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Table of Contents: -------DE_TEXT------alpha-001 "|{.f|." <ke_an@o-o.lt> web per.form.u][e][lation session begin:: "][terr.or.vision][" <netwurker@pop.hotkey.net.au> textz.com newsletter october 2001 "textz.com" <textz@textz.com> Links to Memorials and Remembrances "Elayne Zalis" <elaynez@msn.com> CTRL [SPACE] Keenan Jwadmin <jwadmin@bard.edu> <post> DE_TEXT[2] "|{.f|." <ke_an@o-o.lt> DE_TEXT[0000000001] "|{.f|." <ke_an@o-o.lt> [ http://www.NNet-art.org ] Watch your Back campaign ! "clement Thomas - pavu.com" <ctgr@free.fr> Software for Dancers... Scott deLahunta <sdela@ahk.nl> ------------------------------ Date: Sat, 29 Sep 2001 8:48:35 +0100 From: "|{.f|." <ke_an@o-o.lt> Subject: -------DE_TEXT------alpha-001 login: ka password: o-o -----+ -+--/~ke_an/de_text | /de_text -+- + ----- ------------------------------ ------ | | -----+-+---+ | | | | DE_T | | | | | | | EXT -+-- -+ -+---+ | | | | | | | | ----------------------------- | | | | + | ----------------------------- | | | --+ -+ | | --------- | | | * | | |-+---+ | | | | --+ -+ --+ | | | This program is being | | | - --+-+ | | | -+ | developed for text exchanging | | | | | | and cataloguing | | | - - | | on the net. | | | + | Using this program is | | | | | | | | possible to create a | | | -+ + --+ - | collection of the most | | | | | | | actual | | | | | | texts and/or a link | | | | -+-- | database to other | | | | | | DE_TEXT programs on | | | | | | | the net. | | | | -+ | | | | | | | Crystalizing in such a way | | | | | branching structures | | | | - + [connected and | | | | | ot connected with each | | | | ---+-+---other], based not on | | | | | | mechanical ring-like | | | | -- -+ ept, but on the taste and | | | | | interests of the DE_TEXT | | | | | user. | | | | | Many of the net journals just | | | - ----+ -+-- | republishing-downloading | | | | | texts to | | | +- + | their server and each of | | | | | | these e-zines is different, | | | - ----+-+---+ | having | | | | | | | different themes and original | | | +-- -+ | design - very often it makes | | | search | | | of | | | - -+ difficult and | | | | table. Texts | | | - -+ scattered | | | | all over | | | | net without | | | bility to find | | | m quick | | sibilit | | tion of-+ | the comes l | | | u | tricate-+ --+ | | possib | | | | is the | | new tex | | ion-upl | | et jour| | | | base [i -+ | | ke a hi | | t | e purpo | | ns on t | | often i | DE | g of th | | | like most, or of | | | are mos | | | important t | | | DE_TEXT should | DE_ | | search of the te | S | | and more dy | pub | | | | | ----------------- | cat | | ----------------------------- | | | | | ---------- | | | | | | | | | | DE_TEXT - the tool for | | | | | publishing, but not the | | | | | publication itself. | | | | | Such as it is now, DE_TEXT | | | | | alpha-d_txt-001 - the | | | | | germinal of | | | | | interconnected on-line | | | | | databases with the same | | | | | markup language. | | | | | The most important problem | | | | | for now is the development of | | | | | the | | | | | text[data] descriptional | | | | | language and an addition of | | | | | more search | | | | | methods. | | | | | | | | | | -----------Titles & | | | | | Tags------------------------- | | | | | ------------------ | | | | | | | | DE_TEXT will | There are plans | | <title> info | tags and funct | | fi | futur | | If the file | | | ".html" or | -----------Searc | | DE_TEXT wi | ---------------- | | it a | ------- | | Titles for | | | .html, .htm] | It is possible | | insert | search engine | | file | purpos | | | Insert "::DE_TE | | Syntax | themes" into you | | | [index.h | | :de_te | metatags c | | Means markup | | | of the | <META NAME="de | | | CONTENT="::DE_TE | | #fail_name.ps | ical dicti | | the fi | <META NAME=" | | fail_name.ps | CONTENT="::DE_TE | | the fi | y,langua | | | | | Title tag is the same like in | | | | | HTML. | | | | | The title text is preceded by | | | | | the start tag <title> and | | | | | ends with the | | | | | matching end tag </title>. | | | | | | | | | | <title>something</title> | | | | | | | | | | Example: | | | | | | | | | | :de_text version-1: | | | | | #tiger.ps | | | | | <title>Artificial | | | | | tiger</title> | | | | | tiger.ps# | | | | | | | | to add more | | | | ions in the | | | | e. | | | | | | | | hing--------- | | | | ------------- | | | | --- | | | | | | | | to use major | | | | s for that | | | | e. | | | | XT::de_text | | | | r index file | | | | tml] | | | | ontent. | | | | | | | | scription" | | | | XT::philosoph | | | | onary"> | | | | keywords" | | | | XT::philosoph | | | | ge"> | | | | | | | | | So inserting | | | | | "::DE_TEXT::art,net" into the | | | | | search engines search field, | | | | | should find DE_TEXT's having | | | | | such