add to the pile.

of course, the world time standard (now called Universal Coordinated Time=
=3D
,
there are several variants based on solar and sidereal measurements, but
for human purposes it's all essentiall stil GMT) is based on a meridian
drawn in Greenwich simply because it was the Royal Navy that finally
solved the 'problem of longtitude' -- by having a clock that accurately
kept the time as it was at the Greenwich Observatory.

if you want a constant time worldwide for some reason, what's the problem
with UCT?

But the internet is without history, we can reinvent and reinvent over an=
=3D
d
over and it's still ALL NEW. This is it's truly revolutionary invention,
the final ahistoricism, a return to cyclical time. Time to abolish time a=
=3D
s
if it never existed?

regs
scot.

--=3D20
                                                  F
   [[ From: scot@autonomous.org ]]                |
+--[[ NERVE AGENT AUDIO SYSTEMS ]]--+--(CH3)2CH-O-P=3D3DO--+
   [[ http://mp3.com/nerveagent ]]                |
                                                  CH3


--                                __--__-- =20

Message: 5
Date: Tue, 07 Aug 2001 10:13:51 +0200
From: florian schneider <fls@kein.org>
To: "nettime-l@bbs.thing.net" <nettime-l@bbs.thing.net>
Subject: [Nettime-bold] Casarini's Interview with Il Manifesto
Reply-To: nettime-bold@nettime.org

     --- from list aut-op-sy@lists.village.virginia.edu ---

Von: Thomas Seay <entheogens@yahoo.com>

Below is my translation of Casarini's (spokesperson
for Italian Tute bianche White Overalls) interview
with the Italian Independent Left Newspaper "Il
Manifesto"

    No More White Overalls Anymore

Interview with Luca Casarini, one of the spokespeople
of the "disobedient".

"When you see an armoured police vehicle coming your
way, you run or react in the same way you react when
you see a gun pointed at you.  We, in Genova, in Via
Tolemaide, built a barricade to safeguard our
well-being. For three hours we reacted against police
attacks. We along with lots of others.  Carlo died
while defending himself against attacks by the
paramilitary carabinieri..  At the same time, he was
there along with thousands of men and women to affirm
that "another world is possible".  Luca Casarini,
spokesperson for the group of social centers
[centri-sociali] in the northeast of Italy,
charismatic member of the Tute bianche, one of the
driving forces of the Genoa Social Forum, does not
have tempered words about the days in Genoa. " There
is a huge difference between=3D20
those who construct a barricade to defend themselves
and those who decide to  militarily supress a large
scale movement, such as the one against economic
globalization.  The former affirms the right to change
a reality that produces misery and exploitation.  the
latter defends the G8 which is an illegitimate
organization that wants to decide the destiny of the
world ignoring the desires and hopes of those who
inhabit it."

In Genoa we have seen the end of political mediation
between movements and institutions. I am thinking of
the month in which the Genoa Social Forum (GSF)=3D20
carried out direct negotiations with the government,
during which time the oppositional, center-left
members of parliament said nothing of significance.
Or the implosion of a party like the DS...

To speak of death is sad after what happened to Carlo.
Yes, in Genoa the institutional left died.  Try to
imagine the embarassment of the center-left which
helped prepare for the G8 summit and then finds itself
face to face with the images of brutal beatings and
Carlo laying dead on the asphalt.  They stammer and
are speechless.  And yet, preparation for the G8 was
their thing.  We have attempted to analyze the global
government.  We talked about Empire or better yet the
imperial logic of the global government.  This means
erosion of national sovereignty.  Not an end but
erosion and reshaping itself into a global, imperial
system. In Genoa we saw the warlike way in which this
manifested itself.  How to oppose this imperial system
is a burning question which we were ill-prepared to
answer.

Il Manifesto:  It seems to me that the Tute Bianche
are also finished.

Ended.  That's a bit too strong.  Exhausted perhaps,
the
conclusion of a phase, certainly.  The tute bianche
was
an experiment which attempted to make the idea of
conflict legitimate again.  Try to picture the Genoa
Social Forum.  There are Catholics and us, the Arci,
the Cobas, the Lilliput Network, Drop the Debt and
Fiom.  A powerful mixture.  We acted as the main
driving force without trying to gain hegemony.  As
tute bianche we have covered a lot of ground and
questioned ourselves as to what we were doing.
A positive experience but one which now seems
inadequate to deal with the imperial system that faces
us, where politics is the continuation of war and not
vice-versa, as Karl von Clausewitz has written.  Think
about the Balkans, Palestine, Africa.

Many people forecast that that this autumn we will
enter a delicate phase of social struggle. =3D20
Workers who have seen the Cisl and the Uil sign a
humiliating contract and the Fiom who has called for a
general strike.  Then schools that have become
businesses, hospitals that treat health like=3D20
merchandise...

It's these last factors that bring me to say that the
phase of civil disobedience has been exhausted.  Now
that needs to change into social disobedience. It
needs to be noted that all aspects of the Genoa Social
Forum are in a state of crisis. But this does not mean
paralysis so much as a recognition of the limits of
its analysis, perspective and political agenda.  That
social forums are created in every city is positive,
that they form alliances is fundamental.  Even if I
prefer to think not about alliances but a social
process in which the movement becomes a magnet that
exercises its influence on social forms and realities
through a distance.  Think about what happened in
Genova with attorneys and volunteer healthworkers.=3D20
Lawyers who were certainly democrats but certainly not
close to the Genoa Social Forum, who after having
discussed the matter, decided to wear shirts with "
Union of Democratic Lawyers" inscribed on them and to
come to the demonstration; these same lawyers argue
with genovese lawyers after the police beatings grew
into the hundreds and had them write a harsh document
about the workings of the government to the Department
on Criminal Matters.  Or look at the experience of the
nurses and doctors who looked after those who had been
beaten and then got beaten themselves by the police
forces.  Two positive examples of networks that
developed as a result of being drawn to the theme of
the
movement.

This doesn't mean that all is going so smoothly.  We
find ourselves faced with a  tough difficult reality
which must be understood and analyzed anew.  It's not
fascism but a change of state form which lends itself
to a profound transformation in the means of producing
wealth and subjectivity.  And that is on a global
level.  Think about what happened on the streets of
Genoa.  It seemed like a riot not a street
demonstration.  This needs to be understood, analyzed.
 I am not talking about the "Black Block" obviously
but about those that fought back.  The so-called
"Black Block" should not be incriminated though.  They
are people who believe that to attack capitalism it
suffices to break windows.  That's their "Smash
Capitalism".  We think otherwise.  We think in terms
of a process of social transformation
where "the network of several networks" becomes a=3D20
magnet which grows in strength and favors the birth of
other social networks.

Il Manifesto:  I think that it's right to posit that
after Genoa "nothing is the same as before".  But for
you, what has changed?

I ask that you revisit the days of Friday the 20th and
Saturday the 21st.  Or better the photo that the
weekly "Carta" and then you, "Il Manifesto" published.
It was done by Tano D'amico and shows how already in
Via Tolemaide, well before Carlo was killed, the
police [carabinieri] had pulled out their pistols from
the holsters against us.  This shows the militaristic
position of the government toward the=3D20
anti-G8 demonstration.  The police charged violently.
We fought back and I stand behind our response as a
political fact.  Nonetheless, for us to also take up
militaristic tactics would b crazy and political
suicide.  At Genoa there were all the forces of order,
the army, the Secret Services of the eight most
powerful - both economically and militarily-nations
on the planet.  Our movement cant measure up with that
type of military power.  We would be crushed within
three months.  Therefore we have to find a third way
between those who reject economic globalization and
those who opt for a symbolic gesture, like demolishing
a bank.

Il Manifesto:  There are those who argue that Via
Tolemanide was a trap into which you fell...

Was there naivite on our part?  Maybe.  But I see it
in another way. As Tute Bianche, we signed a pact with
the Genoa Social Forum and we respected it.  In the
preparatory meeting for the day of "disobedience
(Friday, 20th) we never hid our intention to violate
the Red Zone.  We were even clear about what
instruments we would use.  We didn't carry clubs or
attack weapons.  We didn't even wear white overalls, a
decison discussed at length among ourselves at Carlini
Stadium..  I think that it was right to do so because
when you immerse yourself in a networked reality such
as this movement, the important ingredient is not the
demands of one group as much as the "contamination"
between different groups who nonetheless share a
common goal.  If in Genoa we were naive,  then this is
how we were naive:  remaining faithful to the pact,
respecting those who thought differently from us but
who like us wanted to achieve an objective.  Was it a
trap?  Yes,
set there to ensnare the entire movement.

In the past, it has been written that the Tute bianche
were faking it.  That confronting the police was a
gag.
There were those who went to the point of saying that
we had some kind of agreement with the police forces.=3D20
It has never been so.  Two, three years ago we thought
at length about how to act in a conflict without it
becoming destructive.  Our technique was different: we
stated publicly what we wanted to do, letting it be
known that if the police attacked us, we would defend
ourselves only with shields and padding.  It was our
rule because it was essential that we create conflict
and consensus about the objectives that we set-up for
ourselves. In Genoa we expected that more or less the
same thing as usual would happen.  They  deceived us.=3D20
Try and remember the meetings of the Genoa Social
Forum with Scajola and Ruggiero:  none of the
guidelines agreed upon were respected by them.  The
police forces used firearms, even though they had
assured us that they would not be.  The right to
demonstrate which Ruggiero agreed was an inalienable
right was run over under the wheels of the armored
police cars.

Il Manifesto: And now?

For me it is essential to start from what has been
called "The Carlini Laboratory".  Intense experience.
It taught me a lot.  For example, how to build
a public space where "multitude" was not just a word
but a shared political constuction by the
"disobedient".


--                                __--__-- =20

Message: 6
Date: Tue, 07 Aug 2001 10:18:59 +0200
From: Wander Eikelboom <wander.eikelboom@tyger.let.uu.nl>
Reply-To: wander.s.eikelboom@let.uu.nl
To: "nettime-l@bbs.thing.net" <nettime-l@bbs.thing.net>
Subject: [Nettime-bold] son of star wars
Reply-To: nettime-bold@nettime.org


 - pressrelease-

 STOP STAR WARS
 STOP THE AMERICAN MISSILE SHIELD
 Wednesday 22 August
 At the American Consulate in Amsterdam, Museumplein
 19, 3 o'clock.
 Organized by the Jungle Association of Autonomous
 Astronauts

 The National Missile Defence system (NMD), which the
 American government is planning to built in order to defend
 themselves against miniature 'rogue-states' like
 North-Korea proves once again the high amount of
 slapstick present in the rhetoric of George W. Bush.
 He may be evil but he is still a lousy Darth Vader.
 Darth Vader, for all his sins, expressed
 himself in an intelligible manner, looked a great deal
 better and even posessed of a more coherent
 ideology. The missile system, however, is nothing more than
 sentimental machismo from frustrated cowboys: Bush
 bragging to Vladimir Putin he has got the largest
 (rocket).

 The expensive refuelling of the Cold War this missile
 shield is promising to offer, left aside (Greenpeace
 has taken upon this issue fairly decent), the Jungle
 Association of Autonomous Astronauts is organising
 this demonstration to protest the reality that every nation
 with the power to do so can use space for military
 uses without consulting the 'people'.
 Even though space aviation has always been part of
 military policies, secretely forcing the political
 processes at the background, this NMD plan is a slap in the
 face of everybody who believes in the possibility of a
 peaceful, democratic and creative space aviation.

 It all started so gloriously. Assuring to fulfil all
 promises made by science fiction, the official space
 travel agencies have become black holes. Boring
 scientist who have to battle with military and commerce
 for room and financial back-up, all proposing their own
 mediocre short termed projects.
 There can be no doubt that if we have to wait for them,
 it will take at least another century before the first
 civilian astronauts will get their chance to travel among
 the stars. This demonstration is targeted not solemnly
 to this Missile Defence System but also against the
 political processes which are at the background of it:
 the conspiracy of nameless technocrats who are
 operating within the shadows of their back offices
 without bothering about the consequences or
 moral problems which are connected to the abuse of
 space in the interest of an elite.

 Demonstrate with us in favour of a democratic
 independent space aviation.
 Demonstrate with us Against the National Missile
 Defence system.
 Bring your own sound system to this Demonstration

 For more information we refer you to the Jungle
 Association of Autonomous Astronauts website:
 www.socialfiction.org/jungleaaa
 or contact us by e-mail: jungleaaa@socialfiction.org

 The Jungle Association of Autonomous Astronauts takes
 part in a worldwide network of groups dedicated by
 building their own spaceships.
 Space travel should be available to all.

 =3D3D=3D3D=3D3D=3D3D=3D3D
 Social Fiction Agenda
 **  Wednesday 22 August>> JUNGLESTRATION by the the Jungle Association
of Autonomous Astronauts @ the American Consulate in Amsterdam against
the NMD or 'son of Star Wars'projects. more info:
http://www.socialfiction.org/jungleaaa

 **  Sunday 26 August>> THE CITY SPACE CUT-UP Psychogeographical session
In utrecht
 more info: http://www.socialfiction.org/psychogeography


--                                __--__-- =20

Message: 7
Date: Tue, 7 Aug 2001 01:09:17 -0800
To: <nettime-l@bbs.thing.net>, pen-l@openflows.org,
~e-list <electronetwork-l@openflows.org>
From: brian carroll <human@electronetwork.org>
Subject: [Nettime-bold] Automadness: Terrors of EM Research
Reply-To: nettime-bold@nettime.org


  [the following is written out of necessity to force change upon
  the situation that presents itself. it is not a piece about a
  private view of a private subject, a private conversation.
  although it has been this for many years, as one tries to do
  whatever they can not to complain. but when there is absolutely
  no possibility to go forward, then it seems time to restrategize
  and change the rules. the people named in this article, and the
  organizations, are being critiqued in a way they never have been.
  it has been years of trying to avoid writing this story, but it
  is the last thing that can be done. and it is not bothersome to
  see these people whom, bit by bit, have taken away the possibility
  of change, to have to account for their actions, as others like
  myself have had to change, dramatically, always for the worse.
  to concede, in order to survive. so too, will those who are
  guiding the ship now have to listen to the winds else they
  may find themselves shipwrecked with sharks all around. any
  collaborations are appreciated. time to make some change. here
  is my contribution to dissenting the loss of human freedoms]...



