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Table of Contents: Tecnologie di liberazione [Liberation Technologies] Alessandro Ludovico <a.ludovico@neural.it> P=E9tition?= Intermittents + pr=E9cisions?= sur le <intermittent@spectacle.fr> Mikrokino FEST 2002 Call For Entries Aleksandar Gubas <eurindie@yahoo.com> FOR IMMEDIATE RELEASE Artemisia Gallery <info@artemisia.org> open position in digital media at UC Santa barbara george legrady <glegrady@home.com> New Art & Technology Group at MIT Media Lab Chris Csikszentmihalyi <csik@media.mit.edu> Tonite! Dj Spooky + the Coup at S.O.B.'s!!! "Paul D. Miller" <anansi1@earthlink.net> The Korea Web Art Festival Is Online! tfa <tfa@chollian.net> /// 0100101110101101.ORG /// FTPermutations FTPermutations@0100101110101101.ORG ------------------------------ Date: Tue, 20 Nov 2001 08:41:03 +0100 From: Alessandro Ludovico <a.ludovico@neural.it> Subject: Tecnologie di liberazione [Liberation Technologies] Tecnologie di liberazione [Liberation Technologies] net.art + hacker.activism curated by: Scum collective + Neural.it [http://www.neural.it/tdl/] friday 23 november 2001 . Ass.Cult. Anarres via De Nittis 42, Bari [Italy] . Tecnologie di liberazione [Liberation Technologies] is a conference and a performance/concert to find new aesthetics and practices in a non-conventional use of the new media. We want to stimule thoughts deviated from the oppressive market paths in a conference with Franco 'Bifo' Berardi, philosopher and author of seminal analysis on the digital work in the last ten years, Jaromil, artist and programmer that daily experiments his open and collaborative artworks, Alessandro Ludovico, editor in chief of Neural, the Italian new media culture magazine, and Antonella Marino, contemporary art critic and curator of electronic art exhibitions. Later, for the very first time, 'KILL A T.V. TODAY, a performance/concert with use of multiple media (electronic and acustic music, video, software, microphones, tv-set and a specific choreography) to reflect on the invasive broacasting practices. - - 16:30 hr, conference: Franco .Bifo. Berardi, rekombinant.org Jaromil, dyne.org Alessandro Ludovico, neural.it Antonella Marino, repubblica.ba - - 21:30 hr, performance/concert KILL A T.V. TODAY Digital Artifacts + Videosoftware + live e-music st'arring: jaromil pinna shezzan din don info+map: http://www.neural.it/tdl/ http://tubocatodico.dyne.org - -- Alessandro Ludovico Neural Online - http://www.neural.it/ daily updated news + reviews Suoni Futuri Digitali - http://www.apogeonline.com/catalogo/614.html ISBN 88-7303-614-7 ------------------------------ Date: Tue, 20 Nov 2001 10:56:59 +0100 From: <intermittent@spectacle.fr> Subject: P=E9tition?= Intermittents + pr=E9cisions?= sur le "statut" d'intermittent PETITION Nous soutenons l'action engagee par les intermittents du spectacle pour la perennite de leur régime specifique ASSEDIC car depuis le 1er juillet 2001 plus aucune reglementation ne leur est applicable. Si rien n'est fait par l'actuel Gouvernement les annexe 8 & 10 de l'assurance chomage vont disparaitre. Pourtant un accord conclu le 15 juin 2000 entre les partenaires sociaux de la branche representative existe, en parfaite conformite avec l'arret du Conseil d'etat du 11 juillet 2001, n'est toujours pas agree par le gouvernement. Le 23 juillet 2001, suite à une forte mobilisation des intermittents du spectacle en Avignon, le 1er Ministre a adresse un courrier a la Federation du spectacle CGT ( FNSAC CGT ) dans laquelle il rappelle : "Pour ma part, je tiens à vous rappeler l'attachement du Gouvernement à la perennite de ce regime particulier, necessaire au dynamisme et a la richesse de la vie artistique de notre pays." Ce manque de courage politique de l'actuel Gouvernement convient parfaitement au MEDEF et à ses "allies": SUPPRIMER PUREMENT ET SIMPLEMENT LES INTERMITTENTS DU SPECTACLE. Que restera t'il alors du dynamisme et de la richesse culturelle de notre pays (fete de village, spectacle, creation theatrale et musicale,...) En signant cette petition je demande au gouvernement de confirmer ses engagements par l'agrement des accords du 15 juin 2000, en conformite avec l'arret du Conseil d'Etat du 11 juillet 2001. 