themes[or one of these]. | | | | | The prefix "::DE_TEXT::" has | | | | | to refine the search, | | | | | selecting DE_TEXT's | | | | | only. | | | | | | | | | | ----------Sorting------------ | | | | | ----------------------------- | | | | | ---------- | | | | | | | | | | DE_TEXT may sort files | | | | | according to | | | | | modification[upload] time, | | | | | alphabet, size. You can | | | | | choose whether to show titles | | | | | of sorted | | | | | files or not. | | | | | After uploading all file | | | | | names will be lowercase. | | | | | DE_TEXT will count the lines | | | | | of HTML [including the lines | | | | | with tags] | | | | | and .TXT files. | | | | | | | | | | ---------Data | | | | | manipulation----------------- | | | | | ------------------------- | | | | | | | | | | Upoloading and file deletion | | | | | available via net. Editing of | | | | | DE_TEXT's | | | | | links page might be done via | | | | | web interface as well. | | | | | | | | | | ---------HTML | | | | | appearance------------------- | | | | | ------------------------- | | | | | | | | | | Colors may be chosen in the | | | | | configure.inc file. | | | | | | | | | | ----------------------------- | | | | | ----------------------------- | | | | | ---------- | | | | | alpha 001 version. | | | | | Written in PHP 3. Lynx | | | | | compatible. | | | | | ----------------------------- | | | | | ----------------------------- | | | | | ---------- | | | | | Distribution license - | | | | | Artistic license. | | | | | ----------------------------- | | | | | ----------------------------- | | | | | ---------- | | | | | | | | | | 2001 Kestutis Andrasiunas | | | | | ke_an@o-o.lt | | | | | | | | | | | | | +--------------------------+-------------------------------+---+---+------ DE_TEXT EXAMPLE http://www.o-o.lt/de_text DE_TEXT SOURCE PAGE http://www.o-o.lt/~ke_an/de_text DE_ T EXAM LE http:/ w -o lt/de_t t DE_TEXT E PAGE http:// ww o- /~ke_an/de_text DE_ XT EXAM LE h p://www -o lt/de_text E_TEXT SOU CE PAGE tp://www o lt/~ DE_ EXT XA LE http / w o o lt/de_ xt DE_T T OUR t ww ~k x ------------------------------ Date: Mon, 01 Oct 2001 17:01:06 +1000 From: "][terr.or.vision][" <netwurker@pop.hotkey.net.au> Subject: web per.form.u][e][lation session begin:: .net.wurk.construc][tion][k. ][as part of ::electrofringe::][ ][INFO][: want 2 b.come a collaborative node in a net.wurk.][whor][er n.vironment? mez breeze dis.plays & n.vokes her _mezangelled_ language/online text constructions live. ][METHOD][: n.gage in a International Relay Chat/mezangelled multilogue via an live IRC s][et-up][creenic connection. ][4 AN X.TENDED MEANING CURVE][: _mezangelle_: evolved/s from multifarious email exchanges, directed MOO/IRC exchanges and performances, computer code flavoured language and net iconographs. To _mezangelle_ means to take words/wordstrings/sentences and alter them in such a way as to extend and enhance meaning beyond the predicted or the expected. It's similar to making "plain" text hypertextual via the arrangement and dissection of words. Mezangelling attempts to expand traditional text parameters through layered/alternative meanings embedded into meta-phonetic renderings of language. Notions of language play and identity swapping are essential; fiction avatars shift through various incarnations such as data[h!bleeder, ms post modemism, mezflesque.exe, Purrsonal Areah Netwurker, etc. Participants: Mez (Mary-Anne Breeze) Date/Time: Mon 6:00 PM [aka 1 hr from now] Duration: 2:0 Geo-Location: PAN Building Downstairs OR 2 join the electrofringe net.construc][k][tion performance/chat, open up IRC @ 6pm Monday 1st Oct & connect 2: server: mpx.sydney.oz.org ports: 6667, 6668, 6669, 7000 channel name: #net.construc][k][t **1 hr - ::begin::** . . .... ..... net.wurker][mez][ .antithetical..n.struments..go.here. xXXx ./. www.hotkey.net.au/~netwurker .... . .??? ....... ------------------------------ Date: Mon, 01 Oct 2001 19:00:10 +0200 From: "textz.com" <textz@textz.com> Subject: textz.com newsletter october 2001 ________________________________________________________________________________ textz.com newsletter october 2001 ________________________________________________________________________________ ---------------------------------------------------------------- 10 of our september 11 textz ---------------------------------------------------------------- hakim bey: millennium http://textz.com/index.php3?text=bey+millennium hermann l. gremliza: bedeutende ernte http://textz.com/index.php3?text=gremliza+ernte robert kurz: totalitäre ökonomie und paranoia des terrors http://textz.com/index.php3?text=kurz+paranoia brian massumi: everywhere you want to be http://textz.com/index.php3?text=massumi+everywhere yann moulier boutang: apocalypse gênes