	A U T O B I O G R A P H Y   O F   M A D N E S S

	TERRORS OF ELECTROMAGNETIC RESEARCH

	public story. public facts. public individual. public domain.
	no copyright. 2001. no permissions necessary. please redistribute.
	brian thomas carroll. electromagnetic researcher.
	a work in progress. version 8.7.2001

	http://www.electronetwork.org/works/automadness/


------------------------------------------------------------------------
0-- 	THE MYTHIC SCHIZOPHRENIC
------------------------------------------------------------------------
1--	HYPOCRISY OF BUREAUCRATIC DEMOCRACY
------------------------------------------------------------------------
2--	INDEPENDENT ARCHITECTURAL RESEARCH
------------------------------------------------------------------------
3--	ASCII ARCHITECTURE
------------------------------------------------------------------------
4--	NO IDEOLOGICAL EXIT
------------------------------------------------------------------------
5--	CRUEL AND UNUSUAL PUNISHMENT
------------------------------------------------------------------------
6--	THE ELECTROMAGNETIC LOBOTOMY
------------------------------------------------------------------------
7--	MULTIMEDIATED ARCHITECTURE
------------------------------------------------------------------------
8--	ARCHITECTURAL DEBATE (SIC)
------------------------------------------------------------------------
9--	SOCIALIZED INSECURITY
------------------------------------------------------------------------
10-	ARCHITEXTUALIZING ELECTRICITY
------------------------------------------------------------------------
11-	PUBLIC DISINFORMATION ZONE
------------------------------------------------------------------------
12- 	ELECTROMAGNETIC INTERNETWORKING
------------------------------------------------------------------------
13-	THE PURGING OF PUBLIC DISSENT
------------------------------------------------------------------------
14-	SEEING NO CHANGE
------------------------------------------------------------------------
15-	THE LAST OF THE FREE RADICALS
------------------------------------------------------------------------
16-	GOALS FOR TODAY / contact information
------------------------------------------------------------------------


This website documents the path of an individual human being in their=3D2=
0
attempt to understand the cultural role of electromagnetism in the=3D20
field of architecture. Seemingly fictive, it publicly documents the=3D20
travails of an 'undisciplined' student on their public journey in=3D20
search of architecture, into madness and beyond. The purpose of this=3D20
individual's research work is to assist ordinary citizens in=3D20
understanding complex electromagnetic phenomena within the everyday=3D20
environment.

And yet this work has been censored in the University; the person=3D20
deemed insane for 'thinking differently'; administered electroshock=3D20
treatments so as to fit back into 'normal' society; institutionalized=3D2=
0
inside bureaucracies of economic, social, and political bondage;=3D20
discriminated against for challenging the status quo; surveilled by=3D20
ideological opponents whom have read private e-mail, shut down two=3D20
public e-mail lists, hacked their web server, defaced their website,=3D20
damaged their personal computer, destroyed the computer hardware, and=3D2=
0
corrupted the software used to continue this unique electromagnetic=3D20
research endeavor.

As a direct result, this researcher has been unable to function, to=3D20
stay employed, and has had their physical health deteriorate to the=3D20
point of collapse, in order to be 'renormalized'. They can no longer=3D20
continue their research of electromagnetism until help from the=3D20
public arrives. This human being is now seeking to live outside the=3D20
USA so as to be able to continue their work which pursues public=3D20
goals without fear of oppression, something impossible to imagine=3D20
from where they exist today.

All of these events have led to life-threatening health and welfare=3D20
problems for this individual, and they have no other option but to=3D20
tell their story of the last ten years in hopes that other people=3D20
will recognize this individual continues to be actively denied their=3D20
basic human rights as a citizen of the world, and will legally argue,=3D2=
0
if necessary, that they have been tortured as it is defined by the=3D20
United Nations Convention Against Torture (1984), Article 1(1). This=3D20
claim is not idle, nor against any one individual, but against an=3D20
entire cultural system as it is accumulated in the separate actions=3D20
of many in positions of authority and power over time. This injustice=3D2=
0
must be recognized by others in order to change its predetermined=3D20
outcome.

This biography is not personal in nature, a private grievance unique=3D20
to one person. Instead it publicly documents a system of Automated=3D20
Madness which is working against all of humanity and is actively=3D20
destroying the democratic rights and freedoms of individuals in this=3D20
human republic.

This researcher is in dire need of public support from fellow=3D20
citizens of the world, and this is their last stand. They have tried=3D20
everything to avoid this confrontation. but given no other choice,=3D20
they are not ashamed to speak truth to the total authority of power=3D20
over that of truth that exists in the world today. Please suspend=3D20
judgment, read this story, and consider for yourself what these facts=3D2=
0
present. If you then choose to support the work of this individual=3D20
human being, please send your support as soon as is possible, as a=3D20
public opportunity needs to open up fast within these storied ruins,=3D20
as time, energy, and resources have long run out. Contact information=3D2=
0
is below for those who want to help keep this public research effort=3D20
alive.



------------------------------------------------------------------------
0-- THE MYTHIC SCHIZOPHRENIC
------------------------------------------------------------------------

SPACETIME:	1970-1990, Minneapolis, Minnesota, USA


EVENTs & ANALYSIS:

grow up in conservative and insular environment. go to the University=3D2=
0
of Minnesota while living in parents home. stress 	from clashing=3D20
worldviews of upbringing and that of the larger world. question=3D20
theological upbringing, in order to think independently. Thus, two=3D20
worlds collide in daily life, one of the traditional past and a new=3D20
cultural order. An impossible situation to resolve in the present=3D20
moment, and harder yet to rationalize without any distance inbetween=3D20
the oppositions. Paradox reigned supreme, in gray matter, and age-old=3D2=
0
unanswerable questions were flowing...

some later digital work directly relates to what was learned from=3D20
this early experience:

*	identity: philosophy, metaphysics, alchemy

	http://www.architexturez.com/site/identity/


HEALTH:

diagnosed with bi-polar depression and actively administered=3D20
anti-depressant drugs while attending college as a preventative=3D20
measure, so as to remain within the irrational and counter-productive=3D2=
0
educational system.



------------------------------------------------------------------------
1--	HYPOCRISY OF BUREAUCRATIC DEMOCRACY
------------------------------------------------------------------------


SPACETIME:

1990-1994, on and off, University of Minnesota, Minneapolis, USA
College of Architecture & Landscape Architecture (CALA)



EVENTs & ANALYSIS:

attempt to fit into architecture school 3 times with no success.=3D20
ideas did not fit well within the corporatized studio-driven=3D20
educational model, which does not allow for basic research.=3D20
imagination, while good for design, was a negative in that i 'did the=3D2=
0
opposite of everyone else' and was called 'schizophrenic' for work i=3D20
pursued. never did anything 'right', in an esoteric type of=3D20
moral-architectural truth. for example, in a course on environmental=3D20
systems, by including noise from airplanes and cars, and pollution=3D20
from the busy streets next to a famous architect's library, my work=3D20
was chided by the teacher as i was disrespecting authority by=3D20
bringing up these issues in my homework, well within the range of=3D20
reasoning...

 .

during one of my three times leaving architectural school an=3D20
architectural teacher whom i once admired, Andrzej Piotrowski , told=3D20
me in no uncertain terms that i could never study, understand, nor=3D20
know 'Architecture' outside of the University. i disagreed, may have=3D20
called it 'dogma' as he liked to say to me, and proceeded to leave=3D20
school, considered a failure. wrote to this teacher later regarding=3D20
my work but was never responded to, as i was no longer a part of the=3D20
institution, even though i was doing public architectural work. this=3D20
professor has just published a book from the University Press on=3D20
Architectural Discipline and Authority. This is highly disturbing in=3D20
that while he may understand power, he lacks a broader truth. This is=3D2=
0
amongst the gravest insults i have encountered in my journeys, the=3D20
betrayal of truth by power, and the takeover of public education by a=3D2=
0
privatized despotism.

 .

well-known urban planner William Morrish met with me during his after=3D2=
0
class hours. Morris had a class similar to the book Defining=3D20
Community: A Neighborhood Perspective which "... identifies and=3D20
synthesizes the ideas, strategies, and partnerships that Minneapolis=3D20
residents are generating through a wide variety of neighborhood=3D20
planning processes, particularly the Neighborhood Revitalization=3D20
Program (NRP)."

at that time i was working for the University of Minnesota's Center=3D20
for Urban and Regional Affairs (CURA) for the NRP in Minneapolis'=3D20
Phillips neighborhood as a housing researcher and was actually doing=3D20
the work the class was about. the class project i presented expanded=3D20
the local media infrastructure to empower the community, such as with=3D2=
0
freenets, bulletin board systems (BBS), and community radio. my work=3D20
was considered 'confusing' to the Teaching Assistant, as they did not=3D2=
0
understand it (or what a computer network was), and i received a poor=3D2=
0
grade. When i went to talk with the professor about this, he confided=3D2=
0
something to the effect that school was not the time for working on=3D20
your own ideas. that it would take fifteen years, and if i wanted to=3D20
work on my own ideas it may be better to leave school. i was ready to=3D2=
0
do my thesis at the end of grade1 and had 3 years to wait before i=3D20
could, and even then i would not be able to pursue `basic research'=3D20
dealing the role of electrification within the built environment, but=3D2=
0
instead would be 'designing' a building for a fictional client.

thus, i was told in so many words by Morris that my personal (public)=3D2=
0
architectural ideas did not belong in a University college of=3D20
architecture, and that i'd have to leave to work on these ideas. he=3D20
said this with compassion and pragmatism, and i appreciated his=3D20
honesty. yet, for me this was a cultural death sentence, being a=3D20
student without a degree, with no hope of working in the profession,=3D20
student loan debts, and in waiting arms of the psychiatric arm of the=3D2=
0
state.

 .

met with studio professor Lance Lavine and tried conveying my ideas=3D20
on electricity's role in architecture by showing brochures for=3D20
American Electric streetlights and comparing theme to the Classical=3D20
orders of Greco-Roman architecture. I was told 'this is not=3D20
architecture, this is engineering' in absolute terms. meaning that it=3D2=
0
had no cultural dimension.

ironically, this same teacher publishes a book on Mechanics and=3D20
Meaning in Architecture from the University Press in 2000, which=3D20
explores '...technology's role in architecture and, in turn,=3D20
humanity's understanding of nature." and his work focusses on=3D20
electrical HVAC systems which would not exist today without=3D20
electricity and such absolute statements were and are absurd but=3D20
cannot be challenged, as they are status quo answers beyond=3D20
questioning, even to this day, as truth is secondary to power in=3D20
architectural discourse.

 .

during a class presentation, studio professor B. Aaron Parker=3D20
censored me when saying i could not discuss the electrical=3D20
distribution 'poles' on my map for my studio project, as they were=3D20
not architecture. i said they were architecture, and he declared i=3D20
could not talk about them. This is the map i worked on to show how=3D20
the electrical distribution grid is an architectural order in the=3D20
built environment but it was the 'wrong' idea, again...


*	contextual site map displaying electrical order

	http://www.electronetwork.org/works/automadness/icons/map.html


i left the architectural program after appealing to the Dean that i=3D20
was being censored, and even had my work ruined when a vandal threw=3D20
water all over the map.

 .

i went to the office of the Dean of CALA at that time, Harrison=3D20
Fraker, Jr. and tried to convey my intentions that i was being held=3D20
back by the educational system. He was unable to help find a way for=3D20
me to continue my work at the university, and i was handed down to=3D20
three professors who were also unable to relate to anything i was=3D20
saying about the electrical infrastructure, computer networks, the=3D20
Internet, etceteras.

Ironically when i asked for Dean Fraker's help, he ended up saying,=3D20
in effect: there is nothing i can do. i was referred to go to the=3D20
Independent Study program at the University. It is quite ironic to me=3D2=
0
that this architectural administrator is now the Dean of the College=3D20
of Environmental Design at the University of California, Berkeley. it=3D2=
0
shows how the spirit of freedom of thought of the 1960s student=3D20
movement in the University has been rolled-back when a helpless Dean=3D20
now leads a supposedly emancipated school. It is indicative of how=3D20
radically conservative the architectural profession remains today.



HEALTH:

frustrated, was told to see a University psychiatrist, which i did to=3D2=
0
stay in school. i was given medicines such as tranquilizers and=3D20
anti-psychotics while telling the psychiatrist that what i was=3D20
attempting to say in architectural school was being censored and=3D20
unfair. That i was sane, that the teachers would not accept facts=3D20
into debates, etc.

productive period of ascii architecture, where my ideas were not=3D20
accepted in school, so i put them online, specifically in the=3D20
design-lit forum from Pennsylvania State University, a list founded=3D20
by Howard Ray Lawrence and now run by John Young of cryptome.org.

My posts on the design-list range from the architectural=3D20
establishment to my specific ideas on the implicit role of=3D20
electricity in understanding the built environment and architecture=3D20
of the present day, including the early Internet.

anxiety attack when professor said i could not present my own work in=3D2=
0
front of the 100 or so classmates.

another student presented my work as i had to stand by listening.=3D20
they didn't even know what my work was about. as i heard them=3D20
improvise an architectural presentation about it which had nothing to=3D2=
0
do with what i created, but with what the 'educators' wanted students=3D2=
0
to hear, see, and believe.

i started to hyperventilate and my chest and arms tightened and i ran=3D2=
0
to the hospital, as i began getting extremely ill from the absurdity=3D20
of this situation.

It was apparent i was the one who did not belong in this system, and=3D20
could not be made to fit either, as i was too wild, or 'not=3D20
disciplined' enough.

i contacted the Legal Aid society and tried to bring a lawsuit=3D20
against the University for limiting my ability to speak about my=3D20
ideas in school. but they said they could not take the case, as it=3D20
was not clear cut enough.




------------------------------------------------------------------------
2--	INDEPENDENT ARCHITECTURAL RESEARCH
------------------------------------------------------------------------


SPACETIME:

	1993, University of Minnesota, Minneapolis, USA
	Program for Individualized Learning (PIL)



EVENTs & ANALYSIS:

apply for an Independent Study at the Program for Individualized=3D20
Learning (PIL) at the University of Minnesota. After three failed=3D20
attempts to fit my public educational pursuits into the College of=3D20
Architecture (CALA) `training' environment, it was my last hope to=3D20
continue my work.

As I remember the application was turned down on its own merits. I=3D20
also was unable to find an academic advisor in the architecture=3D20
department whom I could work with. Thus, my application was not=3D20
accepted.


*	rejected P.I.L. Independent Study application

  	http://www.electronetwork.org/works/automadness/pil/


this meant I had no architectural future in the University and would=3D20
have to leave it to pursue public research. By doing so, I would be=3D20
considered crazy, as I was not making 'rational' decisions by=3D20
continuing this pursuit to my own personal detriment. The atmosphere=3D20
was one of being perceived by others as not knowing what is 'good for=3D2=
0
me' and needing bureaucracies to decide what is reasonable for me to=3D20
be doing, such as working in a Coca-Cola factory.

 .

start researching online, in lieu of being able to pursue my ideas in=3D2=
0
the local environment, in hopes that somehow i can find a way to=3D20
continue my education...


*	first 'Architecture and Electricity' post online

	http://www.electronetwork.org/works/automadness/texts/alphae.html



HEALTH:

Without institutional support in an official independent study=3D20
program, the individual student was prescribed psychiatric=3D20
medications so to explain 'irrational' behavior in a suitable way to=3D20
others, i.e., the person is mentally ill for pursuing ideas that the=3D20
institutions are not ready to accept or allow as legitimate decisions.

