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Urban.early sunday morning_raw "NewMediaArtProjectNetwork" <nc-agricowi@netcologne.de> 21c tools: vernacular software Beth M Coleman <bmc203@nyu.edu> Deadline list for July/August 2003 "NewMediaArtProjectNetwork" <agricola-w@netcologne.de> the commoner new issue "Massimo De Angelis" <m.deangelis@btinternet.com> (by way of barbrook) =?iso-8859-1?Q?Convivial_x_art____(passdocoff_III)?= =?iso-8859-1?Q?passdocartweb?= <passdocartweb@libero.it> Self Measurement of Germaness "Colonel/Thierry Geoffroy" <geoffroy@wanadoo.dk> Locative Media Workshop announcement <nodus@sympatico.ca> Master in Art and New Technologies - Universidad Europea de Madrid Kepa Landa - UEM <kepa.landa@uem.es> [pavu.com] calling! muG mY everYdaY! "ctgr-pavu.com" <ctgr@free.fr> Wegway Juried Show at SPIN Gallery "Steve Armstrong" <Wegway@sympatico.ca> ------------------------------ Date: Thu, 17 Jul 2003 13:57:13 +0200 From: "NewMediaArtProjectNetwork" <nc-agricowi@netcologne.de> Subject: Urban.early sunday morning_raw NewMediaArtProjectNetwork informs: The streaming moving picture Urban.early sunday morning_raw http://www.nmartproject.net/agricola/mpc/volume6/urban.html created by Agricola de Cologne will participate in New Forms Festival Vancouver (Canada) 30 July-2 August 2003 www.newformsfestival.com International Festival of New Film - Split(Croatia) 22-28 September 2003 www.splitfilmfestival.hr it had been recently shown at *Festival for Film and New Media Lancaster (UK) 11-13 July 2003 *3rd Audiovisual Festival Lille/France March 2003 *Art from Electric Power Festival Nuremberg (Germany) 24-26 March 2003 technical requirements: a fast computer device, DSL modem ***************************** NewMediaArtProjectNetwork info@nmartproject.net ------------------------------ Date: Fri, 18 Jul 2003 12:33:37 -0500 From: Beth M Coleman <bmc203@nyu.edu> Subject: 21c tools: vernacular software hey all, new tools for the matrix. feedback appreciated (written in Open GL based on the famous flocking algorithm). we're developing next leg of this project at de waag in amsterdam so please check in if you're in geographic and want to throw down live (that's vernacular for play with software live from site). BC Rhizome Netartnews July 18, 2003 Beyond the Horizon of Adobe Falling asleep at the Photoshop wheel? Bored by using standard commercial applications to make images or animation? 'Vernacular' may be what the doctor ordered. A new software by American artists Beth Coleman and Howard Goldkrand (known for their music collaborative SoundLab), 'Vernacular,' despite it's nominal nod to language, is a highly visual tool for 'associative data processing.' To compose a project, users drag and drop files (my palette included desktop debris -- assorted images and a PDF file) onto 'Vernacular's' main screen, and then associates them with one another with self-styled categories and colors. The coup de foudre -- users can press play to experience a multimedia, personal, 3D animation. The downside of this indie software is that, at least right now, 'Vernacular' runs only on Mac OSX Jaguar. -- Rachel Greene http://www.eai.org/eai/tape.jsp?itemID=7635 ------------------------------ Date: Mon, 21 Jul 2003 08:51:45 +0200 From: "NewMediaArtProjectNetwork" <agricola-w@netcologne.de> Subject: Deadline list for July/August 2003 [NewMediaArtProjectNetwork] Deadline list for July/August 2003 1. JavaMuseum - Forum for Internet Technologies in Contemporary Art www.javamuseum.org a) extended deadline 1 September 2003 *Perspectives'03* - Call for entries b) extended deadline : 1 September 2003 *"Feature" Netart from German Speaking countries"" Call for submissions - in German www.javamuseum.org/deu.htm c) deadline 30 September 2003 *"Feature: Netart from Great Britain and Ireland" 2. Cinematheque MediaCentre at Musee di-visioniste show casing streaming media www.le-musee-divisioniste.org/mediacentre/ deadline 30 September 2003 Slowtime?......... Call for proposals 3. Violence Online Festival www.newmediafest.org/violence/ deadline ongoing call for proposals ***************************************** 1. JavaMuseum a) *Perspectives'03* 2003 competition and show case - call for submissions JavaMuseum organises this event online and offline in cooperation with Computer Space Festival Sofia/Bulgaria and Goethe Institute - Internationes Sofia/Bulgaria. October 2003 "Perspectives'03" will focus on the net based art production 2002/2003. The competition is open for all thematical and technological aspects which net based art allows. Invitation!! All artists who are working net based are invited to submit up to three works completed after 1 