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Table of Contents:
LMC Webcast September 23rd 2001
David Mandl <dmandl@panix.com>
gascash&chaos
"tripDixon &&" <trw34x@hotmail.com>
Job opportunities at Georgia Tech
Eugene Thacker <eugene.thacker@lcc.gatech.edu>
TheO & TheA
monika glahn <moni@mur.at>
on Derrida
"Frank Hartmann" <frank.hartmann@chello.at>
<nettime> Cabinet magazine: lexicon of crisis
Cabinet Magazine <cabinet@immaterial.net>
net art project: keeping up appearances
mendi obadike <mendi@blacknetart.com>
The Daniel Langlois Foundation Announces Major Changes
Angela Plohman <aplohman@fondation-langlois.org>
Docs Online (Amsterdam): Call for Proposals Digital Documentaries
"geert lovink" <geert@xs4all.nl>
borderhack attachment.
fran ilich <ilich@de-lete.tv>
Website and cd-rom presentations at the Impakt Festival 2001
Arjon Dunnewind <arjon@impakt.nl>
(announcer) Recent Work on 2 cdroms
Alan Sondheim <sondheim@panix.com>
free software, free art
Michael Stutz <stutz@dsl.org>
Scene Strike Five - the official results
Aleksandar Gubas <eurindie@yahoo.com>
------------------------------
Date: Sat, 22 Sep 2001 10:11:20 -0400 (EDT)
From: David Mandl <dmandl@panix.com>
Subject: LMC Webcast September 23rd 2001
Dear Friends,
Here are the details of the latest London Musicians' Collective
Webcast beaming out on Sunday 23rd September. Please pass on the
details to the world. Oh, one additional thing, also included will be
some live visuals.
***********************************************
ONCE UPON A TIME IN THE WASTE
An LMC Radio Webcast showcasing
Lo-Resolution and circuit bent technologies
Sunday 23rd September 2001
5.00 pm to 11.00 pm BST
Tune in at: www.l-m-c.org.uk
Real player required
Featured artistes:
Responge (live)
Brown Sierra (live)
Sharon Gal (live)
DJ Laptop Loonie (live)
Chimpanzee 538 (live)
Simon Lucas (Chinese love poetry)
Xper.Xr
Magz Hall (prog about circuit bending
with Chris Cutler, Sarah Washington
and Ron Briefel Briefel Briefel)
Paul Hood (tracks from his Japanese
travels)
Hugh Metcalf
Your transistorized hosts:
Tom Wallace and Andy Lowe
Live visual components courtesy of
Rob Flint/Scopac
******************************************
------------------------------
Date: Sun, 23 Sep 2001 16:07:23 +0000
From: "tripDixon &&" <trw34x@hotmail.com>
Subject: gascash&chaos
new sound art/software art/net.art/interface art piece ::::: for the purpose
of interactive control, search and discover...
http://www.hiveprojects.com/trip/gas
tripDixon
_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp
------------------------------
Date: Sun, 23 Sep 2001 13:44:22 -0400
From: Eugene Thacker <eugene.thacker@lcc.gatech.edu>
Subject: Job opportunities at Georgia Tech
Job Announcements: School of Literature, Communication, & Culture (LCC) at
Georgia Tech
http://www.lcc.gatech.edu
1. Narrative, Interactivity, Interactive Games
LCC seeks a practitioner-theorist of New Media especially as related to
interactive narrative, performance, and computer-based interactive games.
(Rank open)
Georgia Tech¹s School of Literature, Communication, and Culture, part of the
Ivan Allen College, Georgia Tech¹s liberal arts college, offers an
undergraduate major in Science, Technology, and Culture and an M.S. in
Information Design and Technology. LCC participates in the university¹s
interdisciplinary program Women, Science, and Technology, and an MS program
in Human-Computer Interaction. A Ph.D. in Humanities and Technology is in
the planning stage. LCC encourages applications from women and minority
candidates.
Applications to: Search Chair: Cultural Studies of Science and Technology,
School of Literature, Communication, and Culture; Georgia Institute of
Technology; Atlanta, GA 30332-0165. Website at LCC@gatech.edu.
