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[Nettime-bold] unstable digest vol 20
Florian Cramer on Sun, 10 Nov 2002 17:51:52 +0100 (CET)


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[Nettime-bold] unstable digest vol 20


From: "Martin (biz.finder.net.au)" <martin {AT} finder.net.au>
Subject: Undeliverable mail: Error accessing your w
Date: Sun, 3 Nov 2002 09:14:16 +1030

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Subject: Undeliverable mail: [_arc.hive_] Error accessing your website
From: MAILER-DAEMON {AT} hispavista.com
To: <_arc.hive_-admin {AT} lm.va.com.au>
Date: Sat, 02 Nov 2002 23:39:06 +0100
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Failed to deliver to '<6digit {AT} galeon.com>'
LOCAL module(account 6digit {AT} galeon.com) reports:
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Reporting-MTA: dns; hispavista.com

Original-Recipient: rfc822;<6digit {AT} galeon.com>
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From: "Martin (biz.finder.net.au)" <martin {AT} finder.net.au>
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Date: Sun, 3 Nov 2002 09:08:21 +1030


From: pascale gustin <gustin.pascale {AT} free.fr>
Subject: "1 of 1 deletions"
Date: Sun, 03 Nov 2002 21:11:08 +0100




L'_eN(g)Rage \ment politi][~isch][K et l' _art is T(od) 

][ref lex][1/O.ns 10verses NOT es][

--------\B(L)ien-sUr 2 que/S\tions f.Ond(ent)

----------------------------------------A: 

-------------------------------][menta les_sel][l] a tenement) T nem T

-tout d_abord--------1/O(f.ne

1 of 1 deletions
1 deletion done
apply: Command attempted to use minibuffer while in minibuffer
 





From: "dis.[UR]Locate" <netwurker {AT} hotkey.net.au>
Date: Sun, 10 Nov 2002 12:57:34 +1100
Subject: [Up.]Dated Sun.day, November 8th, 2002



__________[Up.]Dated Sun.day, November 8th, 2002______________________

- re:placed the new.Nce re.C#.[Ever.crack[l]ing]ding! with a ripped 
[double] blind.

- re:moved all references 2  L.[747]boeing yr way in2 the sense.less.

- d.bugged [not happy]jan.re:cauling & yr passi[e]ve][+a.dam][.printLoad. 
wanderings

- s.witched ab.sor[e]ption modes 2 "Sau[fi]ssureStunNRun" or 
"NeedANetWurkingSerialNumberQuickAnyHelpwillbeAppreciated"

- stripped disLocate modules + toggle mode is now operational un.duh these 
sett[l]ings:
         1. my mind is codeDark & S[en.s][t][ory]D[eprivation]blank.
         2. i canKnot  re:align.
         3. u push my buttons + run[::end].
         4. i'll squ[ID]eal, i will!
         5. u stink of code piss.
         6. let me wind u down //[grindMode].
         7. s.wing_shifting my fluid way in2 yr organ_head.



. . .... .....
pro][tean][.lapsing.txt
.
.
www.cddc.vt.edu/host/netwurker/
http://www.hotkey.net.au/~netwurker/
http://www.hotkey.net.au/~netwurker/display.myopia.swf

.... . .??? .......


 



Date: Fri, 8 Nov 2002 10:25:42 +0100 (CET)
From: integer {AT} www.god-emil.dk
Subject: 


------------=_1036748281-655-115




http://www.m9ndfukc.org/data/noisz/055.mp3


t!me = komplekx

neuton thought t!me = dze bakground 4 ever!dz!ng elsz 
- eternal + unchang!ng - dze fabr!k upon u!ch ever! dz!ng elsz = ur!tn

quantum teor!e = changed d!sz

t!me = bakground !ndependent
t!me = dze relaz!onsh!p betu!n flouz !n zpasz
1x quantum leap = t!melesz. 0+0 t!me ekz!ztz !n betu!n.

zlkt bra!nz akount 4 d!sz real!t! az dze! 

touch



http://www.m9ndfukc.org/data/noisz/r.op5.no2.mp3


http://www.m9ndfukc.org/data/noisz/no.koment.mp3










------------=_1036748281-655-115
Content-Disposition: inline; filename="message.footer"




From: "Jim Andrews" <jim {AT} vispo.com>
Date: Fri, 8 Nov 2002 16:55:00 -0800
Subject: keywords

Frequency of keyword searches to vispo.com homepage as compiled by Extreme Tracker since May 99.

