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From: acces local <local@cybercable.fr>
Subject: mumia abu jamal
From: Susanne Dickel <susanne@tmg.co.uk> (by way of richard barbrook)
Subject: Bosnian Institute Events Update
From: Sandra Gering <sandra@geringgallery.com>
Subject: Cohen-Frank-Ippolito launch new project this Thursday
From: Lucas Gehrmann <triton@thing.at>
Subject: Buch- und Projektpraesentation ART SERVER
From: infos 2000 <khruna@teo-spiller.org>
Subject: INFOS 2000 To Award Prizes for "(off-line) 'net.art' contest"
From: developer@lfoundation.org
Subject: >>>>>>> lfoundation \\ project update 9190
From: Marion von Osten (marionvonostn@gmx.ch)
Subject: k-bulletin nr.3 is online
From: "Han Speckens" <Persgal@casema.net>
Subject: Fw: The Internet without the Internet
From: "NOMADS" <nomads@nomadnet.org>
Subject: Search Engine: Greg Sholette
From: isea <isea@isea.qc.ca>
Subject: Open Call for ISEA Hosts -Reminder
From: Károly_Tóth_=5Bzeroglab_rotterdam=5D?= <zeroglab@freemail.c3.hu>
Subject: zeroglab rotterdam - 0G_BULLETIN_25_MAY_2000
From: "Lessard, George" <GLessard@gov.nu.ca>
Subject: bitbybitdigital digital art competition
From: fred <adamsan@mide-cu.uclm.es>
Subject: un nuevo museo en la red, el MIDE
From: post@perfres.demon.co.uk (performance research)
Subject: PERFORMANCE RESEARCH/CALL FOR PROPOSALS
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Date: Tue, 23 May 2000 20:11:14 +0200
From: acces local <local@cybercable.fr>
Subject: mumia abu jamal
Ecoutez la voix de Mumia Abu Jamal
http://www.frequenceslibr.claranet.fr/pages/moumia/rowsound.html
click sur « Who is not on death row MP3 »
Nous vous attendons mercredi 24 mai, place de la Concorde,
coin rue de Rivoli, au rassemblement hebdomadaire pour Mumia,
assister ŕ une pičce sur Mumia par une poétesse Colombienne,
entre 18 et 20h, face au consulat Américain.
L’hôtel Crillon livrera les petits fours ŕ l’entracte, les C.R.S les
plus glamour veilleront sur le bon déroulement des opérations.
name diffusion
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Date: Tue, 23 May 2000 19:29:42 +0100
From: Susanne Dickel <susanne@tmg.co.uk> (by way of richard barbrook)
Subject: Bosnian Institute Events Update
----------------------------------------------------
BOSNIAN INSTITUTE, London
-----------------------------------------------------
EVENTS UPDATE, May 2000
-----------------------------------------------------
http://www.bosnia.org.uk
----------------------------------------------------
5 June 2000: Charles Crawford
"Bosnia-Herzegovina in the post-Milosevic era?"
Charles Crawford is Deputy Political Director of the Foreign and
Commonwealth Office and was formerly British Ambassador to
Bosnia-Herzegovina. He will be speaking about Bosnia-Herzegovina in the
post-Milosevic era.
The Bosnian Institute's Monthly Public Forums are held on the first
Monday of every month except August (or the second Monday, if the first
is a Bank Holiday). Meetings take place in the Boardroom, University of
Westminster, 309 Regent Street, London, W1 from 7 to 9 PM. Closest
underground station: Oxford Circus.
-----------------------------------------------------
http://www.bosnia.org.uk
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Date: Tue, 23 May 2000 14:28:03 -0700
From: Sandra Gering <sandra@geringgallery.com>
Subject: Cohen-Frank-Ippolito launch new project this Thursday
Is online art a revolution or a flash in the pan? In _Three Degrees
of Separation_, Janet Cohen, Keith Frank, and Jon Ippolito
(www.three.org) take sides on this issue in an argument that unfolds
visually as well as verbally. The "separation" of the title refers
both to the fierce disagreement between the three protagonists as well
as to the means by which that disagreement is recorded. Each claim in
the argument is represented by an image which the artists have
filtered and separated into three colors. The amount of overlap
between these three separations indicates the degree of consensus
between the three collaborators.
Appropriately enough for the topic, the argument exists in two
simultaneous forms. An offline installation that unfolds
statement-by-statement around the walls of the gallery draws imagery
from magazines and books, which are then separated into cyan, magenta,
and yellow--the three subtractive hues used for printing color in the
offline world. Visitors to the Web site, on the other hand, can
trigger a visual argument that cascades through red, green, and blue
separations of images culled from the Web. While the images
representing the argument are different for the two versions, the
underlying argument is the same, beginning with the assertion "The
Internet gives artists the opportunity to make art without the
trappings that plague art objects."
_Three Degrees of Separation_ is the latest, most divisive, and quite
possibly the last adversarial collaboration between Janet Cohen, Keith
Frank, and Jon Ippolito, who have been agreeing to disagree since
1992. These three New York-based artists foreground the conflict
inherent in collaboration by basing each work on a particular
competitive event, such as marking territory by targeting an opponent
with projectiles, haggling over the hanging of a group show, or
evaluating each other's ideas for an artwork. While their earlier
adversarial collaborations took the form of an installation, book, or
drawing, their more recent projects have taken advantage of the
Internet's capacity for encouraging flame wars and other clashes of
perspective.