1/ Fabien Salabert, intermitent du spectacle, Rodez, France 2/ Romaszko Pierre,musicien intermitent du spectacle, Decazeville 3/ Nathanael BRIEGEL, musicien, intermittent du Spectacle,Nancy, France 4/ Murat Ozturk, musicien,intermittent du spectacle,Metz,France 5/ Bruno Tocanne, musicien, intermittent du spectacle, France 6/ Guillaume Orti, musicien, intermittent du spectacle, Paris 7/ Jean-rémy Guédon, musicien, intermittent du spectacle, Paris 8/ Antoine Hervé, musicien, intermittent du spectacle, Paris 9/ Jean Charles Richard, musicien, intermittent du spectacle, Paris 10/ Michèle Ninassi, conseillère d'orientation,Argenteuil 11/ Philippe Lemoine, musicien, intermittent du spectacle, Argenteuil 12/ Pier Paolo Pozzi, musicien, intermittent du spectacle, Stains 13/ Paul Christian STAÏCU, musicien, intermitent du spectacle, Paris 14/ Françoise FOGNINI, musicienne,intermittente du spectacle, Paris 15/ Jean-François ESTEVE, intermittent du spectacle, Malakoff 16/ Stéphane Einhorn, Producteur délégué, intermittent du spectacle, Paris 17/ 18/ 19/ 20/ 21/ 22/ 23/ 24/ 25/ Comment proceder? 1. Copiez ce message. 2. Ajoutez votre nom, profession (facultatif) et votre adresse partielle. 3. Envoyez ce message par courrier a tous les gens qui figurent dans votre carnet d'adresses. (Ne faites pas de transfert mais un copie-coller, afin de ne pas alourdir le message.) Si vous etes la 25e personne de la liste, retournez SANS FAUTE cette petition a , a l'adresse suivante : president.comm.culture@assemblee-nationale.fr Mr Jean Le Garec,president de la commmission des affaires culturelles, familiales et sociales avec copies conformes (c. c.) a pherrero@assemblee-nationale.fr, conseiller a la culture au cabinet de Mr le President de l'assemblee nationnale et a fnsac@fnac-cgt.com et petition.intermittents.11.2001@wanadoo.fr + un mail intéressant obtenu sur la liste www.moviefax.com reçu avant la manif de Port Royal de la semaine dernière: Bonjour, je reçois par 3 ou 4 intermédiaires un e-mail dont vous semblez être à l'origine, qui me réjouis par son intention, mais dont certaines informations sont inexactes et peuvent fausser la compréhension de la situation actuelle. Je me permets donc de vous apporter quelques précisions... - - Les Annexes VIII et X (mieux connues sous le nom d'ASSEDIC Spectacle) ne sont pas prorogées ! (Ni jusqu'au 31 décembre, ni jusqu'à quand que ce soit). Elles sont déjà, depuis le 1er juillet 2001, dans une inexistence juridique absolue (ce qui n'était encore jamais arrivé). Elles ne sont que "maintenues" par décision du MEDEF, sans date de fin de maintien, et sans que ce maintien ait la moindre validité juridique. Si le MEDEF le décide, les Annexes VIII et X peuvent disparaître demain, ou en janvier, ou après les élections présidentielles et législatives... sans autre forme de procès : il lui suffirait de constater que le fonctionnement actuel des Annexes VIII et X selon l'ancien règlement est illégal puisque l'ancien règlement est abrogé depuis juillet. La manifestation de demain vise à demander d'une part au MEDEF de commencer enfin à négocier les Annexes et d'autre part au gouvernement de créer (par décret ou par une loi) un cadre juridique au fonctionnement actuel des Annexes VIII et X, leur permettant d'être légales jusqu'à ce que les négociations aient abouti. - - Si les annexes VIII et X sautent, nous risquons bien de nous retrouver en Annexe IV (intérimaires) mais même avec 2000 heures, les droits versés dans le cadre de l'Annexe IV n'auraient pas grand chose à voir avec le fonctionnement habituel des Annexes