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Table of Contents:
Community Research Network Conference: Call for Participation
"geert lovink" <geert@xs4all.nl>
\\international\media\art\award 2003 - The Top 50
Heike Borowski <borowski@zkm.de>
SIGGRAPH03: CRCA Computing Arts Cafe (San Diego)
Amy Alexander <plagiari@plagiarist.org>
Wireless Art Competition in ResFest Korea 2003
"geert lovink" <geert@xs4all.nl>
IALA Gallery - MTAA Postcard Art show
"Patrick Lichty" <voyd@voyd.com>
Ars Electronica 2003 - Conferences
"Iris Mayr" <Iris.Mayr@aec.at>
Free Screening of "A Strong Clear Vision" next Wed 8/6
"Teri Chan" <tchan@LMCC.NET>
backup_festival last call for entries
"backup office" <juliane.fuchs@jena.thur.de>
Philippines - Making the Local - National Capital Region: Nation-Concept Renewal
"Fatima Lasay" <digiteer@ispbonanza.com.ph>
Motion Graphics Fest --> Final Deadline
"time" <time@digitalconfusion.org>
press release, sound performance, Tuesday 29 July, 20:30hrs at Smart Project Spa
"SMART Project Space" <info@smartprojectspace.net>
=?iso-8859-1?Q?InteractivA'03_-_Un_encuentro_bienal_internacional_de_las_?= =?is
"Fatima Lasay" <digiteer@ispbonanza.com.ph>
PlaythingSymposium
josephine starrs <starrs@autonomous.org>
DECODE - new media exhibition in Manila, Philippines
"Fatima Lasay" <digiteer@ispbonanza.com.ph>
Re: <nettime> Announcements [publications - a]
Marc Tuters <nodus@sympatico.ca>
RRF News - InteractivA '03 - Biennale for New Media Art
"[R]-[R]-[F] Festival" <agricola-w@netcologne.de>
=?ISO-8859-1?Q?=DCbergeek_and_Navasse_VJ=2FDJ_show_-_Los_An?= =?ISO-8859-1?Q?gel
Amy Alexander <plagiari@plagiarist.org>
[sydney] DISORIENTATION
"shannon o'neill" <alias@aliasfrequencies.org>
Ciber@RT Bilbao 2004 - Call for papers / entries
"=?iso-8859-1?Q?Producci=F3n_Ciber@RT?=" <produccion@ciberart-bilbao.net>
SIGGRAPH03: CRCA Computing Arts Cafe
Carol Hobson <chobson@ucsd.edu>
INTIMATE DISTANCE: Liveness and Affect
Ned Rossiter <Ned.Rossiter@arts.monash.edu.au>
=?iso-8859-1?Q?Stipendiaten-Abend_im_Edith-Ru=DF-Haus?=
=?iso-8859-1?Q?Edith-Ru=DF-Haus_f=FCr_Medienkunst?= <info@edith-russ-haus.de>
Uebergeek and Navasse - CompuCulture VJ/DJ Shows, San Diego and LA
Amy Alexander <plagiari@plagiarist.org>
------------------------------
Date: Sun, 20 Jul 2003 19:02:00 +1000
From: "geert lovink" <geert@xs4all.nl>
Subject: Community Research Network Conference: Call for Participation
From: "The Loka Institute" <Loka@Loka.org>
CALL FOR PARTICIPATION
6TH ANNUAL COMMUNITY RESEARCH NETWORK CONFERENCE
"Powerful Collaborations:
Building a Movement for Social Change"
OCTOBER 16-19, 2003
The Audubon Center of the North Woods
Sandstone, Minnesota
Register now for this year's Community Research Network (CRN)
Conference, sponsored by the Loka Institute. The CRN works for
social change through Community Based Research by acknowledging,
honoring, accepting and following the voices of all stakeholders,
including those historically oppressed.
We welcome presentations, performances, readings, and screenings
from community members/ organizations, artists, academics and
activists, that include all project voices and are based on your
experience with participatory projects. Scholarships are available
for low-income attendees.
Join others involved in the Community Based Research movement to
share diverse ways of discovering and exposing truths to promote
democratic decision-making processes, self-empowerment, and
realization of community objectives. Our goal is for all
participants to leave the conference with concrete strategies for
contributing to this movement.
To register, apply for scholarships, and/or make a presentation
proposal, please go to www.loka.org. If you have specific questions
about registration, scholarships or proposals, contact Rachel
Maldonado at crn2003@loka.org or 512.585.1507. For questions about
transportation, lodging, or Audubon Center spaces, contact teresa
konechne, at crn2003@loka.org or 612.871.2576. Registration,
scholarship applications and proposals are due by September 2nd.
Reserve EARLY!!! Space is limited.
PLEASE FORWARD WIDELY AS APPROPRIATE
Financial support for the Community Research Network Annual
Conference has been generously provided by the Annie E. Casey
Foundation.
------------------------------
Date: Wed, 16 Jul 2003 16:12:52 +0200
From: Heike Borowski <borowski@zkm.de>
Subject: \\international\media\art\award 2003 - The Top 50
See German text below
\\international\media\art\award 2003
Preselection Jury nominated the Top Fifty
For the 11th time this year, ZKM | Center for Art and Media, together
with SWR, will present the \\international\media\art\award. The theme of
this year's competition - "Constructed Life ? Computer Games, Cybersex
and Robotic Art" - is an admittedly demanding one, so viewing all 635 of
the submitted video and interactive works has meant intensive work for
the pre-selection jury. SWR (Southwest German Broadcasting Company) will
be broadcasting "The Top 50" in the fall. From the nominated Top Fifty
the jury will select the awarded works in the different categories from
July 14th until 16th 2003. Members of the jury are: Woody Vasulka (video
artist / USA), Jean Gagnon (director of programs / The Daniel Langlois
Foundation, Montréal Canada), Masaki
Fujihata (media artist / Tokyo, Japan), Samir (filmmaker and producer,
Zurich Switzerland and Ursula Frohne (International University / Bremen,
Germany. The prize ceremony will take place at the Center for Art and
Media Karlsruhe, Germany at the 15th of November 2003.
For two years the Landesbank Baden-Württemberg (LBBW) has been
intensively cooperating with the ZKM Karlsruhe in a partnership and is
now for the first time supporting the \\international\media\art\award as
the main sponsor.
The prizes are:
\\international\media\art\award 2003 \\VIDEO \\12.000 EUR
\\international\media\art\award 2003 \\INTERACTIVE \\12.000 EUR
\\special award \\production at ZKM and TV documentary on SWR \\
\\viewers' award \\non-monetary prize
>From the middle of September you can find information about the
nominated works as well as short video cut-outs giving an idea of the
videos, interactive installations, net art works and CD-ROMs on
http://www.medienkunstpreis.de.
- --------------------------------------
Die "50 Besten" des \\internationalen\medien\kunstpreises 2003 sind
nominiert.
Zusammen mit dem SWR vergibt in diesem Jahr schon zum 11mal das ZKM |
Zentrum für Kunst und Medientechnologie Karlsruhe den
\\internationalen\medien\kunstpreis. 635 Medienkunstwerke sind zum
diesjährigen Wettbewerb unter dem Thema "Konstruiertes Leben ? zwischen
Computergames, Cybersex und Robotic Art" eingegangen. Die Vorjury wählte
die 50 besten Beiträge aus, die im Herbst im SÜDWEST-Fernsehen
ausgestrahlt werden. Aus den nominierten Werken wird die Hauptjury vom
14. - 16. Juli die Preisträger in den jeweiligen Kategorien prämieren.