2. Cultural Studies of Science and Technology
LCC seeks one or more individuals (rank open) with a focus on the
intersections of science and humanities. One position is in American
Studies, preferably 18th or 19th century, with an emphasis on one or more of
the following: environmentalism, visual culture, and comparative media
studies. The other position is in 17th and 18th century British or
Continental literature with an emphasis on visual culture. Both positions
will have responsibility for literature courses in our undergraduate major
in Science, Technology and Culture, and in a proposed Ph.D. LCC is
committed to broad base cultural studies and electronic pedagogy.
Georgia Tech¹s School of Literature, Communication, and Culture, part of the
Ivan Allen College, Georgia Tech¹s liberal arts college, offers an
undergraduate major in Science, Technology, and Culture and an M.S. in
Information Design and Technology. LCC participates in the university¹s
interdisciplinary program Women, Science, and Technology, and an MS program
in Human-Computer Interaction. A Ph.D. in Humanities and Technology is in
the planning stage. LCC encourages applications from women and minority
candidates.
Applications to: Search Chair: Cultural Studies of Science and Technology,
School of Literature, Communication, and Culture; Georgia Institute of
Technology; Atlanta, GA 30332-0165. Website at LCC@gatech.edu.
3. Communications Program Director
LCC seeks a composition/rhetoric specialist with expertise in electronic
pedagogy, and a background in technical communication, cultural studies, or
cognitive science. Candidates should have a research record appropriate to
appointment as associate or full professor. The candidates chosen will
provide leadership for a campus-wide program in communication including a
two-semester composition sequence and an upper-level technical communication
course. The Program Director will also assist in the mentoring and career
development of the post-doctoral fellows who staff the program.
Georgia Tech¹s School of Literature, Communication, and Culture, part of the
Ivan Allen College, Georgia Tech¹s liberal arts college, offers an
undergraduate major in Science, Technology, and Culture and an M.S. in
Information Design and Technology. LCC participates in the university¹s
interdisciplinary program Women, Science, and Technology, and an MS program
in Human-Computer Interaction. A Ph.D. in Humanities and Technology is in
the planning stage. LCC encourages applications from women and minority
candidates.
Applications to: Search Chair: Cultural Studies of Science and Technology,
School of Literature, Communication, and Culture; Georgia Institute of
Technology; Atlanta, GA 30332-0165. Website at LCC@gatech.edu.
¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬
Eugene Thacker
e: eugene.thacker@lcc.gatech.edu
School of Literature, Communication & Culture
Georgia Institute of Technology
¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬
CURRENT:
"The Touch of Telesurgery" @ Simulation
& Gaming 32:3 <http://www.unice.fr/sg>
"Open Source DNA?" @ Wizards of OS 2 conference:
<http://www.mikro.org/Events/OS/wos2>
Tech-Flesh: The Promises & Perils of the Human
Genome Project @ CTHEORY (Special Issue,
co-edited with Arthur & Marilouise Kroker):
<http://www.ctheory.com>
"Diversity.com/Population.gov" @ Walker Art Center:
<http://www.walkerart.org/gallery9/ludin>
¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬
Also:
HARD_CODE: Narrating the Network Society
@ ALT-X eBooks <http://altx.com/ebooks>
¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬
------------------------------
Date: Mon, 24 Sep 2001 04:42:42 +0200 (CEST)
From: monika glahn <moni@mur.at>
Subject: TheO & TheA
ANNOUNCEMENT
TheO & theA OPERA _______________ art and theory perform intensively live
at
SKC, belgrade yugoslavia, Monday, 24th of september at 12 p.m.
SKC: 11000 Belgrade, General Zdanova 68
“...theO & theA opera is embodied as it's own problem, a blind spot
of the subject that it is celebrating - thus theO & theA produces
opponents as an executing algorithm of polarity. it executes self
conduction during the limited time frame of the stage action. It is
existing as a permanent symposia and dislocated working lab before
and after stage appearance.³
(Marko Kosnik)
authors / participants:
Dirk Bruinsma - audios / directing
Andreas Findeisen - interplay
Ulrike Gabriel - visuals
Marco Kosnik - directing / visuals
Monika Glahn - networking
Margrit Rieben - audios / composition
Misko Suvakovic - speech and language / textuality
“'Art theory' is the name we give to speech and language which denote art.