The online version of _Three Degrees of Separation_ launches Thursday
at www.three.org; the physical installation remains at Sandra Gering
Gallery, 476 Broome Street at Wooster, through July 30.
www.three.org
www.GeringGallery.com
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Date: Wed, 24 May 2000 02:47:58 +0200
From: Lucas Gehrmann <triton@thing.at>
Subject: Buch- und Projektpraesentation ART SERVER
Buchpräsentation / Neuerscheinung
Margarete Jahrmann und O.K Centrum für Gegenwartskunst OÖ (Hg.):
ART_SERVER: STARGATE TO NETCULTURE
Texte und Positionen zu Netz-Kunst, -Kontext und -Kultur /
Positions on structural aspects of net art, content and culture
launching Art_Servers
Mit Beiträgen von Konrad Becker, Andy Best, Eric Davis, Thomas
Feuerstein, Marina Grzinics, Katharina Gsöllpointner, Margarete
Jahrmann, Gabi Kepplinger/Thomas Lehner, Kristin Lucas, Martin Sturm und
James Wallbank; deutsch und englisch
76 Seiten mit 32 Farb- und s/w-Abbildungen, 27 x 21 cm, broschiert
öS 220,–/DM 30–/sFr 30,–
TRITON Verlag, Wien 2000
ISBN 3-85486-064-1
Samstag, 27. Mai 2000, ab 14 Uhr
O.K Centrum für Gegenwartskunst OÖ, Linz
A-4020 Linz, Dametzstrasse 30
Programm Netzkunst-Enquete
14:00–15:00: Art_Server als soziale Intervention
James Wallbank/GB: Redundant Technologies Initative/Elektronische Medien
zum Nulltarif (http://access.lowtech.org)
Marina Grzinics/SL: Die Kunst bedienen oder dem politischen Konzept
dienen?
(http://ljudmilla.org/quantum.east)
15:30–16:30: Server-Intertextualität, Leben als NetzkünstlerIn
Kristin Lucas/ USA: Host/Pockemon Game Culture
(http://diacenter.org/lucas)
Andy Best/FI, meetfactory: Communities in vernetzten Lebensumgebungen
(http://www.meetfactory.com)
17:00-18:00h: Commentary Panel, Kunstserver und Kunstprovider
Gabi Kepplinger, Thomas Lehner/Linz: servus.at, Autonomer Netzknoten
(http://www.servus.at)
Gerfried Stocker/Ars Electronica Center Linz: Server und Center
(http://www.aec.at)
Konrad Becker/Wien: Modell Public Netbase (http://www.t0.or.at)
20:00h: Ausstellungseröffnung Cameron Jamie, Kristin Lucas
21:30h: Filmscreening: John Tylo, Live soundscape: Roland von der Aist
22:00h: Lo_Ser Gameboy Concert live & DJ-Night
INTERNET IN REAL SPACE
Telematische Kunstprojekte wie z.B. im Internet erscheinen uns a priori
als eine ortlose Kunstform. Gerade die Fragestellung, „wie spezifisch
netzbezogen das künstlerische Werk“ sei, bringt das grundsätzliche
Dilemma, das das Verhältnis von Kunstort und Netzprojekten bestimmt,
deutlich zum Ausdruck. Ein Ausstellungshaus ist nicht der Ort der
Netzprojekte.
Dieses Dilemma als Herausforderung verstanden hat Margarete Jahrmann,
die für das O.K Linz eine mehrteilige Medienreihe zu gegenwärtigen
Tendenzen und ästhetischen Praktiken der Netzkunst konzipiert hat. Im
Zentrum der Überlegungen standen dabei gerade die Schnittstellen zum
realen Raum und die Frage nach Repräsentationsformen „in der
Wirklichkeit“ des Kunstortes. Die einzelnen, von den Künstlerinnen und
Künstlern entwickelten Projekte werden im Katalog-Buch „Art_Server:
Stargate to Netculture“ ausführlich dargestellt.
Die Schnittstelle wird als soziale Umgebung definiert und ganz bewusst
in Beziehung gesetzt zu den Inhalten einer neuen Medienkunst, die in
Spielen und Chatrooms technologische Entwicklungen in der Simulation von
Erlebniswelten initiiert und erprobt. Auf einer zweiten Ebene wurde
versucht, den typologischen Aufbau des elektronischen Netzes durch eine
Reihe von Installationsarbeiten, die für den realen Ausstellungsraum
entwickelt wurden, zu thematisieren. Insofern geht es am „realen“
Kunstort niemals nur um die Repräsentation von Netzkultur, sondern um
die Analyse unserer sozialen Wirklichkeit im Hier und Jetzt.
Ist nun der Art_Server der Ort der Netzprojekte?
Das Buch sowie die Enquete zur Buchpräsentation mit internationalen
TeilnehmerInnen und einem abschließenden Gameboy-Concert von Lo_Ser
bringt diese Fragestelung der Identifikationssysteme von netzbasierter
Kunst zur Sprache. KünstlerInnen und VertreterInnen von Institutionen
kommen zu Wort und präsentieren ihre Positionen anhand von Kurzreferaten
und Arbeiten.