 1403 19.35%    poetry
 654   9.02%    visual
 567   7.82%    experimental
 292   4.02%    writing
 274   3.77%    concrete
 246   3.39%    design
 199   2.74%    essays
 184   2.53%    jim
 179   2.46%    typography
 177   2.44%    andrews
 137   1.88%    poems
 133   1.83%    age
 127   1.75%    art
 120   1.65%    pictures
 109   1.50%    new
 94    1.29%    of
 92    1.26%    vispo
 92    1.26%    media
 81    1.11%    canadian
 78    1.07%    on
 73    1.00%    forms
 65    0.89%    and
 63    0.86%    dada
 58    0.80%    futurism
 56    0.77%    animation
 54    0.74%    apollinaire
 43    0.59%    write
 35    0.48%    to
 33    0.45%    in
 33    0.45%    computer
 33    0.45%    experiment
 33    0.45%    the
 32    0.44%    form
 31    0.42%    designs
 31    0.42%    how
 28    0.38%    platapus
 27    0.37%    literature
 24    0.33%    about
 24    0.33%    poem
 24    0.33%    a
 24    0.33%    web
 24    0.33%    alphabet
 23    0.31%    im
 21    0.28%    book
 21    0.28%    langu
 19    0.26%    poetic
 19    0.26%    generated
 18    0.24%    software
 18    0.24%    personal
 18    0.24%    text
 18    0.24%    andrew
 18    0.24%    garde
 18    0.24%    avant
 16    0.22%    poetics
 16    0.22%    poet
 15    0.20%    programming
 14    0.19%    morph
 14    0.19%    langucom
 14    0.19%    pgq
 14    0.19%    books
 13    0.17%    artists
 13    0.17%    animated
 12    0.16%    what
 12    0.16%    is
 12    0.16%    graphics
 12    0.16%    canada
 12    0.16%    writings
 12    0.16%    avantgarde
 11    0.15%    interactive
 11    0.15%    lettrisme
 11    0.15%    an
 11    0.15%    real
 11    0.15%    music
 11    0.15%    by
 10    0.13%    for
 10    0.13%    up
 10    0.13%    penis
 10    0.13%    literary
  9    0.12%    cyber
  9    0.12%    vispocom
  9    0.12%    free
  9    0.12%    artist
  8    0.11%    language
  8    0.11%    poetryconcrete
  8    0.11%    cabalistic
  8    0.11%    hyper
  8    0.11%    pop
  7    0.09%    innovative
  7    0.09%    wwwvispocom
  7    0.09%    arts
  7    0.09%    java
  7    0.09%    wwwlangucom
  7    0.09%    isou
  7    0.09%    reading
  7    0.09%    i
  6    0.08%    life
  6    0.08%    3d
  6    0.08%    features
  6    0.08%    anteater
  6    0.08%    webb
  6    0.08%    phyllis
  6    0.08%    visp
  5    0.06%    webartery
  5    0.06%    poets
  5    0.06%    com
  5    0.06%    innovation
  5    0.06%    or
  4    0.05%    jims
  4    0.05%    12
  4    0.05%    image
  4    0.05%    dhtml
  4    0.05%    hand
  4    0.05%    peom
  4    0.05%    nio
  4    0.05%    bots
  3    0.04%    where
  3    0.04%    can
  3    0.04%    quotes
  3    0.04%    find
  3    0.04%    images
  3    0.04%    wwwvispo
  3    0.04%    wwwispocom
  3    0.04%    world
  3    0.04%    audio
  3    0.04%    shockwave
  3    0.04%    s
  3    0.04%    code
  3    0.04%    ngu
  3    0.04%    visuals
  3    0.04%    hyperreal
  3    0.04%    game
  2    0.02%    research
  2    0.02%    love
  2    0.02%    report
  2    0.02%    visualpoetry
  2    0.02%    picturesnet
  2    0.02%    de
  2    0.02%    human
  2    0.02%    list
  2    0.02%    home
  2    0.02%    pinocchio
  2    0.02%    relatedvispocomstats
  2    0.02%    24
  2    0.02%    information
  2    0.02%    exhibit
  2    0.02%    site
  2    0.02%    fist
  2    0.02%    first
  2    0.02%    sites
  2    0.02%    university
  2    0.02%    net
  2    0.02%    vue



 



Date: Fri, 8 Nov 2002 10:45:38 -0800
From: MWP <mpalmer {AT} JPS.NET>
Subject: Morpho-Acrostic 1

Morpho-Acrostic 1

750 data "we turn tide we ride wind we whip butt we change world we doubt
vision we lose faith we fall hard we taste doom", "doom taste we hard fall
we faith lose we vision doubt we world change we butt whip we wind ride we
tide turn we", 70