January 2002. Only URLs may be submitted to the competition, the finalists will be invited to send their works also as digital files for an eventual offline display. Please use this form for submitting: 1. firstname/name of artist, email, URL 2. a brief bio/CV (not more than 300 words) 3. title and URL of the max 3 projects/works, 4. a short work description for each work (not more than 300 words), 5. a screen shot for each submitted work (max 800x600 pixels, .jpg) Please send the completely filled out form to perspectives03@javamuseum.org or go to JavaMuseum site www.javamuseum.org extended Deadline 1 September 2003 ************************************* JavaMuseum b) *Feature: Netart from German speaking countries* This feature will be presented on JavaMuseum site as well, as on Computer Space Festival Sofia by Goethe Institute -Internationes Sofia. As all online features, also this one will remain for permanent on JavaMuseum site. All artists working netbased who are born in Germany, Switzerland or Austria or have their residency in one of these countries are invited to submit up to three netbased works. For more details and the entry form visit www.javamuseum.org/deu.htm extended Deadline 1 September 2003 ************************************* JavaMuseum c)* Feature: Netart from Great Britain and Ireland* planned to be published online in December 2003 All artists working netbased who are born or have their residency in Great Britain or Ireland are invited to submit up to three netbased art works. Find the call, including all details and entry form on the startpage of www.javamuseum.org Deadline 30 September 2003 ************************ 2. Cinematheque at MediaCentre is looking for proposals for the online show "Slowtime?............ Quicktime (.mov) as an artistic medium" to be launched in November 2003. Cinematheque invites artists who use Quicktime for their artistic purposes - in which way ever - to submit up to two (2) works in Quicktime (.mov) format. Please find the call, including all details and entry form on www.le-musee-divisioniste.org/mediacentre/index.html Deadline 30 September 2003 **************************** Award winning Violence Online Festival www.newmediafest.org/violence/index.html New Media art project in form of an online festival is looking for new artworks reflecting the phenomenon of violence in all its facets. Until now more than 270 artist from 40 countries are participating and offer a fascinating view on how violence is perceived artistically. The call for entries, including all details and entry form can be found on Violence Online Festival site www.newmediafest.org/violence/ Deadline ongoing. Approved entries will be included always in the next following project version which will go online on occasion of the participation in a virtual or physical event. Next coming version 7.3 will be published on 7 August, version 8.0 will go online on 14 August. The call, including all details and entry form can be found on Violence Online Festival site www.newmediafest.org/violence/index.html Deadline ongoing. ************* NewMediaArtProjectNetwork - experimental platform for netbased art - founded by Agricola de Cologne includes the corporate member sites www.javamuseum.org www.le-musee-divisioniste.org www.a-virtual-memorial.org www.engad.org www.agricola-de-cologne.de www.nmartproject.net www.newmediafest.org For information and inquiries use info@nmartproject.net ------------------------------ Date: Tue, 22 Jul 2003 01:42:26 +0100 From: "Massimo De Angelis" <m.deangelis@btinternet.com> (by way of richard barbrook) Subject: the commoner new issue Dear friends the new spring/summer issue of the commoner is out at the usual address <http://www.thecommoner.org>http://www.thecommoner.org. please circulate in your network In this number The "Governance" of Imposed Scarcity: Money, Enclosures and the Space of Co-optation - George Caffentzis. The Power of Money: Debt and Enclosure. - Matthew Hampton. The Return of Scarcity and the International Organisation of Money After the Collapse of Bretton Woods. - Coady Buckley. Neoliberal Governance and Social Resistance: A Chronology of Events - Massimo De Angelis. Neoliberal Governance, Reproduction and Accumulation. - Les Levidow. Governance of Genetically Modified Food. - Andrew Robinson and Simon Tormey. New Labour s Neoliberal Gleichschaltung: the Case of Higher Education. Plus Grounzero movements Amory Starr. J23. sacramento 2003. action report/fieldnotes Reviews and Letters from cyberspace, international debate on John Holloway's book, Change the World withtout Taking power. Peter Waterman. The International Labour Movement Between Geneva, Brussels, Seattle/Porto