Ihr Ankerpunkt ist der Begriff des Servers als Diskursivitätsbegründer,
verstanden als virtuelle und reale Örtlichkeit, deren Verbindungen und
Prozesse die Materie von Netzkunst darstellen. Gesellschaftliche,
politische, ökonomische und technologische Gegebenheiten verdichten sich
in Netzkunst-Anordnungen und können als angewandte Media Studies gelesen
werden.
DatenpraktikerInnen haben aber durch den technosouveränen Umgang mit
Codes neue Methoden entwickelt, die sich in der politischen Gegenwart
Europas bewähren. Sie sind als reale Netzorte benutzbar, dienen oft der
Koordination und Mobilisierung, sind also politische Server, auf denen
es um soziale Interventionen geht, die Aktion und Diskussion in der
Gesellschaft auslösen, Ansprüche, die sich auch zeitgenössische
querverflochtene Kunst stellt.
Server entsprechen Stargates, Verbindungstoren zwischen verschiedenen
Welten, sind Teleporter-Zonen im unrealen Tournament. Art_Server stehen
als Zwischenzonen der kommerziellen Netzorte und Netzkunst. Nun geht es
um das Reflektieren dieser Kristallisationspunkte und ihrer sich in
ihren Facetten widerspiegelnden Verbindungen, um Denken, Handeln und
Prozessieren im anthropologischen und soziologischen Sinn.
STARGATE TO NETCULTURE
Der Server ist durch Internet-Protokoll IP-Nummern definiert, die sich
zwischen Gebrauch und System-Konfiguration zum konzeptionellen
Identifikationsmuster des Netzlebens erweitern.
Dabei geht es nicht um ein verschleierndes ver/Web/en von Begriffen,
Phänomenen und Tatsachen, sondern um ein Ausdifferenzieren der den
Technologien inhärenten Bezugsysteme. Avatar, Indra-Net und Games sind
zeitgenössische kulturelle Praxis und gleichzeitig reale technologische
Erscheinungsfomen. Die Verfahrenslogik der Kunst erlaubt neue
Assoziationen und ermöglicht weiterführende theoretische Reflexion, die
durch versprachlichte Zusammenhänge allein nicht geleistet wird.
Art_Server meint eine spezifische Verfahrenslogik der Kunst. Art_Server
meint jeweils einen spezifischen Ort im Netz. Der Server kann als
technologisch bedingter Knotenpunkt im Netz gesehen werden. Allgemein
könnten Art_Server als Orte, Netzräume gesehen werden, die Hardware,
IP-Nummern, Festplatten-Speicher, Online Domain und Bandbreite für Kunst
zur Verfügung stellen. Ein Server ist ein relevanter Ort in der
Netzkultur. Er ist Host und Home für unterschiedliche Inhalte und
definiert in seiner Architektur bestimmte Vorgaben und
Verhaltensprotokolle für jene, die ihn sich als Ort ihrer geografischen
und elektro-topologischen Netzpräsenz auswählen.
Der Server ist das virtuelle nonlocated Online-Paradigma, das
Dazwischen, die Strategie und Taktik, die immaterielle
Produktionsbedingung im digitalen Netz. Das Arbeiten ohne festen realen
Ort, ohne fixe Identität und ohne direkten Transfer des symbolischen in
das ökonomische Kapital ist die reale Praxis der Netzkunst.
Mit einer politischen Handlungsform gleichgesetzt führt dies zu einer
neuen inhaltlichen Besetzung der Server-Prozesse als Server-Art. Montage
und Sampling verschiedener Komponenten der Kommunikationstheorie sowie
programmtechnologischer Realisierungen und politisch ideologischer
Implikationen in Netzstandards sind Bedingung für künstlerisches
Netz-Arbeiten. Art_Server sind, wenn sie diese symbolischen und über
Code transportierten Handlungsszenarien ermöglichen, eine
gesellschaftsrelevante Intervention in der zeitgenössischen
Lebensrealität elektronischer Netze.
++++++++++++++++++++++++++++++++++++++++++++++
Buchbestellungen sowie Rezensionsexemplare bitte direkt beim Verlag
anfordern
(Buchhandelsbestellungen in A bitte an unsere Auslieferung Dr. Franz
Hain, Wien)
TRITON Verlag KEG
Mariahilfer Strasse 88a/3/11
A-1070 Wien
Tel: ++43 1 524 87 85
Fax: ++43 1 524 87 85-18
E-Mail: triton@thing.at
URL: http://triton.thing.at
Wir freuen uns auf Ihr Kommen/Ihre Reaktionen
Lucas Gehrmann, Renate Gehrmann-Wallner, Triton Verlag,
und O.K Linz
Wenn Sie unsere Informationen nicht mehr erhalten moechten, schicken Sie
uns diese mail mit dem Vermerk "unsubscribe" zurueck.
To unsubscribe please reply this mail and write "unsubscribe" in body.
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Date: Wed, 24 May 2000 10:24:50 +0200
From: infos 2000 <khruna@teo-spiller.org>
Subject: INFOS 2000 To Award Prizes for "(off-line) 'net.art' contest"
CALL FOR SUBMISSIONS: Please circulate widely to artists, programmers,
teachers, students, and curators.