VIII et X. En gros, en Annexe IV, s'il a été calculé qu'on a droit à 6000 F par mois, et qu'au cours d'un mois on travaille 4 jours pour 1000 F par jour, l'ASSEDIC nous verse 6000 - 4X1000 = 2000 F... De plus, la notion de "cachet" n'existe pas en Annexe IV et les ASSEDIC ne compteraient donc que les heures de travail effectif... Et ce ne sont là que quelques exemples de grosses différences entre le fonctionnement des intérimaires et des intermittents. - - J'en profite au passage pour faire un commentaire sur la notion de "statut". Il faut être vigilant à ce sujet : "intermittent du spectacle" n'est pas un statut en France, et heureusement ! Le jour où nous aurons un "statut" d'intermittent, ce sera vraiment le début de la fin des haricots. Je m'explique : Notre statut actuel est celui de "salarié". C'est grâce à ce statut de salarié que nous sommes couvert par la législation du travail (applicable à tous les salariés) et que nous avons donc droit à une protection sociale : sécurité sociale, retraite, médecine du travail, assurance chômage, et -- très important -- le droit d'être protégés par des conventions collectives, avec des salaires minima, des conditions de travail réglementées, etc. Certes, les employeurs du Spectacle ont, par dérogation prévue par le Code du Travail, la possibilité de nous employer par intermittence, sans que 3 CDD successifs ne les obligent à nous passer en CDI. Cela fait de nous des "salariés intermittents à employeurs multiples", ou "intermittents du spectacle", mais ce n'est pas notre statut. C'est juste une description de ce qui nous arrive (Soit dit au passage, on peut se dire "intermittent du spectacle" dès le 1er cachet, même si on n'a pas fait 507 heures et qu'on n'a pas d'ASSEDIC...) Le jour où on nous proposera de nous créer un statut spécifique d'intermittents du spectacle, différent du statut de salarié, il faudra se battre pour refuser : sinon, nous ne serons plus couvert par la solidarité inter-professionnelle et nous pourrons dire adieu à toute forme de protection sociale et au droit d'être défendus par des syndicats. (En Irlande, où les artistes interprètes ont le statut de "travailleurs indépendants", et où ils avaient cherché à imposer des tarifs minima de rémunération dans un domaine précis, la Commission Européenne leur a fait un procès pour briser cette "entrave à la libre concurrence" entre artistes...) Pour en revenir aux ASSEDIC, ce que nous avons est un régime spécifique d'indemnisation du chômage, qui s'applique aux salariés intermittents des entreprises du Spectacle. Avec 507 heures, nous ne changeons pas de statut, simplement nous ouvrons droit à une indemnisation chômage, calculée selon les règles spécifiques des Annexes VIII et X, mais bien dans le cadre des ASSEDIC, donc de la solidarité interprofessionnelle. Voilà, chers amis Francs-Comtois, peut-être nous croiserons-nous demain, à partir de 15h au départ du Palais Royal Amicalement Laurent L (comédien, militant au SFA) ------------------------------ Date: Tue, 27 Nov 2001 13:07:47 -0800 (PST) From: Aleksandar Gubas <eurindie@yahoo.com> Subject: Mikrokino FEST 2002 Call For Entries CALL FOR ENTRIES Mikrokino FEST 2002 is an international short film festival to be held for the second time from February 22-26th, 2002 in Belgrade, Serbia. Mikrokino FEST is organized by LOW-FI VIDEO (Belgrade-based organization promoting short, independent and alternative films), the leading Eastern European microcinema programmer. LOW-FI VIDEO was launched in 1997, and to this date it has screened almost 500 Serbian and more than 160 foreign short film. The success of Mikrokino FEST 2001 where 80 short films, 2 interactive CD-ROM projects and one full-length feature film, from five continents, were presented to the Serbian audience logically led to Mikrokino FEST 2002. Mikrokino FEST 2002 will be a competitive festival with two symbolic awards: 