http://textz.com/index.php3?text=boutang+apocalypse gianfranco sanguinetti: remedy for everything http://textz.com/index.php3?text=sanguinetti+french georg seeßlen: die blendung http://textz.com/index.php3?text=seesslen+blendung klaus theweleit: twin towers http://textz.com/index.php3?text=theweleit+towers leo trotzki: über den terror http://textz.com/index.php3?text=trotzki+terror raoul vaneigem: terrorism or revolution http://textz.com/index.php3?text=vaneigem+terrorism ---------------------------------------------------------------- 10 of our most popular textz ---------------------------------------------------------------- douglas adams: the hitch hiker's guide to the galaxy trilogy http://textz.com/index.php3?text=adams+guide kathy acker: the language of the body http://textz.com/index.php3?text=acker+language nanni balestrini: gli invisibili http://textz.com/index.php3?text=balestrini+invisibili a.s.ambulanzen: feminists like us http://textz.com/index.php3?text=ambulanzen+feminists charles baudelaire: les fleurs du mal http://textz.com/index.php3?text=baudelaire+fleurs george orwell: 1984 http://textz.com/index.php3?text=orwell+1984 oscar wilde: the picture of dorian gray http://textz.com/index.php3?text=wilde+picture central intelligence agency: psychological operations ... http://textz.com/index.php3?text=agency+operations william s. burroughs: the electronic revolution http://textz.com/index.php3?text=burroughs+revolution adilkno: cracking the movement http://textz.com/index.php3?text=adilkno+movement ---------------------------------------------------------------- 10 of our most recommended textz ---------------------------------------------------------------- antonin artaud: le pèse-nerfs http://textz.com/index.php3?text=artaud+pese-nerfs mike davis: beyond blade runner http://textz.com/index.php3?text=davis+beyond guy debord: la societé du spectacle http://textz.com/index.php3?text=debord+societe gilles deleuze: postscript on the societies of control http://textz.com/index.php3?text=deleuze+postscript thomas frank: the conquest of cool http://textz.com/index.php3?text=frank+cool matthew fuller: it looks like you're writing a letter ... http://textz.com/index.php3?text=fuller+letter jean-luc godard: allemagne neuf zéro http://textz.com/index.php3?text=godard+allemagne michael hardt / antonio negri: empire http://textz.com/index.php3?text=hardt+empire courtney love: music and piracy http://textz.com/index.php3?text=love+music daniel r. white: augustine of epcot - the city of disney http://textz.com/index.php3?text=white+augustine ---------------------------------------------------------------- 10 of our most recent textz ---------------------------------------------------------------- peter greenaway: a walk through h http://textz.com/index.php3?text=greenaway+walk theodor w. adorno / max horkheimer: tierpsychologie http://textz.com/index.php3?text=adorno+tierpsychologie wilhelm reich: die aufhebung der familie http://textz.com/index.php3?text=reich+familie ulrike meinhof: warenhausbrandstiftung http://textz.com/index.php3?text=meinhof+warenhausbrandstiftung mckenzie wark: hacker manifesto 2.0 http://textz.com/index.php3?text=wark+hacker maurice blanchot: death sentence http://textz.com/index.php3?text=blanchot+death michel serres: scientific ethics http://textz.com/index.php3?text=serres+ethics maurizio lazzarato: new forms of production and circulation ... http://textz.com/index.php3?text=lazzarato+forms vilém flusser: the bag http://textz.com/index.php3?text=flusser+bag hans-christian dany: die acht schönsten fahrten durch rio http://textz.com/index.php3?text=dany+rio ---------------------------------------------------------------- 10 of our largest textz ---------------------------------------------------------------- leo tolstoy: war and peace http://textz.com/index.php3?text=tolstoy+war james joyce: ulysses http://textz.com/index.php3?text=joyce+ulysses charles baudelaire: curiosités esthétiques http://textz.com/index.php3?text=baudelaire+curiosites kevin kelly: out of control http://textz.com/index.php3?text=kelly+control herman melville: moby dick http://textz.com/index.php3?text=melville+moby georg wilhelm friedrich hegel: phänomenologie des geistes http://textz.com/index.php3?text=hegel+phaenomenologie fyodor dostoyevsky: crime and punishment http://textz.com/index.php3?text=dostoyevsky+crime franz kafka: tagebücher http://textz.com/index.php3?text=kafka+tagebuecher neal stephenson: snow crash http://textz.com/index.php3?text=stephenson+snow marcel proust: le temps retrouvé http://textz.com/index.php3?text=proust+temps ________________________________________________________________________________ http://textz.com - we are the & in copy & paste ________________________________________________________________________________ ------------------------------ Date: Mon, 1 Oct 2001 11:45:58 -0700 From: "Elayne Zalis" <elaynez@msn.com> Subject: Links to Memorials and Remembrances I have compiled a list of memorials and remembrances related to the = events of September 11, 2001. So far, categories include: Assorted = Contributions, Online Diaries, Web Rings, and Media-Supported Forums. = Please feel free to recommend additional sites. See = <http://www.beyondwriting.com/autoshrines.htm>.