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Table of Contents:
Inauguartion of George W. Bush on January 20
Dimitri Devyatkin <dimitri@streamedia.net>
Wiretap 7.01: Death and the Machine
Nat Muller <Nathalie.Muller@skynet.be>
Webcast 129 + inkwell.vue + vinyl DAVE
Station Rose <gunafa@well.com>
FW: Dazzling! - the winner of the trAce/Alt-X New Media Writing Competition 2000
"Talan Memmott" <talan@percepticon.com>
''e-phos'' festival on BODY how to apply
"ALAS" <alas@ath.forthnet.gr>
http://meta.am/ - abstract machine
m e t a <meta@meta.am>
thehacktivist.com
"ricardo dominguez" <rdom@thing.net>
new list re "violence" and "nonviolence" at mobilizations
alyosha Witness <alyoshaw@gmx.net>
Media Channel Update/Media Arts & More
Robert Atkins <robertatkins@earthlink.net>
(Fwd) Live from Ground Zero
"=?ISO-8859-1?Q?Alberto_Gait=E1n?=" <alberto@null.net>
------------------------------
Date: Tue, 16 Jan 2001 13:49:05 -0500
From: Dimitri Devyatkin <dimitri@streamedia.net>
Subject: Inauguartion of George W. Bush on January 20
To access alternative coverage of the inauguration of George W. Bush,
starting on Saturday morning, January 20, go to www.dc.indymedia.org.
Alternative coverage, both audio and video, will be provided for the entire
ceremony, from the preparations, the parade, the swearing-in and the
speeches. Experts will give information about the politicians captured on
screen, including their main financial contributors, their voting records,
and the policy changes they are likely to bring about.
Television networks worldwide will be using a pool feed. You can turn down
the sound of your local TV commentators and instead listen to the audio
coming from DC.Indymedia.org. Webmasters can provide a direct link via any
other web site to the www.dc.indymedia.org website.
Dimitri Devyatkin
------------------------------
Date: Wed, 17 Jan 2001 16:55:19 +0100
From: Nat Muller <Nathalie.Muller@skynet.be>
Subject: Wiretap 7.01: Death and the Machine
WT 7.01
Death and the Machine
**!! Live streaming at
http://raserver2.xs4all.nl:8888/ramgen/encoder/wiretap701.rm !!**
Participation by: Birgit Richard (D), Jamie King (GB), Jens Brand (D) and
Sam Ashley (USA)
Moderation: Paul Perry (CDN/NL)
Date
Sunday 28th January 2001, 14.00 -17.00h
Doors: 13.00h
Location
V2_Organisatie, Eendrachtsstraat 10, Rotterdam
Entrance fee
7.50 NLG
This final Wiretap in the series 'Machine Times' queries the role of death
in digital culture.
Our current society is obsessed with progression. In this scenario death
means the ultimate border. Developments in science and technology have
always made an effort to extend life or realise the dream of immortality.
This Wiretap takes you beyond the final frontier.
Birgit Richard investigates how trans-humanists and extropians attempt to
eradicate the scourge of mortality. Their heads are immersed, post-mortem,
in liquid nitrogen in cryogenic tanks till medical science finds a way to
reanimate them. 'Freeze Head, to Save Ass', indeed!
Who though the Internet and digital media are safeguarded from decay is
quite wrong. More often information technology is fighting hypothetical
diseases such as 'bit rot', 'software decay' and 'link rot'. In his
presentation 'Death and the Network' Jamie King debunks the popular
post-nuclear apocalypse myth surrounding the Internet.
Modern versions of occultism and shamanism evolve around machines and time.
Similar to Edison, who used his phonograph to reverberate the voices of the
deceased at Madame Blavatsky's seances, Sam Ashley's 'Everyone Laughed when
I sat down at the Piano' (authentic spirit possession as vocal technique),
Ghost Detector' and Jens Brand's computer controlled ratchets (The Ratchets)
formulate a contemporary answer.
Participants:
Prof. Dr. Birgit Richard (D)
Is since 1998 Professor of New Media at the Goethe University of Frankfurt
(Germany). Her fields of specialisation include: new media, aesthetics of
everyday life (contemporary youth cultures, fashion, design, pop culture),
life and death in real and virtual environments. She is editor of the
Kunstforum International Volumes on of Fashion, Time and Images of Violence,
and founder of the Youth Culture Archive, a collection of objects from
contemporary youth cultures. Her current research focuses on the
representation of women in computer games.
Jamie King (GB)
In addition to his work with the International Necronautical Society Jamie
King is a contributing editor at London technology and culture journal Mute
and editor of the industry journal n3, dedicated to the analysis of the
Domain Name System in business practice. He has recently completed a PhD
thesis at the University of Southampton examining the role of the American
frontier in the cultural construction of the Internet. He is now back to
work on a long overdue science-fiction novel, and can still be found any
evening you like attempting to write a hit two-step single in his project
studio.
Sam Ashley (USA)
has been singing for more than 15 years, developing an unusual Animal
Magnetism vocal technique. He has had principal roles in seven contemporary
operas by Robert Ashley, with whom he regularly performs and records, in
works by Alvin Lucier and in many other pieces too. He has designed digital
audio signal processing systems, designed custom music software (including a
stint with Sound Traffic Control) and done a wide range of recording
engineer, consulting and project studio jobs. Sam Ashley co-founded Very
Important Now, the Cactus Needle Project (acclaimed as an
electronic/computer music ensemble), and AA Bee Removal. Sam Ashley has
devoted his life to the invention of an experimental trance-mysticism and
the art that he does tends to reflect this. Seeing Things, Everyone laughed
when I sat down at the piano, Ghost Detector each feature a different
version of authentic spirit possession or a mystical theme.
Jens Brand (D)
studied visual arts in Münster, Germany. He lives and works as a composer,
musician, visual & audio-visual artist and organiser in Dortmund, Germany.
His pieces can appear as concerts, performances or installations. Recent
works have ended up being mixtures of these genres, developed as logical and
absurd games between the audience and the artist. His experiments with
everything that can be considered to be art are not supposed to establish a
belief or truth, but try to offer a fruitful soil for research,
communication and progressive failure. Pieces used in the collaboration
with Sam Ashley, such as Motors and Styrofoam, Mini Fan Music, PIANO or
RATCHETS appear as short duration installations that evoke something Jens
considers to be 'electronic music without speakers'.