In conjunction with INFOS, Slovenia's largest computer and communications
fair, which takes place every October in Ljubljana, we announce a juried
net.art competition. We welcome submissions of (off-line) "net.art" work
to the INFOS 2000 (off-line) "net.art" contest. The three top entries will
be awarded cash prizes.
INFOS is Slovenia's largest computer and communications fair. It takes place
every October in Ljubljana. INFOS annually issues a CD-ROM about the fair.
This year's CD-ROM will include up to 100 accepted entries of the net.art
contest and will feature the award winners.
The exhibition will occur during Autumn, 2000, in conjunction with an
international web forum on "Digital Art, from CD-ROM to the Internet and
beyond." Topics of discussion will include intimacy and the communication
between the art work and the consumer, the new paradigms of the art work,
the position of art in information/communication society, etc.
PROSPECTUS
"net.art" or "web.art" has been understood as art work that is produced and
seen on the Internet. Most these works tend to be crafted in HTML, with
JPG, GIF, FLASH and other multimedia add-ons, and are viewed with web
browsers on the internet.
For INFOS 2000, we wish to expand this category to feature (off-line)
"net.art" that need not depend on the Internet for its display but can be
circulated to users and venues without internet access through a CD-ROM,
hard disk, or local networks. We seek art works created in HTML (with
visual and other multimedia components and plug-ins) that can be archived
on a CD-ROM separately from the web.
Up to 100 artists will be chosen for exhibition on CD-ROM and will receive
two gratis copies of the exhibit's CD-ROM. The CD-ROMs also will be
distributed as an archive of net.art to international media art
institutions, academies, and curators. A jury will select three works from
the exhibition for awards: 1st Prize: 500 DEM, 2nd Prize: 300 DEM, 3rd
Prize: 100 DEM.
All the files of the work should not exceed 2 MB. The work must be done as
web sites (HTML), work must be put in one folder and compressed with
WinZip. Please put the ZIP file on an Internet server for access by the
curators. Please, don't send ZIP files by e-mail !!!!
A bio and short description of the work must also be included; artists'
home page URL and e-mail are optional.
For more information, application form, and exhibition license, please visit
http://grafika.splet.net/infos2000/
Deadline for submissions is 15 June, 2000.
For INFOS 2000:
Teo Spiller & Timothy Murray
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From: developer@lfoundation.org
Date: Wed, 24 May 2000 18:14:00 +0200
Subject: >>>>>>> lfoundation \\ project update 9190
date >>>>>> 24 May 2000 17:18:11 +0200
subject >>>>>>> lfoundation \\ project update 9190
content a >>>>>>> 7 web based projects
content b >>>>>>> interactive engines
url >>>>>>> http://www.lfoundation.org
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Date: Thu, 25 May 2000 02:41:37
From: Marion von Osten (marionvonostn@gmx.ch)
Subject: k-bulletin nr.3 is online
Hello! k-bulletin nr.3 is online!
Have a look on http://www.k3000.ch/bulletin/kollektive_arbeit !
You will find a detailed manual how to download, to read or print the
k-bulletin nr.3 issue <kollektive/arbeit> on your personal computer ( see
PRINT). Special cover editions can be ordered at info@k3000.ch (see SHOP).
In the first edition of <kollektive/arbeit> you will find contributions by:
AG Kunst+Ökonomie (Berlin), Pauline Boudry/Brigitta Kuster/Renate Lorenz
(Berlin), Carola Dertnig (Vienna/New York), domizil (Zurich), Freeland
(Paris), Stephan Geene (Berlin), Justin Hoffmann (Munich), Brian Holmes
(Paris), Kabeljau (Zurich), Maurizio Lazzarato (Paris), Rachel Mader (Bern),
Marie Messina / Sandrine Teste (Rennes), Elke aus dem Moore
(Zurich/Hamburg), Ariane Müller (Berlin), Multivitamin (Zürich), Neid
(Berlin), Ne Pas Plier (Paris), Marion von Osten (Berlin/Zurich), Real Work
(Werkleitz e.V.), Martin Krenn / Oliver Ressler (Vienna), Susanna Perin
(Zurich/Rome), Stefan Römer (Cologne), Sexismus Productions (Zurich), Peter
Spillmann (Zurich), Syndicat Potentiel (Paris), Michael Zinganel (Vienna)
Updates, new articles or visual contributions concerning the subject (see
INFO), can be send till 15th of June to mailto:marionvonostn@gmx.ch!
Yours Marion
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From: "Han Speckens" <Persgal@casema.net>
Subject: Fw: The Internet without the Internet
Date: Wed, 24 May 2000 20:06:21 +0200
http://www.newscientist.com/features/features_22393.html
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Date: Wed, 24 May 2000 14:27:59 -0400
Subject: Search Engine: Greg Sholette
From: "NOMADS" <nomads@nomadnet.org>
On Sunday, June 11 Greg Sholette of REPOhistory will kick-off SEARCH ENGINE,
a new series of occasional artist talks and demos hosted by NOMADS
<http://www.nomadnet.org>.