Thus, the individual learner is cast out of the educational=3D20
environment, and is on their own. The free pursuit of truth and=3D20
knowledge in educational disciplines is limited by institutional=3D20
power and its rote bureaucracy.


~~~

SPACETIME:

1993-1994, University of Minnesota, Minneapolis. enroll in various=3D20
multidisciplinary classes outside of any formal degree tract, just to=3D2=
0
learn.



EVENTs & ANALYSIS:

study Science and the State with professor Donald Geesaman at the=3D20
Hubert H. Humphrey Institute for Public Affairs, a genuine public=3D20
philosopher. some essays and ideas that bubbled to the surface of the=3D2=
0
mind during that influential time include:

*	Window (1993)

  	http://www.electronetwork.org/works/automadness/dg/window.html

*	The Spectrum from Truth to Power and Constitutional Relativity

  	http://www.electronetwork.org/works/automadness/dg/spectrum.html

*	Text to Self (1994)

  	http://www.electronetwork.org/works/automadness/dg/text2self.html

*	The Architect of Policy

  	http://www.electronetwork.org/works/automadness/dg/policy.html

*	Being a Student in the Transition

  	http://www.electronetwork.org/works/automadness/dg/dg.html


...

some evidence that i was conducting computer searches of public=3D20
libraries in an effort to find books related to the cultural aspects=3D20
of technology during this specific period of time, in order to work=3D20
my way out of the predicament i was inside:

*	computer search for 'technology' (1993)

  	http://www.electronetwork.org/works/automadness/dg/library.html

...

simultaneously take a class on the United Nations with professor=3D20
Knutson and submit the following paper for a final project which=3D20
received a nearly failing grade at the time. The paper explored the=3D20
realm of telecommunications and energy systems in relation to=3D20
international governance and public representation.

*	The Architecture of the United Nations (1993)

	http://www.electronetwork.org/works/automadness/AUN/main.html


most of this paper was written to try to explain 'why' one would=3D20
write such a paper, yet it still was not good enough.

...

about this same time i attend a metal sculpture class and design and=3D20
build two symbolic electrical artifacts:

*	Electrical Crucifixion (1993)

	http://www.electronetwork.org/works/automadness/icons/crucifixion.html

*	Automatic Streetlight (1993)

	http://www.electronetwork.org/works/automadness/icons/light.html


these become foundational for me, by putting the ideas and experience=3D2=
0
in a tangible form, in relation to the world around me and the world=3D20
inside me, in conflict.


HEALTH:

Donald Geesaman was the best teacher i have ever had. a true=3D20
philosopher. As the question was never answered in advance, and=3D20
always contemplated again and again.

His work influenced me greatly and aided in my 'mental-health' in=3D20
that he did not treat me as crazy but as someone who was questioning=3D20
the world around them, the goal of education. This helped me to=3D20
continue on, despite a threshold that would be with me for years=3D20
which i could never break through. But the ideas, and the freedom of=3D20
thinking that Geesaman shared was truly inspirational and i will=3D20
always admire his humanity and graciousness and daring to think while=3D2=
0
in the University. his work helped me ground my mind, in the realm of=3D2=
0
science in relation to art, and thus a good foundation for=3D20
architectural research.

while making sculptures i was given medicines which made me so=3D20
unstable i would temporarily be unable to see. It was not due to=3D20
welding, either. i began to feel psychotic and the medicines, for the=3D2=
0
first time in my life, made me feel suicidal, as they made me feel=3D20
crazed.



------------------------------------------------------------------------
3--	ASCII ARCHITECTURE
------------------------------------------------------------------------


SPACETIME:

online the Internet Design-List, 1993-present


EVENTs & ANALYSIS:

go online the internet and write about my architectural ideas on the=3D20
design-list. find others whom are willing to listen and debate the=3D20
ideas: here are a few posts which reflect the attempt to break down=3D20
the issues faced when trying to enact institutional change (language,=3D2=
0
identity, logic, and power):


*	sample of ASCII architecture online

	http://www.electronetwork.org/works/automadness/ascii-arch/


write about the experience at the University of Minnesota College of=3D20
Architecture and Landscape Architecture (CALA) online the design-list:

*	private public service (1995)

	http://www.electronetwork.org/works/automadness/texts/service.html


receive feedback from professors, students, and professionals that=3D20
others are experiencing similar limitations, and meet several good=3D20
friends through this public dialogue.



HEALTH:

Some ASCII architecture from this time period was kindly published in=3D2=
0
the book Being On-line, edited by Alan Sondheim, Lusitania press.

The academic saga unfolded online and as a result i was in many=3D20
public debates about architecture, my research, the educational=3D20
system, and beyond...



------------------------------------------------------------------------
4--	NO IDEOLOGICAL EXIT
------------------------------------------------------------------------


SPACETIME:

1994~1995, Western Europe and back in less than 30 days
Amsterdam, Paris, Venice

upon returning to the USA i attend a grant-writing workshop and apply=3D2=
0
for a research grant with the Charles Lindbergh foundation for=3D20
cultural research on technology. My proposal is declined without=3D20
comment.



EVENTs & ANALYSIS:

fly to Europe in search of architecture, and for opportunities to=3D20
work on architectural research. It is here that i realize the=3D20
electrical infrastructure is a common, international aesthetic. For=3D20
example, in Venice, Italy, all the rooftops of buildings hundreds of=3D20
years old have television antennas atop them.


*	cover of hand-made book on universal aesthetics (1994)

	http://www.electronetwork.org/works/automadness/icons/book.html


upon returning to the USA i created a handmade book with colored=3D20
paper and drawings and photographs about the idea of universal=3D20
aesthetics and its relationship to the electrical infrastructure,=3D20
which i discovered during my European travels. i used this book as a=3D20
document to try to logically communicate with my professors, with=3D20
visual evidence for my public ideas based in fact. again, with no=3D20
luck.

likewise, i realized public utilities and construction sites also=3D20
shared universal aesthetics via color, material, and form, especially=3D2=
0
during various stages of a building's construction. This view enables=3D2=
0
one to relate language with architecture, order, and design. The sum=3D20
of this work is later exhibited in an online photogallery:


*	the aesthetics of deconstruction (2000)

	http://www.architexturez.com/decon/


the common language of construction and demolition across world=3D20
cultures, which could become the basis for a shared language of=3D20
design, and of identity.

with no money to stay in Europe, and no work for student=3D20
architectural researchers available, it was necessary to go back=3D20
'home' and face the inevitable- being institutionalized as a madman.=3D20
there was and is no way out of this cultural institutional insanity,=3D20
only ways deeper into its rotten core.

i confide in a friend in Italy that i know if i return i will be=3D20
electroshocked. cannot avoid returning to Minnesota, and thus face=3D20
the consequences for not 'obeying the rules' of the authorities of=3D20
the reigning architectural establishment.


HEALTH:

absolutely crazed. The complexity of my situation, and seeing no=3D20
probable way out other than death made me try to escape to Europe, in=3D2=
0
hopes that i could find something to stop what i foresaw inevitably=3D20
happening if i should have to return, being labeled crazy, on more=3D20
and more drugs, and inevitably becoming more and more=3D20
institutionalized, more and more crazy as i pursue this public work,=3D20
as there was and is no other possible outcome given the total control=3D2=
0
over thought in the architectural academy.

i could not foresee a life for myself in the USA where i could=3D20
continue my work and be free, within its system, and within the=3D20
psychology of culture.

becoming confused from being processed in the cultural system for not=3D2=
0
fitting in, i began to worry i lost control over my limited ability=3D20
to self-determine my future. instead, i faced the chaos and fury of=3D20
the status quo, and as a consequence was losing my sense of identity.



------------------------------------------------------------------------
5--	CRUEL AND UNUSUAL PUNISHMENT
------------------------------------------------------------------------


SPACETIME:  1994-1995, USA

severe psychiatric breakdowns due to complications with prescribed=3D20
medications, requiring me to hospitalize myself twice to stay alive,=3D20
as i lose my ability to think rationally due to the enormous=3D20
pressure, and the hopelessness that nothing can be done to live life=3D20
outside of the total authority of cultural bondage.



EVENTs & ANALYSIS:

	returning to the USA and i had no other choice but to stop=3D20
fighting the system and passively accept the label of being 'chronic=3D20
mentally ill' so as to survive, and have my student debt reduced, and=3D2=
0
to obtain food, clothing, and shelter by the State of Minnesota.

ultimately, i had no other choice than to accept i was 'insane' in=3D20
order to stay alive, a forced confession so to speak, under duress.

Instead, my ideas did not belong 'in the real world' and i was=3D20
institutionalized in the mental health sector and shunned by former=3D20
teachers and students as being an aberration as i had failed to=3D20
change anything, and thus was not fit enough to survive the=3D20
psychological hazing of architectural 'training'.

During this time, US Senator Newt Gingrich publicly declared=3D20
something to the effect that 'if you are perceived as being mentally=3D20
ill or disabled, then you are'.

so, ethically and morally i used this as my guideline for knowingly=3D20
choosing to accept this paradoxical label in order to survive, as the=3D2=
0
reason for my mental illness was others who were labeling me as such,=3D2=
0
while denying all logic, rationality, reason, facts, and the truth i=3D20
tried presenting at every possible moment in an attempt to fit into=3D20
the current system, to help change it for the better, in the public=3D20
interest. This was a completely coerced confession, else i would=3D20
never get out of the hospital unless i agreed that i was mentally ill.

to stay alive i joined a Mental Health Day Treatment program for=3D20
roughly one year as a certified schizophrenic while reading Deleuze &=3D2=
0
Guattari's Anti-Oedipus, Schizophrenia and Capitalism. It became a=3D20
useful tool, and this psychiatric philosophy, or 'schizo-philosophy',=3D2=
0
offered a type of liberation-in-waiting from the United Statesian=3D20
worldview. After several months in Day Treatment it was clear that=3D20
the only way out of the hospital is through total submission, and=3D20
fully adopting the identity of being mentally ill, and being process=3D20
through the mental health system, hopefully to come out on the other=3D20
side. This involved the death of the ego, and also the conceptual=3D20
death of the individual as bearer of meaning.

The future would bring the altogether unexpected, onward...


HEALTH:

given pills to control my behavior, and continue trying to work=3D20
within the system to move the ideas forward. given anti-psychotic=3D20
medications, i start to feel suicidal beyond my own will.

working in Minneapolis in landscaping. have to quit because of=3D20
side-effects of the psychiatric drugs which try to adapt me into the=3D20
system.

So too, my ability to work is ended when taking psychiatric pills and=3D2=
0
building boulder walls, as i collapse into a fetal position on the=3D20
ground while outside working in the sun. i am now totally physically=3D20
and mentally reliant upon the drugs to determine what i can and=3D20
cannot do, to the point of complete submission, else there is only=3D20
suicide.

unable to work, have to enter the hospital as a way to stay alive,=3D20
and ultimately the only choice, in order to continue working on my=3D20
ideas in the system, becomes ECT...




------------------------------------------------------------------------
6--	THE ELECTROMAGNETIC LOBOTOMY
------------------------------------------------------------------------


SPACETIME:

1993-present, the Internet Design-List

reading Sartre's work Being and Nothingness while going into the=3D20
hospital for ECT. related to ideas of non-being and of an existential=3D2=
0
process of becoming a self without an identity.

post-ECT, it takes 6 years of failure trying to fit back into society=3D2=
0
that necessitates looking back into these files, in the summer of=3D20
2001, to accept the consequences and acknowledge the anger and=3D20
resentment i have for having to undergo such an event in 'the land of=3D2=
0
the free'.



EVENTs & ANALYSIS:

i break down and volunteer for Electroshock therapy, as it is the=3D20
last thing i can do to try to change my situation. i was not coerced=3D20
in any way to do this by any individual, but by an entire=3D20
bureaucratic system which makes the individual conform to its needs,=3D20
and never adapts to the needs of unique individuals.

electroshock therapy is and was *torture* in the sense that it became=3D2=
0
the only choice for me to survive with my public architectural ideas=3D20
in a despotic system with a remnant of my self intact, so i was=3D20
hoping. And a future where i might have a different perspective, due=3D20
to a mental rebooting which, one must trust, i would rather avoid at=3D20
any cost besides that of death without ever having lived.

During hospitalization i decided to create an e-mail discussion list=3D20
called e-shock for keeping the ordeal public while institutionalized=3D20
to undergo electroshock therapy during a two week period. i have=3D20
hardly any memory of this event, but do remember getting my computer=3D20
out of a locked area in the nurses quarters (where they kept the=3D20
medicines and dangerous items) and then unplugging the phone in the=3D20
hallway and putting my 386sx laptop on a small table or chair and=3D20
dialing up the Internet to send out semi-weekly messages updating the=3D2=
0
ongoing events via a 2400 baud modem.


*	E-Shock mailing list posts (1995)

	http://www.electronetwork.org/works/automadness/e-shock/


yet, it was not the ECT itself which was the problem, as it did help=3D20
in some ways to keep the ideas alive.

The problem is that electroshock was the ONLY option to continue=3D20
working on public ideas, that they are considered mentally ill and in=3D2=
0
need of reform, or, the literal erasure, and rebooting of the brain,=3D20
so one has to reformulate their whole universe again. Thus, this=3D20
event finally made me truly insane, as it was pure torture, and i=3D20
will never recover what was lost in this destructive attempt to heal=3D20
me of my 'irrational thoughts', judged so as they did not fit into=3D20
the University system, and i hold the architectural establishment=3D20
significantly responsible for denying the public pursuit of=3D20
architectural knowledge, in order to hold onto the truth as they see=3D20
it, in a privatized authoritarian worldview.


HEALTH:

frequently nightmares, the memory of electroshock is so disturbing.=3D20
many nights when falling into sleep, i remember being prepared for=3D20
ECT when the shock-doc said- 'Let's Turn it (electrical voltage) up=3D20
this time..."- which filled me with terror as i fell into=3D20
unconsciousness in the operating room.

post-ECT effects include language troubles, damaged memory, social=3D20
stigma, illegitimacy, prejudice, psychological issues, etc.

After shock it becomes impossible to read. often have short=3D20
seizure-like events with a brain twitch, a miniature seizure where=3D20
the brain reboots, similar to that which Virilio describes in 'the=3D20
Aesthetics of Disappearance.'




------------------------------------------------------------------------
7--	MULTIMEDIATED ARCHITECTURE
------------------------------------------------------------------------


SPACETIME:

1996-1998, move from Minneapolis,
Minnesota to San Francisco Bay Area,
Northern California, USA


EVENTs & ANALYSIS:

attend school for multimedia studies and continue to independently=3D20
research the relationship between architecture and electricity.

apply for a grant from Weblab.org for the Architecture of Electricity=3D2=
0
project run by the former head of the P.O.V. film series in the USA.=3D20
my work is again turned down for not being what they are looking for=3D20
in web content, while they promote their service as something to=3D20
challenge status quo views of things.

Apply for a 2 year scholarship to the SFSU Multimedia Studies=3D20
Program, then directed by Randall Packer. Move to California to=3D20
attend school and work independently on public ideas i was unable to=3D20
pursue in architectural school. in my scholarship application i=3D20
attempted to explain my paradoxical situation:


*	Multimedia Studies scholarship application (1995)

	http://www.electronetwork.org/works/automadness/mm/form.html


i was grateful to learn many new skills such as digital audio, video,=3D2=
0
and imaging in a CD-rom based curriculum. later on, i taught myself=3D20
web skills, and applied all of these newfound skills in producing=3D20
works online.

 .

As a result of a having time to research, it became possible to=3D20
develop various aspects of the future Architecture of Electricity=3D20
thesis for my graduation project. John Young at cryptome.org kindly=3D20
scanned and posted a document online that i sent out in paper form to=3D2=
0
dozens of Architectural academics and administrators regarding the=3D20
research i was developing, and asking for support. i received no=3D20
replies:

*	the AE blueprint @ cryptome.org (1997-1998)

	http://www.electronetwork.org/works/automadness/cryptae/AE.htm


The result of this blueprint was an online prototype of an=3D20
educationally-oriented map of electricity and an electrical cosmology=3D2=
0
to help explain why one would want to rationally define a direct=3D20
lineage from the Big Bang to the Internet:


*	Mapping the Electrical Assemblage (1998)

	http://www.architexturez.com/mea/mea_m.htm

*	The Story of Electricity (1998)

	http://www.architexturez.com/mea/story1/2main.htm


my work included 3D computer model of a chess set that i described in=3D2=
0
the Program for Individualized Learning (PIL) application years=3D20
before...


*	Electrical Power System chess set (1998)

	http://www.electronetwork.org/works/automadness/chess/1.htm


upon graduating from school, receive the Robert Bell outstanding=3D20
achievement award and share my work online the Internet, but still no=3D2=
0
one in the field of architecture relates to it, and so i accept that=3D20
i will need to find work in the field of multimedia, and pursue my=3D20
architectural research on the side.

My main goals were to stay healthy and work my way off of public=3D20
assistance. both of which prove impossible.


HEALTH:

went dentist, dr. vu, who asked why i had disability insurance. i=3D20
said i was mentally disabled.

all people in the office were screaming or moaning in pain. young and old.

i began questioning the work she was doing on my teeth, as she would=3D20
just start drilling until she hit a nerve, and then i would demand to=3D2=
0
know what she was doing and i was assured i had severe problems with=3D20
my teeth. when i told others about my suspicions, i was considered=3D20
paranoid. So i was silent and accepted that i must be 'crazy' to=3D20
question this dentist.

In the end, i was given 4 unnecessary root canals, none of which the=3D20
state would pay to cap, so i had teeth without tops, which were=3D20
severely infected by unhygienic tools and overdoses and subsequent=3D20
reactions to antibiotics. In an emergency a relative helped pay for=3D20
me to visit another dentist as i was in so much pain i could not=3D20
think. today my teeth are still infected and my health never=3D20
recovered from having the dentist drill on open nerves and misuse of=3D20
antibiotics.

dr. vu left town without a trace after 'mining' my teeth and many=3D20
other people using the public health system.