Die diesjährigen Jurymitglieder sind: Woody Vasulka (Videokünstler /
USA), Jean Gagnon (Director of Programs - The Daniel Langlois Foundation
/ Montréal, Kanada), Masaki Fujihata (Medienkünstler / Tokyo, Japan),
Samir (Filmemacher und Producer / Zürich, Schweiz) sowie Ursula Frohne
(International University / Bremen, Deutschland). Die Preisverleihung
findet am 15. November 2003 im ZKM Karlsruhe statt.
Die Landesbank Baden-Württemberg (LBBW) ist seit zwei Jahren Partner des
ZKM Karlsruhe und unterstützt nun erstmals auch als Hauptsponsor den
\\internationalen\medien\kunstpreis.
Folgende Preise werden vergeben:
\\internationaler\medien\kunst\preis 2003 \\VIDEO \\12.000 EUR
\\internationaler\medien\kunst\preis 2003 \\INTERAKTIV \\12.000 EUR
\\sonderpreis \\Produktion am ZKM und TV-Dokumentation SWR
\\zuschauerpreis \\sachpreis
Unter http://www.medienkunstpreis.de finden Sie ab Mitte September 2003
sowohl Informationen zu den nominierten Arbeiten, wie auch kurze
Videosequenzen, die einen Eindruck von dem jeweiligen Video, der
interaktiven Installation, der Netzarbeit oder der CD-ROM vermitteln.
- --------------------------------------
------------------------------
Date: Wed, 23 Jul 2003 20:33:23 -0700 (PDT)
From: Amy Alexander <plagiari@plagiarist.org>
Subject: SIGGRAPH03: CRCA Computing Arts Cafe (San Diego)
hi moderators, i think this was probably posted to nettime-announcer
already by carol hobson, but in case not. (i'm not entirely in sync with
my incoming email this week, so apologies if it appeared on the list
already.)
- --
CRCA Computing Arts Cafe
Monday, July 28, 7:00 - 11:00 PM
Reincarnation Project, 1091 J Street
between 10th and 11th streets, downtown San Diego
http://crca.ucsd.edu/events/index.html
The UCSD Center for Research in Computing & the Arts (CRCA) will host
a reception event presenting new media and digital arts researchers
and their current projects. The CRCA Computing Arts Cafe will
showcase digital video, Internet performance, software installation
and DJ sets by artists including Sheldon Brown, Harold Cohen, Jordan
Crandall, Amy Alexander, Eduardo Navas, Brody Condon, Lisa Hutton,
Carol Hobson, Ted Apel, Brad Borevitz, Matt Hope, Rachel Beth
Egenhoefer, Joel Swanson and Phillip Sharpe.
This event is FREE and Open to the Public. Light refreshments and a
no-host bar will be available. The Reincarnation Project is
accessible to people with special needs.
Many thanks for their support and cooperation to: SIGGRAPH2003, Ruben
Seja, Creative Projects Management, LLC, Wayne Buss, Carnation LLC,
Debra Owens, the Debra Owens Gallery, the Worldbeat Center, GEFROM
Productions, and Levine Menzies & Associates.
*Please forgive if you receive multiple emails, but feel free to
forward to friends and associates who may be attending SIGGRAPH in
San Diego this month.
- -----------------------------------------------------+-
CRCA is an organized research unit of UCSD whose mission is to
facilitates the invention of new art forms that arise out of the
developments of digital technologies. Current areas of interest
include interactive networked multimedia, virtual reality,
computer-spatialized audio, and live performance techniques for
computer music and graphics.
------------------------------
Date: Mon, 28 Jul 2003 08:31:46 +1000
From: "geert lovink" <geert@xs4all.nl>
Subject: Wireless Art Competition in ResFest Korea 2003
Wireless Art Competition in ResFest Korea 2003
Co-organized by Art Center Nabi
Art Center Nabi is looking for artworks and creative ideas for Wireless Art
Competition in conjunction with Resfest Korea 2003. We hope to explore the
potentials of mobile and wireless as new communication and expressive medium
for art practice. Works can be described as mobile art, wireless art or
multimedia experiments that open up the possibilities of newly-emerged
technology of wireless. Korea, known for its nation-wide broadband network,
is also a leading country of wireless technologies and services. On this
ground, Art Center Nabi aims to support the production of wireless art. Our
ongoing efforts in the research and production of wireless art are
exemplified by the commission of Maurice Benayoun's Watch Out! in 2002.
Art Center Nabi is a center for media arts located in Seoul Korea. Nabi
aims to nurture creativity in art by facilitating communication across
diverse disciplines of humanities, science, technology and art. For more
information, please visit our website at www.nabi.or.kr.
categories
1) audio visual art for mobile phone: multimedia experiments which explore
the characteristics and parameters of mobile phone.
l audio visual works (3 minutes or less)
l screensaver for mobile phone (visual-only, 30 seconds or less)
Submission format: VHS, Mini DV, DVCAM, or CD-ROM are possible, but Mini DV
and DVCAM are preferred.
Minimum pixel size: A submission in a CD-ROM should be 352X288 or 320X240
for screening at the festival theater.
*Note 1
The selected work will be converted to the appropriate format for mobile
phone presentation in Korea. The applicant should consider the following
mobile format. (Please note that this is not the submission format)
- - pixel size: 176X144
- - frame: 10~15 frame per second
- - screen size: approx. 350mmX290mm
*Note 2
Works previously made for other mediums can also be submitted. However,
ones that were already aired through mobile platform cannot be accepted.
2) proposal for wireless art project:
Proposals of any format of artworks that exploit the characteristics of
wireless technology such as mobility, ubiquity or networkability and those
that explore the themes of bodily relations, surveillance or public vs.
private, among others.
Submission format: art proposal (project description, sketches/images,
technical note)
Prize $ 2,500 US will be awarded to the winner of each category.
Commission (for wireless art proposal only):
Art Center Nabi will commission the selected art proposal if the project is
technically conceivable.
Deadline: August 18, 2003
Announcement will be made at Art Center Nabi website on September 1, 2003.
How to apply
1. download the application form and complete it (* the downloadable
application form will be available from July 9th on Nabi homepage
(www.nabi.or.kr/en/)
2. materials to be attached:
Category 1)
Your work in the appropriate format (see the note 1 above)
project description
brief bio
Category 2)
idea proposal (project description, sketches/images, technical note)
brief bio
3. email above materials or send them TOGETHER via mail to the address
below:
email to: choi@nabi.or.kr
post: Wireless Art Competition
Art Center Nabi
4th Fl. SK Bldg., 99 Seorin-dong, Jongno-gu
Seoul Korea 110-110
* Please note that submitted materials will not be returned to the
applicant.
URLs:
Art Center Nabi: www.nabi.or.kr
ResFest Korea 2003: www.resfest.co.kr
------------------------------
Date: Fri, 25 Jul 2003 23:28:33 -0500
From: "Patrick Lichty" <voyd@voyd.com>
Subject: IALA Gallery - MTAA Postcard Art show
This is a multi-part message in MIME format.