Sholette's presentation entitled "REPOhistory: Anatomy of an Urban Art
Project" will take place at 7:00 pm at the District of Columbia Art Center
(DCAC), 2438 18th Street, NW in the Adams-Morgan neighborhood of Washington,
DC. He will discuss CIRCULATION, REPOhistoryąs current public art and
web-based project, as well as aspects of the collectiveąs past work.
REPOhistory <http://www.repohistory.org> is a decade old interdisciplinary
art collective based in NYC which develops public art projects with strong,
alternative social commentary. The collective has launched projects in NYC,
Atlanta and Houston which retrieve and relocate absent historical narratives
through counter-monuments, signage, actions, and events. CIRCULATION,
REPOhistoryąs most recent project, involves over 30 artists creating public
art objects -post cards, magnets, stickers, zines -that "circulate"
throughout the city, and a series of web-based projects that flow through
cyberspace, all exploring the social, aesthetic and economic history of
human blood.
DCAC is accessible via the number 42 Bus and the Woodley Park/Zoo-Adams
Morgan metro station. A commercial parking lot is available at 18th Street
and Belmont Road.
A $2.00 donation is requested at the door. The event is free for DCAC
members.
For more information contact <nomads@nomadnet.org>.
NOMADS thanks the District of Columbia Arts Center
<http://www.dcartscenter.org> for their generous support of this event.
--
Laura McGough
Co-Director, NOMADS
www.nomadnet.org
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Date: Wed, 24 May 2000 16:07:14 -0500
From: isea <isea@isea.qc.ca>
Subject: Open Call for ISEA Hosts -Reminder
(le francais suit ci-bas)
A reminder that the deadline for letters of interest is May 31, 2000.
Apologies for cross-posting; please circulate & post.
OPEN CALL FOR BIDS TO HOST
ISEA2002, ISEA2004, ISEA2006
The Board of ISEA is now accepting bids for future symposia in a series
known as the International Symposium on Electronic Art. These symposia
bring together artists, scientists, and theoreticians involved in the
electronic arts for a week of workshops, exhibitions, performances,
panels, roundtables, and other related events in different venues around
the globe. Each Symposium is organized by an independent agency, in
cooperation with the Inter-Society for the Electronic Arts.
ISEA and the Symposium are dedicated to the interdisciplinary and
cross-cultural communication/ cooperation between the arts and the
fields of technology, science, education, and industry. ISEA and the
ISEA Symposium create platforms for:
- the exchange of ideas and critical discourse
- connecting communities and facilitating access
- research, presentation and exhibition
ISEA will realize this mission through organizing international symposia
and local events, developing partnerships, implementing culturally
diverse initiatives, and through publishing and archiving. ISEA is
committed to collaboration, membership participation, creation of new
work, and multilingual communication.
Through these means ISEA and the ISEA Symposium both shape, and are
responsive to, the evolving nature of the relationship between the arts
and technology.
ISEA is particularly interested in candidates outside of Western Europe
and North America for ISEA2002.
ISEA Symposia have taken place in the following cities:
1. Utrecht, Netherlands (FISEA, 1988) 2. Groningen, Netherlands (SISEA,
1990) 3. Sydney, Australia (TISEA, 1992) 4. Minneapolis, USA (FISEA,
1993) 5. Helsinki, Finland (ISEA94) 6. Montreal, Canada (ISEA95) 7.
Rotterdam, Netherlands (ISEA96) 8. Chicago, USA (ISEA97) 9. Liverpool &
Manchester, UK (ISEA98) 10. Paris, France (ISEA2000) - 10th edition
Potential hosts are strongly encouraged to visit the Symposia archives
and to carefully read the Symposium Guidelines. This information is
available on the ISEA website:
http://www.isea.qc.ca/symposium/information.html
LETTERS OF INTEREST ISEA currently invites those interested in hosting a
future ISEA Symposium to manifest their interest. Letters of interest
indicating location, host organization, year, and (if possible) dates of
the proposed Symposium will be accepted from April 1 to May 31, 2000.
Symposium bids will be accepted from:
Category 1: (Educational) institutes (universities, art schools, museums
etc.), (artistic, cultural scientific) organizations, government bodies,
etc.;
Category 2 Congress organizing bureaus;
Category 3 Umbrella organizations created for the purpose of hosting an
ISEA Symposium.
>From this pool of bids, potential host organizations will be invited to
>submit a more detailed dossier, and will be guided through the
>Symposium submission process. Final dossiers must include:
* Creative vision for the particular event Business or operational plan,
* including a financial plan Draft event program which should include
* the following:
-An academic three-day Symposium -Workshops -An Electronic Art
Exhibition -A Film & Video Show -Performances/Concerts -At least one
Publication, also accessible to non-participants -PR activities -An
Inter-Society General Meeting
FINAL SELECTION Potential Symposium hosts will be invited to make a
presentation during ISEA2000, 10th International Symposium on Electronic
Art in Paris, France (December 7-10, 2000). The Board of the
Inter-Society is responsible for appointing the successful candidates.