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        aaaaaaaaaaaaaabbbbbbbbbbbbbbccccccccccccccddddddddddddddeeeeeee
wwvvvuuutttsssrrrqqqpppooonnnmmmlllkkkkjjjiiihhhgggfffeeedddcccbbbaaa
eeffffgggghhhhiiiijjjjkkkkllllmmmmnnnooooppppqqqqrrrrssssttttuuuuvvvvww
    aaaaaaaabbbbbbbbccccccccddddddddeeeeeeeffffffffgggggggghhhhhhhhiiii
fffffggggggggghhhhhhhhiiiiiiiiijjjjjjjjjkkkkkkkkkllllllllmmmmmmmmmnnnnn
aaaaaaaaaaaabbbbbbbbbbbbbbbbbbbbbbbbcccccccccccccccccccccccdddddddddddd
lllkkkkkkjjjjjjiiiiiihhhhhhggggggfffffeeeeeeddddddccccccbbbbbbaaaaaa
llllllmmmmmmmmmmmmnnnnnnnnnnnnoooooooooooppppppppppppqqqqqqqqqqqqrrrrrr
    aaaaaaaabbbbbbbbccccccccddddddddeeeeeeeffffffffgggggggghhhhhhhhiiii
hhhhhhhhhggggggggggggggggggfffffffffffffffffeeeeeeeeeeeeeeeeeeddddddddd
aaaaaaaaabbbbbbbbbbbbbbbbbbcccccccccccccccccddddddddddddddddddeeeeeeeee
rrqqqqppppoooonnnnmmmmllllkkkkjjjjiiihhhhggggffffeeeeddddccccbbbbaaaa
ddeeeeffffggghhhhiiiijjjkkkkllllmmmmnnnooooppppqqqrrrrsssstttuuuuvvvvww
        aaaaaaaaaaaaaabbbbbbbbbbbbbbccccccccccccccddddddddddddddeeeeeee
wwvvvuuutttsssrrrqqqpppooonnnmmmlllkkkkjjjiiihhhgggfffeeedddcccbbbaaa
eeefffffgggghhhhhiiiiijjjjkkkkklllllmmmmnnnnnoooooppppqqqqqrrrrrssssttt
    aaaaaaaabbbbbbbbccccccccddddddddeeeeeeeffffffffgggggggghhhhhhhhiiii
tttssssrrrrqqqqqppppooooonnnnmmmmlllllkkkkjjjjiiiiihhhhgggggffffeeeeddd
aaaaaaaaabbbbbbbbbbbbbbbbbbcccccccccccccccccddddddddddddddddddeeeeeeeee
ssrrrrqqqqpppoooonnnnmmmllllkkkkjjjiiiihhhhggggfffeeeeddddcccbbbbaaaa
ttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttt
eeeffffgggghhhhhiiiijjjjjkkkkllllmmmmmnnnnoooopppppqqqqrrrrrssssttttuuu
  aaaabbbbccccddddeeeeffffgggghhhhiiijjjjkkkkllllmmmmnnnnooooppppqqqqrr
ddddeeeeeeefffffffggggggghhhhhhhiiiiiiijjjjjjjkkkkkkklllllllmmmmmmmnnnn
ooonnnnmmmmmlllllkkkkjjjjjiiiiihhhhgggggfffffeeeedddddcccccbbbbaaaaa
ooooopppppppppqqqqqqqqrrrrrrrrrssssssssstttttttttuuuuuuuuvvvvvvvvvwwwww
mmmmmlllllllllkkkkkkkkjjjjjjjjjiiiiiiiiihhhhhhhhhggggggggfffffffffeeeee





From: pascale gustin <gustin.pascale {AT} free.fr>
Subject: <title></title>
Date: Thu, 07 Nov 2002 17:01:46 +0100

c{EST CA QUI FAIT C}est ce qui
f[urther]AIt /que je MAR/que Entr<E>NTr-EN>t(end)<RE les li.\gnes D(
                                                                       
fa1(SE) tes

              )
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.
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.
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http://www.atelierblanc.net/p-gustin/uTOpia/graph6.gif

















From: ++ <loy {AT} myrealbox.com>
Subject: ECN target: Only use(+ lo_y +)
Date: Fri,  8 Nov 2002 22:11:25 +0100 (CET)

t-[arg:nt]
 >--[mcomp.g][e]------------[mcn-rE>!
--y-U
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ces au--ec[e]
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ECNon, n thu-[M][spa        in]t -v4 h 
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L preens e


que al-----[m-io-e][T-rtrl est-ts  d-in& enN bi]-->CN (ta)-N-ecn-D-fiR.fllet
ce -----mOCN ta'il eN bin.tert: esqu'il n\./    --en
com-R]['i]l eve

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q    --enECN t---L-n, d-i-mem ONCE       

 
 
 
_______________________________________

__   -   -  lo_y  -  -   __  _
_______________________________________

PTRz: 
http://rhizome.org/object.rhiz?5852
http://trace.ntu.ac.uk/incubation/gallery.cfm
http://www.muse-apprentice-guild.com
http://www.krikri.be/poeuk.html
http://www.google.com/search?q=lo_y
http://lo-y.diaryland.com/
________________________________________