Alegre and . . . Utopia. News >from noWhere Evidence of Programmes of Weapons of Mass DistrAction Introduction In this issue we present two contributions on money and four contributions on neoliberal governance. What do money and neoliberal governance have in common? The Commoner suggests at least one thing: they are both different but complementary ways to organize our lives around the rat race of global competition. In the first article, George Caffentzis writes about the power of money, the ideological underpinning of this power and, most poignantly, how without moments of force and violence, money would have remained a marginal aspect of human history. He also argues that "the cultivation of hostility, suspicion, competition and fear of scarcity (especially the scarcity of money)" are the means though which to enclose spaces for collective discussion and understanding of desires. In this way, money can appear as the only means left to create its own meaning of coincidence of desires. To have fear of scarcity in a world of plenty like ours, scarcity must be produced. Matthew Hampton's paper explores capital's production of scarcity through an investigation of the international organization of money after the collapse of Bretton Woods. What many critics refer to as the irrational "casino economy" of massive speculative flows, is shown to have its own perverse rationality in its link to the flesh and blood substance of capital's accumulation: boundless work through competitive relations among people. Through the continuous allocation of risk, punishments and rewards, financial capital movements across the globe discipline the people of this planet to work harder and demand less, whether they are in homes, fields, factories, or offices. The discipline of capital however has its own contradictions. A central one is the crisis of reproduction of our bodies and minds, our communities and our ecologies. In the last quarter of a century, the combined effects of neoliberal strategies of enclosures and reconfiguration of state provisions away >from social welfare into corporate welfare, has coincided with the deepening of these crises and a consequent rapid development of diverse social movements across the globe. It has also created an archipelago of diverse organizations of what is called "civil society". These movements and organizations, in spite of differences and contradictions, act in a multiplicity of ways to intervene and copying with the crises ¾ whether through struggles, campaigns, education or directly intervening in the reorganization of reproduction where the market and the state left a desert. The effect of this ferment has been to put back on the agenda of public debates the question of meeting the variety of needs of reproduction independent >from the needs of the capitalist market. Left on its own devices, this ferment re-opens a space for the collective discussion and understanding of desires, and the definition of the ground for their coincidence independently from accumulation. What a shock for the neoliberal proponents of the pensée unique! One important strategy used by neoliberal capital to deal with these emergent demands is called, in the modern rhetoric, "governance". In his contribution Coady Buckley provides a wealth of web links and a chronology of the parallel development of social conflict and the emergence of governance discourse. Massimo De Angelis explores some of the intricacies of governance ¾ or better neoliberal governance ¾ and argues that it does not represent a paradigm shift away from neoliberalism. Rather it is a discoursive practice, a strategy that emerges as capital's second line of defense vis-à-vis struggles against enclosures and crises of reproduction. It is a space in which the needs of reproduction are acknowledged by capital, but commons are deterred or forestalled through the hijacking and entrapment of the values, the words and dreams of the commoners. In governance, the environmentalist value of sustainability is turned into the financial value of sustainable profit, social justice is turned into corporate compliance with pitiful minimum wage regulations, democracy and participation is turned into partnership among stakeholders who must accept competitive market norms as de facto unchangeable mode of human interaction. A detailed example of how these governance strategies develop as a result of social opposition to policies, is studied by Les Levidow in the case of Genetically Modified Food. "The paper exemplifies governance as process management. For the trans-Atlantic governance of GM food, new procedures were managing conflicts among state and