For more information, please contact ISEA HQ: isea@isea.qc.ca
__________
(French version)
APPEL DE CANDIDATURES: ORGANISATION D'ISEA2002, ISEA2004 ET ISEA2006
Le Conseil d'administration d'ISEA accepte presentement les candidatures
pour l'organisation de symposiums s'inscrivant dans la serie des
Symposiums Internationaux sur les arts electroniques (ISEA). Ces
symposiums rassemblent artistes, scientifiques et theoriciens impliques
dans le domaine des arts electroniques a l'occasion d'une semaine
d'ateliers, expositions, performances, conferences, tables-rondes, et
autres evenements du genre dans differents lieux a travers le monde.
Chaque edition du Symposium est organisee par un groupe independant en
collaboration avec l'Inter-Societe des arts electroniques.
ISEA est une organisation internationale a but non-lucratif vouee a la
promotion et au developpement interdisciplinaire et interculturel des
arts electroniques. ISEA a pour mandat de favoriser l'emergence et la
circulation des pratiques et des discours souleves par le croisement des
arts avec la technologie, la science, l'education et l'industrie. ISEA
cree ainsi des plates-formes afin de stimuler:
- l'echange d'idees et de discours critiques;
- le reseautage avec la communaute internationale;
- les activites de recherche et de diffusion.
ISEA realise sa mission en organisant des symposiums internationaux et
des evenements locaux, en developpant des partenariats et des
initiatives de diversite culturelle et a travers la publication et
l'archivage. L'Inter-Societe est vouee a la collaboration, a la
participation des membres, a la creation de nouvelles oeuvres et a la
communication multiculturelle.
Avec ces diverses initiatives, ISEA a la fois structure et reponds a la
nature evolutive de la relation entre les arts et la technologie.
ISEA est tout particulierement interessee a recevoir des candidatures de
l'exterieur de l'Europe de l'Ouest et de l'Amerique du Nord.
Les Symposiums ISEA ont eu lieu a:
1. Utrecht, Pays-Bas (FISEA, 1988) 2. Groningen, Pays-Bas (SISEA, 1990)
3. Sydney, Australie (TISEA, 1992) 4. Minneapolis, EU (FISEA, 1993) 5.
Helsinki, Finlande (ISEA94) 6. Montréal, Canada (ISEA95) 7. Rotterdam,
Pays-Bas (ISEA96) 8. Chicago, EU (ISEA97) 9. Liverpool & Manchester, GB
(ISEA98) 10. Paris, France (ISEA2000) - 10e edition
Les candidats sont fortement encourages a visiter les archives des
Symposium et a lire attentivement les lignes directrices. Cette
information est disponible sur le site web d'ISEA:
http://www.isea.qc.ca/symposium/apsymp_fr.html
LETTRES D'INTENTION ISEA invite presentement les candidats interesses a
manifester leur interet. Les lettres d'intention indiquant le lieu,
l'organisme hote, l'annee et (si possible) les dates proposees seront
acceptees jusqu'au 31 mai 2000.
Seront acceptees les candidatures de:
Categorie 1: Institutions d'education (universites, ecoles d'art,
musees, etc.), organisations a vocation artistique, culturelle ou
scientifique, agences gouvernementales, etc.;
Categorie 2: Agences d'organisation de congres;
Categorie 3: Consortiums crees pour l'organisation d'un symposium ISEA.
Ŕ partir des candidatures reçues, les organisateurs potentiels seront
invites a soumettre un dossier plus detaille et seront guides a travers
le processus de soumissions finales. Les dossier finaux devront inclure:
* Vision creative pour l'evenement Un plan d'affaire ou plan
* d'operation, comprenant une planification financiere Une ebauche de la
* programmation qui devra comprendre:
- un symposium a caractere académique de trois jours
- des ateliers
- des presentations video et cinema
- des performances/concerts
- au moins une publication disponible aussi aux non-participants
- des activités de relations publiques
- une assemblee generale de l'Inter-Societe
SELECTION FINALE Les organisateurs potentiels du Symposium seront
invites a presenter leur projet lors d'ISEA2000, 10e Symposium
international des arts electroniques a Paris, France (du 7 au 10
décembre 2000). Le Conseil d'administration de l'Inter-Societe est
responsable de designer le candidat choisi.
Pour plus d'informations, veuillez contacter le secretariat d'ISEA:
ISEA/The Inter-Society for the Electronic Arts Complexe Ex-Centris, 3530
boul. St-Laurent, #305, Montréal H2X 2V1 CANADA t: +1.514.847.8912 * f:
+1.514.847.8834 * e: isea@isea.qc.ca * www.isea.qc.ca
********************* ISEA2000 *********************
7.12 - 10.12, 2000 / Paris, France / www.art3000.com
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
From: Károly_Tóth_=5Bzeroglab_rotterdam=5D?= <zeroglab@freemail.c3.hu>
Subject: zeroglab rotterdam - 0G_BULLETIN_25_MAY_2000
Date: Thu, 25 May 2000 04:13:52 +0200
______________________________________________________
zero g artlab rotterdam
0G_BULLETIN_25_MAY_2000
donderdag 25 mei 2000
2000, május 23. csutortok
the bulletin appears when it is necessary.
editors: zeroglab@freemail.c3.hu, karoly.toth@excite.com
url: users.bart.nl/~terra
______________________________________________________
0G is an independent art-lab.
