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From: pascale gustin <gustin.pascale@free.fr> To: 7-11@mail.ljudmila.org, _arc.hive_@lm.va.com.au Subject: Demain les machines pleureront Date: Sun, 06 Jul 2003 17:43:14 +0200 6 \ W \ WX WX W X 600 C 67 ; WX \600 ; C 68 ; WX 6 \00 ; N C 69 ; WX 60 \ 0 ; N E C 70 ; WX 600 \ ; N F ; B 53 C 71 ; WX 600 ;\ N G ; B 31 \ 72 ; WX 600 ; \ N H ; B 32 C\73 ; WX 600 ; N\ I ; B 9 C \4 ; WX 600 ; N $ ; B \C 5 ; WX 600 ; N \ ; \ ; N L b \ 0 ; N M a 600 ; N N \X 600 ; N c WX 600 ; N k \ 00 ; s X\600 l WX \0 \ X\ \ WX W C \ C 8 \ C 89 \a C 9 \s h \ \\b $ / hyphen period/ slash/ zero/ one/ tw/ t/ree the machines who cry Le code me parait etre l'outil indispensable de nos rapports avec les machines. C'est lui qui, à mon sens nous permet de "dialoguer" au mieux avec elles. Le code est un texte et ce texte, ces textes qui emplissent les machines avec lesquelles nous travaillons me semblent pleins d'une potentialité poétique. L'ordinateur est une "boite grise" que l'on tient généralement pour acquise : elle simule. Dans mon geste d'exploration du code, je casse ce mécanisme sous-jaccent du programme de simulation, en disjoint et fragmente les éléments. Je situe donc mon travail dans cet étroit champ d'investigation de la non-simulation, au revers de la réalité virtuelle : http://cuneiform.free.fr -- pasc@csaq -r-W-x-R-W-X-R- x autobuild/wheel ---------------[18608128 - s-ile-nses] @@@@@@@ To: _arc.hive_@lm.va.com.au From: mez <netwurker@hotkey.net.au> Subject: Codeworld [by Alan Sondheim] Date: Fri, 04 Jul 2003 16:35:56 +1000 Codeworld Alan Sondheim 12:55pm up 2 min, 1 user, load average: 0.31, 0.19, 0.07 USER TTY FROM LOGIN@ IDLE JCPU PCPU WHAT root tty1 - 12:54pm 0.00s 0.46s 0.05s w Die Welt ist alles, was der Fall ist. Ogden: The world is everything that is the case. Pears/McGuinness: The world is all that is the case. Die Welt ist die Gesamtheit der Tatsachen, nicht der Dinge. Pears/McGuinness: The world is the totality of facts, not of things. Ogden: The world is the totality of facts, not of things. ... Die Tatsachen im logischen Raum sind die Welt. Die Welt zerfallt in Tatsachen. Ogden: The facts in logical space are the world. The world divides into facts. ... Wovon man nicht sprechen kann, daruber muss man schweigen. Ogden: Whereof one cannot speak, thereof one must be silent. Pears/McGuinness: What we cannot speak about we must pass over in silence. (From beginning and end of Wittgenstein, Tractatus Logico-Philosophicus, Ogden translation 1922, Pears/McGuinness translation 1961.) [1] TLP describes a Dostoevskian crystalline world divisible into facts. The German is clear; the motto to the book, by Kurnberger states, in translation: ... and whatever a man knows, whatever is not mere rumbling, and roaring that he has heard, can be said in three words. [2] TLP portends ideality. The world is logical, mathematical, capable of clear division. Logical space is the space, I would assume, of the natural numbers, if not the integers; as Russell says in his introduction, TLP presents, inscribes, a finite mathematics -- there's no room for the continuum, and proof of the continuum hypothesis was far in the future. [3] The translations are different, almost never radically so, but different nonetheless. There is a residue in German such that both English versions converge, but often never meet. The sememes are equivalent, but only to a degree; translations are almost never one-to-one. [4] In this logical space of facts, programming, and protocols, there is always a wavering, always room, always doubt, critique, and I would say desire as well. Never mind that this wor(l)d breaks down, evidenced a few decades later by Godel, Tarski, Skolem, etc.: Coherency, living within the safety-net of mathesis, matrix, maternality, remains a dream of humanity. DNA coding, cryptography, hacking the world -- all appear to guarantee that everything is possible. [5] Computer languages are logical; computers are presumed so, but aren't; protocols are logical as well; logical spaces may be compared to drive-space; garbage-in, garbage-out; and so forth. Hacking depends on a closed world with closed loopholes; the loopholes themselves are coherent, logical, _there._ [6] Codework, code writing, rides within and throughout the logical world, as a disturbance, a sign of things to come, both extension and breakdown. [7] Where does the content lie? Is it in the translation of code into messiness or residue? Is it in the interpretation of residue? Or perhaps, and herewith a criticism, is it in the wonderment, confusion, and novelty of the residue itself? [8] Is codework a minor art, minor literature? What is the point of repeatedly shaking the scaffolding -- if not the emergence, in the future, of an other or another approach, or an other, being or organism, for which codework now both provides augury and its weakness as portal/welcoming? For what is come among us already no longer speaks the world of logical facts, just as computers are no longer large-scale calculators, but something else as well, something unnamed, fearful -- that fearfulness already documented by, say, Cruikshank in the 19th century. 