artclay on Mon, 4 Feb 2002 11:20:03 +0100 (CET) |
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[Nettime-bold] sound art performance |
sound art performance art clay, live electronic & found objects the Logos Foundation Kongostraat 35 B-9000 Gent, Belgium 14 febuary 2002 8 o’clock pm more info: http://www.logosfoundation.org/lb/0202/lb0202kon.html#020214 (excuse for xpostings) ------------------------------------------------>>>>>>>>>>>>>>>>>> two music.compositions & three sound.art pieces & an informative text: thin(g)k-music The pieces presented in the performance don’t sound, they crack, break, squeak, squeal etc. etc. etc. and in reaction against the hero worship so established at the prayer meetings of classical people known as concerts. and today in the crack between two centuries and during ultraglobal happysaddness life, i/you/we/them have found other solutions to the virtuous via the daily. example? ok: we turn the tv on and zap thru channels faster than superman flies to snatch louis lane, faster than paganini could skip across violin strings. our remote controls are our daily bread for which we pray. we, yes we, are no longer subject to time; we can freeze people, places and things. further: mute, blind and lam them (in the middle of a word(s) or (re)action), or even in a case of imaginary capitol punishment zap them into the oblivious realm of the black known as ‘off’. today we, including you, are fake, living as a desktop alias. About this performance alias music alias possibility? ok: i concentrate on what lies around me, my house, my world. what? ok: the debris in the crack of the two centuries i stand stuck in. my coffee cups, my paper, my vinyl, my glass, my pavorotti, my megaphonics, etc. etc. etc. we ((the royal (ad)version)) don’t need more highcultur anymore for that; no for we have our utensils, our collection of ofs. what? ok: our mind and our body:: wrapped up in easy consumer electronics. The thing thing electrified with a mike mixer thing thing brought to you by japan and continuing to communicate to all worldly per air waveform at high/low decibel, short/long & big/small wave thing thing. this idea continued on channel one through sixteen: Getting to the point/border, i/me present you/them the sound of non? sound(ing) thing(s) musics. microsounds amped up. feedback tuckedup into the coffee cup ketchup bottle dowap bebob burp thing with variations on this non?musical material non?art objects of various porous/nonporous objective (in terms of the daily) earthly items (sometimes) found at/in/on stores here/there/anywhere infecting us with gutter reduced supermarket prices. final comment, finally: listen=listen; dig=enjoy; understand=nonpossible; all= ||:click&pop:|| culture. and a final conclusion, finally: john cage has left us; lara croft wears fake polygons; nn is a total _____(s). And oh, did they mention it? censorship is global. be invited to listen & nonparticipate! artclay, zuerich, almost 2002 art clay biography lives in berlin + in basel. self taught irregardless of the possession of diplomas for music and languages. determined goals reached through indeterminate means, or as necessary or forced. due to contact with the works or persons on the following list, hopelessly bond to the twentieth and twentieth first centuries: leonardo da vinci, buckminster fuller, sun ra, john cage, marcel duchamp, billy name. works concerning the use of modern media including various genre for sound and image such as video, photography, music and performance. performance x-perience (in all media of own and not own compositions) here and there, worldly, international and @ home. instrumental virtuosity obtained on: flute, computer and the german language. has a home page: just one klick+klick away: http://home.sunrise.ch/artclay