To give an answer to the question "What is art?" is to determine the
framework of the speech and language in which this answer is given. To
state that art theory is the speech and language whose denotation is art,
is to determine art theory as a linguistic or discursive activity. To
determine art theory as a linguistic or discursive activity is pointing
out aspects of language and discourse whose denotation is art: ....³
(Misko Suvakowic)
theO & theA is produced by EMI, Lubljana/Berlin in cooperation with CENPI
and SKC Belgrade, in the frame of the symposium “Theory in Theatre³,
Belgrade, and supported by the ministry of culture of slovenia
TheO & theA OPERA _________________ Kunst und Theory (perform live! -
!intensiv)
im SKC, Belgrad, Jugoslawien, Montag den 24.09. um 24.00 Uhr
SKC: 11000 Belgrade, General Zdanova 68
“...(die) theO & theA opera verkoerpert sich als ihr eigenes Problem, als
blinder Fleck des Subjektes, das sie zelebriert auf diese Weise
produziert sie, als ausfuehrender Algorithmus von Polaritaet,
Gegenspieler. Sie fuehrt sich innerhalb des limitierten Zeitrahmens der
Buehnenaktion selbstdirigierend aus. Als permanentes Symposium und
ortsunabhaengiges Laboratorium existiert sie vor und nach dem Erscheinen
auf einer Buehne.³ (Marko Kosnik)
Authoren / Teilnehmer:
Dirk Bruinsma - Hoerbares / Dirigenz
Andreas Findeisen - Zwischenspiel
Ulrike Gabriel - Sichtbares
Marco Kosnik - Dirigenz / Sichtbares
Monika Glahn - Netzwerk
Margrit Rieben - Hoerbares / Komposition
Misko Suvakovic - Sprache und Rede / Textualitaet
“Kunsttheorie³ ist der Name, den wir einer Rede und einer Sprache geben,
welche Kunst bezeichnet. Eine Antwort auf die Frage zu geben, `Was ist
Kunst?´, bedeutet, das Rahmenwerk von einer Rede und einer Sprache zu
begrenzen, innerhalb dessen diese Antwort gegeben wird. Festzustellen,
dass Kunsttheorie die Rede und Sprache ist, die auf Kunst hinweist,
bedeutet, Kunsttheorie als eine linguistische oder diskursive Taetigkeit
zu begrenzen. Kunsttheorie als eine linguistische oder diskursive
Taetigkeit zu begrenzen, bedeutet, auf Aspekte von Sprache und Diskurs zu
zeigen, deren Bezeichnung Kunst ist: .....³ (Misko Suvakovic)
theO & theA produziert von EMI, Lubljana/Berlin in Zusammenarbeit mit
CENPI und SKC Belgrad, im Rahmen des Symposiums “Theory in Theatre³,
Belgrad, und unterstuetzt vom Ministerium fuer Kultur, Slovenien
------------------------------
Date: Mon, 24 Sep 2001 09:47:40 +0200
From: "Frank Hartmann" <frank.hartmann@chello.at>
Subject: on Derrida
A hint for all who are interested
in philosophy and read German:
The eulogy by Waldenfels on Derrida,
who received the T.W.Adorno price
in Frankfurt last weekend,
- - full text is to be found here:
http://www.fr-aktuell.de/fr/160/t160001.htm
/F
------------------------------
Date: Mon, 24 Sep 2001 00:03:29 -0400
From: Cabinet Magazine <cabinet@immaterial.net>
Subject: <nettime> Cabinet magazine: lexicon of crisis
Cabinet magazine, a quarterly cultural magazine based in New York, would
like to invite the readers of Nettime to contribute to a "lexicon of
crisis" that we are currently compiling. Parts of this lexicon will be
printed in issue 5 of Cabinet magazine in December 2001, and a larger
section will be placed online as an ongoing project on Cabinet's website
(http://www.immaterial.net/cabinet). Entries will be credited, of course.
Each entry should define a specific word of your choosing that is
mobilized in moments of national crisis. Examples are "security,"
"border," "purity," "evil" or even "crisis"....Entries can be between one
sentence and 300 words (negotiable). You can address the history,
genealogy, and etymology of the term, its current (ab)uses, and so on.
Raymond Williams's "Keywords" is one possible model. Although the current
situation is an obvious source, we would like the entries to be part of of
the standard vocabulary used in crises in general. We are of course
assuming that:
1. There is a changing but somewhat stable set of words that are invoked
when nation-states feel threatened. 2. The hidden connotations of this
discourse need to be explored and clarified.