- ------=_NextPart_000_013A_01C35304.76D040C0
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
Press Release
MTAA Postcard Art Show @ IALA Gallery, Baton Rouge.
August 15 - Oct.. 15, 2003
=20
Press Contact:
Contact Information:
Patrick Lichty
Director, IALA Gallery
355 Seyburn Drive
Baton Rouge, LA 70808
USA
(phone number upon request)
10 AM - 4 PM US CST Weekdays, viewings by appointment=20
voyd@voyd.com=20
=20
IALA gallery is proud to present conceptual artists Whid and River in =
their presentation of their postcard art exhibition. This is a =
variation of the installation recently seen in New York's New York's 31 =
Grand and Rome Art galleries, and we are pleased to have the opportunity =
to install this work. Visitors are invited to view and interact with the =
MTAA postcard art installation, which is unique in Baton Rouge's =
history. IALA gallery recently received this work, which will be given =
its site-specific installation in our space, and we are excited to be =
able to present this form of conceptual abstraction to the Baton Rouge =
and Southern Louisiana public. =20
=20
ABOUT MTAA
Whid and River (AKA MTAA) are leading edge conceptualists in the rising =
genre of technological/new media art. Their most contemporary and =
historically-informed works expand the critical issues relating to the =
nature of art in the technological age, and especially after the rise of =
the Internet. Their physical and virtual works are widely shown, and =
have been featured at numerous venues, including the Whitney Museum of =
American Art and the Walker Art Center.=20
=20
ABOUT IALA
IALA is a private not-for-profit gallery run by curator and owner =
Patrick Lichty, which promotes the works of experimental and new media =
artists through our ongoing exhibitions. Within our permanent =
collection are works from numerous contemporary and electronic artists, =
including Peggy Ahwesh, Amy Alexander, MTAA, Roman Verostko, Simon =
Biggs, Igor Vamos, Yael Kanarek, Barbara Lattanzi, Nancy Buchanan, =
Melanie Crean, BOME, Guillermo Gomez-Pena, Larry Miller, RTMark, Jack =
Ox, Noriko Meguro, The YesMen, Patrick Lichty, Paul Vanouse, and =
Diamanda Galas only to name a few. =20
----------------------------
............................
Ars Electronica 2003 - 3rd Announcement: Conferences
.............................
1. Update: CODE Symposium
.............................
.............................
2. Update: Pixelspaces
.............................
.............................
3. Update: Prix Ars Electronica Forum
.............................
.............................
4. Update: Radio FRO Conference
.............................
You are reading the third issue of the Ars Electronica 2003 newsletter, providing information about the program of the symposia at this year's festival, CODE - The Language of Our Time.
.............................
1. CODE Symposium
.............................
The several panels of the CODE Symposium being presented from September 7 to September 11 will host detailed discussions of various aspects of the festival theme, CODE - The Language of Our Time.
Sunday and Monday are dedicated to rather theoretical considerations; in the following panels, the presentation of artistic ideas and projects moves to the top of the agenda. Protagonists of a software-based mode of artistic practice present their work and discuss how they utilize and deal with software.
Key topics will include the role of industry standards, the emergence of artistic trends as a consequence of program features, efforts to achieve artistic autonomy, and the aesthetics of codes.
Sunday, September 7
...................................................
10:30 - 13:30 The Meaning of CODE
The first panel at this year's symposium is dedicated to an attempt at defining the term CODE in a way that encompasses its artistic, legislative and biological facets. At the same time, this will shed light on historical aspects of CODE ranging from the book to the computer, from the codex to the regulatory efforts of modern governments, and from classic, script-based computer programs to evolutionary algorithms-dynamic systems that are capable of coming up with solutions to their own problems. What do artists, scientists and legal scholars understand CODE to be? Is it even possible to establish a generally applicable definition of this term? This kickoff of the CODE symposia will feature an elemental confrontation with terminological problems and issues raised by this year's Festival.
Moderation: Gerfried Stocker
Statements: Gerfried Stocker, Friedrich Kittler, Cindy Cohn, Erkki Huhtamo, Peter J. Bentley
15:00 - 18:00 The Art of Code
What effects is digitization having on art? What special characteristics are displayed by code-based art? And how does this inherent, uniquely self-determined expressive vocabulary of digital art manifest itself? What consequences will art as code-according to Kriesche, *alone* the generative answer to the complete permeation of *all* partial realities-have for the ongoing development of the arts? In which direction is artists' work with new instruments like algorithms and dynamic systems transforming the process of artistic creativity? Or is the concentration on CODE, this focus on the immediate basis of the technological transformation of art, proceeding along the wrong path, and should the confrontation with media art concentrate on social approaches-collaborative, social modes of action, the potential of connective interfaces-without which there can be no productive and uniquely self-determined human activity?
Moderation: Roy Ascott
Statements: Giaco Schiesser, Richard Kriesche, John Maeda, Roman Verostko, Casey Reas
Monday, September 8
...................................................
10:30 - 13:30 Social Code
Social activity is characterized by codes-individuals make themselves understood via language and communicate with human faces as their "interfaces." If the new codes that have been designed and developed for interaction with technical interfaces change our social and collective actions or even contribute to the development of new types of social intercourse, then how will this process be played out? Which structures are influencing this social transformation? And to what extent does the design of electronic devices play a role in this connection-are users of the new technology becoming passive consumers or mature, responsible critics of their equipment? The most far-reaching question undoubtedly arises in connection with the current overall social situation-are network linkages and mobility enhancing collective action or being applied to construct an instrument of state control and social engineering?
Moderation: Derrick de Kerckhove
Statements: Howard Rheingold, Leo Findeisen, Fiona Raby, Hans Peter Schwarz
15:00 - 18:00 Collective Creativity
Language-the code of human understanding-enabled humanity to take a quantum leap of collective intelligence. How do the new possibilities of communication influence the exchange of ideas within and among societies? How does software determine our collective creativity? Do computer programs influence the way we see the world and how we think? Can there be a language of collective intelligence? And-getting down to details-what effects will the new Open Source and Open Standards approaches have on the further development and progress of collective creativity?
Moderation: Derrick de Kerckhove
Statements: Pierre Lévy, Florian Cramer, John Warnock, Marc Canter, James
McCartney
please find more details online:
http://www.aec.at/de/festival/programm/row.asp?area=10&iProjectID=11992
Tuesday, September 9
...................................................
10:30 - 13:30 Tangible Code
Interaction cannot be equated per se with the process of programming, though this holds true only in connection with the current practice of interaction that, in most cases, only represents a more of less complex process of selection. But what will future interaction look like-a form of interaction that goes beyond the process of selecting one option from among several? And, accordingly, how will the process of programming be defined in the future? The essence of programming could then be more than a linear, predetermined approach; it could well become more of an interactive, real-time process! Will such a new conceptualization create a code that is both realizable and at the same time accessible for the purpose of manipulation and reconfiguration-a sort of real-time compiling?
Moderation: Hiroshi Ishii
Statements: Hiroshi Ishii, Joachim Sauter, Oliver Fritz, Scott DeLahunta, Jonathan Norton
please find more details online:
http://www.aec.at/de/festival/programm/project.asp?area=10&iProjectID=11993
Wednesday, September 10
...................................................