1. Mikrokino Audience Award 2. LOW-FI VIDEO's Mikrokino2002 Reward Mikrokino FEST 2002 is looking for titles from all over the world. The categories are: 1. Short narrative (drama, comedy, action, any other genre) 2. Short animation (any kind) 3. Short experimental 4. Documentary 5. Internet and CD-ROM film (made primarily for the Internet or CD-ROM presentation) There is no entry fee. There is no censorship. Each film will be previewed by the preview jury, which will select the films to be shown at the Mikrokino FEST 2002. Deadline for submissions: January 1, 2002 Entry form and declaration can be downloaded at: www.lowfivideo.com/mikrokino mailto: mikrokino@yahoo.com __________________________________________________ Do You Yahoo!? Yahoo! GeoCities - quick and easy web site hosting, just $8.95/month. http://geocities.yahoo.com/ps/info1 ------------------------------ Date: Wed, 28 Nov 2001 15:06:35 -0600 From: Artemisia Gallery <info@artemisia.org> Subject: FOR IMMEDIATE RELEASE FOR IMMEDIATE RELEASE SCHOLARSHIP OPPORTUNITY Scholarship Show Available to women artists in the Chicago area. Artemisia Gallery is excepting applications for a solo exhibition to be awarded for February 2003 paid by the Linda Kramer Exhibition Fund. Please submit 10 slides, slide list, resume, and artist statement in a SASE to: Artemisia Gallery 700 N. Carpenter St. Chicago, IL 60622. Additional information available at: www.artemisia.org/opportunities/kramer.html Only women artists in the Greater Chicago area will be considered. Slide deadline 4/1/02 Direct all questions to Tricia Alexander, Gallery Coordinator Artemisia Gallery 700 N Carpenter St Chicago, IL 60622 312 / 226-7323 ------------------------------ Date: Thu, 29 Nov 2001 23:45:07 -0800 From: george legrady <glegrady@home.com> Subject: open position in digital media at UC Santa barbara Digital Media Arts Position Tenure-track Assistant Professor level The Media Arts and Technology Program (a new graduate program jointly offered by the College of Letters and Science and the College of Engineering) and the Department of Art seek a practitioner in the field of Digital Media Arts. The available position is at the assistant professor level. The candidate should be an accomplished digital media artist with an established record of achievement in digital and media arts who possesses a broad understanding of both contemporary visual arts and computer technologies, and has a clear understanding of the state of the discipline. The candidate¹s work should reflect a deep knowledge of digital media production in one or more of the following areas: 3D visualization (virtual reality visualization, immersive environments; virtual architecture, synthespians (cybernetically constructed actors); telecommunications (GPS tracking, netspaces, etc.); mixed realities (interactive media installations, motion sensing, etc.); data mining/datastructures as environments for narrative; algorithmic art; and robotics, or computer controlled devices. In addition, the candidate should demonstrate a working knowledge of one or more programming languages and familiarity with digital media theory. The new appointment will help to develop digital production facilities, establish an environment for learning cross-platform tools as well as theoretical and critical issues, and teach undergraduate and graduate courses. University teaching experience, a doctorate, MFA, or equivalent degree required, with significant exhibitions and/or publication record preferred. Starts July 1, 2002. Applications should include a cover letter that details areas of expertise, professional and teaching experience, CV, and representative samples of work in digital form (DVD, cd-rom or websites). This may include supplemental materials such video documentation of installations or published catalogs of digital works. Applicants should also include a SASE, and at least three