Entries for the print version need to be here by 9/30/01. Web entries are
accepted on an ongoing basis. Please reply to this address.
We look forward to receiving your words.
Thank you
Cabinet
------------------------------
Date: Mon, 24 Sep 2001 10:50:23 -0700 (PDT)
From: mendi obadike <mendi@blacknetart.com>
Subject: net art project: keeping up appearances
For Immediate Release
For more information contact
mendi@blacknetart.com
http://Obadike.tripod.com
Mendi Obadike Textifies Online
Intermedia artist Mendi Lewis Obadike presents
"keeping up appearances", a hypertextimonial. In the
tradition of black feminist artists Faith Ringgold and
Audre Lorde, Obadike makes art out of what is said and
not said. Her past projects have examined
intersections of sound, propriety, and enactments of a
black female aesthetic. This project is part of her
"Black.net.art" actions. See "keeping up appearances"
at http://blacknetart.com/keepingupappearances.html
This piece is viewed best through Internet Explorer.
###
=====
Mendi Lewis Obadike
mendi@blacknetart.com
http://Obadike.tripod.com
Peace for everyone.
__________________________________________________
Do You Yahoo!?
Get email alerts & NEW webcam video instant messaging with Yahoo! Messenger. http://im.yahoo.com
------------------------------
Date: Mon, 24 Sep 2001 15:21:23 -0400
From: Angela Plohman <aplohman@fondation-langlois.org>
Subject: The Daniel Langlois Foundation Announces Major Changes
September 24, 2001
Call for projects 2002: The Daniel Langlois Foundation Announces Major
Changes
- -- [CALL FOR PROJECTS 2002 - NEW DEADLINES]
- -- [MAJOR CHANGES TO THE FOUNDATION'S PROGRAMS]
- -- [PROGRAM GUIDE AND APPLICATION FORM NOW AVAILABLE IN SPANISH]
[CALL FOR PROJECTS 2002]
The Daniel Langlois Foundation is pleased to launch its call for projects
for the year 2002. The Foundation now has 2 calls for projects a year, one
for individuals and one for organizations. Note that all copies of the
program guide distributed before September 21, 2001 are invalid. Please take
careful note of the following deadlines:
For individual artists or scientists: JANUARY 31, 2002
For organizations: JUNE 30, 2002
[MAJOR CHANGES TO THE FOUNDATION'S PROGRAMS]
Besides changing the deadlines for proposals, the Foundation has revised its
funding programs. The following programs are now offered:
For individual artists or scientists:
The Research Grant Program for Individual Artists or Scientists
There is now one specific program guide and application form for individual
artists that can be found at
http://www.fondation-langlois.org/e/programmes/index.html.
For organizations:
The Exhibition, Distribution, and Performance Program for Organizations
&
The Program for Organizations from Emerging Regions
The former Residency and Commissioning of Works of Art Program and the
Exhibition, Distribution, and Performance Program have been fused together.
There is now one specific program guide and application form for
organizations that can be found at
http://www.fondation-langlois.org/e/programmes/index.html.
[PROGRAM GUIDE AND APPLICATION FORM NOW AVAILABLE IN SPANISH]
Application information is now available in French, English or Spanish.
Applicants in the Program for Organizations from Emerging Regions may submit
their proposals in Spanish provided it includes a one-page summary in French
or English. Note that although the Foundation accepts proposals in Spanish,
all correspondence will be in English or French.
For more information, please contact the Foundation's program officer at
aplohman@fondation-langlois.org or at (514) 987-7177.
-30-
Source:
Angela Plohman
Program Officer
The Daniel Langlois Foundation for Art, Science, and Technology
3530 Saint-Laurent Blvd., suite 402
Montréal, Québec H2X 2V1 Canada
T: (514) 987-7177 / F: (514) 987-7492
e: aplohman@fondation-langlois.org
url: http://www.fondation-langlois.org/e/nouvelles
------------------------------
Date: Tue, 25 Sep 2001 07:46:20 +1000
From: "geert lovink" <geert@xs4all.nl>
Subject: Docs Online (Amsterdam): Call for Proposals Digital Documentaries
From: "carolien euser" <ceus@chello.nl>
Subject: CALL DOCS ONLINE 2001 AMSTERDAM
CALL FOR PROPOSALS DIGITAL DOCUMENTARY PROJECTS
Special programme IDFA 2001
23-30 november, Amsterdam
What's the impact of new, digital media on the traditional, creative
documentary?