=20 Elayne Zalis elaynez@beyondwriting.com and elaynez@msn.com ------------------------------ Date: Mon, 8 Oct 2001 12:44:56 -0400 (EDT) From: Keenan Jwadmin <jwadmin@bard.edu> Subject: CTRL [SPACE] http://mediaserver.zkm.de/ctrlspace/index.html http://on1.zkm.de/zkm/e/ausstellungen/ctrlspace Opening this Friday at the Zentrum fuer Kunst und Medientechnologie/ Center for Art and Media, Karlsruhe, Germany CTRL [SPACE] Rhetorics of Surveillance from Bentham to Big Brother Opening :: October 12th, 2001, 7 pm Exhibition :: October 13th, 2001 - February 24 th, 2002 [ZKM, atria 8 and 9] Curator :: Thomas Y. Levin [Princeton University] In 1785, the British philosopher Jeremy Bentham (1748-1832), founder of the doctrine of Utilitarianism, began working on a plan for a model prison called the panopticon. The signature feature of this design was that every one of the individual jail cells could be seen from a central observation tower which, however, remained visually inscrutable to the prisoners. Since they could thus never know for sure whether they were being watched, but had to assume that they were, the fact of actual observation was replaced by the possibility of being watched. As a rationalist, Bentham assumed that this would lead the delinquents to refrain from misbehaving, since in order to avoid punishment, they would effectively internalize the disciplinary gaze. Indeed, Bentham considered the panoptic arrangement, whereby power operates by means of the spatial design itself, as a real contribution to the education of man, in the spirit of the Enlightenment. While long the subject of theoretical and political debate, the panopticon was reintroduced into contemporary philosophical discussion in 1975 by the French philosopher Michel Foucault who insisted on its exemplary role as a model for the construction of power in what he called a "disciplinary society." Ever since, the controlled space of the panopticon has become synonymous with the cultures and practices of surveillance that have so profoundly marked the modern world. When we hesitate to race through a red light at an intersection where we see a black box, not knowing whether it contains a working camera but having to suppose that it might, we are acting today according to the very same panoptic logic. Challenged by the disturbing (and constantly expanding) omnipresence of surveillance in our daily life to investigate the state of the panoptic art at the beginning of the 21st century, the interdisciplinary exhibition CTRL [SPACE] will explore the wide range of practices -- from more traditional imaging and tracking technologies to the largely invisible but infinitely more powerful practices of what is referred to as "dataveillance" -- that today constitutes the extensive arsenal of social control. However, taking its cue from the central role in the genealogy of surveillance played by an architectural model, the focus will be on the complex relationships between design and power, between representation and subjectivity, between archives and oppression. If a drawing could become the model for an entire social regime of power in the 18th-century, to what extent does that regime change (if at all) along with shifts in dominant representational practices? What happens, in other words, when we reconceive the panopticon in terms of new infrared, thermal or satellite imaging practices? Indeed, what are the sociological and political consequences of a surveillant culture based increasingly on entirely non-phenomenal logics of data gathering and aggregation? Is there a history of surveillance and, if so, how have contemporary practices of, and attitudes toward, surveillance changed? As it turns out, these and other key questions concerning the practices, transformations and experiences of surveillance have long been explored not only by sociologists, political theorists, and philosophers, but also by artists of all sorts. These include Vito Acconci's following pieces and Andy Warhol's explorations of "real-time" and early closed-circuit video in the 1960s, Bruce Nauman's video corridors, Dan Graham's "Time Delay Rooms" and Rem Koolhas' "Project for the Renovation of a Panoptic Prison" in the 1970s, Sophie Calle's documentation of a detective hired to spy on her, and Michael