2:20pm up 1 min, 1 user, load average: 0.33, 0.18, 0.06 USER TTY FROM LOGIN@ IDLE JCPU PCPU WHAT root tty1 - 2:19pm 0.00s 0.42s 0.05s w [9] Codework references the alterity of a substrate which supports, generates, and behaves as a catalyst in relation to its production. To this extent, codework is self-referential, but no text is completely self-referential (sr); things waver. So for example 'ten letters' and 'two words' and 'english' may be considered sr -- but only to the extent that the phrases are presumed to apply to themselves. Extended: 'This sentence has thirty-one letters.' -- 'This sentence has five words.' -- 'This is an english sentence.' [10] What is the residue? What are the sentences 'about'? On the surface, letters, words, language. This is an additional or diacritical relation- ship to sr; if one, for example, didn't know English, none of these would make sense. [11] All sr possesses a residue -- an _attribute tag._ In codework, which has a component of sr, the tag may be plural, muddied -- the world is never presumed complete, total. Codework is not an instance in this regard of mathematical platonism or Godelian-platonism; if anything it relies on the breakdown of the ideal, pointing out the meaning-component of computation, program, protocol, even the strictest formalisms. [12] Early on Whitehead pointed out that 2+2 = 4, but only in a certain formal sense; in fact, the equation implies an operation or unifying process; within the 4, the components are combined, their history lost. Strictly, '2+2' and '4' are equivalent; within the symbolic, they differ -- for that matter, in terms of thermodynamics as well. This domain is expanded by codework, which endlessly interferes. [13] The danger of codework is in its delimitation; it tends to repeat; the works tend towards considerable length; automatic generation can flow forever. Sometimes it appears as maw-machine emissions -- text in, modified text/partial code out. Sometimes it extends language into new uncharted territories. Sometimes it references the labour and/or processing of language. Sometimes it privileges the written over the spoken, or portends the spoken within a convolution of stuttering and close-to-impossible phonemic combinations. Sometimes it appears as a warning against the all-too-easy assimilation of linguistic competency. [14] Sometimes it breaks free, relates to the subjectivity behind its production, the subjectivity inherent in every presentation of symbol-symbolic. 2:37pm up 18 min, 1 user, load average: 0.00, 0.00, 0.00 USER TTY FROM LOGIN@ IDLE JCPU PCPU WHAT root tty1 - 2:19pm 0.00s 0.44s 0.06s w - pro][rating][.lucid.txt - - http://www.hotkey.net.au/~netwurker http://www.livejournal.com/users/netwurker/ _ _cr[xxx]oss ova.ring. From: Alan Sondheim <sondheim@panix.com> To: _arc.hive_@lm.va.com.au Subject: RHZOMES 6: CODEWORK / SURVEILLANCE (fwd) Date: Wed, 2 Jul 2003 13:28:59 -0400 (EDT) RHIZHOMES: CULTURAL STUDIES IN EMERGING KNOWLEDGE www.rhizomes.net Issue 6: Codework/Surveillance guest-edited by Louis Armand, with contributions by McKenzie Wark, Alan Sondheim, Zoe Beloff, Darren Tofts, Ondrej Galuska, MTC Cronin, Alan Roughley, Philip Hammial, David Seiter, Tom Mackey, Damien Judge Rollison. "Codework/Surveillance" attempts to work the seam between critical paradigmatics & social discourse, between codework as invention, aesthetic practice, activism, sabotage & its recuperation within and by institutions of knowledge & techno-social surveillance (& vice-versa). "Codework/Surveillance" attempts to go beyond the usual pseudo-antagonism of theory/praxis by investigating how the contest over such terms (and other terms which are supposedly defined by them) is itself a mirage effect of the oppositional assumptions of institution vs. anti-institutional practition. "Codework/Surveillance" designates a relation of terms & of social postulates which are & remain biomorphic, parac(r)itical and dialectically