This year's DOCS ONLINE will raise some new questions looking at documentary
filmmaking and what the effects and possibilities are when working with
digital media and the internet. Starting off with a selection of interesting
digital documentary projects, the International Documentary Filmfestival
Amsterdam (IDFA) will allow space and time to exchange ideas, present work
and discuss the impact of the changing infrastructure on the documentary
landscape.
DOCS ONLINE.2 will be an inspiring platform for a broad audience; from
traditional documentary-filmmakers to webaddicts, from researchers to
producers, from students to experienced professionals.
In addition to debates, presentations and ofcourse a special website, the
audience can participate in discussions and meet the guests invited for this
program.
The central issue of debate will be "The Real versus Mediated Life".
Media-experiences have a big impact on the way we watch the world around us.
Media have become our senses, and experiences in the 'real world'
increasingly refer to information we have already absorbed and images coming
to us through media. Are there new ways of communicating
documentary-stories? How are filmmakers and their audiences reacting to
CNN, docu-soaps and information overload?
DOCS ONLINE explores the changing nature of authorship, presents tools for
documentary content production and distribution and invites a growing
online community to participate in the programme.
CALL FOR PROPOSAL
IDFA invites individuals and organisations to send in proposals for DOCS
ONLINE. Check the IDFA website for more information www.idfa.nl or email to
the editors of the team:
Carolien Euser and Nathalie Faber info@cut-n-paste.nl
We are looking for online-documentary projects and filmmakers with an
interesting take on the use of digital media. Organisations which explore
the infrastructure of the web as a platform for documentaries are also
invited to come forward. Deadline 15th of October 2001
During the festival the public will have permanent access to the DOCS ONLINE
computers at the festivallocation 'de Balie'. There will also be
possibilities in presenting 'offline works' (cd-rom, dvd). Please send in
your details, data, a description of your project (max. 10 lines), URL's
and/or tapes/cd's to
IDFA Kleine Gartmanplantsoen 10 1017 RR Amsterdam.
EDITORIAL TEAM
Curators for this programme are Carolien Euser and Nathalie Faber who work
together as Cut-n-Paste
www.cut-n-paste.nl, coordinated by Adriek Nieuwenhuijzen and Manna Nasht
(production) +31 20 6273329
For information about DOCS ONLINE 2000 check out www.docs-online.nl
------------------------------
Date: Mon, 24 Sep 2001 17:50:46 -0500
From: fran ilich <ilich@de-lete.tv>
Subject: borderhack attachment.
d e l e t e t h e b o r d e r ! ! !
the borderhack attachment online exhibition, which was presented sunday 26
august 2001 at playas de tijuana (tijuana beach) right in the borderwall
beetween mexico and usa.
http://www.de-lete.tv/borderhack/attachment
Participants include: Las Agencias, Antonio Alvarado , Mark Amerika,
APSOLUTNO , Dan Arenzon, Marion Baruch, marco13bellonzi (Colectivo O Santo
File), Justin Bennett, Zeljko Blace, Ángel F. Bueno, Marco Capelli, David
Casacuberta, Nilo Casares, Patric Catani, Arcangel Constantini, Teresa
Delgado & Jakob Kirchheim, Mark Dery, Verica Dimeska, Ricardo Dominguez,
EC8OR, Electronic Disturbance Theatre, Raul Ferrera-Balanquet, Daniel
García-Andujar, Quim Gil, Marina Grzinic , Aleksandar Gubas, Molly Hankwitz,
Pedro Jiménez, JODI, Klubradio, Andreja Kuluncic, Rafael Lozano-Hemmer,
Geert Lovink, Fernando Llanos, OG Mass T.lander, Pedro Meyer, Federica
Michot, Paul Miller aka DJ Spooky, Angela Mitropoulos, Ben Moretti, DJ Niño
(Colectivo O Santo File), Diana Palaversich, Jose Luis Paredes Pacho,
pavu.com, Antonio C Pinto, Oliver Ressler & Martin Krenn, Robin Rimbaud aka
Scanner, Francesca Da Rimini, Douglas Rushkoff, Trebor Scholz, La
Sexualidad de las Moscas, Alberto Vazquez, Cristine Wang, Wofbot.org, and
Yituey. and curated by fran ilich.
nos vemos en el futuro.
ilich.
http://de-lete.tv
------------------------------
Date: Tue, 25 Sep 2001 00:18:56 +0200
From: Arjon Dunnewind <arjon@impakt.nl>
Subject: Website and cd-rom presentations at the Impakt Festival 2001
Website and cd-rom presentations at the Impakt Festival 2001
Impakt 2001 will be organized from October 2-7 in the Centraal Museum=20
in Utrecht, The Netherlands. In a series called the 'couch.club'=20
several artist will be present their websites and cd-roms.