Paul Perry (NL/CDN)
If artists be either misanthropist or socio-paths then Paul Perry sees
himself as belonging to the type misanthropist. As an artist, he divides his
attention between the study of diversity and its propagation and identity
and its survival. Recent examples of his work include the first part of a
multi-part film on the simulation of Near Death Experiences (1,000 Deaths:
Sortie 1, 2000), the development of a new constitution for the City of
Amsterdam (Amsterdam 2.0, 1998), the design of a small rock garden featuring
a sub-critical nuclear reactor (Nuclear Garden, 1998) and the creation of an
immortal man/mouse hybrid at the University of Maastricht (Good and Evil on
the Long Voyage, 1997).
Bookmarks
Birgit Richard
http://www.rz.uni-frankfurt.de/fb09/kunstpaed/indexweb/start.htm
Jamie King
http://www.jamie.com/
http://www.jamie.com/thesis/thesis.pdf
http://www.necronauts.org/
http:www.metamute.com
Paul Perry
http://www.alamut.com
Sam Ashley/ Jens Brand
http://www.lovely.com/bios/ashleys.html
http://www.thing.at/orfkunstradio/ao3/GROUP4/BIOS/brand.html
http://www.metafort.org/ecoute/concerts/ashleybas.htm
More info www.v2.nl/wiretap
V2_Organisatie
Eendrachtsstraat 10, 3012 XL Rotterdam, NL
T: ++31-10-2067272
F: ++31-10-2067271
www.v2.nl
------------------------------
Date: Wed, 17 Jan 2001 17:49:32 +0100
From: Station Rose <gunafa@well.com>
Subject: Webcast 129 + inkwell.vue + vinyl DAVE
STATION ROSE STReaming-Fahrplan & more:
<http://www.stationrose.com>
dear Gunafa Netizen,
A) NetSTReam - Webcast 129 today,WED/17.1.01, 9pm CET
B) STR in inkwell.vue conference (12.-26.1.2001)
C) vinyl DAVE re-released on Gigolo
A) NetSTReam - Webcast 129 tonight, WED/17.1.01, 9pm CET
- ---------------------------------------------------------
live @home <http://www.stationrose.com>
topic: "dot.com or dead.com" - new MIDI-composition.
content: first STReaming in the new year from e-home
extra: the first session after the performance in san francisco in
december. thank you to all who showed up, it was great to play for you!
some of our impressions in the U.S. doing field research, were morphed into
the new audio-visual composition. As a statement without words to the heavy
"dot.com = almost artist-free situation" there. Is san francisco a first
reaction to turbocapitalist globalization, where only commerce counts? The
city is cleared now from any psychedelic backgrounds, a fact the
european/german net critic scene could be happy about. But one has to see
here that it is cleared from art at the same time, too, which is very
dramatic.
The electronic art space in downtown, South of Market, where we performed
live, was closed down shortly after our gig. ("joypad/Blasthaus will be
closing until further notice. For those of you who did not know, there are
6 buildings on Mission/Minna Street which have been in escrow for 2 years.
The proposed
developer wishes to demolish these 6 brick buildings and has proposed
building an 80,000,000$ office tower." Blasthaus statement).
Soundz a bit like the situation in Frankfurt to me, where so little space
is available for artistic projects, because rents are only affordable to
banks and companies. Two extreme cities - Frankfurt and San Francisco, who
stand in opposition to places like Berlin or Vienna, where art has less
space problems, and is tolerated as sort of entertainment. - (Elisa Rose
slam)
B) STR interviewed in inkwell.vue conference (12.-26.1.2001)
- --------------------------------------------------------
http://www.well.com/conf/inkwell.vue/
statement:
"Inkwell.vue is the first of a new type of WELL conference, readable by
anyone on the World Wide Web, with or without a WELL password, but posted
to by WELL members only. If you are reading this on the Web and are not a
WELL member, you'll be getting a peek at what WELL conferencing is all
about. We hope you like what you see! We, your charming hosts, will be
interviewing authors and asking probing questions about real, complicated
ideas, moral issues, but also "How Was Your Book Tour?" You, dear reader,
will have avenues to join the discussion and/or communicate with the hosts
by sending email to inkwell-hosts@well.com. Interviewing Station Rose is
David Hudson, a freelance writer living in Berlin, author of Rewired: a
brief and opinionated net history, and contributor to Artbyte, Berliner
Zeitung, de:Bug, Feed, Mute, Salon, Spiegel Online, Wired News and a slew
of other publications. David will be mining the historical perspective
Elisa and Gary have to offer after nearly 13 years of artistic
collaboration and brainstorming with them about the rapidly evolving future
of the multimedia experience."
-- Your hosts and longtime WELL veterans David Gans, Linda Castellani.
and Jon Lebkowsky.
What more can we say to this: come over, join us! THE DISCUSSION IS already
active. Make a voyage to our "hometown", The WELL. Your appearance will be
appreciated. Dont hesitate to cross the ocean, and come into this
conference with online tradition. Even if it is not european or german,
nobody is going to bite you. ;-) Netart, Webcasting, electronic music, LAH
and the new book "private://public" are some of the themes. Get a feeling
of LAH/Life after History with <well engaged>, the matrix eminds and the
Frankfurt conference was built on. It is great to see how valuable
programming stays with us through time. This hypermedia surface of well
engaged allows you to post comments as well as links and grafix.
Mail your contributions to inkwell-hosts@well.com.
C) vinyl DAVE re-released on Gigolo
Techno cult piece by Station Rose´s composer Gary Danner re-released on DJ
Hell´s label International DeeJay Gigolos. Played in every club and on the
early Love Parades, the original "DAVE" from 1992 is out again, with
remixes by HAL9000 and Dopplereffekt. A good choice for your electronic
music collection.
With the german voice of HAL9000 of Kubrick´s "2001 Space Odyssey" on the
original, the remixes come up with the english voice now.
Originally scheduled to be released end of 2000, with a few little
production delays this vinyl landed in the right year: 2001.
http://www.gigolo-records.de
info:
The book "private://public" is NOW in the shops in Europe. amazon.de is a
place to order it. The U.S. distribution is on the way.