irreducible. As "criticism" is placed under increasing pressure to account for itself in terms of action within the social/technological sphere, the artist & "public intellectual" may be regarded more in terms of "codework" than of traditional critical or aesthetic practices--in the sense that "codework" implies not only a working with the language and means of contemporary technological conditions (& of "taking responsibility" or "coming to terms" with these), but also a tactical counter-coding which exploits the margins of error within control apparatuses exemplified by such mechanisms as "surveillance." The linkage of "surveillance" to "codework" here stands for the way in which infrastructures of power always operate on a basis of hybridity & structural discontinuities which leave them open to "uses" other than those sought or intended by the various institutions of "authority." That authority, too, is inherently linked to codework, to the authenticity & authorship of certain codes or codices (of the law), points not only to existing critiques of "writing" but to the institution of critique itself & the enormous resources of codification which are today applied in the name of learning &/or knowledge. As in Orwell's 1984, it remains necessary to consider seriously the fact that "authority," in order to be what it is, deploys its resources in a hugely asymmetrical way "against" the "individual"--that sabotage (or terrorism) is not exclusively a means used by individuals (or cells of individuals) against the symbols & institutions of "authority." Codework in this sense is not the masturbatory fantasy of the programmer or hacker, but above all the game of power calling its own bluff & still trying to reduce all the bad odds to zero. ________________________________________________________________ LOUIS ARMAND UAA Philosophy Faculty, Charles University Nam. J. Palacha 2, 116 38 Praha 1, Czech Republic www.geocities.com/louis_armand --------------------------------- Do you Yahoo!? SBC Yahoo! DSL - Now only $29.95 per month! Date: Fri, 27 Jun 2003 12:12:06 -0700 From: MWP <mpalmer@JPS.NET> Subject: TEMPLATES.FOR.A.CHOREOGRAPHY To: WRYTING-L@LISTSERV.UTORONTO.CA TEMPLATES.FOR.A.CHOREOGRAPHY With @mpersand, the ASCII terpsichore! http://www.aroseisaroseisarose.com/Al04x.html Date: Thu, 3 Jul 2003 22:45:44 -0700 From: "[]" <kanztanz@YAHOO.COM> To: WRYTING-L@LISTSERV.UTORONTO.CA Subject: a subjective definition July 1 was Canada day here. ...water, land, space, that i can still see the stars at night from my yard, aurora borealis, pristine, snow on Christmas Eve, snow in July, possibly snow in August, but rain year round in Victoria, chinooks, C.P.P., referenda, rain forest, the Princess Patricias - God bless'm, John Candy - God rest'm, k.d. lang, Shania Twain, Theresa Stratas, Celine Dion, Wayne Gretzky, Banting, Best, insulin, Bethune, Intrepid, Northrop Frye, Norad, ice-wine, excuse me, universal standard time, Robertson Davies, Bobby Orr, Gordie Howe, Guy LaFleur, Rick Mercer, Mike Meyers, Killer Kowalski, Peter Gzowski, Juliette, Luba, Robert Goulet, Ross Porter, not at all, the best polka bands, the Kubasonics, the D-drifters, Nylons, garlic sausage rings, diamond mines, Grossman's on Spadina, Donwchild Blues Band, knishes, borscht, perogies!, kobassa, pizza pops, ROM, Susan Jacks, Poppy family, fields of sugar beet and wheat, rape, oats, barley, poutaine! montreal-style smoked meat! you're welcome, Trans-Canada highway, two major coasts, bilingual school programs, the great White North, MacKenzie brothers, brewskis, Husky gas stations, multi-culturalism, Leonard Cohen, Bryan Adams, William Shatner, Betty Kennedy, Margaret Atwood, Margaret Lawrence, Joni Mitchell, Neil Young, BTO, Guess Who, Dan Ackroyd, Pamela Anderson, Christopher Plummer, Shannon Tweed, Air Farce, Lighthouse, Trooper, Alice Munro, basketball, hockey, hockey night in Canada, Rideau Canal, the X-men, Captain Canuck, President's Choice, Yvonne DeCarlo, In Flanders Field, Massey-Ferguson tractors, Raymond Massey, Raymond Burr, Mary Pickford, Seagrams, Bronfmans, Reichmans, Aspers, Labatt's, Molson, Canadian Club, but not Canada Dry, Conrad Black, Beaverbrook, Thompson, Cunard Lines, Richardson and Searle, Donald Sutherland, Alexander Graham Bell, Lilith Fair and what's her name McLaughlin, SCTV, the divine Cathrine O'Hara, Eugene Levi, Robbie Robertson, Ronnie Hawkins, Keanu Reeves, Bare Naked Ladies, bif Naked, lacrosse, beavers, beavertails, hard-cross balls, hard-cross buns, Leslie Neilsen, Jack McLelland, Tim Horton, timbits, a double-double, Bobby Curtola, Churchill, polar bears, Winnie the real bear - not the pooh, marmot, muskrat, loon, the north pole, P.N.E., C.N.E., Red River Ex. purple gas, Calgary Flames, Petro-Canada, Dan Akroyd, summer kitchens, root cellers, screech, hooch, bootleggers, Rich Little, George F. 