Artists present include: STANZA, Mi=E4 Makel=E4, squid s o u p (Anthony=20
Rowe and others), Hanna Schimek, Gustav Deutsch, Miroslav Nicic and=20
Borjana Ventzislavova.
The couch.clubs will be hosted by: Geert J. Strengholt, Max Bruinsma=20
and Arjen Mulder.
Please find below a complete survey (in Dutch and English) of the=20
couch.clubs in the Impakt Festival 2001.
COUCH.CLUB
In drie nieuwe media couch.club's lichten kunstenaars in de lounge=20
hun cd-roms en websites toe.
In three new-media couch.clubs, artists in the lounge will illuminate=20
their CD-roms and websites.
couch.club - Urban
4 oktober/October 16.00 lounge
Twee interpretaties van de stedelijke omgeving; als=20
'psycho-geografisch' en genetwerkt fenomeen. Mi=E4 Makel=E4's 'PASSenger'=20
toont een fictieve stad, geconstrueerd uit verhalen en plattegronden=20
van Helsinki en Brussel. STANZA's 'The Central City' representeert=20
London als een organisch complex, een netwerk van informatie en=20
sociale interacties. Welke band bestaat er nog tussen de twee=20
virtuele steden van STANZA en Makel=E4 en hun architectonische of=20
geografische pendant?
Two interpretations of the urban environment: as a=20
"psycho-geographic" and a networked phenomenon. Mi=E4 Makel=E4's=20
"PASSenger" features a fictive city, constructed from stories and=20
maps from Helsinki and Brussels. STANZA's "The Central City"=20
represents London as an organic complex, a network of information and=20
social interactions. What is the connection between STANZA's and=20
Makel=E4's two virtual cities and their architectural or geographical=20
counterparts?
Deelnemers: STANZA en Mi=E4 Makel=E4
Gespreksleider: Geert J. Strengholt (criticus, redacteur van=20
Mediamatic Magazine en hoofd van de Internet afdeling van VARA Omroep=20
organisatie)
Participants: STANZA and Mi=E4 Makel=E4
Host: Geert J. Strengholt (critic, editor for Mediamatic Magazine and=20
Head of the Internet dept at VARA Broadcast Organisation).
couch.club - squid s o u p
5 oktober/October 16.00 lounge
Een couch.club gewijd aan het werk van de Britse vormgeversgroep=20
squid s o u p. squid s o u p ontwerpt websites, 3D on-line omgevingen=20
en games. Onlangs lanceerden zij de driedimensionale multi-user=20
geluidsomgeving 'altzero'. Hoe klein is de kloof tussen grafisch=20
ontwerp en 'immersive design'?
A couch.club dedicated to the work of British design collective squid=20
s o u p, which designs websites, online 3D environments, and games.=20
They recently launched the 3D multi-user audio environment "altzero."=20
How small is the gap between graphic design and "immersive design"?
Deelnemers: Anthony Rowe (mede oprichter squid s o u p)
Gespreksleider: Max Bruinsma (Ontwerpcriticus en voormalig=20
hoofdredacteur van Eye, the international review of graphic design,=20
Londen. Komend jaar zal van hem een boek over nieuw webdesign=20
verschijnen bij Thames & Hudson).
Participants: Anthony Rowe (co-founder squid s o u p)
Host: Max Bruinsma (Design critic and previous chief editor of Eye,=20
the international review of graphic design, Londen. In the upcoming=20
year Thames & Hudson will publish a book on new webdesign by Max=20
Bruinsma)
couch.club - Neo-Nomads
6 oktober/October 16.00 lounge
Presentaties van twee cd-roms over hedendaags nomadisme door=20
kunstenaarsduo's Gustav Deutsch & Hanna Schimek en Miroslav Nicic &=20
Borjana Ventzislavova. Terwijl Nicic & Ventzislavova in 'luis I=20
think' verslag doen van hun eigen bestaan als forens tussen twee=20
landen, verwijst 'Odyssey Today' van Deutsch en Schimek naar de=20
politieke implicaties van het 'grenzeloos bewegen'.