10:30 - 13:30 Software & Art I.
This session is dedicated to artists' relation to software. The discussion will investigate some of the preconditions upon which artistic work with software-and even software itself-are based. What motivates artists to work with software; when and for what purposes do they utilize computer programs in their work? What outstanding characteristics are displayed by software as an instrument of artistic creativity; what makes this material unique and in what respect is its makeup similar or identical to that of other materials? Based on how things look today, what are the prospects (new areas of utilization) for the artistic use of code in the future?
Moderation: Casey Reas
Statements: Lia, Laurent Mignonnau Golan Levin / Zachary Lieberman, Alex Galloway, Ben Fry, Christa Sommerer, James McCartney, Sebastian Oschatz
Thursday, September 11
...................................................
10:30 - 13:30 Software & Art II.
The consideration of software as an art form evidently raises a number of questions: can any software be considered art and, if not, where do we draw the line between software as art and software as a "mere" commercial product? To what extent is the identity of so-called "new media art" or digital art defined by its nature as art based on code? What are the aesthetics of software art and how can they be assessed by traditional art-immanent criteria (or should they be at all)?
Moderation: Christiane Paul
Statements: Christiane Paul, Alexei Shulgin, Olga Goriunova, Christian Hübler, Andreas Broeckmann, Alex McLean, Amy Alexander
please find more details online:
http://www.aec.at/de/festival/programm/row.asp?area=10&iProjectID=11994
.............................
2. Pixelspaces
.............................
Monday, September 8 and Tuesday, September 9
...................................................
18:00 - 20:30 Pixelspaces-DAMPF
The Ars Electronica Futurelab Symposium entitled *Pixelspaces-Sensory Environments - Immaterial Interfaces* will concentrate on an area of emphasis of the Futurelab's recent work and, at the same time, a field in which the traditional arts have been increasingly converging on media art. Over the course of the conference, participants will examine the extent to which traditional artistic institutions (such as those involved with musical theater and dance) are signaling a readiness to take into account the development of media art, or the extent to which they are even in a position to do so. This symposium together with Klaus Obermaier's "Dance and Media Performance Fusion" (DAMPF), an interdisciplinary project dealing with the stage as a sensory environment, will constitute a forum in which the theory and practice of the convergence of media art and dance will be consummated in artistic and technical practice.
please find more details online:
http://www.aec.at/de/festival/programm/project.asp?area=10&iProjectID=12080
.............................
3. PRIX ARS ELECTRONICA FORUM
.............................
The Prix Ars Electronica Forum will feature speeches and presentations by and discussions with Prix Ars Electronica 2003 prizewinners and jurors.
...................................................
Tuesday, September 9: Computer Animation / Visual Effects
14:30 - 15:00 Carlos Saldanha, Blue Sky Studios, 20th Century Fox (USA)
15:00 - 15:30 Koji Yamamura, Yamamura Animations, Inc. (J)
15:30 - 16:00 Romain Segaud, Cristel Pougeoise, Supinfocom, Ono plus One (F)
Moderation: Shuzo John Shiota (J)
...................................................
Wednesday, September 10: Digital Musics
14:30 - 15:00 Florian Hecker, Mego (D / A)
15:00 - 15:30 Maja Solveig Kjelstrup Ratje (N)
15:30 - 16:00 Ami Yoshida, Sachiko M, Utah Kawasaki, F.M.N. Sound Factory(J)
Moderation: Naut Humon (USA)
Wednesday, September 10: Interactive Art
16:30 - 17:00 Maywa Denki, Yoshimoto Kogyo Co., Ltd. (J)
17:00 - 17:30 Margarete Jahrmann, Max Moswitzer (A)
Moderation: Stahl Stenslie (N / D)
Thursday, September 11: Net Vision / Net Excellence
14:30 - 15:00 David Crawford (S)
15:00 - 15:30 Golan Levin (USA)
15:30 - 16:00 Carlos J. Gomez de Llarena, Yury Gitman (VEN / USA)
16:30 - 17:00 James Tindall (UK)
17:00 - 17:30 Lia (A)
17:30 - 18:00 Sulake Labs (FIN)
Moderation: Steve Rogers (UK)
please find more details online:
http://www.aec.at/de/festival/programm/row.asp?area=10&iProjectID=12106
.............................
RADIO-FRO-KONFERENZ
.............................
Tuesday, September 9
14:00 - 18:00 Towards a Society of Control?
Digital codes define how we communicate with one another in global networks, conduct business, obtain information and share knowledge. Nevertheless, the increasingly widespread propagation of code raises the question of the control of standards, and thus the control of the content that is being disseminated. Is the EU's amendment to copyright protection-"Digital Rights Management" (DRM), which sets up rigorous barriers against duplication-in actuality a step in the direction of "digital restriction management"? Are traditional "open spaces" increasingly endangered? What consequences are digital and legal standards like DRM having for Information Society?
Die Radio Fro Conference is divided into two panels:
PANEL A: CONTAINING INFORMATION: new digital standards, changes in copyright and their impact on freedom of information
PANEL B: DIGITAL STANDARDS AND THE PUBLIC DOMAIN: consequences and current strategies for an independent public sphere
please find more details online:
http://www.aec.at/de/festival/programm/project.asp?area=10&iProjectID=11981
..................................................................
The detailed Ars Electronica 2003 festival program is online now:
http://www.aec.at/en/festival/index.asp
The website www.aec.at/code is providing regular and detailed updates on the festival theme, program details, news and background features as well as information about artists, speakers and performances until the festival in September.
..................................................................
Ars Electronica 2003
Organization:
Ars Electronica Center Linz and ORF - Austrian Broadcasting Corporation, Upper Austria Regional Studio
Co-organizers: Brucknerhaus Linz, O.K - Center for Contemporary Art
Concept & Artistic Direction: Gerfried Stocker, Christine Schöpf
Curatorial Staff: Christiane Paul, Casey Reas, Iris Mayr, Ingrid Fischer-Schreiber
Contact:
Ars Electronica Center
Hauptstrasse 2
4040 Linz, Austria
festival@aec.at
www.aec.at/code
Sponsors of Ars Electronica 2003:
SAP AG, Gericom, Telekom Austria, Bank Austria Creditanstalt, Quelle AG, Hewlett Packard, Microsoft, Oesterreichische Brauunion, voestalpine, FESTO, Sony DADC, Siemens AG, Austrian Airlines, Lufthansa, Spring, Opel Guenther
Sponsors of Prix Ars Electronica 2003:
The Prix Ars Electronica 2003 is sponsored by Telekom Austria and supported by BAWAG/P.S.K. Group, voestalpine, SONY DADC, Gericom, the City of Linz and the Province of Upper Austria.
Additional support by Austrian Airlines, Lufthansa, Casinos Austria, Poestlingberg Schloessl, Oesterreichischer Kulturservice
------------------------------
Date: Mon, 28 Jul 2003 17:52:28 -0400
From: "Teri Chan" <tchan@LMCC.NET>
Subject: Free Screening of "A Strong Clear Vision" next Wed 8/6
Please join us for a free Screening of "A Strong Clear Vision"!