Date:         Wed, 6 Nov 2002 11:54:22 -0800
From: solipsis <solipsis {AT} HEVANET.COM>
Subject: Re: Called Virginia by the Pirates: they were Ruth-less


Geworfenheit: c[ha]osm/c[ha]omm

http://www.hevanet.com/solipsis/chickenscratch/lquarles/cosmcomm.html








From: pascale gustin <gustin.pascale {AT} free.fr>
Subject: "2 of 2 deletions"
Date: Mon, 04 Nov 2002 06:51:42 +0100



io "Base I/O address" "0x[0-9a-fA-F]+"

;;V.ri(fy)t able\.ment
;;&
;;d./UR][spr][A][che] \.blement
;;cE qu_il E st(ab)








Date: Fri, 8 Nov 2002 12:21:47 -0600
From: Harrison Jeff <worksonpaper01 {AT} HOTMAIL.COM>
Subject: - - - Original Message - - - (3 Stanza Monte)

 >>>terrace
 >>
 >>
 >>forty-five
 >>>death
 >>>one side
 >>lamp"
 >>>tone                      >>From:
 >>>and mine?                 >>To
 >>beauty of a                >>Sent                    >>says I
 >>thighs                     >>Subj                    >>last. Resort
 >>>                          >>                        >>narcissis
 >>>                          >>                        >>>Virginia
 >>The police                 >>>gone all               >>>the airport
 >>>the alliance              a case                    >>>
 >>>wooden                    >>dig                     >>>
 >>MARGI                      >>as it were              >>>two
 >>hammer                     >>>                       >>>tentative
 >>prepare                    >>>                       >>>actual Eve
 >>I                          >>>                       >>dial tone
 >>>sheet                     >>softball                >>cursory
 >>>                          >>an offer                Jeff
 >>>                          >>electronic              >>>para
 >>cold enough                >>offer                   >>>ran back
 >>caseload                   >>afternoon               >>>mostly flat
agreeable                    >> - - - -                >>>press
 >>>complaint                 >> From                   >>>infanta
 >>>scheduled                 >> To                     >>>
 >>>were sleep                >> Sent                   >>>
 >>>detoured                  >> Subject                >>digital
 >>more coffee                >>                        >>light
 >>mugs. The                  >>
 >>>wade                      >>>My ears
 >>>thin metal                an explanation
 >>>                          >>fifteen futile
 >>>                          >>straight w
 >>>manila envelope          >>>glass
 >>>on me                     >>>pard
 >>>button                    >>>the sleeves
 >>>Mantic                    >>>she slept
 >>>patients                  >>>moonless
 >>>was down
warm-ups


_________________________________________________________________
Add photos to your messages with MSN 8. Get 2 months FREE*.
http://join.msn.com/?page=features/featuredemail





Date: Sun, 3 Nov 2002 10:47:32 +0100
From: Johan Meskens CS2 jmcs2 <JohanMeskensCS2 {AT} chromaticspaceandworld.com>
Subject: |   || " || 3-11-2002-10:43 |_| 561363 5" || |

|-ckhromaschine-|
|-I-a-C-m-H-a-A---i-k-h-O-| " |
|   || " || 3-11-2002-10:43 |_| 561363 5" || |      |||||||white||||||      |||blue|blue||||orange 'purple ~" || - |
|   ||   ||   ||   ||   ||   ||
|      17      |      14      |      21      |      86
|       0      |      --
" .
" 'A./ GLIDING SQUARE, a writing system
"
" CHROMATISCH UND RAUM
"    "    "    "1/6 repaeated
  "      "         "            "          "          "           " ..1

i e a a i m a d H I N ' i e = 1 h n w h y a t e - a
i w i a r v t i i o u b i u h e r a o i i t e i l t
h s t o s u e i n c i a h a i a i e a r n y c t o i
a i i a n i e t i h i n a a b r v i t n v i i e i a
i e e i m i o e e i w a e o t n h i e a n h i h i t
n s t n t m w u o c i t w u u o i o c h w n e n s w
n n a s o t r w i n i w r h r n r o l i s u w i c m
e h e l r m e u n R i l w e i r o l w o c w t n u a
e i n r u o h s u r i n a w t i l w t t e o t o t t
o n a l t l e h w i n l o a i i f o a f u w r t h a
r S h l d v s t i r o e i n k w h n i b w e i i h h
m n t o o e


i started a drawingi r a i
i made a drawingi d a w

THIS IS ONEI I N
'This is one' == 1' i n = 1

the difference between the symboled and its sentencedt d w h l n i c



i t a r
i a a i

H I N
' i o = 1

t e t h m a t e



w t i
i e
h m

a h o

o l



---------------------------




------
i e w e
i r o o w o f
w r a u i

e i n m u o h s u
h i n i

w t i c
w r t e o h l t h o


we circle around itw c u i
we circle the worldw l h w
mooningm

'rest of world'' o l

i lose focus when i close my eyesi s c h i c m e
she goes blind every times g l r i