~~~

SPACETIME:  1998-1999


EVENTs & ANALYSIS:

although displaying skills often much more diverse than most employed=3D2=
0
in the multimedia industry in San Francisco, i am unable to even get=3D20
interviews based on my resume and portfolio. So too, my architectural=3D2=
0
work and research are of no help in obtaining a way out of total=3D20
dependency and subservience to the statistical ideal of the reigning=3D20
bureaucratic worldview.

develop a portfolio of my digital media skills for showcasing my work=3D2=
0
skills for potential employers, in an attempt to work my way off of=3D20
Social Security. My unique generalist skills are not valued in the=3D20
specialist marketplace.

*	SITE (going offline)

	http://www.architexturez.com/site/


as a public service, develop and maintain an online portal and=3D20
archive of freely available architectural research and theory texts=3D20
online the Internet in my spare time, while working on my=3D20
architectural research. It becomes an established site, on the main=3D20
page of Yahoo, and has 30,000 plus visitors a year. Yet still cannot=3D20
find work in the profession.


*	architexturez.com (being transferred)

	http://www.architexturez.com/


also create an architectural glossary in an attempt to deal with the=3D20
pervasive architectural issue regarding discourse and language, in an=3D2=
0
attempt to find a shared meaning.


*	The glossalalia project (being transferred)

	http://www.architexturez.com/glossalalia/


both the architexturez and glossalalia projects are being transferred=3D2=
0
to a team of online collaborators whom will continue to develop the=3D20
projects for the public domain.


HEALTH:

	a computer grant was facilitated through the Center for=3D20
Independent Living (CIL) in Berkeley, California, where the=3D20
disability rights movement began in the USA, including originating=3D20
the drive for the American with Disabilities Act and advocacy for=3D20
disabled rights to work.

The goal of the computer grant is to work my way off the Social=3D20
Security system. The mac-clone enables many things, including=3D20
reentering the workforce as an independent contractor at SFSU's MM=3D20
and IT Corporate Training program, helping develop their website and=3D20
strategy part-time, while also continuing my architectural research,=3D20
which i desperately need to do to keep my sanity.



------------------------------------------------------------------------
8--	ARCHITECTURAL DEBATE (SIC)
------------------------------------------------------------------------


SPACETIME: 	1998, the Internet Design-List


EVENTs & ANALYSIS:

architecture exists online in a way it cannot offline. That is, all=3D20
of its paradoxes and difficulties cannot be contained in a clean-room=3D2=
0
environment and philosophical architectures are beginning to form=3D20
through debates in public forums.

There is no 'public' architectural debate, outside the University.=3D20
But sometimes there is, in some regards, a fish out of water...

debated Columbia University's architectural theorist Stephen Perrella=3D2=
0
in a public forum, the design-list, regarding a Lingua Franca article=3D2=
0
and the ideas presented therein centering around the idea of=3D20
'schizo-philosophy' as employed as a radical politic inside the=3D20
insular circles of architectural theorists inside the University. i=3D20
called this an absurd theoretical bluff, in so many words.

The result was an exchange in the design-list archives...


*	debate with spN of Columbia University (1998)

	http://www.electronetwork.org/works/automadness/debate/


the debate ended, as if it never happened. spN privately said he=3D20
would send me a copy of his hypersurface book and then offered me a=3D20
chance to write in his next book. neither of which happened. And both=3D2=
0
of which seemed like an opportunistic buyout at the time, as he owns=3D20
access to the press. For me all of this it was an indication that=3D20
architectural thought today is highly privatized and controlled=3D20
inside the University, to the point where it is impossible to have an=3D2=
0
open, public debate, as those in positions of power with total=3D20
authority over the interpretation of architectural ideology may risk=3D20
being wrong or having their ideas proven basically unsound.


HEALTH:

besides the prevailing prejudice about being labeled schizophrenic=3D20
and thus, all my work being boiled down to firstly being that of a=3D20
mad person, dangerous even, and most certainly irrational, no matter=3D20
how logical or rational or reasonable one may be. They are still=3D20
nuts, then there is 'certainty' of where they fit into the ruling=3D20
system of order and control over independent thought. these documents=3D2=
0
are presented to give the reader an opportunity to review=3D20
architectural discourse outside the institutional walls which confine=3D2=
0
architectural truth and knowledge.




------------------------------------------------------------------------
9--	SOCIALIZED INSECURITY
------------------------------------------------------------------------


SPACETIME:  1998-2001

Oakland California Social Security Office is rife with clerical=3D20
errors, lost data, lost files, do not answer phones or return calls,=3D20
and are chronically overpay, underpay, and at times totally stop=3D20
payments, canceling my medical insurance, while i try to work my way=3D20
off of the 'support' system.

My PASS Plan for staying employed as a disabled worker was denied by=3D20
the San Francisco office of Social Security in the heart of the=3D20
dot-com economy, as they could not comprehend why one would needs a=3D20
computer at home to work as a web developer and content designer.

The representative went hysterical when i tried to describe how the=3D20
multimedia industry is different from the industrial model of work.=3D20
To develop content online one needs equipment to do so, and without=3D20
it, one cannot keep up their skills, stay competitive, and employed.

Another example of the frustration with the Social Security=3D20
bureaucracy is that when i wanted to take on more hours at my job, i=3D20
was given the name of a contact to call to find out how much i could=3D20
earn, without losing my insurance, and they never returned my calls=3D20
after one month of trying to contact them to find out.


EVENTs & ANALYSIS:

Upon reentering the workforce I contact several Social Security=3D20
Administration representatives to make the necessary changes in my=3D20
governmental support. From this point onward, it became impossible to=3D2=
0
work and maintain my health on Social Security, as i would be=3D20
underpaid and overpaid and would be in constant crisis while working,=3D2=
0
and trying to figure out what went wrong with the bureaucracy became=3D20
my part-time job, as public money was being wasted.

Everytime i found the source of the errors, which were entirely=3D20
caused by Social Security, i would be charged for the mistakes and=3D20
have been submitting paperwork and resubmitting it for 3 years (they=3D20
lose it and do not have a central filing system) just to stay=3D20
employed. This damaged my health, as working became destabilized by=3D20
trying to get off the system and it became obvious that unless i=3D20
could work full-time i would end up not able to work at all. which=3D20
eventually is what has occurred.

i have contacted the head of the local Social Security branch, my=3D20
Senator two times, and others to try to figure what has been wrong.=3D20
In the end, i was blamed for all of the errors and now am unable to=3D20
even talk with a representative as i am considered a troublemaker for=3D2=
0
trying to fix the problem. because i am labeled with a psychiatric=3D20
disability any challenge to their logic is seen as my illness and i=3D20
have been retaliated against and discriminated against, so the=3D20
bureaucratic system can work the way it does without changing, a=3D20
familiar theme.

i was both denied the opportunity to work my way off of the system=3D20
because of the constant errors in my checks, never knowing if i would=3D2=
0
be able to pay rent or not while working, as there was an error in my=3D2=
0
file. And also, after working for one year searching for a computer=3D20
upgrade with no success, i applied for a savings program but was=3D20
denied the right to save money for computer equipment to stay=3D20
independently employed because of systemic ignorance of today's=3D20
high-tech working world.

The Social Security PASS Plan application forms did not relate to the=3D2=
0
digital media industry i work in, and thus i would have had to lie to=3D2=
0
get the grant. The bureaucratic representative could not believe that=3D2=
0
one needs a computer to work as a web developer. Thus, when my only=3D20
computer was recently hacked and corrupted for good, i was unable to=3D20
continue working and now am in dire need of a new system to keep=3D20
working, continue my research, and remain paradoxically sane in an=3D20
utterly insane environment.

i am more disabled since working and being on the Social Security=3D20
system than i would be otherwise. It has become a trap cannot escape,=3D2=
0
as everytime i try to get out a problem it takes all my energy to=3D20
fix, and months pass by...


*	first public statement on Taking Pills (2000)

	http://www.electronetwork.org/works/automadness/nettime/pills.html


Social Security denies Waiver for overpayment from a mistake 3 years=3D20
ago that I have worked for 3 years to correct. They review no=3D20
paperwork, and then tell me i did not provide the data. I believe i=3D20
am being targeted for speaking up to their system and calling for a=3D20
review of their procedures to fix the problem, as the public is=3D20
losing money to a broken system.


Have to quit work because computer was hacked and destroyed and=3D20
health is deteriorating with stress and no future. When recently=3D20
reporting about my loss of work income, i receive no response after 5=3D2=
0
attempts to notify the Administration, but a check for $1.00 US=3D20
instead of the regular amount arrives, threatening my ability to pay=3D20
rent. Again, for the 2nd time, Social Security has started the=3D20
process of taking back money without denying my claim for a waiver or=3D2=
0
appeal from a problem generated by their system 3 years ago.

It is too much for me to handle alone now and i have to ask relatives=3D2=
0
from out of state to represent me as i can no longer write or talk to=3D2=
0
them, or write letters, as it is now totally out of control and=3D20
impossible to keep up with, healthy or severely unwell, as i am now.


HEALTH:

Develop severe anxiety and panic attacks.

Start becoming allergic to all medicines i am put on, where i develop=3D2=
0
hives and welts under my skin. i am put on different drugs and the=3D20
same things happen, over and over. As i get sicker and sicker as the=3D20
stress gets more and more.

The oddest coincidence is that every time i was ready to work more=3D20
hours in an attempt to become self-sufficient something with Social=3D20
Security would go wrong that would take 3 months to deal with, at=3D20
which point my health would be worse off, and make it impossible to=3D20
take on more work as fixing all the problems were a part-time job.

The only choices were to remaining living on Social Security with 500=3D2=
0
month or so income from working, per month. else, full-time=3D20
employment. anything inbetween these would mean i would likely lose=3D20
my housing assistance, health insurance, and supplemental income=3D20
should i not be able to pay rent. All or nothing.

after half a dozen serious efforts to get off of the system, i came=3D20
to realize this would not happen for me. So i began to restrategize=3D20
and focus on my research work as my way out of this situation, even=3D20
though all my work is considered illegitimate. To do this i needed a=3D20
computer system to both stay employed as an independent contractor=3D20
and also to do research work online.

After a one year search for public grants, it is clear i will not be=3D20
able to find another computer to stay employed and work on my ideas,=3D20
and thus stay sane. i apply for a grant from Social Security to save=3D20
for work equipment but i am refused, as i am employed, and cannot=3D20
prove i need a computer to do my work online.



------------------------------------------------------------------------
10-	ARCHITEXTUALIZING ELECTRICITY
------------------------------------------------------------------------


SPACETIME: 	Y2K, December 31st 1999 and January 1st 2000



EVENTs & ANALYSIS:

finish and publish roughly ten years of independent architectural=3D20
research on the AE thesis website on Y2K. It consists of roughly 100=3D20
screens of information detailing the cultural significance of the=3D20
electrical infrastructure in architectural terms, for the layperson.


*	AE public launch announcement (Y2K)

	http://www.electronetwork.org/works/automadness/texts/aeY2K.html

*	the Architecture of Electricity (Y2K)

	http://www.architexturez.com/ae/


A study of the electrical infrastructure compared in relation to=3D20
classical notions of architecture.

at this point it becomes clear that the feedback from JYA of design-l=3D2=
0
and cryptome.org about addressing the larger issue of=3D20
electromagnetism and not only electricity is where the future of the=3D20
architectural research work lies.



HEALTH:

The only critical feedback on the project received was regarding the=3D20
lack of a religious perspective on the ideas being presented. upon=3D20
replying to an e-mail request for why this is so, my work becomes the=3D2=
0
focus of a well-known religious warrior whom damns my work as that=3D20
for not addressing this issue. subsequently, i receive e-mail=3D20
threats, strange phonecalls, and other visitors requiring security=3D20
measures.



------------------------------------------------------------------------
11-	PUBLIC DISINFORMATION ZONE
------------------------------------------------------------------------


SPACETIME:

2000, online the Internet

printed in a Hong Kong-based international design magazine.



EVENTs & ANALYSIS:

no one in the field of architecture or cultural research in the USA=3D20
will publish nor even read my work, including old student friends,=3D20
likely for fear of losing expertise over their version of=3D20
architectural reality, by insulating themselves from uncertainty.=3D20
Thus, the audience i focus on is everywhere but in the closed system=3D20
that is today's USA, unable to adapt to the present.