non-state actors, while potentially facilitating regulatory harmonisation of a controversial technological trajectory. Consumer NGOs did not welcome the advent of GM crops, yet their regulatory demands led their representatives into a political logic of governing these technological products. In that sense, governance provides a neoliberal means to manage socio-political conflicts by incorporating dissent into a collective problem-definition, while excluding other accounts of the problem. Yet it remains a difficult task of process management, whose outcome still depends upon political struggle." That governance discourse can be used to entrap social flows of desires and creativity into market values and accumulation is also clear in the contribution by Andrew Robinson and Simon Tormey. The authors discuss the recent UK labour government White Paper on higher education, heavily permeated by the language of "Third Way" and "partnership" and in which universities are portrayed and constructed as competitors within a global market and thus must learn to behave like corporations do. "Instead of academics working across international boundaries to improve knowledge and well being", note the authors, "academics need now to ask themselves not what is the value of their research, but rather what is the `exchange value' of their research? If research cannot be `spun-out', `transferred', used as an `incubator' or in some other exploited by `local and regional partnerships' then the clear message it is research that is not `worth' anything, and should be stopped. The desire to make `breakthroughs' is not itself a valid reason for undertaking research." Hence, when Charles Clarke ¾ the education secretary ¾ says he wants to `mobiliz[e] & the imagination, creativity, skills and talents of all our people' and `to help turn ideas into successful businesses' . . . , it is clear that he is engaged in a logic of entrapment. Creative energies are to be harnessed, for a single goal: capitalist control" and the "reduction of the educational commons to the status of vocational training for the needs of business" ------------------------------ Date: Tue, 22 Jul 2003 19:29:41 +0200 From: =?iso-8859-1?Q?passdocartweb?= <passdocartweb@libero.it> Subject: =?iso-8859-1?Q?Convivial_x_art____(passdocoff_III)?= PassDoc off-art English - Italiano - Français - English Hello PassDoc Off-art continues its clandestine activity with: “Meeting and portrait” Friday 20/08/03 at 06,30 p.m. near the Keep of Canterbury (U.K.) Vernissage flash, perfomance, photo and friendship, join us, we are waiting for you. Atmosphere by Wind of Oloe. http://passdocoff.supereva.it Info: passdocwebart@libero.it Press release When art becomes life, PassDoc off is a project of conviviality for art, in which the work is the passion for art and the friendship among people, the joy of sharing common time, to be together, to know one another, the possibility to dialogue among people that love art. The project is articulated in a series of meetings in different centres of art ( 25/04/03 Nice, 20/06/03 Venice, 20/08/03 Canterbury…). Within these moments of aggregation there will be little instants of art. The project is coordinated by Domenico Olivero and Ornella Calvetti. PassDoc Off-art is an artistic suggestion by D.O.O.C. the next appointment 20/11/03 at San Francisco (USA). please circulate this invitation! Ciao a tutti PassDoc Off-art continua la sua attività clandestina con: “Incontri e Ritratti” Venerdì 20/08/03 alle ore 18,30 accanto alla torre di Keep a Canterbury (G.B) Vernissage flash, perfomance, foto e amicizia, partecipa anche tu, ti aspettiamo. Ambientazione sonora di Wind of Oloe. http://passdocoff.supereva.it Info: passdocwebart@libero.it Comunicato stampa Quando l’arte diventa vita, PassDoc off è un progetto di convivialità per l’arte, in cui l’opera è la passione per l’arte e l’amicizia fra la gente, la gioia di condividere un tempo comune, lo stare insieme, il conoscersi, la possibilità di dialogare fra persone che amano l’arte. Il progetto è articolato in una serie di incontri in differenti luoghi dell’arte ( 25/04/03 Nizza, 20/06/03 Venezia, 20/08/03 Canterbury…). In questi momenti di aggregazione si verifiche to è coordinato da Domenico Olivero e Ornella Calvetti. PassDoc Off-art è una sollecitazione artistica di D.O.O.C. Prossimo appuntamento 20/11/03 a San Francisco (USA). Français Salut à tous PassDoc Off-art poursuit ses activités clandestines avec: “Rencontrés et portrait” Vendredi 20/08/03 alle 18,30 apres le Keep de Canterbury (U.K.) Vernissage flash, perfomance, photo et amitié, partecipe toi aussi, nous t'attendons. Ambiance sonore Wind of