thea.De
deus.s
te.theus.intrau
INTRAR

in alexandria we meti a w e
in rest of world we lose focusi e o w w s o
we turn and turn insanew r a u s

there is no more bullet for the last gunr i n m l f h s g
there is no airh i n i

we turn in circlesw u i e
we turn the rest of the world into the moonw u h r o h l n h o
mooningm

a satellite to alexandriaa t t d
there`r
there we will land safelye w l l l
on last airo l i
in form of a first bullete o o a s u

we tr-w t
tt

the last treet l t
s.SUs
the last dTREE dividingt a T i
spos.spokes
splitting in branchest i h
 pososo
 possesso
 i don't knowi ' n

we shot alexandria in orbitw o x i b

we turned itw e i
i heri e
she meh m

and then ona e o

on travellingo a


yesterdays ii wasa ini afrikar
runningn overo tot americar
standingd ono australiana borderso
iti musts haveh beene europeo alll togethert
livingi ini italyl sleepinge ini berlinb withi here
somehows theh moono messede upu here mindm
andn sincei ii becamee here asa ii wasw
ii turnede
andn turnedu insanen
anybodyn canc telle youy ii ama insanei
ii havev nonen
ii tellt thet busdriverr heh isi anda arer aa badb programmersp
evenv ifi hetheyh don't' livel ini alexandriae
yesterdaye ii wasa ini alexandriaa
meetingt ini americam
standingi ono aliena bordersd
ii wasw illegala
dreamingi ofo italyt havinga nightmaresg ini berlinb

andn sinces sheh isi hereh
ii turnu
anda sheh turnst insanen withw mem

wew turnr ouru socialo skillss tot
wew turnr ouro sociali skillsi ono eache othere

wew don'td needn non rests
wew don'td neede aa rests ofo theh worldl

wew circlel aroundo iti
wew circler theh worldr
mooningo

'reste ofo world'r

ii loseo focusu whenw ii closes mym eyese
sheh goese blindl everyr timet

thea.De
deus.d
te.theus.intrar
INTRAT

ini alexandriax wew metm
ini rests ofo worldw wew loses focusu
wew turnu anda turnr insanea

thereh isi non morer bulletu foro thet lastl gunu
theret isi non aira

wew turnt ini circlesc
wew turnu theh rests ofo theh worldr inton thet moono
mooningm

aa satellitet tot alexandriai
there`e
theree wew willw landa safelye
ono lasts airi
ini formf ofo aa firstf bullett

wew tr-t
tt

theh lasts treer
s.SU.
theh lasta dTREEE dividingv
spos.spokes
splittingl ini branchesa
pososo
possesso
ii don'td known

wew shots alexandriax ini orbitr

wew turnede iti
ii here
sheh mem

andn thent ono

ono travellingl




yesterdRdayiIiwaAasiIinafRfrika
runnNningoveEertTtoameEerica
standiNingoOonaustraliaUanbRborders
iIitmuMusthaVavebeeEeneUeuropealAlltogethGher
lIlivingiIinitalIlysleepinIngiIinbeBerlinwiIithhEher
sOsomehowtTthemMmoonmSmesseduUuphHhermiMind
anNndsincNceiIibecamBmehHheraAasiIiwaWas
iIiturnNned
aNandtUturnedinsanSne
aNanybodycCcantTtellyYyouiIiaAaminNnsane
iIihaHavenNnone
iIitelEllthThebusdrRriverhHheiIisaNandarRreaAabBbadproMogrammers
eEeveniIifhetTtheydoNon'tliLiveiIinalexNxandria
yesTsterdayiIiwaAasiIinalElexandria
meMeetingiIinameriRica
standinAngoOonalAlienborBrders
iIiwWwasiIillegal
dreMeamingoOofiIitalyhavinIngnighNhtmaresiIinbRberlin


------------

ii stasrted aa drawring
ii mdade aa darawing

TIHIS IIS ONNE
''This iis onee' === 11

thte diefference betbween thhe symbyoled annd iits seentenced




" she spoaketh in branches





she said me :
she said me :
she said me :     to distribute evenly
she said me : and oneself
she said me : so whisperedly : cooks do multiple things at one time
she said me :
she said me : Me I'm a plant.
she said me : i prefer you take care of everything, i will help you take care of everything
she said me :
she said me : i am one of those plants
she said me :
 gute nacht






.











Date: Sat, 2 Nov 2002 23:29:41 -0500 (EST)
From: Alan Sondheim <sondheim {AT} panix.com>
Subject: review first off of Kenji Siratori Blood Electric 




REVIEW kenji siratori BLOOD ELECTRIC


KENJI SIRATORI, BLOOD ELECTRIC, published 2002 by creation books -
www.creationbooks.com - BUY THIS BOOK -

Your book came; it's absolutely brilliant! I really am amazed by it - the
long looping sentences, the slow stuttering development, never sure what
side the language is on, how it's generated, whether human or machine is
speaking.