The specific circumstances which led up to the AE thesis, that is to=3D20
say, the story behind the thesis, was left out for the most part, as=3D20
the reviewers of family and friends did not like the ending. So it=3D20
was rewritten so as to not mention E-Shock. Yet, without that=3D20
dimension, it appears just like any other boring work of research,=3D20
and just another thing, when it has been so highly controversial as=3D20
to be censored and actively dismissed. Thus, it seems appropriate to=3D20
put the work in its original context, after having learned that the=3D20
process of the work is as important as the work itself, in=3D20
understanding it:


*	original unedited AE Epilogue (Nov.1999)

	http://www.electronetwork.org/works/automadness/AE/aftershock.html


the 'red' texts were left out of the final version in addition to the=3D2=
0
images of the electroshock experience because people were so=3D20
disturbed by how i connected the experiences as a product of the work=3D2=
0
itself, a connection which i maintain is relevant to this day.

After posting the Architecture of Electricity, i wrote a synopsis of=3D20
the thesis in an essay which is published by Hinge Magazine in Hong=3D20
Kong in the summer of 2000.


*	Electromagnetic Architecture (2000)

	http://www.electronetwork.org/features/essays/ema.htm


this gives me great hope in that it is the first time anyone has=3D20
accepted my work. The article was made to be very palatable to a=3D20
general audience and yet still is written for architects. This helped=3D2=
0
me greatly to believe that someday my work may be seen by others,=3D20
outside the total control over information by architectural=3D20
institutions in the USA.


also write a poem about the end of the public Internet

*	death of the internetwork (2000)

	http://www.electronetwork.org/works/automadness/nettime/deathnet.html



HEALTH:

getting sicker yet, having nightmares often and also panic attacks so=3D2=
0
badly i cannot go outside at times. suspected of being complications=3D20
from psychiatric pills i was still able to go to a specialist doctor,=3D2=
0
whom after months of tests concluded i do have nerve damage which is=3D20
highly unusual for a 30 year old person, and then said it will only=3D20
get worse with age.

My ability to speak, write, and think rapidly deteriorates, i am=3D20
dizzy often, off balance like i may fall over, and am now even more=3D20
fatigued to the point of needing to close my eyes during the daytime,=3D2=
0
yawning all day, and developing various nervous ticks which appear=3D20
during times of stress. My request to see a neurologist is denied, as=3D2=
0
there is not enough evidence i may have some more severe problems.

i am told all of my symptoms are that of post traumatic stress=3D20
syndrome, previously known as 'shell shock.'



------------------------------------------------------------------------
12- ELECTROMAGNETIC INTERNETWORKING
------------------------------------------------------------------------


SPACETIME:

2000-2001, online the Internet. interest and support for my research
work from European and Indian architects


EVENTs & ANALYSIS:

i am contacted by a Swiss architect and asked to write a proposal for=3D2=
0
an article in an upcoming special issue of 2G magazine on=3D20
Architecture and Energy, published in both Spanish and English. This=3D20
opportunity lets me write thoughts about the larger issues related to=3D2=
0
the electrical infrastructure as a cultural assemblage and my=3D20
proposal is accepted.

Because of my situation, i am unable to accept payment due to the=3D20
inevitable loss of housing and healthcare and i am also denied by the=3D2=
0
Social Security PASS plan the right to save the money i could have=3D20
made to help buy the computer equipment necessary to stay employed in=3D2=
0
the multimedia industry, and to continue my work.

i rewrite the essay and make it into a website with graphics and=3D20
animations, non-copyright, and instead have to ask for donations of=3D20
computer equipment as I cannot risk losing my benefits as i could end=3D2=
0
up further institutionalized and even homeless due to the many rules=3D20
that conflict with one another and the bureaucrats that decide the=3D20
fate of the individual by an illogical economics of institutionalized=3D2=
0
subservience.

During the period prior to launching the project online, my computer=3D20
comes under attack, and i need to send out the maps i was working on=3D20
for the project and an essay to make my work public, as i fear that=3D20
my work may be destroyed before i could get it online.

With some luck, and a public presence, i am able to launch the Seeing=3D2=
0
Cyberspace project online to a few e-mail discussion lists:


*	Seeing Cyberspace project launched (7/2001)

	http://www.electronetwork.org/works/seeing/


after publishing the full-text essay on a three e-mail discussion=3D20
lists, there is a large response from the .mil, .edu, .com, .eu,=3D20
.org, and .int domains. It is again ironic that so many people "on=3D20
the job" from high-profile domains are visiting a mentally insane,=3D20
college dropout's work, and makes one wonder why they are visiting.=3D20
As i am not getting any better, and weird things are now happening=3D20
with my computer and website...


*	interesting visitors during June-July 2001

	http://www.electronetwork.org/works/automadness/energy/visitors.html


it then becomes clear i am under cultural attack, not by any one=3D20
person, but by a United Statesian cultural ideology that cannot deal=3D20
with ideas it does not condone... it seems i am becoming a terrorist=3D20
for 'thinking differently' in my own country, and being terrorized=3D20
for using my rights as a public citizen...



HEALTH:

within hours of posting to the 50 person electronetwork-list at=3D20
openflows.org, the USAF central command and LLNL.gov is at the site.

Cryptome.org is the first website to publicly publish the url online.

2G magazine (Spain) publishing in print an earlier essay from late=3D20
2000 in a special issue on Architecture and Energy.

paranoia in the extreme sets in. not that it is delusional. But that=3D20
the stress makes everything suspect, and it is hard to trust anything.

memory starts to blank out and nerves fire repeatedly as i hang on=3D20
during major storms in the mental atmosphere, which have not subsided=3D2=
0
for months now. a type of global warming of the brain, it is.



------------------------------------------------------------------------
13-	THE PURGING OF PUBLIC DISSENT
------------------------------------------------------------------------


SPACETIME:

1999-2000, california & online the Internet


openflows.org volunteers to host the electronetwork-list and
so it continues today thanks to their collaborative support

ab-a.net takes over managing the architexturez-list and keeps
it online, which is greatly appreciated



EVENTs & ANALYSIS:

post ideas critical of US Administration' s Energy Policy online and=3D20
have several ongoing problems, which completely destroy my ability to=3D2=
0
continue working and i feel unable to do anything more to try to=3D20
change what is happening...


*	TV Ads on Election Night (11/2000)

	http://www.electronetwork.org/works/automadness/energy/adverts.html

*	US Tax Cut =3D3D Energy Bailout (2/2001)

	http://www.electronetwork.org/works/automadness/energy/bailout.html

*	US Energy Policy (6/2001)

	http://www.electronetwork.org/works/automadness/energy/policy.html


two Topica.com discussion lists i manage, the electricity-list and=3D20
architexturez-list, totaling about 120 listmembers, shut down 'for=3D20
spamming'. every time i try to send e-mail to the two lists, my=3D20
e-mail client, Microsoft Outlook Express, swears at me with an error=3D20
message, saying "Stop Fucking Spamming", or something similar, and=3D20
stops my posts from being sent off my machine, to the lists. My=3D20
dial-up IP address is then blackholed so that i cannot even send=3D20
e-mail to topica.com to let them know what has happened to try to fix=3D2=
0
the situations.

next, one definite act of physical surveillance is noted, where a=3D20
private website with logfile monitoring is visited by a company whose=3D2=
0
business sign i was looking at while outside having a cigarette late=3D20
at night. i wake from sleep the next morning to find this company has=3D2=
0
visited my private website, an event so statistically improbable that=3D2=
0
i can only assume that i am under some kind of surveillance from=3D20
across the city street.

computer is then hacked into and the soon to be launched=3D20
electronetwork.org website defaced. web server e-mail being=3D20
monitored, as accounts which post with at random have long download=3D20
times (several minutes) while non-accounts on same ISP have no delay.

It is evident e-mail is being read as weird e-mails arrive on mailing=3D2=
0
lists and in the guise of spam referring to private conversations and=3D2=
0
data from both work and home, on the telephone and online the=3D20
Internet. Computer is being remotely manipulated with icons moving=3D20
and screen resolution changed, etc. 200mb of information on disks is=3D20
lost as a direct result of the attack, including all hyperlinks to=3D20
online resources for electromagnetism related to the launching the=3D20
electronetwork project. All passwords are corrupted. even my PDA=3D20
repeatedly breaks during these very strange events.

In sum, this hack attack stopped all work on the larger=3D20
electronetwork.org project, dead on arrival, as it never launched,=3D20
when it was planned to, in Spring 2001.


*	The welcome hack (6/2001)

	http://www.electronetwork.org/works/automadness/energy/welcomehack.html

*	system corrupted (7/2001)

	http://www.electronetwork.org/works/automadness/energy/corrupted.html

*	use caution pursuing EM (7/2001)

	http://www.electronetwork.org/works/automadness/energy/caution.html

*	the welcome mat (7/2001)

	http://www.electronetwork.org/works/automadness/energy/welcomemat.html


my computer is now ruined. The hard drive is corrupted , even after=3D20
reformatting and zeroing all data. All programs are corrupted even=3D20
after reinstalling. All programs crash, as if they are being shut=3D20
down from afar at the most inopportune times... i tried for 1 year to=3D2=
0
get grants for a new computer and was unable to. So now i am without=3D20
the tools i need to work.

something very fishy is going on, and it seems that the privatized=3D20
bureaucratic democracy is breeding fascist elements that are shutting=3D2=
0
down any dissenting opinion in order to establish total control...=3D20
regardless of democratic law or individual human rights, `even in=3D20
(the United States of ) America'.


HEALTH:

Under attack, fearing censorship and loss of project data, decide to=3D20
circulate the maps being developed for the Seeing Cyberspace project,=3D2=
0
to go public with the ideas, as i fear my work will be deleted by=3D20
online vandals. Send 4 maps about creating a Public Energy Policy to=3D20
100 news organizations and government officials and receive no=3D20
response whatsoever.

initially no one in the local believes what is going on until i show=3D20
them the cumulative evidence of weirdness with my computer, website,=3D20
logfiles, and e-mails.



------------------------------------------------------------------------
14-	SEEING NO CHANGE
------------------------------------------------------------------------


SPACETIME: 	 1999-2000, San Francisco, California

due to the chaos experienced, and having tried everything within my=3D20
abilities to survive, it has become necessary to 'go public' with=3D20
this story, as a public autobiography of facts and events related to=3D20
working on public ideas which challenge the status quo, and do not=3D20
receive any support, but also, now, which are under active attacks=3D20
which are trying to shut me down by ruining my equipment, my health,=3D20
and my ability to continue on like this...


EVENTs & ANALYSIS:


i try one last time to fit into the system. There was a position for=3D20
a content developer at Sea-Change, a George Soros funded organization=3D2=
0
for social entrepreneurs. It is based on the concept of using private=3D2=
0
capital and resources to serve the public good. highly-qualified, i=3D20
was passionate about working with them as a content developer, and=3D20
also applying for a grant as a social entrepreneur.

i never got interviewed for the job. nor an e-mail after twice=3D20
querying the status of my application. It was as if i never sent in=3D20
my application, essays, urls, and ideas they requested. It was as if=3D20
i did not even exist, although i knew i was the one for the job. It=3D20
is what i believe in. instead, looking on their website two months=3D20
later i find that an editor from a well-known non-profit is selected=3D20
whose skillset seems to match only 10% of the job description,=3D20
whereas my skillset matched more like 90% of the qualifications. That=3D2=
0
was my job, and i didn't even have a chance of getting it, for=3D20
reasons i have tried to not accept as true. The result is writing=3D20
this story as an alternative. i tried to fit in, and, well, it didn't=3D2=
0
work. So i'm changing strategies now.

The wealthy and powerful executives of many a corporation lead this=3D20
effort to enact social change, to change things for the better.=3D20
private industry in service of the public. a great but very=3D20
troublesome idea that could work, if its paradoxes were acknowledged=3D20
and dealt with openly. That is to say, that the social goals are=3D20
public goals, not those of private industry.

This is an essay i wrote for their writing sample on the idea of=3D20
philanthropists funding public social entrepreneurs:


*	social venture capital (3/2001)

	http://www.electronetwork.org/works/automadness/change/


at the same time i applied for a grant as a social entrepreneur. My=3D20
computer being recently hacked and barely operable, i decided it was=3D20
time for me to tell the truth, or my side of the story, that of a=3D20
public citizen who was working on public ideas on their own, without=3D20
any resources, and who would be able to make significant progress=3D20
with these goals if given a chance, and some support. i was ready to=3D20
make things happen. The fighting spirit was still alive, even though=3D20
i was under attack for my ideas online and off.

After one month of filling out and then revising the online=3D20
application, the answer to my initial question as to whether or not=3D20
one has to be a legal nonprofit is answered contrary to a previous=3D20
answer e-mailed to me, and my application was instantly null and=3D20
void. i need to be a business, they now said with an apology, to be a=3D2=
0
social entrepreneur. In addition to this 'my story' was critiqued as=3D20
not being relevant to being a social entrepreneur. As it was my=3D20
personal experience. not about the social entrepreneurial ideas, but=3D20
about me as a specific and discrete individual. i wrote back to=3D20
SeaChange stating that i am my ideas, and these are public ideas.=3D20
They are human ideas, and not just private aberrations.

It is so odd to know that others can dismiss as irrelevant the lived=3D20
experience. what is a social entrepreneur if not first an authentic=3D20
individual human being? my answers to both 'obstacles encountered'=3D20
and 'major risks' were viewed as `out of bounds,' it seems. This act=3D20
of turning away from the truth, from seeing a human being who is=3D20
dying for their beliefs, for the pursuit of the public good, to be=3D20
simply dismissed away, even while this life form is in such a=3D20
precarious position as to be on the verge of extinction, and to do=3D20
nothing but turn away-- it is unconscionable and a horror that our=3D20
hypocritical societies of bureaucratic democracies look the other=3D20
way, as a holocaust of human rights is now underway reenacted by the=3D20
machinery of the world estate.


*	feedback on SeaChange application (7/2001)

	http://www.electronetwork.org/works/automadness/nochange/


request to be taken off of San Francisco based Creative Disturbance=3D20
website project for funding artists. having received no responses for=3D2=
0
the year my work was on the site, and seeing conservative,=3D20
institutional projects get profiled, I asked for removal. vetted as=3D20
to why by the director Mark Beam, i respond that i do not want my=3D20
work affiliated with an institution that does not serve me. i do not=3D20
believe in that the work of creative disturbance is funding is=3D20
anything that is challenging to the status quo, but only what the=3D20
reigning marketplace wants to legitimate.



HEALTH:

Need to cancel my work contract because my health has declined. Not=3D20
having an operational computer, and no upgrade path, all work has=3D20
ceased.

can no longer work on the Electronetwork.org project until getting=3D20
new, non-corrupted, working equipment.

health plummets as stress level goes higher and higher, to the point=3D20
where i cannot even function, such as writing or talking. And a=3D20
rational paranoia sets in, as disparate coincidence becomes concerted=3D2=
0
probability.

between being sick and having my computer broken, i am no longer able=3D2=
0
to work, as an employed disabled worker nor on my own research. This=3D20
inability to communicate online has been my last hope to move these=3D20
public ideas forward. And now i can no longer even do graphics on my=3D20
machine, only the most basic e-mail, and even that is now barely=3D20
operable.