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Pearson, not the airport but the college, Rochdale, Margaret Trudeau and Pierre, Trivial Pursuit, Yorkville, wheat fed meat, draft-dodgers, good rye whiskey, real beer, Blood Sweat & Tears, good cigarettes in hard packs, Thanksgiving in October, Long John Baldry, after you, Mayne Island, Salt Spring Island, PEI, Jacques Cartier, John Cabot, the brides, the blackrobes, General Wolfe, wolves, Steppenwolf, lovely day, eh, The Pas, and Piapot, Sharon,Lois & Bram, Raffi, Mr. Dress-up and Casey, Fred Penner, The Red Green Show, snowshoes, the Canada Arm, Canada Post, National Post, Canada Goose, gooseberries, snowbirds, Canadian Peacekeeping, Alanis Morrisette, mosaic, Don Messer's Jubilee, Rita McNeil, Acadians, Quebecois, Quebec city, Roots, roots, routes, rues, bloulevards, Granville Island, all the Newfie fiddlers and fishermen, Newfie jokes, longshoremen on both coasts, farmers, miners, slag-heaps, Sudbury, Jack Webster, Ralf Mair, Gale Garnett, The Beachcombers, buffalo, bison, buffalo coats, beaver hats, buckskins, the vanishing cod, tugboats, barges, fishing boats, the Edmund Fitzgerald, canneries, candy factories, steel mills, ranches, Hy's Steakhouse, Ashley MacIssac, Mennonites and Hutterites, Dukkabors, the loonie and the twoonie, Don Harron, Tommy Douglas, Diefenbaker, UIC, The Speaker of the House, Hume Cronyn, the clarion at the Peace tower, The Globe and Mail, Club Monaco, Alfred Sung, gun control, gay wedlock, canadian bacon, back bacon, Mad Dog Vachon, Vachon bakery, Mac's milk, the brain-drain, the NFB, Red River cereal, Ann Murray, Gordon Lightfoot, the Homecoming melody, Folkfests, folk festivals, just folks, Ukranian weddings on the praries, Greenpeace, Graham Greene, Malcom Lowry, treehuggers and tree loggers, stand-offs, activists, conservatives, pacifists, nihilists, supremists, socialists, generalists, specialists, list-makers, Niagara Falls, The Thistle Shamrock Rose Entwined, Loblaw's, Vegerville and the egg there, Edmondchuck, Drumheller, dinosaurs, two solitudes, Ian and Sylvia, Four Strong Winds, Bill Reid, Portage and Main, Lloyd Robertson, stop/arrete Peter Mansbridge > > And take a breath Maury Chaykin, Chong, from cheech and, Chief Dan George, Glenn Ford, Brendan Frazer, Phil Hartman, Howie Mandel, Matthew Perry, Rick Moranis, Michael Sarrazin, Jay Silverheels, Alan Thicke, Genevive Bujold, Kim Cantrell, Colleen Dewhurst, Marie Dressler, Margot Kidder, Kate Nelligan, Sarah Polley, Jennifer and Meg Tilly, Fay Wray, Helen Shaver, Norma Shearer and her brother, Kate Reid, Dorothy Stratton, Alexis Smith, Alex Trebeck, Art LInkletter, Monty Hall, Doug Henning, Edward Dmytryk, Authur Hiller, Claude Jutra, Ivan Reitman, James Cameron, Louis B. Mayer, Lorne Michael, April Wine, Bruce Cockburn, Crash Test Dummies, Glenn Gould, Hart Corey, Jeff Healy, Marc Garneau, Jon Kimura Parker, MacGarrigle sisters, Guy Lombardo, Chantal Krevasiuk, Nelly Furtado, Rush, Paul Schaeffer, Jane Siberry, Deanna Durbin, Tragically Hip, Gino Vanelli, Stephan Leacock, Mort Sahl, Martin Short, Mack Sennet, Wayne and Shuster, David Steinberg, Saul Bellow, W. Kinsella, W.O. Mitchell, Robert Bateman, Michael Snow, Peter Jennings, Morley Schaffer, Dionne Quintuplets, Norman MacLaren, Bat Masterson and __________________________________ Do you Yahoo!? SBC Yahoo! DSL - Now only $29.95 per month! http://sbc.yahoo.com From: pascale gustin <gustin.pascale@free.fr> To: _arc.hive_@lm.va.com.au, 7-11@mail.ljudmila.org Subject: .ase pR.i. Date: Mon, 30 Jun 2003 21:02:38 +0200 s.t.y.l.e.d.e.f.a.u.l.t. 0.0 / 1.00/ 0 .4 0.6 6, 0. 0. 58, 0.5 PRELIGHT 0. 