We are in an evolving process of exchage
with initiatives of individuals and institutions
based on mutual sympathy.
______________________________________________________
The (ex) chair of the Hungarian World Organization (MVSZ)
http://www.mvsz.hu, Sándor Csoóri openly attacks users of new computer
technology.
He says they (people, using e-mail, internet, etc) are greedy, they don't
have a caracter and they are unethical.
source: http://index.hu/politika/belfold/mvsz/
A Magyarok Világszövetsége Kongresszusának nyitóbeszédei és zárónyilatkozata
is tartalmaz radikális kijelentéseket: Csoóri Sándor leköszönő
MVSZ-elnök nyitóbeszédében jellem- és erkölcshiányosnak nevezte a
számítástechnika használóit, a zárónyilatkozat szerint az MVSZ kétkamarás
magyar parlamentet és külhoni állampolgárságot szeretne.
...... (CUT)......
A leköszönő elnök, Csoóri Sándor kongresszusi nyitóbeszédében úgy vélte,
hogy az utóbbi időben felerősödtek azok a hangok, amelyek a világszövetség
menedzser típusú vezetését szorgalmazták a KARIZMATIKUS (capt. by 0g)
személyiségekkel szemben. Csoóri Sándor ezekre válaszolva kijelentette:
"Szándékaikban a világmegváltó mohóságot láttam". Internetes közösségekben
nagyobb port kavart az a kijelentés, miszerint "a számítógépes varázslás, a
technikai bravúrok híveit nem kívánom követni, mert látom mögöttük a
mohóságot, a jellem- és az erkölcsi tartás hiányát". A tisztújító
közgyűlésen jelen lévő Csoóri Sándort sajnos nem sikerült megszólaltani.
___________________________________________________
KEDVES LEVELEZESI LISTA!
A KETKAMARASHOZ NEM ERTEK, EN CSAK EGY NEMSZOVEG ALAPU DIGITALIS MUVESZETET
KESZITO KULFOLDON ELO MAGYAR VAGYOK, ES A POFAMROL LESUL A BOR HA ILYENEKET
OLVASOK. iLYENKOR ORULOK, HOGY VISZONYLAG KEVES EMBER BESZEL MAGYARUL ES EZ
VALAHOGY KOZTUNK MARAD.
HA VALAKI KOZULETEK VELETLENUL ISMERI CSOORI SANDORT KEREM HOGY TEGYE MEG,
HOGY
MEGKERI CSOORIT HOGY ENGEM, MINT KULFOLDON ELO MAGYART, LEGYEN OLYAN KEDVES
ES NE EGESSEN MAR LE.
HA NETAN VAN KOZTETEK JELLEM ES ERKOLCSHIANYOS, KERLEK BENNETEKET JAVULJATOK
MAR MEG VEGRE.
NE LEGYETEK MAR OLYAN MOHOAK, SZANDEKAITOKBAN SEM.
CSOORI MEG NYALJA KI A KARIZMOMAT.
E LEVEL IROJANAK KARIZMA A LENTI CIM ES NEV KOZVETLEN KOZELEBEN TALALHATO,
CSAK
80 CM-REL LEJEBB. DE CSAK AZERT, MERT KIS TERMETU, ROVID, MAGYAR GYEREK
VAGYOK.
k. toth
_______________________________________________
zeroglab-rotterdam
name: Károly Tóth
address: Gedempte Zalmhaven 923
3011 BT Rotterdam NL
tel: +31 (0)10 2400390 or 2400391
e-mail private: karoly.toth@excite.com
e-mail-office: 0g@visto.com
web:http://users.bart.nl/~terra
office: http://www.visto.com/guest/0g
ICQ: 26522683
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
From: "Lessard, George" <GLessard@gov.nu.ca>
Subject: bitbybitdigital digital art competition
Date: Thu, 25 May 2000 08:36:13 -0500
www.bitbybitdigital.org
three categories
still - dynamic- interactive
computer artists of all levels are encouraged to participate
fine artists - former artists - future artists - photographers - editorial
illustrators - technical illustrators - print designers - web designers -
sign designers - students - teachers - ad execs - ceo's - filmmakers -
painters poets - animators - programmers - sculptors - software magicians -
rocket scientists - visionaries - inventors - directors - experimentalists -
21st century netizens & of course : you )
strut your stuff - you're good, right?
- gain recognition and exposure for your work
- opportunity to become an award winning digital artist
- participate in a leading edge international digital art event
- enhance your resume'
- compete with the world and be seen with the best
May 1 - July 15 Call For Artists
May 15 - July 31 Entries Accepted Online and by Mail
August 9 Jurying begins
August 16 Juror's Selections Complete
August 21 Accepted artists contacted by e-mail
September 1 Gallery Installation Opening Reception
Web Gallery Online
October 14 Gallery Installation Closes
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Date: Thu, 25 May 2000 19:26:14 +0200
From: fred <adamsan@mide-cu.uclm.es>
Subject: un nuevo museo en la red, el MIDE
Estimado amigos:
Es para nosotros un gran motivo de satisfacción presentaros la nueva
web del MIDE (Museo Internacional de Electrografía) de Cuenca.