Klier's by now classic compilation of found surveillance footage in "Der Riese" in the 1980s, and Thomas Ruff's night photographs, various installations by Diller & Scofidio and the ironic surveillant science of the Bureau of Inverse Technology in the 1990s. Whether it is the photographic documentation of public surveillance cameras by Frank Thiel and their systematic mapping by the New York Surveillance Camera Project, or Laura Kurgan's refunctioning of declassified satellite reconnaissance images and Josh Harris's "we-live-in-public.com," a brutal experiment in life under continuous real-time cyber-surveillance in the new millennium, panoptical questions are far from a new concern even as they have increasingly become a major focus of contemporary cultural production. Yet, curiously, with the exception of a handful of small gallery shows, there has never been a systematic museum overview of this so important issue. In order to grasp the stakes of highly visible developments such as the self-conscious soap-operatic panopticism of the global television phenomenon "Big Brother" and the increasing tendency towards "real"-time in the so-called "reality-TV" paradigm, not to mention the dramatic proliferation of surveillance both as subject matter and as narrative structure in much of today's cinematic production (witness "The Truman Show" or "Enemy of the State") it is essential that we map the full range of cultural engagements with panoptic issues. In its exploration of the historicity of surveillant practices in their relationship to changing logics of representation, CTRL [SPACE] will offer both a state of the art survey of the full range of panopticism -- in architecture, digital culture, video, painting, photography, conceptual art, cinema, installation work, television, robotics and satellite imaging -- and a largely unknown history of the various attempts to critically and creatively appropriate, refunction, expose and undermine these logics. With an exhibition structure that will itself be thoroughly saturated by multiple tracking systems, CTRL [SPACE] promises to be an experience that is at once fascinating, frightening and above all enlightening. Indeed, the latter seems especially important, given that the German word for enlightenment, Aufklaerung is also the term used to refer to aerial reconnaissance, i.e. surveillance. List of Artists :: Vito Acconci, Merry Alpern, Lutz Bacher, Lewis Baltz, Denis Beaubois, Jeremy Bentham, Niels Bonde, Bureau of Inverse Technology, Paul Bush, Sophie Calle, Jordan Crandall, Peter Cornwell, Jonas Dahlberg, David Deutsch, Bart Dijkman, Diller + Scofidio, Harun Farocki, Dan Graham, Graft, G.R.A.M., Jeff Guess, Harco Haagsma, Jon Haddock, Institute for Applied Autonomy, Juergen Klauke, Michael Klier, A.P. Komen & Karen Murphy, Rem Koolhaas/OMA, Korpys/Loeffler, Laura Kurgan, Langlands & Bell, Ange Leccia, Chip Lord, Jenny Marketou, J Mayer H, Michaela Melian, Dan Mihaltianu, Heiner Muehlenbrock, Pat Naldi & Wendy Kirkup, John Lennon/Yoko Ono, Bruce Nauman, Chris Petit, Walid Ra'ad, Daniel Roth, Thomas Ruff, Julia Scher, Cornelia Schleime, Ann-Sofi Siden, Lewis Stein, Stih & Schnock, Surveillance Camera Players, Frank Thiel, Zoran Todorovic, visomat inc., Jamie Wagg, Andy Warhol, Peter Weibel. The exhibition will be accompanied by an extensive catalogue, published in collaboration with MIT Press. =========================================================================== ------------------------------ Date: Sat, 29 Sep 2001 8:48:39 +0100 From: "|{.f|." <ke_an@o-o.lt> Subject: <post> DE_TEXT[2] +----------------------------+------------------------------+---+---+----- | | | | | +----------------------------+------------------------------+---+---+----- | | | | | DE_T | | | | | EXT | | | | | | | ---------------------------- | | | | | ---------------------------- | | | | | ----------- | | | | | | | | | | This program is being | | | | | developed for text | | | | | exchanging and cataloguing | | | | | on the net. | | | | | With this program is | | | | | possible to create a | | | | | collection of the most | | | | | actual | | | | texts and/or a link | | | | | database to other DE_TEXT | | | | | programs on | | | | | | the net. | | | | | | | | | | Crystalizing in such a way | | | | | branching structures | | | | | [connected and | | | | | not connected with each | | | | | other], based not on | | | | | mechanical ring-like | | | | | concept, but on the taste | | | | | and interests of the DE_TEXT | | | | | user. | | | | | Many of the net journals | | | | | just | | | | | republishing-downloading | | | | | texts to | | | | | their server and each of | | | | | these e-zines is different, | | | | | having | | | | | different themes and | | | | | original design - very often | | | | | it