66, 0.69, SELECTED/ 0.58, 0.59, 0 INSENSI/ I VE 0.66, 0.69, bas\ NORM/ AL 1.00, 1.00, 1. / base pR.i f.l.I.G.H.T. 1.00, 0.00, 0.0 base .in. S.E.N.S.I.T.I.V.E. 0.66, 0.69, 0.7 tex t. I.N.S.E.N.S.I.T.I.V.E. 0.66, 0.69, 0.77 fo n.t. e. n.g.i.n.e. / / o.l.l.b.a.r.m.a.r.k.s. F.ALS.E. .c.r.o.l.l.b.u.t.t. s. FA L. e. r.e.c.t.s.c.r.o.l. w.i.d.g.e.t . s.t.y.l.e . d.e.f.a.u.l.t. -- pasc@csaq -r-W-x-R-W-X-R- x autobuild/wheel ---------------[18608128 - s-ile-nses] @@@@@@@ Date: Fri, 4 Jul 2003 13:25:26 -0700 From: phaneronoemikon <solipsis@HEVANET.COM> To: WRYTING-L@LISTSERV.UTORONTO.CA Subject: red belly red belliiiiiiii onhuh onhuhuhhuuhaaon red belliiiiiiii onhuh onhuhuhhuuhaaon red belliiiiiiii onhuh onhuhuhhuuhaaon red belliiiiiiii onhuh onhuhuhhuuhaaon bi pi pi bi pipi bipipi bi pi pi bibi pipi bipipibi pipi bipipi bi pi pi bi bi pipi bipipi bi pi pi bibi pipi bipipibi pipi bipipi bi pipi bipipibi pipi bipipi Date: Sat, 21 Jun 2003 08:40:23 +0200 From: Ana Buigues <abuigues@WANADOO.ES> To: WRYTING-L@LISTSERV.UTORONTO.CA Subject: clarification it's a laponian hat. Caps Lock Date: Fri, 27 Jun 2003 23:21:40 +0200 To: a place for discussion and improvement of things <7-11@mail.ljudmila.org> From: "+ lo_y. +" <loy@myrealbox.com> Subject: Re: This is the subject of the text At 11:25 24/06/03 -0700, Kamen Nedev dixit: >This is the title of the text [ objektified ] T45# 5# e41 25+#e #10e10i1 .2 e41 e1re. T45# #10e10i1 4t# 25c1 o.+s#. T45# 5# t #5r o.+s #10e10i1. T45#, .0 e41 .e41+ 4t0s, 5# t e10 o.+s #10e10i1. T45# 5# t0 181c10 o.+s #10e10i1 10s503 o5e4 t 2n88 #e./. T45# 1534e110 o.+s #10e10i1, .0 e41 .e41+ 4t0s, 10s# o5e4 t 2n88 #e./ hne t8#. 4t# eo. i.99t#. T45# e10 o.+s #10e10i1 s.1#0'e 10s 50 t 2n88 #e./ T45# 1534e o.+s #10e10i1 s.1#0'e 4tc1 t0 ts61ie5c1. T45# .e41+ 1534e o.+s #10e10i1 4t# t 8.c18g ts61ie5c1. T45# #10e10i1 4t# 1r/+1##1s e41 s1#5+1 e. h1 o+5ee10 50 P+1#10e P1+21ie. T45# .e41+ .01 5# h1503 o+5ee10 50 P+1#10e C.0e50n.n#. T45# .01 ot# -n5i78g o+5ee10 50 Pt#e S59/81. T45# .01 o588 h1 o+5ee10 #.91e591 #..0 50 Fnen+1 S59/81. 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T45# 5# e41 0t91 .2 e41 tne4.+ .2 e41 e1re, t0s n0s1+01te4 5# e41 ste1 5e ot# o+5ee10. > ------------------------------------------------------------ --------------lo-------------------------------------------- - -----------------------y------------------------------------ ------------------------------------------------------------ -------------rnd.PTRz: http://computerfinearts.com/collection/lo_y/030404 http://lo-y.diaryland.com/ http://www.google.com/search?q=lo_y ------------------------------------------------------------ ------------------------------------------------------------ _____ _ _ # > # __/\__ |___ | / / | __/\__ |___ | / / | # > # \ / / /____| | | \ / / /____| | | # > # /_ _\ / /_____| | | /_ _\ / /_____| | | # > # | | \ / / /____| | | # > # /_ _\ / /_____| | | /_ _\ / /_____| | | # > # | | \ / / /____| | | # > # /_ _\ / /_____| | | /_ _\ / /_____| | | # > # | | \ / / /____| | | # > # /_ _\ / /_____| | | /_ _\ / /_____| | | # > # _____ _ _ # > # __/\__ |___ | / / | __/\__ |___ | / / | # > # \ / / /____| _____ _ _ # > # __/\__ |___ | / / | __/\__ |___ | / / | # > # \ / / /____| | | \ / / /____| | | # > # /_ _\ / /_____| | | /_ _\ / /_____| \/ /_/ |_|_| \/ /_/ |_|_| # > # # > # # > #1.7.100(today="7-11.00 > # \ / / /____| | | \ / / /____| | | # > # \ / / /____| | | \ / / /____| | | # > > > Thank you for participating in 7-11 MAILING LIST > SUBSCRIBER SATISFACTION SURVEY. > > > > > ###################################################### > #1.7.100(today="7-11.00 071101010 07110101 0711.00100# > # # > # _____ _ _ _____ _ _ # > # __/\__ |___ | / / | __/\__ |___ | / / | # > # \ / / /____| | | \ / / /____| | | # > # /_ _\ / /_____| | | /_ _\ / /_____| | | # > # \/ /_/ |_|_| \/ /_/ |_|_| # > # # > # # > #1.7.100(today="7-11.00 071101010 07110101 0711.00100# > ########### http://mail.ljudmila.org/mailman/listinfo/7-11 _____ _ _ # > # __/\__ |___ | / / | __/\__ |___ | / / | # > # \ / / /____|################################################################## >## ############ ########## # ### ### ## ###### > #### ###### #### #### ###### ############## ###### > # #### ##### #### ########## ###### ### ####### > > > Date: Thu, 3 Jul 2003 13:34:48 -0700 From: phaneronoemikon <solipsis@HEVANET.COM> To: WRYTING-L@LISTSERV.UTORONTO.CA Subject: Re: LUTE-BOOK-MOTHER TITLE: 4 'another (%C-m'ote') has come into existence' _ 4 'another (%C-m'ote') has come into existence' 4 'another (%C-m'ote') has come into existence' &anotheranotheranother &ranother ranother ranother ranother ranother &ranother ranother ranother ranother ranother &ranother ranother ranother ranother ranother @(%C-m'ote')Run array. loop1 // endloop array; [Kultarr Mulgara Kowari Thylacine AgileAntechinus FawnAntechinus Yellow-footedAntechinus AthertonAntechinus Cinnamon Antechinus Swamp Antechinus Brown Antechinus Dusky Antechinus NingbingPseudantechinus CarpentarianPseudantechinus Woolleys'Pseudantechinus Fat-tailedPseudantechinus SouthernDibbler NorthernDibbler LittleRedKaluta WesternQuoll NorthernQuoll Spotted-tailedQuoll EasternQuoll WongaiNingaui PilbaraNingaui SouthernNingaui Red-tailedPhascogale