I don't see it as Burroughs, although I understand the reference. For me,
Burroughs is oddly modernist; there are conspiracies and organizations and
everything seems to fly apart but never really does; it goes back to
literature. In your work, the flying apart is almost hysteric; it's global
networking - it's the end of literature in a way and the beginning of
nexus in another -

Your book came; it's almost impossible to read straight-through! It rides
on the hinge between bot and machine, software and wetware programming! In
a sense it's Stelarc in print, but with the latter, the machinic and the
body are in negotiated homeostasis; ontology isn't challenged. In your
work, I'm not sure who or what is behind it.

I don't know the vocabulary which constantly collapses; there's nothing
transitive here, no connectors, or - in place - everything in this, in
language itself as this might point is - is transitive, a deferral among
the more violent physics of the world. Speaking/writing/reading take
relatively little energy in general compared to a hammer, cyclotron,
motorcycle, stove, scissors. The physical world transforms, is inert,
among enunciations that effect and affect actions. Over book-length the
capital WORDS change - early ADAM late ToKAGE - they anchor the page -

Your book came; it slides off page 224, the last! I know there's no ending
to anything here, to the vicissitudes of language. It has nothing
whatsoever to do with Stelarc, who divides his work among language and
silence, body-movement-introjection, and language-projection on the page.
This among the cyberpunk, cypherpunk, scissorpunk, melds like Burroughs;
unlike Burroughs it's all present-tense description that's a cross-
dressing performative -

Or the performative is that of kenji siratori - kenji satori - reading
back into the author - it's not like the Eliza program - indeterminate in
that respect - the who or the what of the making - where are the commas -
semicolons -

The :: // >/ language collapse. The << >> or :<< >> language collapse.
Levels without closure - tags and metatags - incomplete guides. Thus
"rapture::the streaming=energy strategy of the human-genome//". Back-
cover blurb, Jack Hunter in part: "black reverb of soft machine seppuku, a
molten unspooling of sheet metal entrails" and Stephen Barber in part
"blood- and semen-encrusted debris with the finesse of a beserk Issey
Miyake" - everyone _into it._

Your book coma/came: not cyberpunk!:://but slime-mold particulate entities
- inhalations, exhalation, exaltations - subterranean sweep of submerged//
massive surge::look - it's a flat text - planar or shifting planes - skew-
orthogonal planes to be exact -

It's a flat text - the depth of a meter to be exact - that is, a meter
above and below the text - one hundred centimeters by my calculation -
internal and external organs / prostheses broken down, imploded - the
characters phenomenologically spread among the text - everything internal
and external is excrescence - and always in closeup - the length of a
needle - the span of a wire - taut relationships among avatars -
retro-ADAM - body-OMOTYA -

Your book came - incredible; I can't read the imminence of the plot! I
don't know what's happening! I know something's happening - colors and
collusions across a global laminanimal space - "labyrinth::cold-blooded
diseases of love-reptiles with murder function of ADAM Doll
function/uterus-machine that exploded" - continuous return to the useless
performative of the PAGE - alphabetically-sectioned (Dead Bargain /
digital-animal-structure / Edge) through Pork then back to abolition
connecting with first-section abolition but last p. 224 running off the
page (see above) - Joycian, circular - the run-off finishing on first
abolition's page 9 -

Sliding off, abolition repeats for the most part - then it's after that,
the inbetween - A-Z through Pork - become-unique, turbulent - retro-
fitted, future-anterior -

The book I can't read! I can't read any book; the book implodes precisely
50 centimeters beneath the surface of my skin - from the other side -
mirror looking in - convex or concave - the problematic of its opticality
- "Our machine beast is twisted to the logic space of an amoeba::the
digital nightmare invades the quantum spiral of a cyber sun::it is the
record of death//" -

Your book came! - I don't know you, what you are, who you are, what group
prostheses - of which continent - of which program or litany of bots or
human anguish endeavored into present-tense psycho-disturbance - the
opposition of Jabes - lips come back to suture - the book to end books -
of continuous ascription to machine/event/situation/narratology/author/
flesh - your book came - this is the process/procedure of REVIEW -

KENJI SIRATORI, BLOOD ELECTRIC, published 2002 by creation books -
www.creationbooks.com - BUY THIS BOOK


===






From: a u t u m n - f r e q u e n c y <star.power {AT} usa.net>
Subject: ECN.tar.gette: setteO1usette_bit10 ( nAIMeSTATe )
Date: Fri, 08 Nov 2002 21:34:23 -0700