letters of recommendation sent by academic/professional references. Review of applications will begin on December 1, 2001, and continue until the position is filled. Send materials to: Professors George Legrady and JoAnn Kuchera-Morin, co-Chairs of Search Committee for Digital Media, Department of Art Studio, UCSB, Santa Barbara, CA 93106. UCSB is an Equal Opportunity, Affirmative Action Employer committed to excellence and diversity. Women and minorities are encouraged to apply. For further information: www.mat.ucsb.edu and www.arts.ucsb.edu. UCSB is the host site of the UC system-wide Digital Media Innovation Program (www.dimi.ucsb.edu) and the UC system-wide Digital Cultures Project (www.english.ucsb.edu) ------------------------------ Date: Fri, 23 Nov 2001 18:09:40 -0500 From: Chris Csikszentmihalyi <csik@media.mit.edu> Subject: New Art & Technology Group at MIT Media Lab ______________New Research Group at MIT Media Lab______________ I am pleased to announce the formation of Computing Culture, a MIT Media Lab research group dedicated to exploring art and technology. Computing Culture is in a unique position: First, it is situated within the Media Lab, an interdisciplinary research center exploring and developing new technologies since 1985. The Media Lab is part of the Massachusetts Institute of Technology, one of the premiere technical institutions in the world. Computing Culture seeks to create new technologies for the full range of human experience, rather than the applications suggested by market forces, “productivity,” and the internal logic of technical production. Some information about the group may be found at [http://compcult.media.mit.edu]. Our research will result in specific works of art, but will also help further an understanding of the relationships between art, technology, and cultural production. Some of the strategies we practice include interventions in contemporary consumer electronics, creating special media events for public situations, and applying technical development to cultural agendas that wouldn't normally receive it. Our central interest is in physically embodied (rather than screen-based) work. The group’s research centers on studio practice, but includes strong components of critical media theory, science history, the sociology of scientific knowledge, and art history and theory. Research projects are primarily determined and investigated by graduate students, with guidance by the group’s director, Professor Chris Csikszentmihályi. Within yards of our workshop are other groups exploring nano-bio-tech, quantum computing, affective computing, interactive cinema, and many other directions: There are few environments where artists can access such a wide range of scientific and technical research. We are currently accepting applications to the graduate program in Media Arts and Sciences. The MAS is a two-year master’s program, during which a student spends half their time on course work and the other half on their directed art research. Tuition is fully funded, and students receive a significant stipend to live on. The program and funding are open to students of any nationality. Students may be trained in either art or science and/or engineering, but should show crossover. For instance, an art student should be an accomplished programmer, have machining skills, or be able to design and fabricate electronics. An engineering students should have done several art projects, worked with a professional artist, or shown their ability to author radical or unexpected technologies. Students should be extremely self-motivated, and ready to take advantage of the unparalleled opportunities at the Lab and MIT. More information on the MAS program may be found at [http://www.media.mit.edu/mas/#masters]. Application forms may be obtained from the MIT Graduate Admissions office [http://web.mit.edu/admissions/www/]. >>>>>>>technical