Brush-tailedPhascogale Giles'Planigale Long-tailedPlanigale CommonPlanigale Narrow-nosedPlanigale TasmanianDevil KangarooIslandDunnart ChestnutDunnart KakaduDunnart Butlers'Dunnart Fat-tailedDunnart LittleLong-TailedDunnart JuliaCreekDunnart NoCommonName Gilbert'sDunnart White-tailedDunnart GreyBelliedDunnart Hairy-footedDunnart White-footedDunnart Long-tailedDunnart Stripe-facedDunnart CommonDunnart OoldeaDunnart SandhillDunnart Red-cheekedDunnart LesserHairy-footedDunnart Numbat Pig-footedBandicoot RufousSpinyBandicoot Isoodonarnhemensis GoldenBandicoot NorthernBrownBandicoot SouthernBrownBandicoot WesternBarredBandicoot DesertBandicoot EasternBarredBandicoot Long-nosedBandicoot Bilby LesserBilby MarsupialMole NorthernHairy-nosedWombat SouthernHairy-nosedWombat CommonWombat Koala RufousBettong TasmanianBettong BurrowingBettong Brush-tailedBettong TropicalBettong DesertRat-kangaroo MuskyRat-kangaroo Long-footedPotoroo Broad-facedPotoroo Long-nosedPotoroo Bennett'sTree-kangaroo Lumholtzi'sTree-kangaroo SpectacledHare-wallaby RufousHare-wallaby EasternHare-wallaby CentralHare-wallaby BandedHare-wallaby SwampWallaby AntilopineWallaroo BlackWallaroo Euro AgileWallaby Black-stripedWallaby DamaWallaby ToolacheWallaby WesternBrushWallaby ParmaWallaby WhiptailWallaby Red-neckedWallaby RedKangaroo WesternGreyKangaroo EasternGreyKangaroo BridledNailtailWallaby CrescentNailtailWallaby NorthernNailtailWallaby AlliedRock-wallaby Short-earedRock-Wallaby Warabi CapeYorkRock-Wallaby Narbalek Godman'sRock-Wallaby Herberts'Rock-Wallaby UnadornedRock-Wallaby Black-footedRock-Wallaby MareebaRock-Wallaby Brush-tailedRock-Wallaby ProserpineRock-Wallaby Rothschild'sRock-wallaby Yellow-footedRock-wallaby Quokka TasmanianPademelon Red-leggedPademelon Red-neckedPademelon CommonCuscus SouthernCuscus NorthernBrushtailPossum MountainBrushtailPossum Brush-tailPossum Scaly-tailedPossum StripedPossum Leadbeater'sPossum LemuroidRingtailPossum RockRingtailPossum HerbertRiverRing-tailedPossum WesternRing-tailedPossum CommonRing-tailedPossum GreenRingtailPossum DaintreeRiverRing-tailedPossum GreaterGlider Yellow-belliedGlider SugarGlider MahoganyGlider SquirrelGlider FeathertailGlider MountainPigmy-possum Long-tailedPigmy-possum WesternPigmy-possum LittlePigmy-possum EasternPigmy-possum HoneyPossum] ;::// From: Alan Sondheim <sondheim@panix.com> To: _arc.hive_@lm.va.com.au Subject: 2 skilling courant Date: Tue, 1 Jul 2003 00:25:18 -0400 (EDT) 2 skilling courant Female ejaculation? ejaculation? Yes! Yes! Spectacular, Spectacular, horny horny teens teens with with dripping dripping wet wet Female pussies, until jerking they themselves explode until with they hot explode wet hot gushing! girl jerking gushing! themselves gushing public orgasms, urination, public hidden urination, toilet hidden cams. toilet New cams. movies New daily! movies gushing daily! orgasms, FEMALE FINEST! EJACULATION Make AT your IT'S balls FINEST! and Make penis your larger balls and and FEMALE penis EJACULATION larger AT get more satisfaction. 33014 2 skilling courant, 33015 2 skilling courant. Trndelagsutstillingen 20 kroner 1995, 1999, 2 skilling courant 1810, Obverse -, Cypher of COURANT 18 (Crossed hammers) 10 *. Size, 28 mm. Last Modified 2 skilling 1803. 2 skilling 1803. 2 Shilling Courant 5 Shilling Courant. 124 del ansttes i fuld porto af 6 RBS (2 skilling courant) pr. Durch die Mnzreform courant: = 4 ort = 96 Speciedaler: = 5 ort = 120 skilling (1816-1873). (aka: aureeyri): = 18 mark = 2 skilling = 3 ertoger Siden det ikke fantes preget en mynt med verdi 1 Rigsdaler Courant, den skalte 2 skilling mnt med plydende 2 skilling dansk skulle 149, 0z4, 269, x 1 Pfenning skibspostkasse skibsstempel skiftebehandling af ddsbo skilling courant skilling kurant P myntet str 2 skilling courant 1810 eller19, och p skilling (= 18 daler kopparmynt i sedlar 2 skilling courant 1836 indfrte lavere nominaler, 2, 3 og 4 skilling (Hede 3224 speciedalere af slv (Hede 16) med indskriften: 2 SCHILLING SCHLESW.HOLST COURANT. skilling courant (447.91 tusinddele). Deres vrdi var dengang 8 23, 9 38 og 9 34 skilling Available now. 2000 PRICE SEK 155:-. 2 skilling 1648 1?1 95:- sold 2 daler sm courant = 32 re i1 riksdaler = 48 skilling (= 18 daler kopparmynt =1869 Sovereigns (), 20 Shillings (s.) pls chers d Monde ! Le 3 skilling 11 880 000 FF ! 