------------------------------------------------------------------------
15-	THE LAST OF THE FREE RADICALS
------------------------------------------------------------------------


SPACETIME: 2001-

leaving Alameda, Calfornia, USA on
a journey to Montr=3DE9al, Qu=3DE9bec, Canada

when an individual can no longer act with reason, with common sense=3D20
logic, with truth of intersubjective facts, with generalist knowledge=3D2=
0
of several crucial subjects, and be denied the right to even exist,=3D20
then, something is wrong, as one cannot be free if they are only=3D20
considered insane because a bureaucracy has labeled them as such.=3D20
freedom is replaced by bondage, and as the cancer of a closed and=3D20
arch-conservative cultural order, all they can do is disappear, die.=3D20
And if they refuse, they are punished, until they submit. And give=3D20
away the last remnants of their mind, of their body, to a machinic=3D20
desire to destroy all difference by denying any similarity between=3D20
human beings, and our shared public endeavor.

The public health system in the USA has actively helped to kill me.=3D20
And ignored all evidence that it has done more harm than good. The=3D20
teachers in architecture school made sure i was seeing a psychiatrist=3D2=
0
when they abused their power by denying all truth which refuted their=3D2=
0
subjective beliefs. i got pills and they got their paychecks and=3D20
tenure. This too will change. i am no longer going to accept that=3D20
individuals who are in positions of power are not responsible for=3D20
their actions.

i hope they will change, or leave the University and give someone=3D20
else the chance they have denied others.



EVENTs & ANALYSIS:

a free-radical is a highly-reactive atom with an unpaired electron=3D20
which is associated with causing cancer, as it can disrupt the way=3D20
things ought to work when they are healthy.

So too, in a political sense, a free radical could be someone=3D20
operating within a conservative environment where the traditional=3D20
order rules, so much so that it may refuse to change, adapt, and=3D20
evolve so that it can stay 'healthy'. To survive, it needs to make=3D20
sure the potential causes of its cancer go away, permanently, if at=3D20
all possible.


*	architecturalizing fascism (2000)

	http://www.electronetwork.org/works/automadness/texts/theo_arch.html


*	American Ruins (2001)

	http://www.electronetwork.org/works/automadness/texts/ruins.html


taken to the extreme, traditional ideas can hold back the new, and=3D20
create a tension that will eventually be released, through war, art,=3D20
and ideas. Whenartists and thinkers and their ideas become 'the=3D20
enemy' and terrorize the status quo, then it is an age-old sign that=3D20
freedom is in jeopardy, and the ancient and repeating battle is once=3D20
again going to be played out on a grand scale.