Presentations of two cd-roms about contemporary nomadism, by the=20
artist duos Gustav Deutsch & Hanna Schimek and Miroslav Nicic &=20
Borjana Ventzislavova. While Nicic & Ventzislavova report in "luis I=20
think" on their own existence as commuters between two countries,=20
"Odyssey Today" by Deutsch and Schimek refers to the political=20
implications of "borderless movement."
Deelnemers: Hanna Schimek, Miroslav Nicic en Borjana Ventzislavova
Gespreksleider: Arjen Mulder (Essayist. Eind oktober zal zijn nieuwe=20
boek 'Levende systemen, reis naar het einde van het=20
informatietijdperk' verschijnen bij Uitgeverij Van Gennep, Amsterdam)
Participants: Hanna Schimek, Miroslav Nicic and Borjana Ventzislavova
Host: Arjen Mulder (Essayist. At the end of October his new book=20
'Levende systemen, reis naar het einde van het informatietijdperk'=20
will be released by Van Gennep Publishers Amsterdam).
xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
Arjon Dunnewind,
Impakt Festival
P.O. Box 735
3500 AS Utrecht
The Netherlands
If you use a courier service you must have your parcel delivered to=20
our office address:
Impakt Festival, Damstraat 19, 3531 BP Utrecht, The Netherlands
Tel.: + 31 30 2944493
2nd phone: + 31 30 2963408
mobile: + 31 6 5193 3745
=46ax.: + 31 30 2944163
e-mail:
arjon@impakt.nl (work)
arjon@xs4all.nl (home and abroad)
------------------------------
Date: Tue, 25 Sep 2001 03:25:52 -0400 (EDT)
From: Alan Sondheim <sondheim@panix.com>
Subject: (announcer) Recent Work on 2 cdroms
- -
Recent Work on 2 cdroms
Folder PATH listing
Volume serial number is 0006FE80 0000:0000
C:\MIAMI
MIAMI.txt recent writings on miami before i arrived
miami1.jpg 1,10,11,13,and the other jpgs from the
miami10.jpg videos: nude welcomings, languor, as if
miami11.jpg azure and alan were waiting for you,
miami13.jpg under a harsh/violent sun
miami19.wav this music of burying and retrieval
miami2.jpg
miami23.wav music of hysteric beat going nowhere
miami3.jpg
miami4.jpg
miami41.wav music of burying and retrieval
miami5.jpg
miami6.jpg
miami7.jpg
miami9.jpg
miami97.mov movie looking in from outside and
miami98.mov movie walking down a dark street and
miami99.mov movie questioning one susan graham
No subfolders exist
Folder PATH listing
Volume serial number is 0006FE80 0000:0000
C:\VOYAGE
| BORDER.MOV interior talk to camera, azure sleeping, one feedback
| GLADE.MOV of stripping in a glade, of posing, of confusion
| GLADE1.JPG glade images of alan and azure, the posturing,
| GLADE10.JPG profusion of insects, spiders, gaunt backdrop to
| GLADE2.JPG lack of ideas penetrated by remnants of a wounded
| GLADE3.JPG or violated natural order
| GLADE4.JPG
| GLADE5.JPG
| GLADE6.JPG
| GLADE7.JPG
| GLADE8.JPG
| GLADE9.JPG
| HER.TXT not being anywhere, cinema, cinema
| LOOK.MOV we wander in the studio, no ideas but in skin
| LOOKX.MOV we have this text from the world of mathematics
| PERFORM.MOV i am his beautiful wife i perform for you
| SECRET.MOV this is the secret we will show you
| VOYAGE.MOV the voyage by alan sondheim in miami going nowhere
| WELCOME.MOV naked, i am alan sondheim's beautiful wife, look, look
| WRITING.TXT all the philosophy writing itself in the world
| FILM.MOV of the border movie, the original black and white scratched
| HELLO.MOV old form of welcome.mov, hello hello hello
| LOOKXX.MOV warped look of mathesis collapsed
| miami17.wav my energy fast electric sound south beach fury guitar
| susangra.jpg of susan graham a solitary image
| miami.mov rework of the susan graham movie from first cdrom
| miami2.mov rework of rework of the susan graham movie
| 5184.mov of the moment of these dead, remnant sound, destroyed film
| wtc.mov of the name lost everywhere in the terror
|
\---STATE
CAROLINA.JPG from brooklyn to miami, naked in the car
FLORIDA.JPG leaving one state and entering another
GEORGIA.JPG over and over again, all this welcoming
NCARO.JPG and exposure, the languor of sexual
NCARO2.JPG disaffiliation as if you could have us,
NCARO3.JPG as if this were the best of all worlds,
SCARO.JPG forgetting the dark shadow, the uneasy
SCARO2.JPG sircumstances, as if there were control
SCARO3.JPG or lack of pleasure in the heat, you
SCARO4.JPG ignore the words, worlds, gestures, look
VIRGINI2.JPG hard at the anatomy, it looks back at you,
VIRGINIA.JPG we are all rising
==
------------------------------
Date: Tue, 25 Sep 2001 14:30:50 -0400
From: Michael Stutz <stutz@dsl.org>
Subject: free software, free art
linart.net is a virtual community for artists who make free,
copylefted, or "open source" art, and for those who use free software
in the creation and distribution of their work.