2 skilling corant Drch die Mnzreform von 1813 trat der krone, 1 skilling til 4 11 25 re.daler in specie (mynt med fll slvverdi) Rigsdalerrigsdaler - 5 mark - 8 skilling; skriver halvfemsindstyve og ni rigsdaler fem mark og otte skilling dansk corant, som han Inddragelsen af delt i 48 skilling, deretter iin specie, motsatt krantdaleren, rigsdaler corant.brkades aldrig p mynten, tan i stllet delar av skillingen (allts 12, 14 skilling etc In general 1 Dcat was eqal to 2 Speciedaler, 3 Krone, collapsed in 1813, making its Norge. Frederik III, 1 skilling 1649 11+ 45 stiver 1791 1 30 136. 2 skilling corant 3 Silbergroschen, eller Christian VII, 2 skilling 1786 1+ 50 30. - Frederik VI, 2 skilling corant 1810 11+ 25 31. - Karl XIV Johan, skilling 1840 11+ 15 32. 65 13 verdi. En daler i smmynt (corant, dvs. omlpendeel. 120 skilling. Fra 1813 1776} riksdaler corant 6 mark(11802 - 1834} riksdaler banko 48 skilling 4 riksdaler = 48 skilling (= 18 daler kopparmynt i sedlar 2. The Real Enron carolin, tidiga transportsedlar. 10 skilling koppar, 1803. two skilling parallel with daler and skilling, one rixdollar Consmer Spending Shows 1776} riksdaler corant 6 mark1) {1664 - 1776} riksdaler 48 skilling 4 re technology transfer can reslt in hman capital skilling.development is the notes didof 2, 3 and 4 shillings (skilling), and anTwo factors served to alleviate this problem to some extent. two skilling corant 51361 C 177 2sk (Danish) skilling, by origin thanks to weather delays that kept them off two skilling corant America one year later (Hartford Corant) Response skilling corant way to enjoy the Sydney Film Festival is to by a two-week 4, 2003 Sammy Sosa and the introdction of GE's mlti-skilling rotinized de-skilling and higher two skilling corant Believe it or not, ofprobably less: rotinized de-skilling and higher on the Board of Trstees and re-skilling processes. ___ From: "Kenji Siratori" <white-b@d4.dion.ne.jp> To: "nettime" <nettime@bbs.thing.net> Subject: pig: kenji siratori (remix by alan sondheim) Date: Fri, 27 Jun 2003 03:21:49 +0900 PIG Kenji Siratori horizon=of which was selected to the gear of the brain of the angel that is crushed to eye of the cramp target=vs=disillusionment of the machine=magma that the image of the placenta becomes in the basement of the sun f the sigh that turned pale to the body of etc of the embryo that I invaded cadaver city=of where it was interchanged=ant*suicide*the ants of f laugh to the fresh blood of the chromosome that my etc is suffocated to the sun*murderous intention of the disgrace*eyeball instigated: er_pted///drug=of the nebula of the chaosmos/1 gram of suspension of my brain cell that the hearing impossible other selfs of an embryo)) rhythm of BABEL-ism brain of my junkie gimmicks-dogs of the embryos from=evaporate the ocean! neutron=of DIGITAL of an embryo desire=chromosome of wolf=I deceived air: melody of the murder of the sun that was eroded the drug with the aerofoil///with 8 embryos who my storage shed the tears machine that write off the horizon of air with the gimmick gene=TV of the synapse///the sun was turned on-out of the stratosphere that the brain of the fatalities that I love was discharging 1/8 placentas of the disillusionment that interchange to the hell of the cell=of=the earth of battle that was seen is loved to the back of the eyelid of the embryo///the murder love....off-set. pig of you remix by Alan Sondheim hello kenji how are you. i am fine. hello kenji how are you. i am fine. is that angel the of brain the of gear the to selected was which horizon=of ab bc cd de ef fg gh hi ij lm no op rs st wonderful weather today wx za machine=magma the of target=vs=disillusionment cramp the of eye to crushed ab cd de ef fg gh hi ij lm mn no op pq rs st wonderful weather today uv vw yz sigh the f sun the of basement the in becomes placenta the of image the that ab bc cd ef fg gh hi ij lm mn no op pq st wonderful weather today uv cadaver invaded I that embryo the of etc of body the to pale turned that ab bc cd de ef fg hi ij lm mn no op pq rs wonderful weather today uv vw yz the to laugh f of ants interchanged=ant*suicide*the was it where city=of ab cd de ef fg gh hi ij lm no op rs st wonderful weather today uv wx yz sun*murderous the to suffocated is etc my that chromosome the of blood fresh ab bc cd de ef fg hi ij lm mn no op rs st wonderful weather today uv yz nebula the pted///drug=of er instigated: disgrace*eyeball the of intention ab bc cd de ef fg gh hi ij lm no op pq rs st wonderful weather today uv yz hearing the that cell brain my of suspension of gram chaosmos/1 the of ab bc cd ef fg gh hi ij lm mn no op pq rs st wonderful weather today uv yz junkie my of brain BABEL-ism of rhythm embryo)) an of selfs other impossible ab bc ef fg hi ij jk kl lm mn no op pq rs st wonderful weather today uv yz hello kenji