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From: Alan Sondheim <sondheim {AT} panix.com>
Subject: performative happening somewhere else
Date: Wed, 6 Nov 2002 22:21:02 -0500 (EST)




performative happening somewhere else


all my colors are garish - i'm ill again - slight fever - headache -
chills - forgive me - my dashes - i speed past celine - a realization -
there is no performative - the performative doesn't exist - material
refractions - that's all - wedding vows - everything - require concrete
embodiment - that's how it is - it's all physical states - the state-space
of the machine - things changing - state-space to state-space - surface
residue on the screen - ascii or otherwise - all sorts of things - words
continuing on another level - we've got to be careful here - among the
internal matrix of meaning of language and orienting of cognitive domains
- and transformations of material strata - i've always written about the
political economy of language - the necessity of the scream or demand or
cry of the wounded or orgasm or laughter - not necessarily in that order -
it's an economy that exfoliates and effuses within its own sememe - its
own space and own ontology - epistemologically it wanders like everything
else - but that space concretely presents the potential abundance of
material operations - it's not that i'm a materialist - in spite of my
sore throat and shivering - but that the material world carries on the
discredit of language - it's all a mix we pass for intelligence as if
writing and theory were an 'however' summarizing the abstract configura-
tion of the day - thought is internal/external - panoplies of tendrils
among laminanimal - can you imagine - it doesn't reside one way or another
- instigated by mental operations hardly to the discredit of the material
world - the performative is in the speaking or writing - my fingers on the
keys - my vocal cords and enunciations - literally a far cry - i can
hardly focus now - but the theory of performativity has to be radically
revised - i can assure you - the point it's missing is elsewhere - not
even peripheral - not even a 'somewhere else' - i'm hard put to hypothe-
size the bridges - mappings of all sorts - internal neural mappings to
external manipulations - all machinery - all electronics - is the lever -
my eyes are hurting - this goes on and on - the doctors can't do a thing -
they keep asking questions - sending me from one to another - keep filling
out forms -


===





From: Karl Petersen <diocletian {AT} visi.com>
Subject: Re: "digital poetry" vs net art
Date: Fri, 8 Nov 2002 20:34:43 -0600 (CST)

http://www.chromaticspaceandworld.com/cgi-bin/2002/11/1-11-2002-2230.CGI

At 17:52 on Nov 8, llacook reasoned:

>
> Would be ineterested quite alarmingly in responses to this question:
>
> Are "digital poetry" and net art two distinct genres? And, perhaps more importantly, should they be?
>

sigma
xtexte/Catalog-3-8-1998.txt:"MAGAZINE OF SIGMA CHI"|"Q"|"115"|"1996/97"|"4"|$10.00|115.00
xtexte/Catalog-3-8-1998.txt:"RECORD OF SIGMA ALPHA EPSILON"|"Q"|"115"|"1995"|"CPT."|$0.00|115.00
xtexte/Catalog-3-8-1998.txt:"RECORD OF SIGMA ALPHA EPSILON"|"Q"|"116"|"1996"|"1-3"|$0.00|116.00




Date: Sat, 2 Nov 2002 13:15:50 +0100
From: Johan Meskens CS2 jmcs2 <JohanMeskensCS2 {AT} chromaticspaceandworld.com>
Subject: |   || " || 2-11-2002-13:14 |_| 334366 4" ||

|-ckhromaschine-|
|-r-S-E-O-h-i-s-a-S-c---R-| " |
|   || " || 2-11-2002-13:14 |_| 334366 4" || green|||green|||red|||||red|||||      |||      | 'black ~" || - |
|   ||   ||   ||   ||   ||   ||
|      20      |      16      |      33
|       7      |      --
" .
" 'A./ GLIDING SQUARE, a writing system
"
" CHROMATISCH UND RAUM
"    "    "    "5/6 repeated
  "      "         "            "          "          "           " ..1


she says the space i live is her
5C5C5C
X[1]
FFFFFF

            .       . ,p
                                      , a - one movement of spaces ' '
C1C1C1
323232
B9B9B9
K[1]
636363
* from black to black
she saying i live hers

181818
BBBBBB
N[1]
.
D7D7D7
ABABAB

V[1]



DDDDDD
5E5E5E
a coarse voice
686868

F1F1F1
she said : invisible
she
X[1]
1B1B1B
D[1]
f[1]


she did not say she misses me
i my wife
747474
            . one disappearing under a book
7C7C7C
D1D1D1
8E8E8E
505050
says she is invisibly

she
B3B3B3
525252
040404
            .       . ,p
            .       . not enic. ending. / not ending
I[1]
Y[1]
M[1]
191919
she said she misses the place where i live
* an infinity of hunderd times * being x
070707
EEEEEE
she said : scientific
CCCCCC
C[1]
saying she is
O[1]
A[1]
222222
7F7F7F
777777

b[1]
P[1]
111111
2C2C2C
3E3E3E
she said : says she
      ./ wires coming out of ithem _ connected
868686
A6A6A6
969696