The most dangerous thing in this environment is not that of an=3D20
ideological 'opinions' demanding change, for every ideology can and=3D20
will eventually be controlled. Instead, it is ideas, the freedom to=3D20
think and interpret which becomes the greatest danger, as Victor Hugo=3D2=
0
shared. It is in our ability to think freely, to question, and to=3D20
rethink our positions that enables us to change. When we cannot,=3D20
then, the predictable will happen again and again, looping back on=3D20
itself...


*	~~~ fascist network rising ~~~ (June 2001)

	http://www.electronetwork.org/works/automadness/texts/fascistnet.html


it is this dangerous fact which is being denied in the current=3D20
cultural order of United Statesism and its world picture. one of the=3D20
most disturbing events of my life was watching this years Fourth of=3D20
July parade outside my apartment on the main street of the small=3D20
island city where i live.

When i saw everyone participating in the parade, which each year gets=3D2=
0
more and more surreal in the commercial sense, i realized this was no=3D2=
0
longer my country, nor were the rights nor independence celebrated=3D20
mine, as they were not only actively denied me, but that in a very=3D20
specific sense, my ideas are considered a threat, an enemy of the=3D20
status quo that celebrates the country in its current form.

And it made me fear, not the powerful, for they are truly weak. It=3D20
made me fear the masses in the bureaucracy whom have to follow the=3D20
rules to survive, as they are the first to uphold the skewed ideology=3D2=
0
of a broken system. i no longer feel safe living in the USA, as it is=3D2=
0
now but a remnant of an idea, now only an ideology that could instead=3D2=
0
be called the United States of Apathy or Amnesia or Armageddon.=3D20
whatever one calls 'US' one thing is clear, this land is not my land,=3D2=
0
and this land is not free. And the blood of our ancestors which=3D20
fought to rescue this same idea, this same dream, from its somatic=3D20
incarceration from an unimaginative, totally manipulative, and=3D20
undemocratic bureaucratic machine of the industrial mindset. With=3D20
this sensation in my heart, i wrote the following e-mail to the=3D20
nettime-list...


*	declaration of Interdependence (July 2001)

http://www.electronetwork.org/works/automadness/texts/interdependence.htm=
=3D
l


as an individual human being, and as a part of the human community, i=3D2=
0
demand to see radical change in my life. i will serve no institution=3D20
which does not serve me, as a human being. i will not worship 'false=3D20
profits' in the guise of doing good, being right, decent, and fair.=3D20
The rules have changed my friends. The logic has changed. And now,=3D20
those who oppress yet deny, and continue to hold back change, the=3D20
ideas and actions which are needed to change the world for the=3D20
survival of our human republic, will have hell to pay...


		let loose the dragons,

	     and the world will be in flames.


credit, whether private money, stature, or status, is no good in a=3D20
human economy which values public deeds and actions more than selfish=3D2=
0
greed, and world class ego building through cultural pyramid schemes.

those who sentence those who dissent this insane system to absolute=3D20
cultural death will now face the same bureaucratic machinery as it=3D20
strips away the power of the despots whose individual power holds=3D20
back the rights of the human public.

you, the Inquisitor, will need to conform to a reality not of your=3D20
own making, nor under your own control or authority. You will be=3D20
humbled at the power of freedom, of imagination, and love, which=3D20
rebels against you and your ignorance. You have chosen to fight a war=3D2=
0
over ideas, which you can win only by destroying democracy. And we=3D20
will not allow this to happen, for just as our ancestors fell to=3D20
their knees, bloody and full of holes, in a pain greater than any=3D20
individual can bear alone, so too, in this our first Civilian World=3D20
War (CWW) you should now prepare yourself to meet your fate, which=3D20
you have chosen for yourself, apart from the rest of the human=3D20
community.

This land, the Earth, is our land, this land, the Earth, is free.=3D20
This land is sacred, and you defame it. And you defame those who want=3D2=
0
to protect it, and ourselves. You will be brought to your knees,=3D20
until you kiss the ground and join us.

 .

In the moments before my trip to Canada, to look for work, i am=3D20
captivated by an artist's painting at a streetfair outside my=3D20
apartment, during the weekend i am writing these last words of this=3D20
autobiography of madness. The painting i saw sums up every complex=3D20
emotion i feel, every thought i have but cannot convey. It is a=3D20
painting by Cherokee artist and Vietnam veteran John Balloue of an=3D20
Indian warrior with their flag, standing infront of the American flag,


	* * * Home of the Brave * * *

	http://www.finecraftgalleries.com/shell&stone/brave.htm


this painting conjures deep emotional pains of being an individual=3D20
human being living within a United Statesist worldview. The ideas i=3D20
love and honor are not those of a specific nation, but of a land of=3D20
freedom, of the body and the mind. Yet the world remains blatantly=3D20
unjust, as people continue to be processed into cultural extinction,=3D20
the wilderness within us all paved over with an ideology of fear not=3D20
freedom, hypocrisy not democracy, and murder not love.

The United States i will always cherish, honor, and be a part of is=3D20
the United States of Humanity. It is an idea about a world that is=3D20
free, which cherishes memory, and fights for the liberation of the=3D20
unique qualities of all people equally.

we are not machines alone. We are beings, with infinite desires. But=3D20
today, we are nothing but tools of an Automated State of Madness. a=3D20
place where thinking freely, and being different, is to risk becoming=3D2=
0
a terrorist and an enemy of the fascist bureaucratic world estate.

fellow humans. i need your help. let's work together with our unique=3D20
skills, and fight for our human right to be free...


	--first we take Montr=3DE9al...


HEALTH:

physical health is deteriorating from stress and ability to=3D20
communicate has become severely limited, as more stress agitates=3D20
symptoms of illness, including hives, exhaustion, not being able to=3D20
stay awake, confusion, dizziness, etc. Have welts and hives and=3D20
antibiotics. making me sicker. Mental Health medicines are making me=3D20
sicker. am on the verge of institutionalization and cannot accept=3D20
this as a valid option. I cannot go through this scenario again, and=3D20
survive. I am losing my ability to act, and my mental capacity by the=3D2=
0
day. No computer, I cannot work, on my ideas, to keep me sane, nor=3D20
for employment to work my way off the system, which has proven=3D20
impossible.

Have an ear infection and am given an antibiotic. due to earlier=3D20
medical malpractice, my immune system cannot accept the drug and i go=3D2=
0
into severe shock, an almost autistic state of not being able to=3D20
communicate.

i am nauseous for one month. sick feeling day and night. cold sweats.

collapse in the middle of the night. Have blood in my system. total fatig=
=3D
ue.

Can no longer work. Can no longer speak. Can no longer write.

Can not write a check or an e-mail.

Unable to understand anything. Can no longer read.

Unable to comprehend the idea of cooking food.

Unable to get bread to eat.

Not able to bicycle to the grocery, as my eyes cannot look straight=3D20
ahead. They are blitzing all over the place.

Unable to stand up, so dizzy.

No longer able to do regular chores such as washing dishes and cleaning.

overwhelming stress. massive fatigue. Paranoia

Unable to concentrate.

extreme toxicity lasts the full month of July, an event i have never=3D20
experienced nor could i imagine such symptoms possible in one bought=3D20
of illness. My immune system is damaged and i am ill all of the time=3D20
now. That much is evident. The public health system says i am not ill=3D2=
0
as my blood tests do not have all factors wrongs, to be classified as=3D2=
0
an illness. So this must just be in my head. But i can no longer go=3D20
along with this charade. As i am dying, my heart is dying in this=3D20
fascist state of turning away from the truth and instead towards the=3D20
certainty of self-deceit.

i am insane, of course, so i don't know any better. But, i know this.=3D2=
0
if i continue to stay in this bureaucratic system i will soon die, as=3D2=
0
my body and my mind have already been crushed beyond any hope of=3D20
recovery. But my spirit cannot be destroyed by this insane=3D20
bureaucratic democracy, by the false-freedom of conforming or being=3D20
punished, one in the same thing.

No.

freedom rings. hear the bells, they are calling us to gather...

we must meet soon as time has already run out, and thus we need to=3D20
utilize a human psycho-logic to wormhole our way back into our shared=3D2=
0
nonexistent future...




------------------------------------------------------------------------
16-	GOALS FOR TODAY
------------------------------------------------------------------------

SPACETIME:

2001, Alameda, Calfornia, USA to Montr=3DE9al, Qu=3DE9bec, Canada
30,000 feet, 500 mph, with nowhere to land


EVENTs & ANALYSIS:

i am visiting Montreal, Quebec, Canada, looking for work as a public=3D20
researcher, and support for my work through grants, or government or=3D20
educational research positions.

Goal: Livable income
Goal: part-time employment
Goal: Quiet workspace
Goal: Sufficient health care
Goal: Dual-citizenship
Goal: Telecommuting to work
Goal: Relocate to Montreal Canada
Goal: Computer equipment for work
Goal: Tools and equipment for research
Goal: Grants for public works projects
Goal: Financing for Electronetwork.org


contact me via e-mail if you are willing and able to contribute to=3D20
this public research effort so as to freely educate the citizenry=3D20
with ideas that can help facilitate peaceful and rapid change through=3D2=
0
our abilities to work together on shared goals.

brian thomas carroll 	human@electronetwork.org

independent researcher, content designer, strategist
please support the electronetwork.org project
http://www.electronetwork.org/support/

 .

please send help as soon as possible. We need to organize the public=3D20
to avoid the catastrophe looming on the horizon. people do not have=3D20
to die. We can change the system peacefully. We must. We have no=3D20
other choice, as wars cannot solve this problem. And the real war=3D20
will be on democracy, and our freedom to dissent and to work together=3D2=
0
for change...

there can be large-scale cultural change for a sustainable and=3D20
democratic human future. And your contributions and collaborations=3D20
are critically needed to make this possible. looking forward to=3D20
working with fellow humans in serving the needs of the public. into=3D20
the future... where we meet again.


HEALTH:

To be determined...  currently very ill.

i believe this can change but not in the current circumstances, which=3D2=
0
is what has made me write this story out, as it is the first time,=3D20
and the last time, i will be able to tell this story. Because i no=3D20
longer accept that i am the one who is insane and who needs to=3D20
change. i defy this label. i am a human being who is unique. As is=3D20
everyone. And it is the system of power and control over ideas that=3D20
has to change. i will not serve any institutions which do not serve=3D20
me back, as a human being.

In frankenstein, the monster is a result of a doctor and machinery of=3D2=
0
the state which made the madness manifest within the individual. It=3D20
is time to treat the causes of our cultural ailments, not just the=3D20
symptoms of our cultural dis-ease.


------------------------------------------------------------------------

return to Electromagnetic Internetwork http://www.electronetwork.org/

no copyright. public domain. 2001



--                                __--__-- =20

Message: 8
Date: Tue, 07 Aug 2001 15:37:43 +0200
From: jmm <www.vivendi@free.fr>
To: Nettime-bold@nettime.org
boundary=3D3D"------------080602040503050107020407"
Subject: [Nettime-bold] Fw: freely
Reply-To: nettime-bold@nettime.org


--------------080602040503050107020407
Content-Type: text/plain; charset=3D3DISO-8859-1; format=3D3Dflowed
Content-Transfer-Encoding: 8bit

jeanbaptiste bayle wrote:

> =3D20
>
> ----- Original Message -----
> * From:*||||||||||||| free ratp <mailto:www.ratp@free.fr>
>
> *To:* janba@hotmail.com <mailto:janba@hotmail.com>
>
> *Sent:* Monday, August 06, 2001 8:12 PM
>
> *Subject:* freely
>
>
> Monsieur,
>
> =3D20
>
> Nous vous informons avoir re=3DE7u une mise en demeure, en date du 31=3D=
20
> juillet 2001, de la RATP et concernant le site www.ratp.free.fr=3D20
> <http://www.ratp.free.fr> que vous avez enregistr=3DE9 aupr=3DE8s de no=
s se=3D
rvices.
>
> Selon la RATP, ce site reproduit plusieurs =3DE9l=3DE9ments sur lesquel=
s la=3D
=3D20
> RATP dispose de droits de propri=3DE9t=3DE9 intellectuelle, notamment l=
a pa=3D
ge=3D20
> d'accueil du site www.ratp.fr <http://www.ratp.fr> et sa charte=3D20
> graphique, des cr=3DE9ations pour lesquelles la RATP est titulaire des=3D=
20
> droits d'exploitation, notamment une entr=3DE9e de m=3DE9tro cr=3DE9=3D=
E9e par =3D
Hector=3D20
> Guimard dont la RATP est cessionnaire de l'int=3DE9gralit=3DE9 des droi=
ts,=3D20
> ainsi que plusieurs marques enregistr=3DE9es au nom de la RATP.
>
> De plus, la RATP a remarqu=3DE9 que lorsque l'on d=3DE9place le curseur=
 sur=3D
 la=3D20
> page d'acceuil de votre site, plusieurs modifications apparaissent =3DE=
0=3D20
> l'=3DE9cran. Cette nouvelle page =3DE9voque "L'ordre du Nouvel Ordre",=3D=
20
> pr=3DE9sent=3DE9 comme une secte.
>
> L'existence et le contenu du site accessible =3DE0 l'URL=3D20
> http://www.ratp.free.fr portent indiscutablement atteinte, aux droits=3D=
20
> de de la RATP ainsi qu'=3DE0 son image et sa r=3DE9putation et lui caus=
e un=3D
=3D20
> pr=3DE9judice dont elle est en droit de demander r=3DE9paration.
>
> Copie de cette mise en demeure vous a donc =3DE9t=3DE9 adress=3DE9e par=
 LRAR,=3D
 le=3D20
> 02 ao=3DFBt 2001.
>
> Nous vous indiquions qu'=3DE9tant la personne qui =3DE9dite le site Web=
=3D20
> www.ratp.free.fr <http://www.ratp.free.fr> au sens de la loi n=3DB0=3D2=
0
> 2000-719 du 1er ao=3DFBt 2001, il vous appartenait de donner les suites=
=3D20
> utiles =3DE0 cette mise en demeure *dans les plus brefs d=3DE9lais*.
>
> =3D20
>
> Nous =3DE9mettons, en effet, les plus expresses r=3DE9serves quant aux =
suit=3D
es=3D20
> de cette affaire.
>
> =3D20
>
> Nous vous prions d'agr=3DE9er, Monsieur, l'expression de nos salutation=
s=3D20
> les plus distingu=3DE9s.
>
> =3D20
>
> Soci=3DE9t=3DE9 FREE
>
> Service Juridique
>



--------------080602040503050107020407
Content-Type: text/html; charset=3D3Dus-ascii
Content-Transfer-Encoding: 7bit

<html>
<head>
</head>
<body>
jeanbaptiste bayle wrote:<br>
<blockquote type=3D3D"cite" cite=3D3D"mid:OE58cMzfoV1qdiixjnz00007588@hot=
mail=3D
.com">
  <meta content=3D3D"MSHTML 5.50.4522.1800" name=3D3D"GENERATOR">
  <style></style>
  <div>&nbsp;</div>
  <div style=3D3D"font-family: arial; font-style: normal; font-variant: n=
or=3D
mal; font-weight: normal; font-size: 10pt; line-height: normal; font-stre=
=3D
tch: normal; font-size-adjust: none; ">
----- Original Message ----- =3D20
  <div style=3D3D"background-color: rgb(228,228,228); background-image: n=
on=3D
e; background-repeat: repeat; background-attachment: scroll; -x-backgroun=
=3D
d-x-position: 0%; -x-background-y-position: 0%; "><b>
From:</b><a title=3D3D"www.ratp@free.fr" href=3D3D"mailto:www.ratp@free.f=
r">|=3D
||||||||||||
free  ratp</a>
  </div>
  <div><b>To:</b><a title=3D3D"janba@hotmail.com" href=3D3D"mailto:janba@=
hotm=3D
ail.com">
janba@hotmail.com</a>
  </div>
  <div><b>Sent:</b> Monday, August 06, 2001 8:12 PM</div>
  <div><b>Subject:</b> freely</div>
  </div>
  <div><br>
  </div>
  <div><font face=3D3D"Arial" size=3D3D"2">
  <div>
  <div><font face=3D3D"Arial" size=3D3D"2">Monsieur, </font></div>
  <div>&nbsp;</div>
  <div><font face=3D3D"Arial" size=3D3D"2">Nous vous informons avoir re&c=
cedi=3D
l;u une mise
en demeure,  en date du 31 juillet 2001,&nbsp;de la RATP et concernant le=
=3D
 site
  <a href=3D3D"http://www.ratp.free.fr";>www.ratp.free.fr</a>
 que vous avez enregistr&eacute;  aupr&egrave;s de nos services.</font></=
=3D
div>
  <div><font face=3D3D"Arial" size=3D3D"2">Selon la RATP, ce site reprodu=
it p=3D
lusieurs
&eacute;l&eacute;ments  sur lesquels la RATP dispose de droits de propri&=
=3D
eacute;t&eacute; intellectuelle,
notamment la  page d'accueil du site <a href=3D3D"http://www.ratp.fr";>www=
.r=3D
atp.fr</a>
  </font>et sa  charte graphique, des cr&eacute;ations pour lesquelles la=
=3D
 RATP est
titulaire des droits  d'exploitation, notamment une entr&eacute;e de m&ea=
=3D
cute;tro cr&eacute;&eacute;e
par Hector Guimard dont la  RATP est cessionnaire de l'int&eacute;gralit&=
=3D
eacute; des droits,
ainsi que plusieurs marques  enregistr&eacute;es au nom de la RATP.</div>
  <div>De plus, la RATP a remarqu&eacute; que lorsque l'on d&eacute;place=
=3D
 le curseur sur
la page  d'acceuil de votre site, plusieurs modifications apparaissent &a=
=3D
grave;
l'&eacute;cran. Cette  nouvelle page &eacute;voque "L'ordre du Nouvel Ord=
=3D
re", pr&eacute;sent&eacute;
comme une secte.</div>
  <div>L'existence et le contenu du site accessible &agrave; l'URL <a hre=
=3D
f=3D3D"http://www.ratp.free.fr";>
http://www.ratp.free.fr</a>
 portent  indiscutablement atteinte, aux droits de de la RATP ainsi qu'&a=
=3D
grave;
son image et sa  r&eacute;putation et lui cause un pr&eacute;judice dont =
=3D
elle est en droit
de demander  r&eacute;paration.</div>
  <div>Copie de cette mise en demeure vous a donc &eacute;t&eacute; adres=
=3D
s&eacute;e par LRAR,
le 02  ao&ucirc;t 2001.</div>
  <div><font face=3D3D"Arial" size=3D3D"2">Nous vous indiquions qu'&eacut=
e;ta=3D
nt la personne
qui &eacute;dite  le site Web <a href=3D3D"http://www.ratp.free.fr";>www.r=
at=3D
p.free.fr</a>
 au sens de la  loi n&deg; 2000-719 du 1er ao&ucirc;t 2001, il vous appar=
=3D
tenait de
donner les suites  utiles &agrave; cette mise en demeure <strong>dans les=
=3D
 plus brefs
 d&eacute;lais</strong>.</font></div>
  <div>&nbsp;</div>
  <div><font face=3D3D"Arial" size=3D3D"2">Nous &eacute;mettons, en effet=
, le=3D
s plus expresses
 r&eacute;serves quant aux suites de cette affaire.</font></div>
  <div>&nbsp;</div>
  <div><font face=3D3D"Arial" size=3D3D"2">Nous vous prions d'agr&eacute;=
er, =3D
Monsieur, l'expression
 de nos salutations les plus distingu&eacute;s.</font></div>
  <div>&nbsp;</div>
  <div><font face=3D3D"Arial" size=3D3D"2">Soci&eacute;t&eacute; FREE</fo=
nt><=3D
/div>
  <div><font face=3D3D"Arial" size=3D3D"2">Service  Juridique</font></div=
>
  </div>
  </font></div>
  </blockquote>
  <br>
  <br>
  </body>
  </html>

--------------080602040503050107020407--


--                                __--__-- =20

Message: 9
Date: Tue, 7 Aug 2001 10:11:49 -0400 (EDT)
From: Alan Sondheim <sondheim@panix.com>
To: <nettime-l@bbs.thing.net>
Subject: [Nettime-bold] of the book
Reply-To: nettime-bold@nettime.org

+++


of the book


i cannot write the book i desire; i think constantly - this text is an
introduction. there is nothing beyond the introduction.

the introduction is fecund, replete, with the details of the world
between heat birth and cold death; the introduction inhales universal
annihilation. there is no proper way to express this.

the books i would write break down upon their enunciation.

the announcement of the book is the book; the announcement effaces
itself in the exhaustion of continuous production. i hold
therapeutically, psychoanalytically, to this production; it becomes a
life-form, prehensile; it reaches towards the book; its tentacles begin
to wrap themselves around each and every trope; metaphors becomes
obstacles and worlds; the production exhales in its own denouement.

only in fear do i look forward to this production which spells my
failure,this inability to continue, this waywardness, contrariness.

it reaches through me, comes through me; how could i not believe in
ghosts, avatars, cyborgs, prostheses, emananations? i write as if their
very existence depended on it. repeatedly: i write myself into
existence; i write myself out of it. but the existence is tinged with
labor throughout - it is the laboring of an existence fragile and
wavering literally beyond belief.

if i could only make a statement and hold to it; if i could only connect
a series of statements, almost as if they were axioms "as if to say." it
is my strength and weakness that such connections are governed by
laughter, and the statements themselves, by misery. i am one of the few
who constantly see through myself. i know about failure from within, the
rapidity of existence, the inability to seize time for an instant. the
darkness is overwhelming: it is the darkness of the first and last, and
only in the midst of chaotic neutrality is the semblance of being
manifest.

holding to the book: holding memory in place throughout the vicissitudes
of life. a continuous series of failed projects tends asymptotically
towards truths that otherwise remain submerged; as it is, they are
external to symbolic foreclosure, forms of meanderings more at one with
dark matter than luminous and momentary gravity.

i could never tell you where the statement might be; what might be the
equivalence of the book; what might be its destination or distribution;
who might read what could be interpreted as a tropology of illness. i
could never tell you the statement, or "make it" in any sense, nor is
there a concept which holds fast, the "one good idea" that each of us is
supposedly destined to express. it is the "nor" that grips me, the
"neither this nor that," the "not both this and that," the dissuasions
of propositional logics and their fundamental modes - the
superimpositions of gestural logics and their organic gestures towards
the frisson and trembling of being in relation.

if only i could write of the rush of letters, the stream of meanings,