As a manifeSTATION of webcasting and netart, it gives you first hand
information, produced by artists.
This publication, in german and english, features webcast-conversations with
Geert Lovink, Petra Klaus & Hans Romanov, Bazon Brock, Birgit Richard,
Stefan Weber, Thomas Feuerstein and Josephine Bosma. (ISBN 3-85266-114-5;
296 pages, edition selene, Vienna 2000. Details are on the website.)
stay with us &
a happy new year !
"Cyberspace is Our Land!"
;-)
station rose 1-2001
------------------------------
Date: Wed, 17 Jan 2001 13:03:06 -0800
From: "Talan Memmott" <talan@percepticon.com>
Subject: FW: Dazzling! - the winner of the trAce/Alt-X New Media Writing Competition 2000 + trAce renames itself with a brand new image (fwd)
CONTENTS
* Dazzling! - the winner of the trAce/Alt-X New Media Writing Competition
2000
* trAce renames itself with a brand new image
"Dazzling style" is how judge Shelley Jackson describes the winning entry
in the second trAce/Alt-X New Media Writing Competition. The contest,
hosted by the trAce Online Writing Centre at The Nottingham Trent
University in partnership with the Alt-X Online Publishing Network, aims
to discover the best contemporary web-based writing and bring it to the
attention of the literary world both on and offline. The result and
supporting information can be found at http://trace.ntu.ac.uk/comp.cfm
This year's winner is Talan Memmott, an artist/writer from San Francisco,
California. Born in 1964, he came to writing by way of visual art, having
worked in video, installation art, painting, and performance art, as well
as working as a professional chef. His winning site 'Lexia to Perplexia'
http://trace.ntu.ac.uk/newmedia/lexia/index.htm combines design, theory
and fiction and provides a challenging example of what can be achieved on
the internet by artists who are brave enough to mix art and programming.
An Honourable Mention goes to Nick Montfort, William Gillespie & Dylan
Meissner, whose 'The Ed Report' combines hypertext and humour in a
hilarious clickable narrative.
Talan Memmott, who gave an innovative demonstration of his site at last
year's trAce Incubation conference using not a computer screen but three
whiteboards and coloured markers, won ?1000 when he rose to the top of a
shortlist featuring online-writers from South Korea, Australia, Brazil,
America, and the UK. On hearing he had won, he said, "This is fantastic! I
am truly honored to receive this award."
Artistic Director of trAce, Sue Thomas, said: "Talan Memmott was first
published by trAce in 1999 when his piece Reasoned Metagoria appeared in
frAme, our journal of culture and technology. His style is both elegant
and contemplative, a prime example of the best of the net."
Mark Amerika, Director of Alt-X, notes that Talan's work, "like so much of
the best new work emerging on the net, puts into play a renegotiation of
the image/text relationship."
This relationship between image and text has been a constant theme in
net-based writing, so much so that when this round of the competition was
launched, the organisers presented the competitors with a challenge -to
describe what kind of art they are making and what name they give to
themselves as writers/artists. Most were reluctant to be pinned down,
using such descriptions for their work as:
Hypertext : web-specific writing : net literature : Net Art :
net-art-writing : Interactive Fiction : Hypertext Fiction : hypermedia :
digital literature : lit[art]ure : cyberpoetry : Hypermedia Literature :
Web Poetry : Web Art : electronic literature : Organic hypertext and many
others including just Online Content.
And for themselves:
Artist/theorist; Artist/writer/thinker/designer; Creative human;
Cybermancer; Cyberpoet; Digital artist; Hacker/poet; Hypermedia novelist;
Information Artist; Meta-Author; Metaweb commentator; New media artist;
Writer/multimedia artist and many more. One entrant declared simply "Poet
still works for me, because it means "maker."
A full list of responses is now available on the competition website at
http://trace.ntu.ac.uk/comp.html The site also features the judge's
remarks, the shortlist, an overview of the submissions and an interview
with Talan Memmott by Mark Amerika.
PLUS - A REDESIGN FOR TRACE
TrAce this week renames itself to the trAce Online Writing Centre and puts
on a different set of colours. The traditional upper case A typo remains,
but the well-known orange and black logo is transformed to shades of blue.
Artistic Director Sue Thomas said, "The new look heralds an expansion of
our services in 2001. This will be our most ambitious year ever, with
several exciting new projects in the pipeline, including an Online Writing
School and more support for professional online writers. We have also
added a new facility to the site so users can submit in their own news
stories about on and offline events."
Ends
Note to News Editors: For further information please contact:
Jennifer Spencer, Director of Corporate Affairs on +44 (0)115 948 6542
jennifer.spencer@ntu.ac.uk or Kate Dawson, Press Officer on +44 (0) 115948
6589 kate.dawson@ntu.ac.uk or Jenny Bingham, Press Office Consultant on
Tel: +44 (0)115 848 6499 jenny.bingham@ntu.ac.uk
trAce Online Writing Centre
The Nottingham Trent University
Clifton Lane
Nottingham
NG11 8NS
ENGLAND
Tel: +44 (0)115 8486360
Fax: +44 (0)115 8486364
http://trace.ntu.ac.uk
trace@ntu.ac.uk
To unsubscribe from this mailing list, please email trace@ntu.ac.uk with
'unsubscribe press' as the subject line.
------------------------------
Date: Wed, 17 Jan 2001 23:09:43 +0200
From: "ALAS" <alas@ath.forthnet.gr>
Subject: ''e-phos'' festival on BODY how to apply
This is a multi-part message in MIME format.