La creación de esta web significa, no sólo posibilitar el acceso a la
base de datos de este museo-centro de investigación perteneciente a
la universidad de Castilla-La Mancha especializado en el arte
electrográfico y digital, sino que ha supuesto también un trabajo de
investigación realizado por un equipo de jóvenes creadores de
diferentes países, compuesto por:
Fred Adam (Francia), Alejandro Duque (Colombia), Verónica Perales,
Carlos Sánchez, Roy Guadalupe y coordinados por José Ramón Alcalá.
Esta web ha contado con la colaboración de Apple.
Esperamos que os sea =FAtil y que la disfrutéis.
Vuestros comentarios y críticas serán bienvenidos
http://www.uclm.es/mide
-------------------------------------
Dear Friends:
We are glad to present you the new web site of the MIDE (Museo
Internacional de Electrografía) of Cuenca-Spain.
It represents not only the posibility to acess to MIDE's data base
about electrographic and digital art, but also a creative artwork
designed by an international group of very young artists like: Fred
Adam (France), Alejandro Duque (Colombia), Verónica Perales (Spain),
Carlos Sánchez (Spain) & Roy Guadalupe (Spain), leading by José R.
Alcalá.
Sponsored by Apple
We hope it can be usefull and enjoyefull.
Critics and comentaries are wellcome.
http://www.uclm.es/mide
--============_-1252846858==_ma============
Estimado amigos:
Es para nosotros un gran motivo de satisfacción presentaros la nueva
web del MIDE (Museo Internacional de Electrografía) de Cuenca.
La creación de esta web significa, no sólo posibilitar el acceso a la
base de datos de este museo-centro de investigación perteneciente a la
universidad de Castilla-La Mancha especializado en el arte
electrográfico y digital, sino que ha supuesto también un trabajo de
investigación realizado por un equipo de jóvenes creadores de
diferentes países, compuesto por:
Fred Adam (Francia), Alejandro Duque (Colombia), Verónica Perales,
Carlos Sánchez, Roy Guadalupe y coordinados por José Ramón Alcalá.=
Esta web ha contado con la colaboración de Apple.
Esperamos que os sea =FAtil y que la disfrutéis.
Vuestros comentarios y críticas serán bienvenidos
http://www.uclm.es/mide
-------------------------------------
Dear Friends:
We are glad to present you the new web site of the MIDE (Museo
Internacional de Electrografía) of Cuenca-Spain.
It represents not only the posibility to acess to MIDE's data base
about electrographic and digital art, but also a creative artwork
designed by an international group of very young artists like: Fred
Adam (France), Alejandro Duque (Colombia), Verónica Perales (Spain),
Carlos Sánchez (Spain) & Roy Guadalupe (Spain), leading by José R.
Alcalá.
Sponsored by Apple
We hope it can be usefull and enjoyefull.
Critics and comentaries are wellcome.
http://www.uclm.es/mide
powered by SILICON GRAFICS =A9 and pedigree PAL =81
http://cleanlaboratory.8m.com
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Date: Fri, 26 May 2000 15:13:12 +0000
From: post@perfres.demon.co.uk (performance research)
Subject: PERFORMANCE RESEARCH/CALL FOR PROPOSALS
PLEASE ACCEPT MY APOLOGIES FOR ANY CROSS-POSTING !
Performance Research
'Departures' - Information for Contributors
'Departures' will be Volume 6, Issue 1 of 'Performance Research' and is to
be edited by Claire MacDonald
Deadlines are as follows:
Proposals 1st July, 2000
Finalised Material 15th October, 2000
Publication Date Spring 2001
Performance Research is seeking submissions for issue 6:1, Departures,
which will open our sixth year of publication and begin a critical and
creative enquiry into travel. Departures will be the first of three related
issues which engage with the migrations of people, performance and
performance cultures, which we hope will generate writing around differing
geographies and histories of travel and travelling performance in a
diversity of written and visual forms.
The editors are interested in contributions from scholars, writers and
artists which engage with a variety of critical and artistic points of
departure, and ways of thinking about the idea of 'departures' in the
widest sense of the term - both actual and metaphorical - and about
possible 'departures' within a variety of sites and contexts -
geographical, political, theoretical and artistic.
As well as essays, interviews and documentation, we are looking for
collaborations between artists and critics, work that extends the
possibilities of the visual page, that situates critical work within a
visual context, or has links to other sites, actual and possible, such as
performances, netcasts, web sites, radio and gallery installations.
Potential writers with tentative ideas are invited to discuss them with
Claire MacDonald, the issue editor, in advance of submitting a formal
proposal. E-Mail: chmac@erols.com
Please note that proposed submissions do not necessarily have to relate to
issue themes. We actively welcome submissions on any area of performance
research,
practice and scholarship.
Proposals and articles will be accepted on hard copy, disk or by e-mail and
should be sent to:
Clancy Pegg (Administrator)
Performance Research, Market Road, Cardiff, CF5 1QE, UK
e-mail: post@perfres.demon.co.uk
Submission of an article to the journal will be taken to imply that it
presents original, unpublished work not under consideration for
publication elsewhere. By submitting a manuscript, the authors agree that
the exclusive rights to reproduce and distribute the article have been
given to the publishers.
--========================_20758156==_
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Content-Disposition: attachment; filename="departures_call.doc"
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