shape-riding semantics in the depths of the night! if only utterance
were at home within me, if there were set themes ready to be expressed,
clouds and darkened flows "just" about to turn or return to the
symbolic. instead the dance is always around - and it is a dance - a
fire elsewhere,beings i could almost see in the dim light, theoretical
constructs about to emerge out of a communality i witness, but never
partake in. even the play of the world escapes me; i search for books
within it; i search for the finality of the word, deconstructing at a
rush, fevered with disbelief, exhausted with being. what is "out there"
is never a "what," never "out there"; what is out there is insufficient.

biography, autobiography, flattens and disenchant, transforming theory
and abstraction to the incidental. scaffolding becomes anecdote and
complexity is reduced to the despair of a sleepless night. the book that
calls me forth is otherwise, effacing in the midst of the call, denying
in its insistency.

it asserts the "it" "itself," creating presence in absence, ontology in
the midst of chaos. it is the engine or process born of desire; it has
no otherwise existence. i fight constantly to ensure that its contents
and index reflect something beyond that, that desire does not become
circumstance, that circumstance does not turn thought of the world into
diary. no life is "worth living" and not in the book which calls me.

the book is an addiction.

the book is an inescapable addiction, raging, regulated, in the absence
of drugs, called forth in clarity, self-inscribing. not worth living,
but a medium of the world, circumstantial mediation or re/mediation in
denial.

this denial, rhetoric, flight, are characteristic of that philosophy of
dedication inhabiting me like an illness; they are symptoms of the book;
they fumble within me; they lock themselves within me; they hold my mind
in its insufficiency. they are my promise of redemption.

i deconstruct the possessive, calling on methodologies i recognize as
already used, carrying their own stain, their own historic shame.
thinking must always cast aside the stigma; thinking must never replace
it with the taint of purity. this is what i have been promised, speaking
to others through myself: these are the words of the book.

never written, this too a cauterization of a wound refusing to heal.

i cannot write the book "i desire" - that is my failure, not that of the
book. even the sentence is a sentencing; what is left to say falls to
pieces. indeed, there is nothing beyond the introductions.

like any other illness, a compulsion to write, to rectify, to bring down
the house, to absolve rectification, to slant.

to comprehend illness as a symptom, the momentary apparition of being.

"i desire," "my desire." the writing of submergence. the writing of the
remnant, remains. the writing of being-submerged, submerged writing.

the book, my book, the book.


=3D3D=3D3D=3D3D


--                                __--__-- =20

Message: 10
From: "LADEN" <LADEN@lothringer13.de>
To: <LADEN@lothringer13.de>
Date: Tue, 7 Aug 2001 16:18:49 +0200
charset=3D3D"iso-8859-1"
Subject: [Nettime-bold] |_ /\ |) (- |\|: SUN SET 11.8.-9.9.01
Reply-To: nettime-bold@nettime.org

program angels proudly present
*|*|**|*|**|*|**|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*|
Petra Gerschner
SUN-SET

11. August bis 9. September 2001
Do - So 16 - 20 Uhr

Eroeffnung: Freitag, 10. August, 19.00 Uhr
Sun-Set-Bar mit DJ=3DB4s Jens Kornacker, David Suess, Wolfgang Woehl

Kamingespraech, Sonntag, 12. August 2001, 20.00 Uhr
"Zur Ikonografie des Sonnenuntergangs"
mit Angela Koch (Kulturwissenschaftlerin)
und Michael Backmund (Journalist)
*|*|**|*|**|*|**|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*|

Der Sonnenuntergang ist eines der meistfotografierten Bildmotive und fast
immer mit der Erinnerung an einen besonderen Augenblick verbunden.
Mit dem Ausstellungsprojekt Sun-Set setzt die Muenchner Kuenstlerin Petra
Gerschner den Anfang fuer eine fotografische Sammlung zur "Ikonografie de=
=3D
s
Sonnenuntergangs".  Als kollektiver Prozess setzt sich diese Sammlung aus
vielen einzelnen Momenten, Wuenschen und Ereignissen zusammen, die von de=
=3D
n
Beteiligten erlebt und im Bild festgehalten wurden.
*|*|**|*|**|*|**|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*|

LADENGEFLUESTER:..**:-).."codewort: schnickelschnackel oeffnet tueren der
muenchner kulturszene.."..**++.."entwarnung: nur geringe strahlenbelastun=
=3D
g
durch ausstellung "sun-set"..**++:-)..

Program Angels Space: lothringer13/LADEN
eine Einrichtung des Kulturreferates der Landeshauptstadt Muenchen
www.lothringer13.de/LADEN, Lothringerstr. 13, D - 81667 Muenchen
tel/fax: 089 / 45 91 19 05, mail: alle@programangels.org
presse: tina@programangels.org, 0177 / 7 87 16 46

We apologize for crosspostings - to subscribe/unsubscribe contact:
LADEN@lothringer13.de
---
Outgoing mail is certified Virus Free.
Checked by AVG anti-virus system (http://www.grisoft.com).
Version: 6.0.265 / Virus Database: 137 - Release Date: 18.07.2001



---
Outgoing mail is certified Virus Free.
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Version: 6.0.265 / Virus Database: 137 - Release Date: 18.07.2001


--                                __--__-- =20

Message: 11
Date: Tue, 7 Aug 2001 16:42:12 +0000
To: nettime-l@bbs.thing.net
From: Fernando =3D3D?iso-8859-1?Q?Jos=3D3DE9?=3D3D Pereira <fjp@virose.pt=
>
Subject: [Nettime-bold] Links Prize A joint venture between VIROSE (Porto=
=3D
) and
V2_Organisation           (Rotterdam)
Reply-To: nettime-bold@nettime.org

=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D=
3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D
LINKS PRIZE>Call for Submissions
=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D=
3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D

***A joint venture betwwen VIROSE (Porto) and V2_Organisation (Rotterdam
)

On Liga=3DE7=3DF5es/Links/Liaisons

In 2001, the city of Porto (Portugal) and the city of Rotterdam
(Netherlands), are the chosen European Capitals of Culture. In the
context of Porto 2001, the Program on =3DABThought, Science and
Interdisciplinary Projects=3DBB is promoting an International Conference =
on
cyberculture, entitled =3DABLiga=3DE7=3DF5es/Links/Liaisons=3DBB, which i=
s curate=3D
d by
Jos=3DE9 Bragan=3DE7a de Miranda e Maria Teresa Cruz. The event will take=
 pla=3D
ce
in Serralves Museum (Porto) from the 29th October to the 2nd November.
Researchers and artists will be invited to react to the theme of the
conference and all collaborations will be gather in the website and in a
book to be published on the date of the conference.
Each one will react to these questions, in five specific sessions: free
links; strange or uncanny links; dangerous links; entangled links;
on-off links.

In conjunction with this event, Virose and V_2 Organisation have put
together a contest consisting of the development of web.art projects.
The contest is intended to promote projects of an experimental nature,
as should any kind of initiative of this sort. As such, multiple and
varied responses are expected, but these should not drift away from the
proposed Links themes. However, there shall not be any limitations to
the creative conception of Links, which should be developed in a
conceptually expansive form or manner.

The competition is open to any art project designed and developed
specifically for the Web and produced after the 1st of January 2001.
The deadline for submission is the 5th of October 2001, along with the
submissions form properly filled out.
The Juries final decision will announce the winner. The decision will be
communicated to the winning participants on the 31st of October 2001.
The US $2500 prize money will go to the best project in competition.
Runner ups shall receive a written statement for their participation
indicating the outstanding quality of their projects as well as an
invitation for future developments within VIROSE's  activities.


More info and Submission Form at http://links.virose.pt

****
If in need of support or for general questions concerning this prize,
you may contact Paul Coutinho through paulc@virose.pt
****

>>>>>>>>>


--                                __--__-- =20

Message: 12
From: josephptrota@yahoo.com
Date: Tue, 07 Aug 01 11:12:26 EST
To: nettime-l@bbs.thing.net
Reply-To: DoNotReplyByEmail@yahoo.com
Subject: [Nettime-bold] >>>11,000,000 EMAIL ADDRESSES FREE!
Reply-To: nettime-bold@nettime.org

Dear nettime-l@bbs.thing.net,


Would you like to send an Email Advertisement to
11,000,000 PEOPLE DAILY for FREE?
=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D=
3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D
=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D=
3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D
=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D
1) Let's say you... Sell a $24.95 PRODUCT or SERVICE.
2) Let's say you... Broadcast Email to 500,000 PEOPLE DAILY.
3) Let's say you... Receive JUST 1 ORDER for EVERY 2,500 EMAILS.

CALCULATION OF YOUR EARNINGS BASED ON THE ABOVE STATISTICS:

[Day 1]: $4,990  [Week 1]: $34,930  [Month 1]: $139,720

NOTE: (If you do not already have a product or service to sell, we can=3D=
20
supply you with one)
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Message: 13
From: "Wayne" <dabestsoft89@yahoo.com>
To: <NETTIME-L@bbs.thing.net>
Date: Tue, 7 Aug 2001 10:47:28
Subject: [Nettime-bold] Manuf. Production/Cntrol Software For $1,495.00!
Reply-To: nettime-bold@nettime.org



(ES87)Job Master, a complete, user friendly Windows based software packag=
=3D
e, can manage and control your operation from sales quote to=3D20
shipment. =3D20

For one week only, Job Master, normally $2,495.00, is on sale for a total=
=3D
 price of $1,495.00.  In order for you to receive this $1,000.00 savings=3D=
20
we must have your order by August 15th.

(To reply by E Mail to this message or be removed from our list, Please g=
=3D
o to the bottom of this message for an E Mail link.  Please do not=3D20
respond to us by hitting the "Reply" button. Our phone number is also loc=
=3D
ated at the bottom of this message.)  =3D20

Job Master is designed specifically for small to medium sized manufacture=
=3D
rs, and costs many thousands of dollars less than any other even=3D20
remotely comparable software package.

Following is a list of features. If you have any questions, would like to=
=3D
 discuss the package further, or if you would like to obtain our Web site=
=3D
=3D20
address for a total walk through of the program, please call me directly =
=3D
at (661) 286-0041.=3D20

By way of background, we are a software company, which for some years has=
=3D
 specialized in the development of custom software, primarily for=3D20
small to medium sized manufacturers.  Job Master is a distillation of ove=
=3D
r a million and a half dollars of software we have developed to control=3D=
20
and manage the production of our manufacturing clients.

Job Master contains the following features:

1. QUOTATION MODULE.  In this module, quotes are developed, modified, and=
=3D
 produced for sending to your client.  A history is kept of all=3D20
quotes for future reference, or modification for other clients.  All quot=
=3D
ations and revisions are "auto numbered," including versions.  The quotes=
=3D
=3D20
section allows for the entry of parts/processes, and costing of each, inc=
=3D
luding materials, labor, markup, and taxes.  Inventory status can be=3D20
accessed from this section for reference.

2. SALES ORDER.  Once a quotation is accepted, the final quotation inform=
=3D
ation can be transformed into a Sales Order for your client's=3D20
signature on a "point and click" basis.  The Sales Order can be modified =
=3D
and re issued if necessary.  A history if kept of all Sales Orders for=3D=
20
future reference, or modification for other clients.  All sales orders an=
=3D
d revisions are "auto numbered," including versions.  Inventory status ca=
=3D
n=3D20
be accessed from this section for reference.

3. CUSTOMER LETTERS can be created from the Quotation and Sales Order sec=
=3D
tions.

4. SHOP TRAVELER/WORK ORDER.  Once a Sales Order is accepted, the sales o=
=3D
rder information can be transformed into a shop=3D20
traveler/work order on a "point and click" basis.  Each item on the Sales=
=3D
 Order becomes a shop traveler/work order, with each step of=3D20
production of the item then listed on the traveler/work order.  Each such=
=3D
 traveler/work order is tied back into the Sales Order.  The shop=3D20
traveler/work order allows for the entry of line items, and notes on each=
=3D
 line item. The shop traveler/work order contains a "notes" section. =3D2=
0
The Shop traveler/work order allows for the storing or attachment of draw=
=3D
ings to the traveler/work order.  The shop traveler/work order also=3D20
contains a "drop down," from which standard processes can be selected for=
=3D
 inclusion on the shop traveler/work order.  The shop=3D20
traveler/work order numbers progress in order of production sequence, and=
=3D
 re numbers them if new steps are added.  The shop traveler/work=3D20
order allows for change orders or revisions, and numbers changes in seque=
=3D
nce of the original shop traveler/work order number; i.e., 100, 100-1,=3D=
20
100-2, etc.  All shop traveler/work orders and related revisions are reta=
=3D
ined in memory for future reference.  The shop traveler/work order is bar=
=3D
=3D20
coded for tracking of production step by step, and production of ongoing =
=3D
client status reports.  Bar coding includes the ability for an employee=3D=
20
to "swipe" their own ID bar code for recording in the system as to who up=
=3D
graded what step.  The shop traveler/work order function also allows=3D20
for manual update of production status.  The shop traveler/work order all=
=3D
ows for quality control sign off, and the final production of=3D20
certifications, either from a "canned" list, or hand typed in on a case b=
=3D
y case basis.

5. INVENTORY.  The application includes an inventory section, which allow=
=3D
s operations to check materials inventory in and out.  The=3D20
inventory section allows for the comparison of inventory received against=
=3D
 a P.O., and produces an "overage/underage" report of inventory=3D20
received as compared against the P.O.  The inventory section allows for t=
=3D
he setting of minimum (re-order now!) and maximum inventory=3D20
amounts, and produces reports showing what inventory needs to be ordered,=
=3D
 as well as inventory that is at or above the maximum set to have=3D20
in house.   The inventory section also tracks "partially shipped" orders,=
=3D
 which are tied in to the shipping function.  This section shows how=3D20
much completed product under a particular order has been actually shipped=
=3D
 to a client, and how much remains to be shipped.  The balance is=3D20
adjusted as shipments are made.

6. REQUEST FOR PURCHASE.  The application allows operators to produce a R=
=3D
equest For Purchase for accounting for any inventory items,=3D20
which need to be ordered.  Inventory items have a drop down of approved v=
=3D
endors for each item.

7. REQUEST FOR BID.   The application allows operators to produce a Reque=
=3D
st For Bid for accounting to send to Vendors for any inventory=3D20
items, which need to be ordered.  Inventory items have a drop down of app=
=3D
roved vendors for each item to which Requests For Bid can be=3D20
sent.

8. INVOICE.  The application produces an invoice/invoice detail for all c=
=3D
ompleted items ready to be billed/shipped to clients.

9. PRODUCTION OUTPUT STATUS.  The application produces a date range selec=
=3D
table report on how much product, and the value of the=3D20
product, which was completed during a selected date range.  The applicati=
=3D
on also produces a report on how many orders, and the value of=3D20
those orders, which remain to be completed during a selected date range.

10. The application produces SHIPPING DOCUMENTS as per selected shippers,=
=3D
 and produces a PACKING SLIP.

11. The application has a "FIND" FUNCTION in selected sections, allowing =
=3D
for searches by customer name, work order number, etc.

12. The application has "AUTO FILL;" i.e., when an operator starts to typ=
=3D
e in a name, number, etc. all related information auto fills after the fi=
=3D
rst=3D20
few letters or numbers are typed in.

Job Master is currently being sold in the marketplace for $2,495.00 per p=
=3D
ackage.  However, if we receive your order by August 15th, your total=3D2=
0
price will be $1,495.00

Again, if you have any questions at all, or would like to place your orde=
=3D
r, please call me on my direct line, (661) 286-0041.  Thank you!


Wayne D. McFarland
Application Sales, Inc.


-------------------------------------------------------------------------=
=3D
-----------------

This message is sent in compliance of the new e-mail bill: SECTION 301. P=
=3D
er Section 301, Paragraph (a)(2)(C) of S. 1618,=3D20

To REPLY, if you have questions about our services and wish to respond by=
=3D
 E Mail, please click on the E Mail address following and enter=3D20
"Inquiry" in the subject line.  REPLYS please click here: dabestsoft89@ya=
=3D
hoo.com

To be REMOVED from our mailing list, please click on the E Mail address f=
=3D
ollowing and enter "Remove" in the subject line.  REMOVES please=3D20
click here:  manufsoft14@yahoo.com

-------------------------------------------------------------------------=
=3D
------------------


--                                __--__-- =20

Message: 14
Date: Tue, 07 Aug 2001 19:28:50 +0000
From: Nils =3D3D?iso-8859-1?Q?R=3D3DF6ller?=3D3D <nils@khm.de>
Reply-To: nils@khm.de
Organization: Kunsthochschule =3D3D?iso-8859-1?Q?f=3D3DFCr?=3D3D Medien =3D=
3D?iso=3D
-8859-1?Q?K=3D3DF6ln?=3D3D
To: nettime-l@bbs.thing.net
boundary=3D3D"------------48B51B946EC3055D9B88E4DB"
Subject: [Nettime-bold] Adequatio Artis et Torturae =3D3D?iso-8859-1?Q?=3D=
3D9=3D
6?=3D3D Towards Marcello
Mercados Capital
Reply-To: nettime-bold@nettime.org

Dies ist eine mehrteilige Nachricht im MIME-Format.
--------------48B51B946EC3055D9B88E4DB
Content-Type: text/plain; charset=3D3Diso-8859-1
Content-Transfer-Encoding: 8bit

Adequatio Artis et Torturae =3D96 Towards Marcello Mercados Capital

Primo Levi spoke once about the shame to be a human being. The shame to
be a human being did grow within him after having survived the
holocaust. Levi wrote that the shame to have been tortured, to have been
treated in a way that cannot be seen in parallels to other treatments,
did grow in himself after the liberation of the concentration camps.
This is one factor that helps to see Marcello Mercados work =3D93The
Capital=3D94. The videofilm is a work in progress since years, it is find=
in=3D
g
now its shape. The actual state is 70 minutes long. Most time the
capital is formed by moving abstract colours and an overhelming
soundscape.
The film is not all the time abstract.
This has to do with the second factor: Of colourmaking and of
abstraction. The color Fra Angelico became famous for  - the Fra
Angelico blue =3D96 goes back to lapizlazuli stones. Very expensive stone=
s
and a very long and precious way were necessary to produce colour from
these stones. Marcello Mercados colours go back to Super 8 films: films
of tortured persons in Argentina. It is found footage material that
someone gave to him. Mercados colour productions starts from these
images. He shows this basic images at the end of the film.
At the end of the film one starts to feel shame, shame to have liked
colours and forms that have been abstracted from yellow, blue,
deformated, burned bones and organs.
Marcellos work challenges an old definition of what is true or not.
True is when mental concepts are adequate to the things they represent.
Three questions do arise immediatley: What is a mental concept? What is
an adequate representation? And what are things?
Stefan Zweig discusses aspects of this questions in the context of the
theory of novel. Zweig argues that Dostojewskis novels are beautiful
because they are truly lived through: The writer Dostojewski did live
through all the cruelties and tortures he is writing about.

This enabeld him in the interpetation of Zweig to represent Russia in a
true that is adequat form. Zweig argumentation assumes that art is
overhelming when an adequation between the representing artists and the
represented reality is taking place. This is highly problematic. At
minimum in two regards: First because Dostojewski did need a central
idea (in his case: the idea of the becoming moral superiority of russia)
in order to maintain and persue the construction of his novels, second
because the adeqution is a relativ criterion. At the same time, but in
a  different geophilosphical context the definition of adequatio is not
connected with an action of the soul, but to well working technology
(see for example the biologist Ernst Haeckel).

How an adeqution is performed can be discussed in terms of
geophilosophical and epistemic conditions. Marcellos Mercados The
capital reflects this. Like Dostojewski he has survived extreme
situations, but in difference to Dostojewski Marcello does not construct
a central idea in order to organize his expressions. Marcello uses
distinctly technology in order to question what he has seen and
suffered. Flint- and Paintbox =3D96 Techniques are used as optical device=
s
who do shape another view on the phenomena to express. This enables him
to step beside his powerstation of sensations and to discuss them from a
different angle. Colour options and geometric constructions are such
angles. They are laid out in the programm of the machines. But this
angels are not focussed by a fleeing point, but by an open horizont
formed by  a critique on capitalism.
The Capital of Marx serves in the Capital of Mercado as an open horizont
of questions (not as stock for clear ideas that may order actions and
events) and as an invitation to discuss the fact of torture and cruelity
in a post-colonial time.

Please check also note on Cusco
www.tuxamoon.de/text/Kerzenhaendler/vorwort.html
And on Toti in South America (in english) www.tuxamoon.de/text/Toti.html

Nils R=3DF6ller

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