- ------=_NextPart_000_022C_01C080DA.93F35EC0
Content-Type: text/plain;
charset="iso-8859-7"
Content-Transfer-Encoding: quoted-printable
=20
3rd International Festival of Film and New Media on Art
''e-phos 2001''
on the
B O D Y
K I N E S I S - ANAMORPHOSIS in the DIGITAL ERA
=20
=20
2 3 M a y - 3 June 2 0 0 1
Athens, Greece
www.filmart.gr=20
=20
p r o g r a m s t o a p p l y=20
cd-roms on all arts=20
in competition (entry deadline 1 March 2001)=20
=20
web sites on all arts =20
not competitive (entry deadline 1 March 2001)
=20
films and videos on all arts=20
not competitive (entry deadline 1 March 2001)=20
=20
send entry form and material at 57 ARCHIMIDOUS GR-11636 Athens
alas@ath.forthnet.gr tel: 00301-7520064-5 fax: 00301-7520064
=20
E N T R Y F O R M
Aims
''e-phos' 2001' is organized by the non profit cultural organization =
ALAS and aims to initiate a creative exchange of experiences and =
contacts in the sphere of culture and art, to develop the public=B4s =
understanding and appreciation of art, to support the efford of =
filmmakers, producers and distributors to find their place in the =
international audio-visual context.
Subjects
''e-phos 2001'' encompasses all arts, of any period or style, in the =
following disciplines: Painting, sculpture, architecture, design, =
crafts, fashion, decorative arts, music, photography, cartoon, cinema, =
literature, poetry, dance, theatre, performance art, multimedia art, =
interactive art, video art, landscape art, art history, museology and =
restoration.
Format
All films and videos will be presented only in BETACAM SP (PAL). All =
cd-roms should run in Windows 95 environment, in Mac or in both.
Language=20
All films or videos, cd-roms, and web sites must be either in Greek,or =
English, in their original, subtitled or dubbed version.
ENTRY Deadline
Each film (in VHS Pal), video (in VHS Pal), cd-rom, web site, submitted =
to ''e-phos 2001'' must be accompanied by the attached entry form and =
reach the Festival office properly completed and signed by=20
M A R C H 1, 2 0 0 1.
Registration Fees=20
All participating films, videos, cd-roms and web sites are not subject =
to any fee.
Transport=20
The cost of sending the video tapes of the films, videos (either VHS or =
BETACAM) and cd-roms is borne by the shipper. Registered mail and =
Courrier options are highly recommended. The Festival will assume =
responsability upon delivery only and will bear the expense of the =
return shipment of the copies.
Deadlines
A BETACAM SP (PAL) copy of each film or video that has been selected to =
be presented in the festival must reach the Festival office by APRIL 15 =
2001
Required Documentation
The following material must reach the Festival office after the film, =
video, cd-rom or the web site has been officially selected:
complete credits, a biography, a filmography and photo of the director =
or designer, a biography of the artists appearing on the screen, a =
summary of the film, the video, the cd-rom or the web site, two posters =
(if available), the press kit, at least two stills black & white or =
colour of the film, video, cd-rom or site in digital or printed form (In =
case of digital please send properly addressed only TIFFS or JPEGS by =
using electornic mail: alas@ath.forthnet.gr =20
The producer, director, distributor or designer authorizes ''e-phos =
2001'' to reproduce photographs, texts and biographies in the catalogue.
Printed scripts in English=20
Printed scripts in english of all films, no matter in which language =
they are, should accompany either the VHS reviewing copies or reach the =
Festival office after the film has been officially selected. If the =
films are subtitled in english the printed scripts are optional.
Utilization Rights
''e-phos 2001''reserves the right to authorize television broadcasts of =
excerpts not exceeding three minutes and the publication of stills on =
magazines and newspapers for promotional purposes only.
Organizers do not return VHS preview copies, cd-roms and other enclosed =
material. All screening copies (BETACAM) will have been send back by =
June 30th, 2001.
As an extension of the Festival, the award-winning works will be shown =
in various cultural institutions.
The participation in ''e-phos 2001'' implies the acceptance without =
reservation of the present regulations. Send all entry forms, =
documentation, videos, and cd-roms to:
57 Archimidous, GR 116-36 Athens, Greece, tel: 01-7520064-5 fax: =
01-7520064
e-mail:alas@ath.forthnetgr, www.filmart.gr
PLEASESENDTYPEDPLEASESENDTYPEDPLEASESENDTYPEDPLEASESENDTYPEDPLEASESENDTYP=
EDPLEASESENDTYPED=20
Original Title:
English or Greek Title:
Languages used:
Country of Origin:
Duration:
Year of Production:
Director/Designer:
Address:
City:
PC:
Country:
Tel:
Fax:
E-mail:
Producer/Publisher:
Address:
City:
PC:
Country:
Tel:
Fax:
E-mail:
Distributor:
Address:
City:
PC:
Country:
Tel:
Fax:
E-mail:
CREDITS:
Script:
Narration:
Cinematography:
On screen participants:
Screen design:
Animation graphics:
Interaction Design:
Original Format:
35mm 16mm BETACAM(SP) UMATIC OTHER:
A U T H O R I S A T I O N
Corporate name:
Distirbutor/Designer:
Address:
City:
PC:
Country:
Tel:
Fax:
E-mail:
SURNAME:
NAME:
POSITION:
MANDATORY SIGNATURE:
Date:
send entry form and material at 57 ARCHIMIDOUS GR-11636 Athens