A Film about Maya Lin
Wednesday, August 6, 2003
6pm
Reception
6:30pm sharp
Screening
Location: Lower Manhattan Cultural Council
2 Wall Street Court, 2nd floor
Address Map: http://www.lmcc.net/AboutLMCC/LMCC_map.html
The 1994 documentary A Strong Clear Vision tells the story of Maya Lin,
the young architecture student whose design was selected from amongst
1,421 submissions as the winner of the Vietnam Veterans Memorial
competition. Renowned filmmaker Frieda Lee Mock chronicles Lin's career
- - from her battle over the Vietnam Veterans Memorial to her role
designing numerous subsequent memorials. Ms. Lin is currently a member
of the 13-member competition jury for the World Trade Center site
memorial, a group charged with selecting the final design. Charlotte
Cohen of the NYC Department of Cultural Affairs will deliver the
introduction for the event.
RSVP to 212-935-3960
This event is co-sponsored by the Municipal Art Society and the Lower
Manhattan Cultural Council.
- --------------------------
Exhibition on view at LMCC until August 6!
"Microviews/NYC Unit"
A creative exploration of Downtown's past, this exhibit juxtaposes two
projects, curated by artists, that use archives to create a lively and
multi-layered experience of a changing neighborhood, and examine the
implications of historic documents for the contemporary viewer:
Microviews - an archive of World Trade Center images made by resident
artists in LMCC's studio program from 1997-2001. Organized by artists
Christopher K. Ho and Stephan Apicella-Hitchcock with LMCC.
New York City Unit - a look inside the New York City Municipal Archives-
Photography from the Federal Writer's Project, 1935-1942. Created by
artist Matthew Bakkom.
On view at the Lower Manhattan Cultural Council, One Wall Street Court,
Second Floor; Gallery hours are Monday-Friday 11am-5pm.
Subway and Bus Directions:
2/3/4/5 to Wall Street
J/M/Z to Broad Street
M6 to Broadway and Wall Street
One Wall Street Court is located at the nexus of Beaver Street, Pearl
Street and Wall Street in the heart of lower Manhattan's financial
district. Walk eastbound on Wall Street to Pearl Street. Turn right on
Pearl Street. The building will be directly in front of you. The
entrance is on Pearl Street in the middle of the block.
------------------------------
Date: Sat, 26 Jul 2003 10:25:37 +0200
From: "backup office" <juliane.fuchs@jena.thur.de>
Subject: backup_festival last call for entries
boundaryÿ---ÿextPart_001_007B_01C35360.415410A0"
- ------ÿextPart_001_007B_01C35360.415410A0
+++ONLY 5 DAYS LEFT: CALL FOR ENTRIES+++
+++DEADLINE FOR SUBMISSIONS IS JULY 31st 2003+++
+++PLEASE FORWARD THIS MAIL+++
+++THANK YOU VERY MUCH!!!+++
backup_festival. new media in film
backup is an international festival for film and video productions developed
using digital tools and a stock-taking within the realm of 'new media'.
backup began in the European Cultural Capital Year 1999. with its 2001
edition, backup has reached a level that secures it a respectable place
among the European festivals. last year we received over 1000 entries from
42 countries for the international competition. there was an fruitful
cooperation with media businesses, and likewise joint events with other
German and European universities besides Weimar's Bauhaus University.
the deadline for entries is July 31, 2003 (postmark and online)
the date of our festival in 2003: October 30 - November 2
additionally, all of the above is available online.
you can register with this form on our website www.backup-festival.com until
July 31.
the call for entries
this year there are three interesting sections:
for the international backup.award we are at first interested in shorts
which are no longer than 15 minutes and not older than two years. we are
interested in film and video productions developed using digital means.
(shorts, music video, experimental, trailer and so on) prizes will be
awarded with a total value of 4,500 euro.
we also have the backup.clipaward for music video, but it is a national
award. backup defines the videoclip as a creative playground for audiovisual
and intermedial experiments in the realm of new media. the clips should also
not be older than two years. prizes will be awarded with a total value of
3,000 euro.
and we have an international call for entries for the backup.lounge|lab.
there we will create a workspace: this announcement is directed at creative
types in all disciplines. together with a workshop leader, the invited
participants will put a continual recontextualization of the spatial
structures into motion during a 10-day
laboratory phase. this process will be continued through the four days of
the backup 2003 and should enable the festival guests to be
equally-empowered actors. Testing Truth - XOR - the metaphoric quality of
binary code forms the thematic starting point of this
year's »backup.lounge|lab«. awards and honorariums will not be granted.
contact
for general information on backup and for online submission, please visit
our website at:
http://www.backup-festival.com
if you would like to learn more about backup's concept and program, please
send an e-mail to our program team at:
programm@backup-festival.de
in case you require information on how to submit an entry to the
international backup.award, the national backup.clipaward or the
international backup.lounge|lab or become part of backup please address to:
award@backup-festival.de (marc olff, dirk heinje);
clipaward@backup-festival.de (richard anjou, marc olff);
loungelab@backup-festival.de (carina linge, daniel thompson, robert wegener,
alexander klosch)
we will be glad to receive your entries and we will be pleased if you offer
the information to interested filmmakers.
best regards,
juliane fuchs
backup_festival
c/o Bauhaus-Universität Weimar
Fakultät Medien
Bauhausstrasse 11
99421 Weimar
Germany
tel +49 (0) 36 43 / 49 46 136
fax +49 (0) 36 43 / 58 37 01
funk +49 (0) 171 / 42 85 044
www.backup-festival.de
office@backup-festival.de
weimar | 30.10.-02.11. 2003
in Kooperation mit / in Cooperation with:
Bauhaus-Universität Weimar
Fakultät Medien
gefördert durch / funded by:
MDM - Mitteldeutsche Medienförderung
Thüringer Kultusministerium
Kulturstiftung des Bundes
Stiftung Kulturfonds
Sparkassen-Kulturstiftung Hessen-Thüringen
Sparkassenstiftung Weimar - Weimarer Land
Studierendenkonvent BU Weimar
Studentenwerk Jena / Weimar
Thüringer Ministerium für Wissenschaft, Forschung und Kunst
LAG Soziokultur Thüringen
Goethe-Institut Weimar
Radeberger Brauerei GmbH
Anders + Kern
Stadt Jena - Kulturamt
Stadt Weimar - Kulturamt
De:bug | Intro
Zuschüsse weiterer Förderer /
Contributions made by other Supporters
- ------ÿextPart_001_007B_01C35360.415410A0
------------------------------
Date: Thu, 31 Jul 2003 23:54:32 +0800
From: "Fatima Lasay" <digiteer@ispbonanza.com.ph>
Subject: Philippines - Making the Local - National Capital Region: Nation-Concept Renewal for a Nation-in-Crisis Redeemed
FOR IMMEDIATE RELEASE, PLEASE.
Ref: KAREN O. FLORES
NCCA-CVA
NCR Coordinator, Sungdu-an 3 NCR
Tel. 632-875-2528 / Mobile 63-0918-9002682 / 63-0917-8179593
Email: kangkong66@yahoo.com
NCCA- CVA PRESENTS SUNGDU-AN 3 NCR ART EXHIBIT
The National Commission for Culture and the Arts-Committee on Visual Arts
(NCCA-CVA) presents the exhibit Sungdu-an3/NCR3: Making the Local themed:
National Capital Region: Nation-Concept Renewal for a Nation-in-Crisis
Redeemed, on view at the Pasig City Museum, Philippines, from August 12 to
September 28, 2003.