000000
2A2A2A

she says the space i live is her
AEAEAE
G[1]
C9C9C9
E[1]
B0B0B0
6D6D6D
262626
818181
she is
intending
L[1]
indenting
F3F3F3
131313
555555
4E4E4E
E0E0E0
C6C6C6
6A6A6A
424242
3B3B3B
            .      . i lost track of this structure
i[1]
                                      , a - one movement of spaces ' '
h[1]
R[1]
474747
A8A8A8
6F6F6F


797979
A0A0A0

303030
g[1]
4B4B4B
8B8B8B
                                      , it is squashed
EBEBEB
E5E5E5

F6F6F6
919191
D4D4D4
444444
she
898989
B[1]
U[1]
from my speaking she says
242424
989898
a[1]
F9F9F9
S[1]
151515
so here we are
* from white to white

she said she the place i live
* W/B
373737
9E9E9E
A3A3A3
5C5C5C
Q[1]
F[1]
                              . that 'e' is being dropped, it comes in between
BEBEBE
j[1]
727272
c[1]
1E1E1E
595959
            .       . continuing or so continue + ing
she said she misses where i live
B6B6B6

                       , so it might not function
404040
H[1]
she is always
she is says invisible
a coarse voice
1F1F1F
353535
-
is hers she is
FCFCFC
939393
DADADA
C1C1C1
0E0E0E
she says berlin
393939
J[1]
575757

she says my voice is different from my speaking
* a hunderd times.101


616161
9B9B9B
FFFFFF

848484
* a hunderd times more
E8E8E8
282828
she
CFCFCF
she misses said
2E2E2E
she says i am invisible
W[1]

Z[1]
            . one disappearing under a sheet of paper
T[1]
666666
0B0B0B
-
E2E2E2
e[1]
C4C4C4
she saiys, indenting


494949
d[1]
she is travelling




.












nettime unstable digest vol 20
Sun Nov 10 15:44:00 2002


Subject: Undeliverable mail: Error accessing your w
    From: "Martin (biz.finder.net.au)" <martin {AT} finder.net.au>

Subject: "1 of 1 deletions"
    From: pascale gustin <gustin.pascale {AT} free.fr>

Subject: [Up.]Dated Sun.day, November 8th, 2002
    From: "dis.[UR]Locate" <netwurker {AT} hotkey.net.au>

Subject: 
    From: integer {AT} www.god-emil.dk

Subject: keywords
    From: "Jim Andrews" <jim {AT} vispo.com>

Subject: Morpho-Acrostic 1
    From: MWP <mpalmer {AT} JPS.NET>

Subject: <title></title>
    From: pascale gustin <gustin.pascale {AT} free.fr>

Subject: ECN target: Only use(+ lo_y +)
    From: ++ <loy {AT} myrealbox.com>

Subject: Re: Called Virginia by the Pirates: they were Ruth-less
    From: solipsis <solipsis {AT} HEVANET.COM>

Subject: "2 of 2 deletions"
    From: pascale gustin <gustin.pascale {AT} free.fr>

Subject: - - - Original Message - - - (3 Stanza Monte)
    From: Harrison Jeff <worksonpaper01 {AT} HOTMAIL.COM>

Subject: |   || " || 3-11-2002-10:43 |_| 561363 5" || |
    From: Johan Meskens CS2 jmcs2 <JohanMeskensCS2 {AT} chromaticspaceandworld.com>

Subject: review first off of Kenji Siratori Blood Electric 
    From: Alan Sondheim <sondheim {AT} panix.com>

Subject: ECN.tar.gette: setteO1usette_bit10 ( nAIMeSTATe )
    From: a u t u m n - f r e q u e n c y <star.power {AT} usa.net>

Subject: performative happening somewhere else
    From: Alan Sondheim <sondheim {AT} panix.com>

Subject: Re: "digital poetry" vs net art
    From: Karl Petersen <diocletian {AT} visi.com>

Subject: |   || " || 2-11-2002-13:14 |_| 334366 4" ||
    From: Johan Meskens CS2 jmcs2 <JohanMeskensCS2 {AT} chromaticspaceandworld.com>



lurking editors

beatrice beaubien <i2eye {AT} mac.com>
    7-11 nettime-bold syndicate thingist 
florian cramer <cantsin {AT} zedat.fu-berlin.de>
    7-11 _arc.hive_ eu-gene o-o rhizome rohrpost syndicate webartery wryting 
alan sondheim <sondheim {AT} panix.com>
    7-11 _arc.hive_ poetics siratori trAce webartery wryting 
$Id: digestunstable.pl,v 1.11 2002/10/09 17:22:50 paragram Exp $

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