alas@ath.forthnet.gr tel: 00301-7520064-5 fax: 00301-7520064
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-7" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2314.1000" name=3DGENERATOR>
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<BODY bgColor=3D#00ff00>
<DIV><FONT size=3D2><FONT size=3D2>
<DIV><FONT size=3D2>
<DIV align=3Dcenter><FONT size=3D1><STRONG>3rd International Festival of =
Film and=20
New Media on Art</STRONG></FONT></DIV>
<DIV align=3Dcenter><FONT size=3D4><STRONG>''e-phos =
2001''</STRONG></FONT></DIV>
<DIV align=3Dcenter> </DIV>
<DIV align=3Dcenter><STRONG>
<DIV align=3Dcenter><FONT size=3D2>on the</FONT></DIV>
<DIV align=3Dcenter><FONT=20
size=3D7><STRONG>B O D =
; =20
Y</STRONG></FONT></DIV>
<DIV align=3Dcenter><FONT size=3D1><EM><STRONG>K I N E S I S - =
ANAMORPHOSIS in the=20
DIGITAL ERA</STRONG></EM></FONT></DIV>
<DIV align=3Dcenter></STRONG><FONT size=3D7></FONT> </DIV></DIV>
<DIV align=3Dcenter><FONT size=3D2></FONT> </DIV>
<DIV align=3Dcenter> </DIV>
<DIV align=3Dcenter><FONT size=3D4><STRONG>2 3 M a y - 3 =
June 2 0=20
0 1</STRONG></FONT></DIV>
<DIV align=3Dcenter><FONT size=3D4><STRONG>Athens, =
Greece</STRONG></FONT></DIV>
<DIV align=3Dcenter> </DIV>
<DIV align=3Dcenter><FONT size=3D4><STRONG><A=20
href=3D"http://www.filmart.gr">www.filmart.gr</A> </STRONG></FONT></DIV>
<DIV align=3Dcenter> </DIV>
<DIV align=3Dcenter><STRONG><U></U></STRONG> </DIV>
<DIV align=3Dcenter> </DIV>
<DIV align=3Dcenter><FONT color=3D#0000ff><STRONG>p r o g r a m =
s t=20
o a p p l y </STRONG></FONT></DIV>
<DIV align=3Dcenter> </DIV>
<DIV align=3Dcenter><FONT color=3D#0000ff>
<DIV align=3Dcenter><FONT color=3D#0000ff size=3D4><STRONG>cd-roms on =
all arts=20
</STRONG></FONT></DIV>
<DIV align=3Dcenter><FONT color=3D#0000ff>in competition (entry deadline =
1 March=20
2001) </FONT></DIV>
<DIV align=3Dcenter><FONT color=3D#0000ff size=3D4></FONT> </DIV>
<DIV align=3Dcenter><FONT color=3D#0000ff size=3D4><STRONG>web sites on =
all arts =20
</STRONG></FONT></DIV>
<DIV align=3Dcenter><FONT color=3D#0000ff>not competitive (entry =
deadline 1 March=20
2001)</FONT></FONT></DIV></DIV>
<DIV align=3Dcenter><FONT size=3D4><FONT =
color=3D#0000ff></FONT></FONT> </DIV>
<DIV align=3Dcenter><FONT size=3D4><FONT color=3D#0000ff><STRONG>films =
and videos on=20
all arts </STRONG></FONT></FONT></DIV>
<DIV align=3Dcenter><FONT color=3D#0000ff><FONT color=3D#000000 =
size=3D2><FONT=20
color=3D#0000ff>not competitive (entry deadline 1 March=20
2001)</FONT></FONT> </FONT></DIV>
<DIV align=3Dcenter> </DIV>
<DIV align=3Dcenter><FONT color=3D#ff0000>
<DIV align=3Dcenter><FONT color=3D#0000ff></FONT> </DIV>
<DIV align=3Dcenter><FONT color=3D#0000ff>send entry form and material =
at 57=20
ARCHIMIDOUS GR-11636 Athens</FONT></DIV>
<DIV align=3Dcenter> </DIV>
<DIV align=3Dcenter><FONT color=3D#0000ff>
<DIV align=3Dcenter><FONT color=3D#0000ff><FONT color=3D#008000><A=20
href=3D"mailto:alas@ath.forthnet.gr">alas@ath.forthnet.gr</A></FONT></FON=
T><FONT=20
color=3D#000000> </FONT><FONT color=3D#0000ff>tel: 00301-7520064-5 =
</FONT><FONT color=3D#0000ff>fax: =
00301-7520064</FONT></FONT></FONT><FONT=20
color=3D#0000ff size=3D4></FONT></DIV></DIV></DIV>
<DIV align=3Dcenter> </DIV>
<DIV =
align=3Dcenter><STRONG></STRONG> </DIV></FONT></DIV></FONT><B><U><FO=
NT=20
size=3D6>
<P align=3Dcenter><FONT face=3DUB-Future>E N T R Y F O R=20
M</FONT></P></U></FONT><FONT face=3DUB-Future size=3D5></FONT><EM>
<P>Aims</B></EM></P>
<P><EM>''e-phos' 2001' is organized by the non profit cultural =
organization ALAS=20
and aims to initiate a creative exchange of experiences and contacts in =
the=20
sphere of culture and art, to develop the public=B4s understanding and=20
appreciation of art, to support the efford of filmmakers, producers and=20
distributors to find their place in the international audio-visual=20
context.</EM></P><U></U><B>
<P><EM>Subjects</EM></B><EM></EM></P>
<P><EM>''e-phos 2001'' encompasses all arts, of any period or style, in =
the=20
following disciplines:</EM><EM> Painting, sculpture, architecture, =
design,=20
crafts, fashion, decorative arts, music, photography, cartoon, cinema,=20
literature, poetry, dance, theatre, performance art, multimedia art, =
interactive=20
art, video art, landscape art, art history, museology and=20
restoration.</EM></P><B>
<P><EM>Format</EM></B><U><EM></EM></U></P>
<P><U><EM>All films and videos will be presented only in BETACAM SP =
(PAL). All=20
cd-roms should run in Windows 95 environment, in Mac or in=20
both.</EM></P><B></U><EM>
<P>Language</B> </EM></P>
<P><EM>All films or videos, cd-roms, and web sites must be either in =
Greek,or=20
English, in their original, subtitled or dubbed version.</EM></P><B>
<P><EM>ENTRY Deadline</EM></P></B>
<P><EM>Each film (in VHS Pal), video (in VHS Pal), cd-rom, web=20
site, submitted to ''e-phos 2001'' must be accompanied by the =
attached=20
entry form and reach the Festival office properly completed and signed =
by=20
</EM></P><U>
<P><EM>M A R C H 1, 2 0 0 1.</EM></P></U><B></B><B>
<P><EM>Registration Fees </EM></P></B>
<P><EM>All participating films, videos, cd-roms and web sites are not =
subject to=20
any fee.</EM></P><B><EM>
<P>Transport</B><U> </P></U></EM>
<P><EM>The cost of sending the video tapes of the films, videos (either =
VHS or=20
BETACAM) and cd-roms is borne by the shipper. <U>Registered mail and=20