makes search | | | | | of | | | | the texts difficult | | | | | and uncomfortable. Texts | | | | | being scattered | | | | | | all over | | | | the net without | | | | | availability to find them | | | | | quickly; | | | | | | possibility of | | | | circulation of these | | | | | texts becomes low and | | | | | intricate. | | | | | | Another possible use of | | | | | DE_TEXT - is the ability of | | | | | new texts | | | | | addition-uploading | | | | to a net journal or | | | | | to a database [i.e. using | | | | | | DE_TEXT like a hidden tool]. | | | | | Since the purpose of many | | | | | publications on the net very | | | | | often is | | | | | cataloguing of the texts you | | | | | like most, or of those which | | | | | are most | | | | | important to you. | | | | | DE_TEXT should make the | | | | | search of the texts easier | | | | | and more dynamic. | | | | | | | | | | ---------------------------- | | | | | ---------------------------- | | | | | ------------ | | | | | | | | | | DE_TEXT - the tool for | | | | | publishing, but not the | | | | | publication itself. | | | | | Such as it is now, DE_TEXT | | | | | alpha-d_txt-001 - the | | | | | germinal of | | | | | interconnected on-line | | | | | databases with the same | | | | | markup language. | | | | | The most important problem | | | | | for now is the development | | | | | of the | | | | | text[data] descriptional | | | | | language and an addition of | | | | | more search | | | | | methods. | | | | | | | | | | -----------Titles & | | | | | Tags------------------------ | | | | | ------------------- | | | | | | | | | | DE_TEXT will read and show | | | | | <title> information of HTML | | | | | files. | | | | | If the file extension is | | | | | ".html" or ".htm" then | | | | | DE_TEXT will recognize | | | | | it as HTML. | | | | | Titles for non-HTML [non | | | | | .html, .htm] files you can | | | | | insert into the | | | | | file tags.dxt | | | | | | | | | | Syntax is simple: | | | | | | | | | | :de_text.v.-1: | | | | | Means markup language | | | | | version of the program. | | | | | | | | | | #fail_name.ps - the start of | | | | | the file tags. | | | | | fail_name.ps# - the end of | | | | | the file tags. | | | | | | | | | | Title tag is the same like | | | | | in HTML. | | | | | The title text is preceded | | | | | by the start tag <title> and | | | | | ends with the | | | | | matching end tag </title>. | | | | | | | | | | <title>something</title> | | | | | | | | | | Example: | | | | | | | | | | :de_text version-1: | | | | | #tiger.ps | | | | | <title>Artificial | | | | | tiger</title> | | | | | tiger.ps# | | | | | | | | | | There are plans to add more | | | | | tags and functions in the | | | | | future. | | | | | | | | | | -----------Searching-------- | | | | | ---------------------------- | | | | | ------------ | | | | | | | | | | It is possible to use major | | | | | search engines for that | | | | | purpose. | | | | | Insert "::DE_TEXT::de_text | | | | | themes" into your index file | | | | | [index.html] | | | | | metatags content. | | | | | | | | | | <META NAME="description" | | | | | CONTENT="::DE_TEXT::philosop | | | | | hical dictionary"> | | | | | <META NAME="keywords" | | | | | CONTENT="::DE_TEXT::philosop | | | | | hy,language"> | | | | | | | | | | So inserting | | | | | "::DE_TEXT::art,net" into | | | | | the search engines search | | | | | field, | | | | | should find DE_TEXT's having | | | | | such themes[or one of | | | | | these]. | | | | | The prefix "::DE_TEXT::" has | | | | | to refine the search, | | | | | selecting DE_TEXT's | | | | | only. | | | | | | | | | | ----------Sorting----------- | | | | | ---------------------------- | | | | | ------------ | | | | | | | | | | DE_TEXT may sort files | | | | | according to | | | | | modification[upload] time, | | | | | alphabet, size. You can | | | | | choose whether to show | | | | | titles of sorted | | | | | files or not. | | | | | After uploading all file | | | | | names will be lowercase. | | | | | DE_TEXT will count the lines | | | | | of HTML [including the lines | | | | | with tags] | | | | | and .TXT files. | | | | | | | | | | ---------Data | | | | | manipulation---------------- | | | | | -------------------------- | | | | | | | | | | Upoloading and file deletion | | | | | available via net. Editing | | | | | of DE_TEXT's | | | | | links page might be done via | | | | | web interface as well. | | | | | | | | | | ---------HTML | | | | | appearance------------------ | | | | | -------------------------- | | | | | | | | | | Colors may be chosen in the | | | | | configure.inc file. | | | | | | | | +----------------------------+------------------------------+---+---+----- ..