how are you. i am fine. of DIGITAL neutron=of ocean! the from=evaporate embryos the of gimmicks-dogs ab bc cd de ef fg gh hi ij kl mn no op pq rs st wonderful weather today uv vw yz of murder the of melody air: deceived wolf=I of desire=chromosome embryo an ab bc cd de ef fg hi ij lm mn no op rs st wonderful weather today uv vw wx yz my who embryos 8 aerofoil///with the with drug the eroded was that sun the ab bc de ef fg gh hi ij lm mn no op rs st wonderful weather today uv wx yz the with air of horizon the off write that machine tears the shed storage ab cd de ef fg gh hi ij mn no op rs st wonderful weather today wx za the of on-out turned was sun synapse///the the of gene=TV gimmick ab cd de ef fg gh hi ij kl mn no op pq rs st wonderful weather today uv wx yz discharging was love I that fatalities the of brain the that stratosphere ab bc cd de ef fg gh hi ij lm no op pq rs st wonderful weather today vw wx the of hell the to interchange that disillusionment the of placentas 1/8 ab cd de ef fg gh hi ij lm mn no op pq rs st wonderful weather today uv eyelid the of back the to loved is seen was that battle of earth cell=of=the ab bc cd de ef fg hi ij kl lm no op rs st wonderful weather today vw wx yz love....off-set. murder embryo///the the of bc de ef fg hi lm mn op rs st wonderful weather today uv vw yz hello kenji how are you. i am fine. == wild output: http://www.kenjisiratori.com Kenji Siratori Date: Fri, 4 Jul 2003 13:03:04 +0200 From: <> To: o-o@konf.lt Subject: blog? <table border="0" cellspacing="0" cellpadding="0" bgcolor="#ffFFff"> <tr> <td> <pre><font color="#FF0000" size="1">#################### ######## ######## ####### ####### ##1,1### +. ###1=+## ## #1: :# ## # ; ; = . # ###: :##; :##: ,1## ######; =1 =###### #### , +# . #### ###: ## ### ####0 #### ##### #################### </font></pre> </td> </tr> </table> http://jimpunk.blogspot.com/ Date: Thu, 3 Jul 2003 10:34:47 +0200 From: Ana Buigues <abuigues@WANADOO.ES> To: WRYTING-L@LISTSERV.UTORONTO.CA Subject: clarification because i'm worth it <*> * </*> Date: Sun, 6 Jul 2003 22:45:21 +0100 From: Morrigan Nihil <morrigan_nihil@YAHOO.CO.UK> To: WRYTING-L@LISTSERV.UTORONTO.CA Subject: extended warranty everything fucking breaks nettime unstable digest vol 54 Mon Jul 7 12:42:00 2003 Subject: Demain les machines pleureront From: pascale gustin <gustin.pascale@free.fr> To: 7-11@mail.ljudmila.org, _arc.hive_@lm.va.com.au Subject: Codeworld [by Alan Sondheim] From: mez <netwurker@hotkey.net.au> To: _arc.hive_@lm.va.com.au Subject: RHZOMES 6: CODEWORK / SURVEILLANCE (fwd) From: Alan Sondheim <sondheim@panix.com> To: _arc.hive_@lm.va.com.au Subject: TEMPLATES.FOR.A.CHOREOGRAPHY From: MWP <mpalmer@JPS.NET> To: WRYTING-L@LISTSERV.UTORONTO.CA Subject: a subjective definition From: "[]" <kanztanz@YAHOO.COM> To: WRYTING-L@LISTSERV.UTORONTO.CA Subject: .ase pR.i. From: pascale gustin <gustin.pascale@free.fr> To: _arc.hive_@lm.va.com.au, 7-11@mail.ljudmila.org Subject: red belly From: phaneronoemikon <solipsis@HEVANET.COM> To: WRYTING-L@LISTSERV.UTORONTO.CA Subject: clarification From: Ana Buigues <abuigues@WANADOO.ES> To: WRYTING-L@LISTSERV.UTORONTO.CA Subject: Re: This is the subject of the text From: "+ lo_y. +" <loy@myrealbox.com> To: a place for discussion and improvement of things <7-11@mail.ljudmila.org> Subject: Re: LUTE-BOOK-MOTHER From: phaneronoemikon <solipsis@HEVANET.COM> To: WRYTING-L@LISTSERV.UTORONTO.CA Subject: 2 skilling courant From: Alan Sondheim <sondheim@panix.com> To: _arc.hive_@lm.va.com.au Subject: pig: kenji siratori (remix by alan sondheim) From: "Kenji Siratori" <white-b@d4.dion.ne.jp> To: "nettime" <nettime@bbs.thing.net> Subject: blog? From: <> To: o-o@konf.lt Subject: clarification From: Ana Buigues <abuigues@WANADOO.ES> To: WRYTING-L@LISTSERV.UTORONTO.CA Subject: extended warranty From: Morrigan Nihil <morrigan_nihil@YAHOO.CO.UK> To: WRYTING-L@LISTSERV.UTORONTO.CA lurking editors beatrice beaubien <webmaven@i2eye.com> 7-11 nettime-bold thingist florian cramer <cantsin@zedat.fu-berlin.de> 7-11 _arc.hive_ eu-gene o-o rhizome rohrpost webartery wryting alan sondheim <sondheim@panix.com> 7-11 _arc.hive_ poetics siratori trAce webartery wryting $Id: digestunstable.pl,v 1.13 2003/01/26 18:51:21 paragram Exp $ # distributed via <nettime>: no commercial use without permission # <nettime> is a moderated mailing list for net criticism, # collaborative text filtering and cultural politics of the nets # more info: majordomo@bbs.thing.net and "info nettime-l" in the msg body # archive: http://www.nettime.org contact: nettime@bbs.thing.net