information on applying>>>>>>>>> Applicants must indicate on the application form (question #2) the department of Media Arts and Sciences -- we are a separate program and not part of another department at MIT. "Area of research interest" should indicate Chris Csikszentmihályi (Computing Culture). Application or admissions questions may be directed to Media Arts & Sciences (e-mail: mas@media.mit.edu, tel: (1) (617) 253-5114). Completed applications must be _received_ by January 8th. The principal components of an application are: academic transcript(s), the applicant's statement of objectives, a portfolio, and three letters of recommendation. GREs are not required. International applicants are required to submit an official copy of their TOEFL scores to MIT. The MIT institution code for TOEFL scores is 3514. The Media Lab does not have its own department number. Scores should be sent to MIT Graduate Admissions, department code 99. The Program in Media, Arts & Sciences requires a minimum TOEFL score of 600 (paper-based) or 250 (computer-based). Computing Culture also requires the submission of a portfolio of relevant work. We’ll accept 1 CD-rom (CD or DVD) AND/OR 8 pages max of A4 or letter size paper material AND/OR a URL. If submitting slides, please send no more than one sheet (20 slides), _not_ in a tray. CD ROM submissions may be MAC or PC format, but, due to the number of applicants, should be widely compatible and immediately ready to launch. Submit your portfolio with your application by the application due date. Do not send portfolios directly to Chris Csikszentmihályi, but rather to the MAS Program. Return postage should be included in any of the following forms: U.S. postage stamps, U.S. money order, or personal check (U.S. only). This sum must be separate from the application fee. >>>>>>>end technical information>>>>>>>>> Looking forward hearing from you! Christopher P. Csikszentmihályi Director, Computing Culture Group Assistant Professor of Media Arts and Sciences MIT Media Lab csik@media.mit.edu http://compcult.media.mit.edu ------------------------------ Date: Wed, 28 Nov 2001 12:46:25 -0500 From: "Paul D. Miller" <anansi1@earthlink.net> Subject: Tonite! Dj Spooky + the Coup at S.O.B.'s!!! this is the first wave!!! this is the first wave!!!!! this is the first wave!!!! this is the first wave!!!! Hello All! Sorry about the last minute message, but I've been out of town and the travel thing can be a mutha... but anyway, yeah, tonite I'm doing a live mix of my new album "Under the Influence" at S.O.B.'s with the Coup (whose new album "Party Music" got all sorts of weird media 'cause it had the WTC situation on the cover - before 9/11...), and I just wanted to remind friends and family about the show... The show comprises turntables and multi-media material about the WTC situation and video's by Emergency BroadCast Network and a crew out of San Francisco called "One Infinity" that's been working on some of the best animation I've seen in a while (they did "Dice Raw" for the Roots affiliates on MTV that predates Tha Gorrilaz by a long shot... but anyway, that's another topic...)... the whole evening is basically another wildstyle situation.... the album is one situation, the media is another... multi-cultural multi-media y'all... come on by!!! The show starts at 9pm or so, and goes until after midnite or something like that (it is a showcase...). Let me know if you want guest list etc etc otherwise tix are $18 The show is at S.O.B.'s tonite Hudson and Varick in Manhattan... starts at 9pm... The tour then goes on the road in the U.S. before I hit Europe, but that, as they say, is a different theater of operations. If you're in the U.S. check me at any of these dates... The tour dates for the U.S. are listed below, along with some of the more "academic" stuff I'll be doing on the side at Duke Univeristy and MIT: Dj Spooky That