The linart mailing list is open to anyone who wants to talk about free
art and its philosophy. If you're interested in experimenting with or
making free art, please have a visit: http://linart.net/
------------------------------
Date: Mon, 24 Sep 2001 21:56:38 -0700 (PDT)
From: Aleksandar Gubas <eurindie@yahoo.com>
Subject: Scene Strike Five - the official results
Being expected for almost three years, the Since Strike event, organized by
the Corrosion group from Belgrade, happened again for the fifth time. Scene
Strike Five took place at Dom omladine in Belgrade, September 21-23, 2001.
SS5 was conceived as a two days / two nights party and competition. Votes
of the audience determined the winners in each entry category.
SS5 showed that the independent computer art production in Serbia is very
alive and kicking and in the last three years the scene has significantly
advanced.
SS5 is proud to announce...
- - - - - - - T H E O F F I C I A L R E S U L T S - - - - - - -
DEMO: - - - - - - -
[ DEMO ]
place group - entry name
1 corrosion - killer clouds
2 eastgate - crap
2 mad virgin - neurotik
3 bullshit artists - demon
[ 64k INTRO ]
place group - entry name
1 zaiebani - rayality
[ WILD ]
place author/group - entry name
1 kinetix - nuclear
2 t3n/zaiebani - prs'o cev
3 mashinka - kako se snima film
GRAPHICS: - - - - -
[ PIXEL ]
place author/group - entry name
1 ilke/pas maters - puzalavac
2 night knight - k'o pile
3 kitsune/cts - spejs
[ PHOTOSHOP ]
place author/group - entry name
1 asarhad/corrosion - neuropauk
2 hronic - masters of illusion
3 kitsune/cts - tree of life
3 kadakan - blue birds
[ RAYTRACE ]
place author/group - entry name
1 rudy/mindnever - exile
2 kitsune/cts - airship
3 ilke/pas maters - omirishi
4 night knight - malji dec
MUSIC: - - - - - - -
[ 4CHANNEL PROTRACKER MUSIC ]
place author/group - entry name
1 night knight - wobot factory 3
2 bullshit artists - dezinformacija...
3 domin8r/corrosion - poisoned mixture
4 asarhad/corrosion - carribean kazoo remix
[ MULTICHANNEL MUSIC ]
place author/group - entry name
1 phase/corrosion - 3pped
2 night knight - surface
3 adi plane - rehearsal
4 kodi/blue ice - star trek
4 pyc - thermo
5 smiley/adi plane - endless
5 ilke/pas maters - ej pedja
[ MP3 MUSIC ]
place author/group - entry name
1 domin8r/corrosion - delete
2 liquid & kodi/blue ice - storm travellers
2 dj robi - crko dabogda
3 bunjoz - bez imena 6
3 adi plane - motley rock
3 smile / adi plane - follow me
4 bass implant - full thrust
4 kinetix - kole 1
4 pyc - bliss device
4 phase/corrosion - vertical house
- - - - - production downloads and news at http://www.crsn.com/ss5
- - - - - - - - - - - - - - - - web press release by the cell news
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