Curator Imelda Cajipe-Endaya tasked young and innovative artists to
re-examine the self and explore interconnectedness as artistic enquiry into
the concept and necessity of nation in today's era of globalization. The
exhibit features works in mixed media, sculpture, painting, installation,
digital and performance art.
Selected for freshness and relevance of their ideas, as well as commitment
to craftsmanship, the artists featured are three artists from Anino
Shadowplay: Datu Arellano, Don Salubayba and Marc Cosico; the Daambakal
Sculptors Collective; mixed media and performance artist Mideo Cruz;
conceptual artist Lyra Abueg Garcellano; digital artist Fatima Lasay; and
textile sculptor Mac Valdezco.
Sungdu-an3/ NCR3 is organized by the NCCA-CVA in cooperation with the Pasig
City Government, Pasig City Museum, and the Kalipunan ng Sining at Kultura
ng Pasig (KSKP).
The exhibit will open at 6pm on Tuesday, August 12 and will be keynoted by
Pasig City Mayor Soledad C. Eusebio and NCCA Executive Director Ma. Fina C.
Yonzon. The public is invited to view the performances and interact with
the artists.
Artists' Dialogues will be also be held at the Pasig City Museum on two
Saturdays-- featuring Anino Shadowplay, Daambakal Sculptors Collective and
Fatima Lasay on August 30, 1pm; and Lyra Abueg Garcellano, Mideo Cruz and
Mac Valdez co on September 13, 1pm.
Pasig City Museum (Tel. 02 6410211) is located at Plaza Rizal across Pasig
City Hall, Metro Manila, Philippines, and is open daily (except Mondays)
from 9am to 5pm. Guided viewing of the exhibit is also available from 2 pm
to 5pm.
* * * * *
------------------------------
Date: Thu, 31 Jul 2003 15:05:17 -0500
From: "time" <time@digitalconfusion.org>
Subject: Motion Graphics Fest --> Final Deadline
August 8th is approaching -- the final deadline for submissions to the
Chicago Motion Graphics Festival! See www.aeChicago.org/filmfest for
details and guidelines, and below to review the call for entry.
Thanks to those who made the early deadline. We look forward to receiving
more great work!
Take care,
Mason
********************************************************************
CALL FOR ENTRY :: Chicago Motion Graphics Festival
The most surprising and compelling image effects air first in your own
living room, featured in commercials and music videos. With desktop tools,
motion graphics artists present new ways of perceiving the fundamentals -
perspective, time, and the process of metamorphosis. These motion graphics
creations quickly infiltrate all kinds of popular media. But the field of
motion graphics itself remains at the edge of innovation.
aeChicago presents a showcase of the best motion graphics creations in the
Midwest, chosen by a jury including:
Robert Chandler :: Addictive TV :: London
Milos Stehlik :: Facets Multimedia :: Chicago
Gary Adcock :: ChiFCPUG :: Chicago
Winners will be screened in Chicago on September 12th, and then in over 10
other cities as part of the North American Tour (inc. New York, Toronto,
L.A., Boston), as well as receiving on-line promotion. Send in a demo reel,
music video, short film, or experimental work featuring motion graphics if
you'd like to share it with the general public, video artists, and industry
professionals. Corporate, personal and student work is accepted, but please
see guidelines for more information. Thanks!
$20 July 27, 2003 - reg deadline
$25 August 8, 2003 - late deadline
(entry fee waived for student category)
Find all details, the mailing address and the pdf entry form at:
www.aeChicago.org/filmfest
Questions:
filmfest@aeChicago.org
Sponsored by
Design After Next
AE Freemart.com
Film Threat
CMP Media and
Sterling Ledet & Associates
**********************
------------------------------
Date: Tue, 29 Jul 2003 13:12:50 +0200
From: "SMART Project Space" <info@smartprojectspace.net>
Subject: press release, sound performance, Tuesday 29 July, 20:30hrs at Smart Project Space
This is a multi-part message in MIME format.
- ------=_NextPart_000_0008_01C355D3.1CF0A820
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
press release
SMART Project Space | 1e Constantijn Huygensstraat 20, Amsterdam, +31 =
(0)20 427 5951 =20
Tuesday 29 July, 20.30 hrs.=20
A monthly series in which the boundaries between music and art are =
explored.=20
Organized in collaboration with Stichting Mixer.=20
Jan Van Den Dobbelsteen is an interdisciplinary artist who has =
exhibited, curated programs, lectured and performed internationally. He =
has been working with sound and sound installations for already more =
than 25 years. He is interested in the fundamental structures of space =
and sound. He creates sounds that are related to specific research on =
elements like flowers, machines, architecture, colour and sound bodies. =
Sound and the visual works all come together in his sound installations. =
The musical works he releases on his own record label Cosmic Volume are =
often part of these sound-art installations.
=20
Justin Bennett is an artist working with sound and visual media based in =
Den Haag. He is best known for his work with field recordings. Sounds of =
urban spaces, teeming with people, work, machines, or just deserted =
resonating rooms. Sounds of natural spaces, the vibrations in the ground =
and inside trees, or the wind blowing through border fences at the edges =
of Europe. These sounds are all building-blocks with which to build new =
places. A sonic architecture that can result in permanent installations, =
sound walks, CD-releases or live performances. At Smart Project Space, =
Justin Bennett will work with field recordings and electronic sound from =
his forthcoming cd "noise map". Justin Bennett is a member of the =
performance group "BMB con."
for further information please contact alice@smartprojectspace.net=20
SMART Project Space | www.smartprojectspace.net
Exhibition Space & Cinema: 1e Const. Huygensstraat 20=20
Opening times: Tues-Sat from 12.00-22.00, Sun from 14.00-22.00 hrs.