Subliminal Kid "Under The Influence Tour" - the politics of sound in a democracy of images... the next wave of tours in the U.S. will be in the Spring after I get back from Europe... Wed-Nov-28 NEW YORK, NY SOB's Thu-Nov-29 <web event> www.djspooky.com Fri-Nov-30 PHILADELPHIA, PA TROCADERO Sat-Dec-01 CAMBRIDGE, MA MIDDLE EAST and lecture at MIT Sun-Dec-02 WINOOSKI, VT HIGHER GROUND Mon-Dec-03 PROVIDENCE, RI THE MET Wed-Dec-05 CLEVELAND,OH AGORA Thu-Dec-06 CINCINATTI, OH TOP CAT'S Fri-Dec-07 OBERLIN, OH OBERLIN COLLEGE Sat-Dec-08 BOWLING GREEN,OH CLAZAL THEATER Sun-Dec-09 <web event> www.djspooky.com Mon-Dec-10 BLACKSBURG, VA VIRGINIA TECH Sat-Dec-15 WASHINGTON, DC 9:30 CLUB 2002 Thu-Jan-17 CONF Raleigh, NC Seminar at Duke Univ. Fri-Jan-18 CONF Raleigh, NC Seminar at Duke Univ. for more info etc etc check the website www.djspooky.com I'm still working 'pon de next album, the new magazine "21C" and book projects.... more on that stuff in a little while... there's only 24 hours in the day... alright, peace All... Paul oh yeah... Synchronic is on Fridays... going strong with the Mutiny Crew this week, and wildstylz from rachel Bowditch's theater experience "Vessel".... stay tuned for more info... ============================================================================ Port:status>OPEN wildstyle access: www.djspooky.com Paul D. Miller a.k.a. Dj Spooky that Subliminal Kid Subliminal Kid Inc. Office Mailing Address: Music and Art Management 245 w14th st #2RC NY NY 10011 ------------------------------ Date: Mon, 03 Dec 2001 01:15:24 +0900 From: tfa <tfa@chollian.net> Subject: The Korea Web Art Festival Is Online! The first Korea Web Art Festival: "Alone Together," curated by Marc Voge, features exclusive new work by the following artists: - - Mark Amerika - - Candy Factory - - Critical Art Ensemble - - Entropy8Zuper! - - Lisa Jevbratt - - Sean Kerr - - Talan Memmott - - Motomichi Nakamura - - Beth Stryker + Sawad Brooks - - Superbad - - YOUNG-HAE CHANG HEAVY INDUSTRIES - - 0100101110101101.ORG http://www.koreawebart.org ------------------------------ Date: Sun, 02 Dec 2001 18:45:19 +0100 From: FTPermutations@0100101110101101.ORG Subject: /// 0100101110101101.ORG /// FTPermutations /// FTPermutations /// HTTP://WWW.0100101110101101.ORG /// /// WHO 0100101110101101.ORG 0100101110101101.ORG 0100101110101101.ORG 0100101110101101.ORG 0100101110101101.ORG 0100101110101101.ORG 0100101110101101.ORG 0100101110101101.ORG 0100101110101101.ORG 0100101110101101.ORG /// WHEN Dec 02 2001 - 02:00:00 Dec 02 2001 - 02:00:00 Dec 02 2001 - 02:00:00 Dec 02 2001 - 02:00:00 Dec 02 2001 - 02:00:00 Dec 02 2001 - 02:00:00 Dec 02 2001 - 02:00:00 Dec 02 2001 - 02:00:00 Dec 02 2001 - 02:00:00 Dec 02 2001 - 02:00:00 /// WHERE http://www.koreawebart.org http://www.koreawebart.org http://www.koreawebart.org http://www.koreawebart.org http://www.koreawebart.org http://www.koreawebart.org http://www.koreawebart.org http://www.koreawebart.org http://www.koreawebart.org http://www.koreawebart.org http://www.koreawebart.org http://www.koreawebart.org /// WHAT 0100101110101101.ORG --> Entropy8Zuper! Beth Stryker --> Lisa Jevbratt Candy Factory --> Beth Stryker Critical Art Ensemble --> Sean Kerr Entropy8Zuper! --> Superbad Lisa Jevbratt --> Motomichi Nakamura Mark Amerika --> YOUNG-HAE CHANG HEAVY INDUSTRIES Motomichi Nakamura --> 0100101110101101.ORG Sean Kerr --> Talan Memmott Superbad --> Critical Art Ensemble Talan Memmott --> Mark Amerika YOUNG-HAE_CHANG --> Candy Factory /// WHY http://www.koreawebart.org/artist/0100101110101101org http://www.koreawebart.org/artist/beth http://www.koreawebart.org/artist/Candy_Factory http://www.koreawebart.org/artist/Critical_Art_Ensemble http://www.koreawebart.org/artist/Entropy8Zuper!