Courrier</U> options are highly recommended. The Festival will assume=20
responsability upon delivery only and will</EM><EM> bear the =
expense of=20
the return shipment of the copies.</EM></P><B>
<P><EM>Deadlines</EM></P></B>
<P><EM>A BETACAM SP (PAL) copy of each film or video that has been =
selected to=20
be presented in the festival must </EM><EM>reach the Festival office by=20
<U><STRONG>APRIL 15 2001</STRONG><B></U></EM></P><U></U>
<P><EM>Required Documentation</EM></P></B>
<P><EM>The following material must reach the Festival office after the =
film,=20
video, cd-rom or the web site has been officially selected:</EM></P>
<P><EM>complete credits, a biography, a filmography and photo of the =
director or=20
designer, a biography of the artists appearing on the screen, a summary =
of the=20
film, the video, the cd-rom or the web site, <EM>two posters (if=20
available)</EM>, the press kit, at least two stills black & white or =
colour=20
of the film, video, cd-rom or site in digital or printed form (In case =
of=20
digital please send properly addressed only TIFFS or JPEGS by using =
electornic=20
mail: <A=20
href=3D"mailto:alas@ath.forthnet.gr">alas@ath.forthnet.gr</A> </EM><=
EM>=20
</EM></P>
<P><EM>The producer, director, distributor or designer =
authorizes ''e-phos=20
2001'' to reproduce photographs, texts and biographies in the=20
catalogue.</EM></P><B>
<P><EM>Printed scripts in English </EM></P></B>
<P><EM>Printed scripts in english of all films, no matter in which =
language they=20
are, should accompany either the VHS reviewing copies</EM><EM> or reach =
the=20
Festival office after the film has been officially selected. If the =
films are=20
subtitled in english the printed scripts are optional.</EM></P><B>
<P><EM>Utilization Rights</EM></P></B>
<P><EM>''e-phos 2001''reserves the right to authorize television =
broadcasts of=20
excerpts not exceeding three minutes and the publication </EM><EM>of =
stills on=20
magazines and newspapers for promotional purposes only.</EM></P>
<P><EM>Organizers do not return VHS preview copies, cd-roms and other =
enclosed=20
material. All screening copies</EM><EM> (BETACAM) will have been send =
back=20
by June 30th, 2001.</EM></P>
<P><EM>As an extension of the Festival, the award-winning works will be =
shown in=20
various cultural institutions.</EM></P>
<P><EM>The participation in ''e-phos 2001'' </EM><EM>implies the =
acceptance=20
without reservation of the present regulations. </EM><EM>Send all entry =
forms,=20
documentation, videos, and cd-roms to:</EM></P>
<P><EM>57 Archimidous, GR 116-36 Athens, Greece, tel: 01-7520064-5 =
fax:=20
01-7520064</EM></P>
<P><A=20
href=3D"mailto:e-mail:alas@ath.forthnetgr"><EM>e-mail:alas@ath.forthnetgr=
</EM></A><FONT=20
size=3D2>, </FONT><A=20
href=3D"http://www.filmart.gr"><EM>www.filmart.gr</EM></A></P><B><U>
<P> </P></B></U>
<P><FONT size=3D2>PLEASESENDTYPED<FONT size=3D2>PLEASESENDTYPED<FONT=20
size=3D2>PLEASESENDTYPED<FONT size=3D2>PLEASESENDTYPED<FONT=20
size=3D2>PLEASESENDTYPED<FONT size=3D2>PLEASESENDTYPED=20
</FONT></FONT></FONT></FONT></FONT></FONT></P>
<P>Original Title:</P>
<P>English or Greek Title:</P>
<P>Languages used:</P>
<P>Country of Origin:</P>
<P>Duration:</P>
<P>Year of Production:</P><U>
<P>Director/Designer:</P></U>
<P>Address:</P>
<P>City:</P>
<P>PC:</P>
<P>Country:</P>
<P>Tel:</P>
<P>Fax:</P>
<P>E-mail:</P><U>
<P>Producer/Publisher:</P></U>
<P>Address:</P>
<P>City:</P>
<P>PC:</P>
<P>Country:</P>
<P>Tel:</P>
<P>Fax:</P>
<P>E-mail:</P><U>
<P>Distributor:</P></U>
<P>Address:</P>
<P>City:</P>
<P>PC:</P>
<P>Country:</P>
<P>Tel:</P>
<P>Fax:</P>
<P>E-mail:</P><U>
<P>CREDITS:</P></U>
<P>Script:</P>
<P>Narration:</P>
<P>Cinematography:</P>
<P>On screen participants:</P>
<P>Screen design:</P>
<P>Animation graphics:</P>
<P>Interaction Design:</P><U>
<P>Original Format:</P></U>
<P>35mm 16mm BETACAM(SP) UMATIC OTHER:</P><U>
<P align=3Dcenter> </P>
<P align=3Dcenter>A U T H O R I S A T I O N</P></U>
<P>Corporate name:</P>
<P>Distirbutor/Designer:</P>
<P>Address:</P>
<P>City:</P>
<P>PC:</P>
<P>Country:</P>
<P>Tel:</P>
<P>Fax:</P>
<P>E-mail:</P>
<P>SURNAME:</P>
<P>NAME:</P>
<P>POSITION:</P>
<P>MANDATORY SIGNATURE:</P>
<P>Date:</P>
<P> </P>
<P align=3Dcenter><FONT color=3D#ff0000> <FONT color=3D#0000ff>send =
entry form=20
and material at 57 ARCHIMIDOUS GR-11636 Athens</FONT></P><FONT =
color=3D#0000ff>
<DIV align=3Dcenter><FONT color=3D#0000ff><FONT color=3D#008000><A=20
href=3D"mailto:alas@ath.forthnet.gr">alas@ath.forthnet.gr</A></FONT></FON=
T><FONT=20
color=3D#000000> </FONT><FONT color=3D#0000ff>tel: 00301-7520064-5 =
</FONT><FONT color=3D#0000ff>fax:=20
00301-7520064</FONT></FONT></FONT></DIV></FONT></DIV></BODY></HTML>
- ------=_NextPart_000_022C_01C080DA.93F35EC0--
------------------------------
Date: Wed, 17 Jan 2001 14:55:46 -0700
From: m e t a <meta@meta.am>
Subject: http://meta.am/ - abstract machine
//
http://meta.am/image/still/
rot.spk - abstract machine
\noboundingbox {pspicture}[0.5](0,0)(4.8,8.1) \moveto(2.4,8.1)
\relput[t](0,0)\ovalnode[framesep=0pt]enter Enter
def c.s.r
def $p1_1 \relput(0,-1.7)\rnoden1a_1 = $p1_1;
b_1 = a_1;
c_1 = a_1; \relput(0,-0.8)\rnoden2$p1_2 = c_1; prolog
\relput(0,-0.7)\dianoden3call \markherecall
\relput(-1,-1.1)\rnodenphantom\psdblframebox use $p1_2
kill vol. regs.