Oloe. http://passdocoff.supereva.it Info: passdocwebart@libero.it Communiqué presse Quand l'art devient vie, PassDoc off est un projet de convivialité pour l'art, dans lequel l'oeuvre est la passion pour l'art et l'amitié entre les gens, la joie de partager un temps commun, le rester ensemble, le se connaître, la possibilité de dialoguer entre gens qu'ils aiment l'art. Le projet est articulé dans une série de rencontres en place différents de l'art ( 25/04/03 Nice, 20/06/03 Venise, 20/08/03 Canterbury…). Dans ces moments d'agrégation ils se vérifieront des petits instants d'art. Le projet est coordonné par Domenico Olivero et Ornella Calvetti. PassDoc Off-art c’est une sollicitation artistic du D.O.O.C. Le prochain rendez-vous 20/11/03 à San Francisco (USA). ------------------------------ Date: Tue, 22 Jul 2003 11:22:48 +0100 From: "Colonel/Thierry Geoffroy" <geoffroy@wanadoo.dk> Subject: Self Measurement of Germaness - ---------------------------new ---------------------------------------- Self Measurement of Germaness : RESULT OF THE MEASUREMENT . 189 people were measured themselves : http://conclusionism.com/tools/germaness.html - ------------------------------------------------------------------------ until the 1/august exhibition at Galerie Stueber/ Berlin http://www.galerieolafstueber.de/ - ------------------------------------------------------------------------- all news at http://conclusionism.com/new/2003.html best Thierry Geoffroy / Colonel http://www.colonel.dk/ ------------------------------ Date: Wed, 23 Jul 2003 4:22:33 -0400 From: <nodus@sympatico.ca> Subject: Locative Media Workshop announcement LOCATIVE MEDIA WORKSHOP July 16-26, 2003, K@2, Karosta, LV | Longitude 21.00, Latitude 56.55 * REPORT [22-07-03]: Dispatch from the borderlands... At the K@2 Culture and Information Centre, located on an abandoned military installation in Liepaja on the coast of the Baltic Sea, the Locative Media Workshop has brought together an international group of artists and researchers interested in notions of mobile geography. Participants have been discussing how to develop tools for expressing media spatially in order to create collaborative mapping tools with which to explore issues of memory and of place. Inexpensive receivers for global positioning satellites have given amateurs the means to produce their own cartographic information with military precision. This user-generated cartographic data has recently begun to be shared in a variety of networking machine-searchable environments, which is enabling the development of an 'open source' data pool of human geography. With the arrival of portable, location-aware networked computing devices this ‘collaborative cartography’ will permit users to map their physical environments with geo-annotated, digital data. As opposed to the World Wide Web the focus here is spatially localized, and centred on the individual user; a collaborative cartography of space and mind, places and the connections between them. The workshop split into a technical team and a content team. Jo Walsh proposed a semantic web location model constituting an RDF map of physical spaces and the connections between them. In collaboration with Andrew Paterson, a flexible model was developed to provide participants with a framework for their media annotations of the physical environment that includes fields for spatio-temporal as well as subjective elements to suggest an open model for further locative media projects. The workshop also utilized real-time mobile networking devices, location aware through GPS (courtesy of the Waag Society), for tracing the movements in real time, the visualization of which was created by Pall Thayer in flash, inspired by the Waag Society’s KeyWorx software and a .php script created by Jaanis Putrams. In terms of content generation, the objective was to create an online map interface by which the local public could access and author the geo-annotated space of Karosta. In the first days Carl Biosmark and Kristine Briede recounted local stories that were woven together in conceptual framework of local sites, sounds and stories as interpreted by a collection of artists including: Ben Russell, Mari Keshi-Kosu, Cheryl L’Hirondelle, Pete Gomes, Gabriel Lopez Shaw, Signe Pucena, Voldemars Johansons, Andrew Paterson and Mika Meskanen. Teams conceived of metaphors for expressing media spatially and, guided by local residents, ventured throughout Karosta collecting media samples of the environment and creating annotations with GPS receivers. The teams also conducted a variety of mapping experiments from an analogue tagging system based on traditional Latvian patterns to a game of tag via Bluetooth. All