Mail to: P.O.Box 15004, NL-1001 MA Amsterdam
Phone: +31 20 427.5951
Fax.: +31 20 427.5953
mail: info@smartprojectspace.net
If this e-mail was forwarded to you by way of someone other then SMART =
Project Space, and you would appreciate to receive further mailings =
announcing exhibitions at SMART Project Space, you can send mail to =
info@smartprojectspace.net with the following command in the body of =
your email message: "subscribe e-mailing SPS"
If you would want to remove yourself from this mailing list, you can =
send mail to info@smartprojectspace.net with the following command in =
the body of your email message: "unsubscribe e-mailing SPS"
------------------------------
Date: Mon, 4 Aug 2003 23:48:05 +0800
From: "Fatima Lasay" <digiteer@ispbonanza.com.ph>
Subject: =?iso-8859-1?Q?InteractivA'03_-_Un_encuentro_bienal_internacional_de_las_?= =?iso-8859-1?Q?Artes_Medi=E1ticas_y_Electr=F3nicas?=
Cartodigital.org - Museo de Arte Contemporáneo Ateneo de Yucatán (MACAY)
Presentan/Present
InteractivA’03 (www.cartodigital.org/interactiva)
Un encuentro bienal internacional de las Artes Mediáticas y Electrónicas
An interantional biennale of New Media and Electronic Art
En/At MACAY: 11 de Julio-Agosto 30/July 11-August 30
Expsoción/Exhibit Virtual: 6 de Agosto-20 de Septiembre/August 6-September
20
Curador Ejecutivo/Executive Curator: Raul Ferrera-Balanquet
Curadores Invitados/Guest Curators: Fatima Lasay, Pooja Sood, Agricola de
Cologne
Ensayos/Essays: Laura Baigorri - Heidi Figueroa-
Museografía/Museographer: Jose Luis Rodriguez de Arma
Artistas/Artists
Arte en Red/Net Art
Carlo Zani (Italy)- Ricardo Miranda Zuñiga (Nicaragua/USA)-Anjali Arora
(India)-Juan Devis y OnRamp Arts (Colombia/USA)-Teknokultura (Puerto
Rico)-Tina Gonsalves (Australia)-Samuel Bianchini (France)- Gita Hashemi
(Iran/Canada)-Antonio Domínguez/Daniel Lara Ballesteros (Mexico)-Giselle
Beiguelman (Brazil)-Marcus Bastos (Brazil)-Raphael Marchetti Renno
(Argentina)-Colectivo Pinto mi Raya (Mexico)-Colectivo Transnational Temps
(Spain/France/USA)-Eduardo Navas (USA/El Salvador)-Yucef Merhi
(Venezuela/USA)- Mauro Ceolin ( Italy)-YOUNG-HAE CHANG HEAVY INDUSTRIES
(Korea)-Ricardo Báez Duarte (Venezuela)-Regina Célia Pinto (Brazil)-Juan
Manuel Patiño (Argentina)-Paula Córdova (Argentina)-Víctor Martínez Díaz
(Mexico)-Gregorio Rivera-Medellin (Mexico/USA)-Pat Binder
(Argentina/Germany)-Agricola de Cologne y Colectivo (Germany)-Ernesto León
(Venezuela)-Antonio Mendoza (USA/Cuba)-Mario García Torres (Mexico)-Daniel
García Andújar/The Technologies To The People Development Team (Spain)-Ellen
and Jim Fields (USA/Mexico)-OPTiQ_SYNDiCATE (Spain)
CD-Rom
Gita Hashemi (Iran/Canada)-Maysa Arabit .(The Philippines )-Catherine Lasam
.( The Philippines)-John Enrico Mortel .( The Philippines)-Nalini Malani
(India)
Fotografía/Photography
Eduardo Cervantes (México)-Isabel Ivars (España)-Jenny Fraser
(Australia)-Vivan Sundaram (India)-Maria Dybbro (US/Latina)-Jorge Luis
García (Mexico)
Instalación/Installation
Kathleen Ruiz (USA)-Santiago Perez Alfaro (Mexico)-Guto Nobrega (Brasil)
Juan José Díaz Infante (Mexico)-Raul Ferrera-Balaquet y Colectivo Esquinas
Rodantes (Cuba/Mexico/USA)- Regina Célia Pinto (Brazil)-Agustin Chong Amaya
(Mexico)-Arcangel Constantini (Mexico)-Carlo Zani (Italia)
Performance
Active Ingredient (Inglaterra)-Fernando Llanos/Enrique Greiner
(Mexico)-Adolfo SchneideWind (Argentina)-Raul Ferrera-Balanquet
(Cuba/México/USA)
Ricardo Loria/Enrique Rejón (México)-VJ Mud (Ricardo Heredia)
(Mexico)-Bandung Center for New Media Arts (Indonesia)-Mircea Turcan
(Mexico)
Sonido/Sound
Brian Mackern/Colectivo Haro (Uruguay/Argentina/Brazil/Mexico)-Fatima Lasay
(The Philippines)-Sergio Maltagliati (Italy)
Digital Video
John Alfred Fillwalk (USA)-Colectivo Re:combo, (Brasil)-Glenda León
(Cuba)-Tejal Shah (India)-Subodh Gupta, (India)-Kiran Subbiah,
(India)-Ranbir Kaleka (India)
Pooja Kaul (India) -Laura Carmona Barreda (México)-Chris Caines (Australia)
Monica Costa Coldwell (México)- Subba Ghosh(India)
InteractivA’03
http://www.cartodigital.org/interactiva
Mueso de Arte Contemporaneo Ateneo de Yucatan (Macay)
Pasaje de la Revolucion e/ 58 y 60
Merida, Yucatan, Mexico
http://www.macay.org
for information write
interactive@cartodigital.org
coordinacion@macay.org
Raul Ferrera-Balanquet, Curator
www.cartodigital.org/interactiva
interactiva@cartodigital.org
------------------------------
Date: Tue, 5 Aug 2003 17:27:53 +1000
From: josephine starrs <starrs@autonomous.org>
Subject: PlaythingSymposium
dLux media arts
In association with University of Sydney present
Future Screen 2003:
Plaything.
Choose Your Weapons!
Digital Games Symposium: October 10,11,12, 2003
Location: Sydney University, Eastern Ave Auditorium
Plaything is a major international symposium focusing on current and
future trends in the field of digital games, featuring key Australian
and International game designers theorists and artists. Plaything
will bring together people that develop, analyse and play digital
games, and will provide a forum for discussion, play and critical
discourse. Plaything is curated by Josephine Starrs.
International Speakers Include:
Eric Zimmerman
Co-Founder and CEO of Gamelab, New York. Zimmerman has lectured in game
design at MIT, NYU, and Parsons School of Design.
Mary Flanagan
US digital artist and cybercultural critic. Flanagan's co-edited
book, Reload: rethinking Women and Cyberculture was published by MIT
Press in 2002.
Feng Mengbo
Renowned Beijing artist whose work uses the the styles and structures
of contemporary electronic games.
Eugenie Shinkle
Artist and Lecturer in photographic theory and criticism in the
School of Media, Arts and Design at Westminster University, London,
UK.
Registrations for Plaything Symposium commence in August 2003.
Registration for 3 days: $50.00
Concession: $35.00
Please visit www.dlux.org.au for updates.
email: Vicky Clare <programmanager@dlux.org.au>
dLux media arts gratefully acknowledges the financial assistance
received from the Australian Film Commission, New South Wales Film &
Television Office, Australia Council for the Arts, New South Wales
Ministry for the Arts, Sydney College of the Arts.
and the University of Sydney's School of English, Art History, Film
and Media and the Arts Informatics Program.
dLux media arts: PO Box 306, Paddington, NSW, 2021. Phone: 02 9380 4255
- --
http://sysx.org/starrs
------------------------------
Date: Wed, 6 Aug 2003 00:51:15 +0800
From: "Fatima Lasay" <digiteer@ispbonanza.com.ph>
Subject: DECODE - new media exhibition in Manila, Philippines
DECODE
14 August - 9 September 2003
Opening Reception 14 August 6PM
ATENEO ART GALLERY
Manila, Philippines
The curatorial agenda for DECODE springs from the Ateneo Art Gallery's
mission to provide a forum where various perspectives in contemporary
Philippine visual expression can meet. The Gallery brazenly approaches this
mission unmindful of the canons, pantheons or histories that commonly
implicate and complicate the relationships between and among artists and
their works.