a_2 = µ(a_1)
def $r1_1
def $r2_1 \relput(0,-1.2)\rnoden4normal
epilog b_2 = $r1_1;
c_2 = $r2_1; \relput(0,-0.8)\rnoden5c_3 = b_2+c_2+a_2;
$r1_2 = c_3; \movetocall \relput(1,-1.1)\rnodeaphantom\psdblframebox use $p1_2
kill vol. regs.
b_3 = µ(b_1)
def d_1 \relput(0,-1.2)\rnoden6 alternate
epilog \relput(0,-0.8)\rnoden7$r1_3 = b_3 + d_1;
\relput[b](-1,-1.8)\ovalnode[framesep=-2pt]exit $r1_4 = phi($r1_2, $r1_3)
use $r1_4
use c.s.r.
Exit entern1 n1n2 n2n3 n3nphantom nphantomn4 n4n5 n5exit n3aphantom
aphantomn6 n6n7 n7exit \rmoveto(0,0) {pspicture}
//m
127.0.0.1
http://meta.am/
216.71.169.143
//
------------------------------
Date: Thu, 18 Jan 2001 09:33:35 -0500
From: "ricardo dominguez" <rdom@thing.net>
Subject: thehacktivist.com
[thehacktivist.com] is dedicated to examining the theory and practice of
hacktivism and electronic civil disobedience while contributing to the
evolution of hacktivism by promoting constructive debate, effective direct
action,
and creative solutions to complex problems in order to facilitate positive
change.
http://thehacktivist.com
------------------------------
Date: Thu, 18 Jan 2001 16:41:37 +0100 (MET)
From: alyosha Witness <alyoshaw@gmx.net>
Subject: new list re "violence" and "nonviolence" at mobilizations
Fellow activists:
You are invited to join a new email list for discussion of activist
"violence" and "nonviolence" at the current large mobilizations (J18, S26,
J20, etc). All perspectives are welcome.
You can subscribe by sending a blank email to
v-nv-mobilize-subscribe@egroups.com
or by visiting
http://www.egroups.com/group/v-nv-mobilize
(Do not "Reply" to join the list. Also, eGroups has been bought by Yahoo,
so don't be confused when you see the other name.)
GENERAL INFO
WHY THIS NEW LIST?
SECURITY
FORWARDING THIS INVITATION
GENERAL INFO
The goal of v-nv-mobilize is to facilitate a respectful, international
dialog on activist "violence"/"nonviolence", in which people of differing views
can learn from one another, and people of similar views can discuss how to act
on them. (Quotation marks are used here for the sake of openness, to
recognize the many uses of these words. This is not a convention others need
follow.)
This invitation is being sent to over 400 people, lists, and organizations,
representing a wide range of:
* geographical locations
* issues of primary focus
* political views
* positions on "violence"/"nonviolence"
* types of involvement in the mobilizations.
(The initial invitations for v-nv-mobilize were sent on 17 Jan 01. If you
visit the webpage or subscribe soon thereafter, there will not be much going
on yet. Join the list, post your reflections, and help start the
conversation!)
The list is unmoderated -- which means self-moderated -- with an open
subscription policy. Its primary language is English.
v-nv-mobilize is for examination of activist "violence"/"nonviolence" as a
movement issue, across different mobilizations. Practical applications will
hopefully be discussed, but this is not the primary organizing list for any
mobilization.
v-nv-mobilize focuses on the "violence" and "nonviolence" of activists,
because it is a list for activists (in the broadest sense), and aims to help us
direct our own movement. The "violence" or "nonviolence" of police and the
prisons are uncontroversial among activists, and are widely addressed on the
internet. The same is not the case with our own behavior.
WHY THIS NEW LIST?
There have been all kinds of activist "violence" and "nonviolence" at the
mobilizations of the past two years. v-nv-mobilize was inspired by -- but is
not limited to! -- some of the events at S26 Prague: activist/independent
media reports were that a small minority of activists threw cobblestones and
Molotov cocktails at police, and similarly attacked delegates, injuring tens
of people, at least two seriously.
Research for this list turned up numerous accounts of and reactions to these
events, but hardly any extended discussion, especially of activist
"violence"/"nonviolence" as a general issue for the movement.
During that research, another example of "violence" occurred at N30 (2000)
Nice, where activist/independent sources reported that some activists started
a fire at a bank, and then drove off firefighters by throwing rocks.
Note: v-nv-mobilize is not concerned only with these potentially lethal
actions; they serve as dramatic examples to argue that we activists should be
talking more about the whole spectrum of our "violence"/"nonviolence" at the
mobilizations.
And to repeat, the goal of v-nv-mobilize is to bring all sides together, not
to advance one view of the issue. All perspectives on activist
"violence"/"nonviolence" deserve public discussion in depth, due to their significance
in:
* movement strategy and tactics
* mobilization organizing
* media and other outreach
* (for some people) morality and spirituality.
(By the way, if you are aware of such a dialog already occurring online,
please post its location to v-nv-mobilize.)
So why are these matters not more talked about? To be sure, each
mobilization is different, and where there is less likelihood of serious "violence", it
is understandable that there is less attention paid to the issue. But these
mobilizations are part of a common movement, however it is understood: what
happens in Prague affects what happens in Washington DC and vice versa, on
the streets and in the conference rooms.
Three other reasons to avoid this challenging topic come up often:
1) "Let's not divide ourselves."
2) "Let's focus on the practicalities of organizing, not on abstractions."
3) "Our view on "violence"/"nonviolence" is settled. There's no need for
dialog with other groups."
Each of these points may be valid for some people and some forums. But
v-nv-mobilize is a list for people who feel differently.