@......http://......................................................... ......................................................................... ..................DE_TEXT EXAMPLE........................................ ......................................................................... ...................http://www.o-o.lt/de_text ............................ ......................................................................... ..................DE_TEXT SOURCE PAGE.................................... ......................................................................... ...................http://www.o-o.lt/~ke_an/de_text ..................... ......................................................................... ......................................................................... ------------------------------ Date: Sat, 29 Sep 2001 8:48:32 +0100 From: "|{.f|." <ke_an@o-o.lt> Subject: DE_TEXT[0000000001] ... ........ ..................... ...............i....... .... .. ...... ........................ ....|.... . .... . ....... ..DE_TEXT EXAMPLE................ .........| ... ..... . ....... ....................................... . ..... ..... . ....... ...http://www.o-o.lt/de_text ....... ....|.. ..... . ..... . ....... ....................................... ... . ..... . ......... DE_TEXT SOURCE PAGE.......................|. ... ..... .......... ..........................................| ... . ..... ........... .http://www.o-o.lt/~ke_an/de_text ....... ..... . .. ......... ............................... .. ... | .. . ... ....... ................................ ... ... .. . DE_TEXT <-------------------------------------------------------------------> This program is being developed for text exchanging and cataloguing on the net. With this program is possible to create a collection of the most actual texts and/or a link database to other DE_TEXT programs on the net. Crystalizing in such a way branching structures [connected and not connected with each other], based not on mechanical ring-like concept, but on the taste and interests of the DE_TEXT user. Many of the net journals just republishing-downloading texts to their server and each of these e-zines is different, having different themes and original design - very often it makes search of the texts difficult and uncomfortable. Texts being scattered all over the net without availability to find them quickly; possibility of circulation of these texts becomes low and intricate. Another possible use of DE_TEXT - is the ability of new texts addition-uploading to a net journal or to a database [i.e. using DE_TEXT like a hidden tool]. Since the purpose of many publications on the net very often is cataloguing of the texts you like most, or of those which are most important to you. DE_TEXT should make the search of the texts easier and more dynamic. -------------------------------------------------------------------- DE_TEXT - the tool for publishing, but not the publication itself. Such as it is now, DE_TEXT alpha-d_txt-001 - the germinal of interconnected on-line databases with the same markup language. The most important problem for now is the development of the text[data] descriptional language and an addition of more search methods. -----------Titles & Tags------------------------------------------- DE_TEXT will read and show <title> information of HTML files. If the file extension is ".html" or ".htm" then DE_TEXT will recognize it as HTML. Titles for non-HTML [non .html, .htm] files you can insert into the file tags.dxt Syntax is simple: :de_text.v.-1: Means markup language version of the program. #fail_name.ps - the start of the file tags. fail_name.ps# - the end of the file tags. Title tag is the same like in HTML. The title text is preceded by the start tag <title> and ends with the matching end tag </title>. <title>something</title> Example: :de_text version-1: #tiger.ps <title>Artificial tiger</title> tiger.ps# There are plans to add more tags and functions in the future. -----------Searching------------------------------------------------ It is possible to use major search engines for that purpose. Insert "::DE_TEXT::de_text themes" into your index file [index.html] metatags content. <META NAME="description" CONTENT="::DE_TEXT::philosophical dictionary"> <META NAME="keywords" CONTENT="::DE_TEXT::philosophy,language"> So inserting "::DE_TEXT::art,net" into the search engines search field, should find DE_TEXT's having such themes[or one of these]. The prefix "::DE_TEXT::" has to refine the search, selecting DE_TEXT's only. ----------Sorting--------------------------------------------------- DE_TEXT may sort files according to modification[upload] time, alphabet, size. You can choose whether to show titles of sorted files or not. After uploading all file names will be lowercase. DE_TEXT will count the lines of HTML [including