the while, a second group --Esther Polak, Ieva Auzina and Zaiga Putrams– located in the East Latvian province of Latgale have been using mapping techniques to visualize the rural landscape and disappearing farming practices. Bringing together a diverse set of perspectives, the workshop’s objective is to initiate work on a series of goals including: - -developing tactics and methodologies for locative media practice. - -exploring and prototyping interface metaphors. - -articulating a flexible standard for collaborative geo-annotation projects - -creating geo-annotated content as part of an open cartographic database of Karosta - -designing a wireless client application to exchange files with this database over ‘picture phones’ (Java and Bluetooth enabled) - -producing documents that detail the impact of locative media on the creative process - -generating ideas for the thematic structure of future RIXC organized events, for which the events list-serve (locative@x-i.net) will be maintained and opened to those who are interested - --------------------------------------------------------------------- * ABOUT THE LOCATION * Karosta, Latvian for ‘war port’, was built by order of the Russian Tzar Alexander III as a military port in the Baltic region. After the Soviet occupation of Latvia, Karosta became a military base housing some 25,000 and was closed to civilians by a fortress wall was build all around the whole city. The Soviet army evacuated Karosta in 1994, following Latvian independence, leaving behind some 6000 people. Mostly Russian speaking, the stateless citizens of Karosta either carry Latvian issued so-called ‘alien’ passports, or old Soviet ones. Today the town appears to be a landscape of ruins. Many houses are completely destroyed, and the town is plagued by mass unemployment. After and experience setting-up arts workshops there, documentary film-makers Kristine Brede & Carl Biorsmark began making a film on Karosta and subsequently decided to step through the screen to “become documentary social workers” with the inauguration of the K@2 Culture and Information Centre in December 2000. http://www.karosta.org http://www.karosta.lv http://www.borderland.tv/main.html - --------------------------------------------------------------------- * PARTICIPANTS and RELATED locative media LINKS * Locative Media Workshop http://locative.x-i.net/ Janis Putrams (LV) http://www.camp.lv/~janis/realtime/pic2.php?date=&scale=2.3&offset_y=22.2&offset_x=189 (real time map of Karosta - ongoing - part of Locative Media project) http://www.camp.lv/~janis/realtime/pic2.php?date=&scale=0.28&offset_y=58.6&offset_x=-190.4 (Rural Real Time - farmer path in Latgale- ongoing - part of Locative Media project) Esther Polak (NL) http://www.waag.org/realtime/ (Real Time Amsterdam, co-project with Waag Society) http://www.rixc.lv/03/realtime.html (Real Time Riga, co-produced with Waag Society & RIXC, for Art+Communication 2003) Ieva Auzina (LV) http://locative.x-i.net/archive/2003-July/000058.html (proposal for Rural Real Time - co-project with Esther Polak & RIXC) Marc Tuters (CA) http://www.gpster.net http://www.impakt.nl/online/box/songlines/utrecht.html (real-time, wireless geo-annotation project in and about Utrecht) Raitis Smits (LV) Rasa Smite (LV) http://rixc.lv/03 http://locative.x-i.net/archive/2003-July/000084.html Jo Walsh (UK) http://space.frot.org/ (collaborative mapping on the semantic web) http://locative.x-i.net/archive/2003-July/000094.html (introduction, and more projects) Ben Russell (UK) http://www.headmap.org (location aware devices - know your place) Honor Harger (UK, NZ) Adam Hyde (UK, NZ) http://www.radioqualia.net/real/frame.html (Locative Media : declassified satellite images / The Wireless Tuner) Kate Rich (AU, UK) http://uphone.org/ (an experimental utility immediate sound archiving phone to web) Andrew Paterson (UK, FI) http://www.mlab.uiah.fi/~apaterso Jaanis Garancs (LV) http://www.cellulae.net/flux/ (Cell[ular]Flux. Cellular Cities) http://www.cellulae.net/humans/ ("MultiCultureMolecular Humans", Society as a MultiCultureMolecular Virus Epidemy) Pete Gomes (UK) http://www.mutantfilm.com/wireless/ Mari Keski-Korsu (FI) http://www.katastro.fi/~mkk/expand Mika Meskanen (FI) http://koti.org/mesq/ http://www.amfibio.org/ Cheryl L'Hirondelle (CN) http://ndnnrkey.net/climbing/ Gabriel Lopez Shaw (US) http://www.rockmediafellows.org/content.php?section=artists&sub=artist_detail&fellowID=627 Pall Thayer (IS) http://www.this.is/pallit http://130.208.220.190/panse/ (an open platform for the development of audio-visual netart) Zita Joyce (NZ) Adam Willetts (NZ) Daina Silina (LV) Linda Zemite (LV) Signe Pucena (RIXC, LV) Voldomars Johansons (LV) Zaiga Putrama (LV) Normunds Kozlovs (LV) and others. - --------------------------------------------------------------------- http://locative.x-i.net/ - --------------------------------------------------------------------- ------------------------------ Date: Sat, 26 Jul 2003 12:58:14 +0100 From: Kepa Landa - UEM <kepa.landa@uem.es> Subject: Master in Art and New Technologies - Universidad Europea de Madrid Master en Arte y Nuevas Tecnologías Universidad Europea de Madrid http://www.uem.es/ESA/MANT/ El Master en Arte y Nuevas tecnologías de la Universidad Europea de Madrid ofrece una profundización en las relaciones entre arte y tecnología desde una perspectiva integradora, centrándose en los campos de la instalación multimedia, entornos interactivos,net.art, vídeo arte, fotografía digital, animación infográfica, y diseño digital. El desarrollo del curso incidirá en cuatro ámbitos: - -audiovisual (edición de audio y vídeo), - -desarrollo de interface físico (sistemas electrónicos y sensores), - -internet (net.art y diseño web) - -imagen 3D (imagen fija y animación) Todos ellos acompañados por clases prácticas y teóricas. Profesorado Profesores de la UEM y otros profesionales y creadores de reconocido prestigio. José Ramón Alcalá, Alfredo Calosci , Ramon Guardans , Concha Garcia , José Gomez Isla , Delfina Morán Arnaldo, Isidro Moreno, Santiago Ortiz, Karin Ohlenschläger, Juan Martín Prada, Alvaro Rey, Maria Ruido, Berta Sichel, Fernando Valderrama, Remedios Zafra. Director del Curso: Kepa Landa kepa.landa@uem.es Para más información, contacte con el Dpto. de Relaciones Externas de la Universidad Europea de Madrid: e-mail: rex@rex.uem.es - Teléfono de información general: 902 361 301 ------------------------------ Date: Sat, 26 Jul 2003 18:02:11 +0200 From: "ctgr-pavu.com" <ctgr@free.fr> Subject: [pavu.com] calling! muG mY everYdaY! groopTyr level 1 - -- Xpost apologies available on request -- ********************************************* dear friends and colleagues Feeling globYng and antiglobYng at the same time ? Restless, frustrated, irritated,... the muG mY everydaY is for You ! HelpowH ? easY ! handle Your favorite muG, start the cam, then... PURCHASE ! Edit your film and send it to pavu.com addGood ! *no cam ?* *pix or gifaNNims welcome !* *no cam or pix or gifaNNims ?* *PURCHASE !!!* beginner ? check : http://pavu.com/summerm0uss0ngs/pisSmuGgirl/index.html want a knowMore ? pavu@pavu.com pricKhears You everYdaY wishing You the best alwaYs, PURCHASE !! LA pavu.com TEAM http://pavu.com - - / plumming the bonobos! /- ------------------------------ Date: Thu, 24 Jul 2003 17:30:11 -0400 From: "Steve Armstrong" <Wegway@sympatico.ca> Subject: Wegway Juried Show at SPIN Gallery This is a multipart MIME message. The Wegway Second Annual International Juried Exhibition will take place at SPIN Gallery, 158 Bathurst Street, Toronto from August 2 to 10 with an opening reception from 2 to 4 pm on Saturday August 2. The jurors worked very hard and the choices have been made. The 32 artists are: Beth McCubbin, Peterborough, ON Brian Joseph Davis, Toronto, ON Chris MacDonald, Winnipeg, MB David Lester, Vancouver, BC Ehryn Torrell, Toronto, ON Elizabeth Mackie, Frenchtown, NJ Frances Ward, Hamilton, ON Gabrielle de Montmollin, Toronto, ON Isabel M. Martinez, Guelph, ON Istvan Kantor, Toronto, ON Jeremi Bialowas, Chicago, IL Jess Dobkin, Toronto, ON Judith Donoahue, Brechin, ON Kim Simonsson, Toronto, ON and Vadelmapolku, Finland Liz-N-Val, New York, NY Mark Laliberte, Windsor, ON Matt Siber, Chicago, IL Michiko Kameda, New York, NY Nicole Liao, Toronto, ON Oscar Camilo Delas Flores, Toronto, ON Philip Kitt, Montreal, QC Randall Stoltzfus, Brooklyn, NY Raymond St. Arnaud, Victoria, BC René Price, Cornwall, ON Richard Kirkley, Hillier, ON Rick Vincil, Toronto, ON Ri Tian Lee, Toronto, ON Robert Gill, Toronto, ON Robin Hesse, Toronto, ON Ross Racine, Montreal, QC Susan Bozic, Vancouver, BC Teruhisa-Tahara, Yokohama, Japan Thank you to everyone involved. The jury reviewed a lot of good work – a lot more good work than we could ever hope to show. I hope to meet you at the opening, but if you can't make it to the show, all the work will be published in the Fall issue of Wegway. Steve Armstrong, Publisher, Wegway www.wegway.com - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - # distributed via <nettime>: no commercial use without permission # <nettime> is a moderated mailing list for net criticism, # collaborative text filtering and cultural politics of the nets # more info: majordomo@bbs.thing.net and "info nettime-l" in the msg body # archive: http://www.nettime.org contact: nettime@bbs.thing.net