/ http://www.koreawebart.org/artist/Lisa_Jevbratt http://www.koreawebart.org/artist/Mark_Amerika http://www.koreawebart.org/artist/Motomichi_Nakamura http://www.koreawebart.org/artist/Sean_Kerr http://www.koreawebart.org/artist/Superbad http://www.koreawebart.org/artist/Talan_Memmott http://www.koreawebart.org/artist/YOUNG-HAE_CHANG_HEAVY_INDUSTRIES /// HOW 220 kiri1 Microsoft FTP Service (Version 5.0). USER 0100101110101101org 331 Password required for 0100101110101101org. PASS ****** 230-hi thank you !! 230- 230-If You want to see uploaded files in the browser , 230-type this way... 230- 230-http://www.koreawebart.org 230-/artist/(yourid)/(filename) 230- 230-ex ) myid - sson and upload file - default.html 230-http://www.koreawebart.org 230-/artist/sson/default.html 230- 230 User 0100101110101101org logged in. SITE DIRSTYLE 200 MSDOS-like directory output is off SITE DIRSTYLE 200 MSDOS-like directory output is on CWD /artist/ 250 CWD command successful. PORT 172,26,0,2,59,137 200 PORT command successful. TYPE A 200 Type set to A. LIST 150 Opening ASCII mode data connection for /bin/ls. 12-02-01 02:35AM <DIR> 0100101110101101org 12-01-01 07:31AM <DIR> beth 11-09-01 05:23PM <DIR> Candy_Factory 11-29-01 06:30AM <DIR> Critical_Art_Ensemble 11-28-01 01:39AM <DIR> Entropy8Zuper! 11-08-01 07:53PM <DIR> Lisa_Jevbratt 11-11-01 02:38PM <DIR> Mark_Amerika 11-13-01 02:33PM <DIR> Motomichi_Nakamura 11-20-01 07:27AM <DIR> Sean_Kerr 11-27-01 05:26AM <DIR> Superbad 11-16-01 11:24AM <DIR> Talan_Memmott 11-23-01 12:55PM <DIR> YOUNG-HAE_CHANG_HEAVY_INDUSTRIES 226 Transfer complete. PWD 257 "/artist" is current directory. NOOP 200 NOOP command successful. RNFR Motomichi_Nakamura 350 File exists, ready for destination name RNTO Motomichi_Nakamura- 250 RNTO command successful. RNFR 0100101110101101org 350 File exists, ready for destination name RNTO Motomichi_Nakamura 250 RNTO command successful. RNFR Candy_Factory 350 File exists, ready for destination name RNTO Candy_Factory- 250 RNTO command successful. RNFR beth 350 File exists, ready for destination name RNTO Candy_Factory 250 RNTO command successful. RNFR YOUNG-HAE_CHANG_HEAVY_INDUSTRIES 350 File exists, ready for destination name RNTO YOUNG-HAE_CHANG_HEAVY_INDUSTRIES-- 250 RNTO command successful. RNFR Candy_Factory- 350 File exists, ready for destination name RNTO YOUNG-HAE_CHANG_HEAVY_INDUSTRIES 250 RNTO command successful. RNFR Superbad 350 File exists, ready for destination name RNTO Superbad- 250 RNTO command successful. RNFR Critical_Art_Ensemble 350 File exists, ready for destination name RNTO Superbad 250 RNTO command successful. RNFR Entropy8Zuper! 350 File exists, ready for destination name RNTO 0100101110101101org 250 RNTO command successful. RNFR Lisa_Jevbratt 350 File exists, ready for destination name RNTO beth 250 RNTO command successful. RNFR Talan_Memmott 350 File exists, ready for destination name RNTO Talan_Memmott- 250 RNTO command successful. RNFR Mark_Amerika 350 File exists, ready for destination name RNTO Talan_Memmott 250 RNTO command successful. RNFR Motomichi_Nakamura- 350 File exists, ready for destination name RNTO Lisa_Jevbratt 250 RNTO command successful. RNFR Sean_Kerr 350 File exists, ready for destination name RNTO Critical_Art_Ensemble 250 RNTO command successful. RNFR Superbad- 350 File exists, ready for destination name RNTO Entropy8Zuper! 250 RNTO command successful. RNFR Talan_Memmott- 350 File exists, ready for destination name RNTO Sean_Kerr 250 RNTO command successful. RNFR YOUNG-HAE_CHANG_HEAVY_INDUSTRIES-- 350 File exists, ready for destination name RNTO Mark_Amerika 250 RNTO command successful. quit 221 bye /// FTPermutations /// HTTP://WWW.0100101110101101.ORG /// ------------------------------ # distributed via <nettime>: no commercial use without permission # <nettime> is a moderated mailing list for net criticism, # collaborative text filtering and cultural politics of the nets # more info: majordomo@bbs.thing.net and "info nettime-l" in the msg body # archive: http://www.nettime.org contact: nettime@bbs.thing.net