the lines with tags] and .TXT files. ---------Data manipulation------------------------------------------ Upoloading and file deletion available via net. Editing of DE_TEXT's links page might be done via web interface as well. ---------HTML appearance-------------------------------------------- Colors may be chosen in the configure.inc file. -------------------------------------------------------------------- alpha 001 version. Written in PHP 3. Lynx compatible. -------------------------------------------------------------------- Distribution license - Artistic license. -------------------------------------------------------------------- 2001 Kestutis Andrasiunas ke_an@o-o.lt login: ka password: o-o DE_TEXT EXAMPLE http://www.o-o.lt/de_text DE_TEXT SOURCE PAGE http://www.o-o.lt/~ke_an/de_text DE_ T EXAM LE http:/ w -o lt/de_t t DE_TEXT E PAGE http:// ww o- /~ke_an/de_text DE_ XT EXAM LE h p://www -o lt/de_text E_TEXT SOU CE PAGE tp://www o lt/~ DE_ EXT XA LE http / w o o lt/de_ xt DE_T T OUR t ww ~k x ------------------------------ Date: Tue, 02 Oct 2001 17:23:42 +0200 From: "clement Thomas - pavu.com" <ctgr@free.fr> Subject: [ http://www.NNet-art.org ] Watch your Back campaign ! dear friends, sept 2001, Andrew Forbes sees his http://www.net-at.org dns fly away to deep Tartaria deserts, south of no north ! Not even time to draw an axtra swift VISAcard, the dns price jumps to $3000 in only one night ! Thus, pavu.com decides to support A. Forbes net-art.org web by providing a new dns in exchange of the hosting of a Watch-Data-Head Patch on the original net-art.org (soon). This dns - NNet-art.org, easy to remember - is currently hosting the : "Watch your Back" international campaign. YOU TOO ! support the Watch your Back campaign ! - - host the Watch Data-Head Patch ! - - let NNet-art.org dns become famous and make http://195.13.80.87/ back to an unforgettable NName, and a new born Net-Art legend ! - - relay the campaign by adding a link to NNet-art.org You have tips on how to keep a dns safe ? - - write us ! we will add it to the WybB campaign page ! mailto:pavu@pavu.com?subject=[NNet-art.org]WyB-Tips wishing you the best always, the pavu.com team http://www.NNet-art.org - -/ Watch your back ! Keep your dns safe ! /- ------------------------------ Date: Mon, 01 Oct 2001 20:27:38 +0100 From: Scott deLahunta <sdela@ahk.nl> Subject: Software for Dancers... *********************************** *********************************** Software for Dancers [phase one] is a London-based research project taking place from 24 September to 6 October which aims to develop concepts for software rehearsal tool(s) for dance makers and to use this opportunity to open up discussion about collaborative practices involving live performance and digital technologies. The primary research team comprises London based choreographers [Siohban Davies, Shobana Jeyasingh, Wayne McGregor and Ashley Page] working in collaboration with digital artists/ coders from the UK and Germany [Guy Hilton, Jo Hyde, Adrian Ward and Christian Ziegler] and two researcher/ writers [Sanjoy Roy and Saul Albert]. There are four levels of activity: a period of intensive Research Days will run from 24 September to 3 October and involve working meetings of the primary research team. This will be followed by two Focus Days on 4 and 5 October, a Round Table discussion on 6 October, and a Public Seminar to share the results of the project (scheduled for 2-5 pm on 6 October at the Royal Opera House, London). For the Focus Days, Round Table and the Public Seminar, the Software for Dancers project will be enlarged by the participation of three groups of performing artists also working on developing software tools for use in rehearsal and live performance: Troika Ranch (new york city), Barriedale Operahouse (vienna and london) and Igloo (london). The website for more detailed information and real time documentation of the project is at http://www.location1.org/sfd/. If you are based in or close to London and are interested in attending the Public Seminar, please register through the website as there is limited space -- there is a mailto: link on the 'public seminar' page. Software for Dancers is Writing Research Associates research project in collaboration with Arts Council of England's Dance Department, Sadler's Wells Theatre and Random Dance Company. *********************************** *********************************** ------------------------------ # distributed via <nettime>: no commercial use without permission # <nettime> is a moderated mailing list for net criticism, # collaborative text filtering and cultural politics of the nets # more info: majordomo@bbs.thing.net and "info nettime-l" in the msg body # archive: http://www.nettime.org contact: nettime@bbs.thing.net