SECURITY
v-nv-mobilize is essentially public, as is its archive. Eddresses will be
concealed in the archive and the members list, but not in the "From" field of
postings. This will hopefully prevent people's eddresses from being
"harvested", but it will not provide real "security". Bear this in mind at all
times.
The lack of security does favor people of the "nonviolent" view, especially
among those who live under more repressive states, because they may feel more
free to express themselves. But the research for this invitation turned up
many groups whose websites or lists approve of or advocate revolutionary
"violence", so hopefully these people will feel just as free to express
themselves on this list.
FORWARDING THIS INVITATION
Please forward this invitation to anyone you think would be interested. But
many people, lists and organizations have already received it. So you will
minimize cross-postings by forwarding only to the following: people you know
personally; organizations or lists which have not received the invitation;
organizations which have no website.
Thank you for reading.
May this list serve us well -- and the movement.
alyosha Witness
listworker
- --
(Sorry about the ad below;
i'm away from home and sending this thru the web.)
Sent through GMX FreeMail - http://www.gmx.net
------------------------------
Date: Thu, 18 Jan 2001 13:47:03 -0500
From: Robert Atkins <robertatkins@earthlink.net>
Subject: Media Channel Update/Media Arts & More
JANUARY 17, 2001, NEW FEATURES:
MEDIA ARTISTS LOOK FORWARD
The future performed, militarized, politicized, idealized and
sounded out. The latest News and Reviews from Robert Atkins.
http://www.mediachannel.org/arts/gallery/index.html
CITIZENS' MEDIA WATCH
Recent posts include: "A crime against humanity!" and "Is The
New York Times scamming taxpayers?"
http://www.mediachannel.org/originals/cmw.shtml
NEWS DISSECTOR: REALITIES AND SURREALITIES
"Reality TV" is thriving, but media outlets and their employees face
unwanted realities, reports Danny Schechter.
http://www.mediachannel.org/views/dissector/reality.shtml
*******************************************************
SCROLL DOWN FOR NEW NOTICES FROM THE
MEDIACHANNEL BULLETIN BOARD AND MARKETPLACE
jobs*events*action alerts*services*equipment*programming & more
*******************************************************
DAILY MEDIA NEWS
Breaking news stories about the media internationally,
from mainstream and alternative sources.
http://www.mediachannel.org/news/today/
**FROM OUR AFFILIATES**
VIDEO FOR HUMAN RIGHTS: AN ONLINE TRAINING GUIDE
How to expose human rights abuses using television, grassroots
advocacy and Internet broadcasting.
http://www.mediachannel.org
IS DAN RATHER A LIBERAL SHILL?
RatherBiased.com documents hundreds of partisan statements
from "one of the most politicized journalists of our time."
http://www.mediachannel.org/front.shtml#rather
MEDIA READER
* Chechen War Journalism
* The Ethnic Sidekick In Hollywood
* Marketing Media Literacy
And much, much more... Plus: Streaming audio and video
http://www.mediachannel.org/news/mediareader/front.shtml
MARTIN LUTHER KING, JR: TV FICTIONS
In TV tributes to the "slain civil rights leader," King's critiques of
U.S. economic and global policies have been simply blacked out.
http://www.mediachannel.org/front.shtml#king
HOT STORIES
MediaChannel affiliates offer the latest news and opinion
on the world's top media stories. This week: Pacifica Radio,
U.S. Election Coverage, Israel/Palestine Media Bias,
Serbian Media and the AOL-Timer Warner merger
http://www.mediachannel.org/news/hotstories
MediaChannel welcomes our new affiliates:
* Guerrilla News Network * International Year of Volunteers
* One World Photography and Documentary Production Studio
http://www.mediachannel.org/
**********************************
NEW NOTICES FROM THE MEDIACHANNEL
MARKETPLACE AND BULLETIN BOARD
MARKETPLACE: http://www.mediachannel.org/market
[JOB] Nepal: Environmental Journalism org. seeks Regional Director
[SERVICE] US: Promotional news video production for NGOs
*MORE AT http://www.mediachannel.org/market*
BULLETIN BOARD: http://www.mediachannel.org/bulletinboard
[ACTION ALERT] Haitian news directors receive death threats!
[EVENT] London-Discussion of Official Secrets Act with David Shayler
*MORE AT http://www.mediachannel.org/bulletinboard*
***********************************
***********************************
THE JOURNALISTS' TOOLKIT
http://www.mediachannel.org/getinvolved/journo
THE ESSENTIAL BOOKMARK FOR ANY JOURNALIST
Research tools, interview tips, Web writing guides and more!
http://www.mediachannel.org/getinvolved/journo
WEBMASTERS: YOU CAN ADD THIS ICON:
http://www.mediachannel.org/images/jtoolkit-mediachannel.gif
TO LINK TO THE TOOLKIT
*********************************
AS THE MEDIA WATCH THE WORLD, WE WATCH THE MEDIA.
MediaChannel is a not-for-profit project of OneWorld and The Global
Center, and is produced by Globalvision New Media.
MediaChannel.org (http://www.mediachannel.org) is the first Web portal
dedicated to international media issues, and the premiere Internet source
for analysis and information about the media. Driven by content from a
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MediaChannel explores areas such as freedom of expression, citizen
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Support for MediaChannel.org has come from the Rockefeller Foundation,
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If you want to help, please make a tax-deductible donation to the
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- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
- ----------------------------------------------------------------------------
- ------------
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------------------------------
Date: Thu, 18 Jan 2001 14:43:39 -0500
From: "=?ISO-8859-1?Q?Alberto_Gait=E1n?=" <alberto@null.net>
Subject: (Fwd) Live from Ground Zero
[Original from Eddie Becker <ebecker@cni.org>]
LIVE FROM WASHINGTON, DC, The Independent Media Center
presents, unique coverage of the Inauguration of George W Bush.
The Internet Broadcast is now up and running. If you can't be in
DC, listen to in-depth coverage and live reports from ground zero.
Click on images, read the newswires and watch streaming video.
Listen to the Simulcast as you watch the Coronation on TV.
http://dc.indymedia.org For the audio stream click into the Live
internet radio box in the upper left corner.
Support Independent Media Please Donate
http://dc.indymedia.org/donate.php3
Thanks, DC-IMC
------------------------------
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