In DECODE, the introduction of new media in the Gallery, not only side by
side, but in direct dialogue with the Gallery’s permanent collection of
Philippine modern art, sets the stage for an interpretive framework for an
art form that is always in flux. With new media in the cradle of modern art,
critical insights and connections ignite.
DECODE is a boldly speculative and experimental exhibition. The works are
diverse, from sculpture to software, and the exhibition space enfolds beyond
the Gallery, into the Internet. Such openness and hybridism embraced in
Philippine art mainstream, through the initiatives of the Ateneo Art
Gallery, is indeed one giant leap in the unyielding commitment to engage
distances between tradition and innovation, between human and technological
complexity, between art and life media.
DECODE
Exhibition curated by Fatima Lasay
With essays by Fatima Lasay and Jose Tence Ruiz
Ateneo Art Gallery Curator Ramon E.S. Lerma
Exhibition Coordinator Joel Alexander S. de Leon
DECODE On-Line coordinated by Martin Gomez
Catalog Design and Lay-out by Doubleslashmedia
DECODE
14 August - 9 September 2003
Opening Reception 14 August 6PM
ATENEO ART GALLERY
Ground Floor, Rizal Library
Ateneo de Manila University,
Loyola Hts., Quezon City, Philippines 1108
Phone +63 2 4266488
Fax +63 2 4266088
Email: rlerma@ateneo.edu
"The orchestrated embrace of Philippine modern art and new media in DECODE
presents an intriguing bifurcation of use of technologies in art, revealing
how new media takes art in new directions. By looking at relationships
between Philippine modern art and new media, DECODE explores the fertile
ground where old and new media overlap."
* NOËLL EL FAROL * JOHN MARIN FLORES * MARTIN GOMEZ * ALFREDO MANRIQUE *
JOSH NIMOY * CLARO RAMIREZ * JOSE TENCE RUIZ * RODOLFO SAMONTE * MARC SAN
VALENTIN *
DECODE //From the Ateneo Art Gallery permanent collection:
* ABDULMARI IMAO * JOSE JOYA * "MADMAN" FROM MALLILIPOT, ALBAY * VICENTE
MANANSALA * ALFREDO MANRIQUE * ILDEFONSO MARCELO * RAMON ORLINA * NENA
SAGUIL * RODOLFO SAMONTE * BEN-HUR VILLANUEVA *
"DECODE offers a vivisection of the nature and realities of technological
developments through critical forms of expression, bringing us much closer
to the cultural significance of media technologies."
DECODE-Online http://decode.ateneo.edu
Coordinated by Martin Gomez
* ELEMENTO * BATCH83 * CARL CHUA * AJ DIMARUCOT * MIK GOCOCO * JOSEPH MAYOL
* JOSH NIMOY * BONG SEGOVIA * DENMARK YANEZA * HAROLD KHAN *
DECODE //From the Ateneo Art Gallery permanent collection:
* JOSE TENCE RUIZ * JEHO BITANCOR * ANGELITO ANTONIO * VICENTE MANANSALA *
VIRGINIA FLOR AGBAYANI * VICTOR OTEYZA * ROMEO V. TABUENA * ROBERTO
RODRIGUEZ CHABET * ARTURO LUZ * JOSE JOYA *
"In a 'high-tech' age where there is more to see than believe, DECODE is a
challenge to examine the biases and the influences of media technologies."
DECODE
14 August - 9 September 2003
Opening Reception 14 August 6PM
ATENEO ART GALLERY
Ground Floor, Rizal Library
Ateneo de Manila University,
Loyola Hts., Quezon City, Philippines 1108
Phone +63 2 4266488
Fax +63 2 4266088
Email: rlerma@ateneo.edu
Note: There is also a catalog/CD-ROM available for purchase from the
gallery. Please get in touch with the gallery [Email: rlerma@ateneo.edu] for
details on getting a copy of the catalog/CD-ROM.
------------------------------
Date: Tue, 05 Aug 2003 12:35:31 -0400
From: Marc Tuters <nodus@sympatico.ca>
Subject: Re: <nettime> Announcements [publications - a]
Dear Announcer, here is the Locative Media closing announcement,
yours,
Marc Tuters
LOCATIVE MEDIA WORKSHOP
July 16-26, 2003, K@2, Karosta, LV | Longitude 21.00, Latitude 56.55
CLOSING REPORT [01/08/03]: Mapping ‘the Zone’
With portable, GPS-equipped networked computing devices, people can produce and share their our own cartographic data, and map their physical
environments, providing artists a tool by which space becomes their canvas.
The Locative Media Workshop <locative.x-i.net> brought an international group of artists and researchers to the K@2 Culture and Information Centre
in Karosta (a partially abandoned military installation on the coast of the Baltic Sea resembling ‘the Zone’ from Tarkovsky’s ‘Stalker’) to
explore the potential of this new mapping paradigm, both conceptually and through the creative use of GPS technologies.
The workshop utilized mobile, location-aware networking devices/software
(courtesy of and developed by the Waag Society/Esther Polak), to trace the movements of workshop participants in real-time as they mapped
Karosta’s so-called ‘elephant trails’, a web of footpaths criss-crossing the installation’s rigid military grid structure. A unique application
was produced during the workshop (by Pall Thayer) for dynamically visualizing these track-logs <locative.x-i.net/k_swf.html> in addition to making
use of the ‘Real-Time Riga’ application featured at RIXC’s Media Architecture festival in May 2004 <rixc.lv/03/realtime.html>.
To provide participants with a conceptual framework for conceiving of how to geo-annotate their physical environment Jo Walsh and Andrew Paterson
developed a semantic web model for creating ‘locative packets’ <locative.x-i.net/karosta/>. Based on this model, participants sampled local sights
and sounds, wove their interpretations into vignettes and uploaded the packets to a file server in order to create an interactive,
artist-generated map of the site --accessible via the Internet, but also designed to interface with mobile locative networking devices.
The workshop participants pondered techniques for the cultural appropriation of military technology (GPS) from within the decaying ruins of a
former military empire, perched on the edge of integration into a new regime (NATO & EU). With participants attending from as far a field as
Pyramid Lake Indian reservation in Nevada to Iceland and New Zealand, the workshop produced a diverse range of perspectives on this unique
location.
- -After weaving together local stories, recounted by K@2’s founders Carl Biorsmark & Kristine Briede, into a narrative structure, Ben Russell
developed a taxonomy of locative concepts based, amongst other thing, on traditional Latvian patterns.
- -Signe Pucena & Andrew Paterson stitched together samples of sound and image, inspired by the Russian Orthodox Cathedral at the centre of Karosta,
creating a linked pattern of bells, songs and myths from the life story of an old Babushka, daily military marches, and ghostly abandoned
apartment blocks.
- -Esther Polak, Ieva Auzina & Zaiga Putrama went to the East Latvian province of Latgale, to create GIS visualizations of disappearing farming
practices and the rural landscape.
- -In collaborative with local youths, Pete Gomes & Gabriel Lopez Shaw shot an experimental film in the gutted shells of Tzarist-era mansions.
- -R a d i o q u a l i a composed a short animation of satellite images of Karosta and conducted experiments in sending and receiving data to and
from a Linux based application for the Sharp Zaurus PDA.
- -Mari Keski-Korsu & Cheryl L'Hirondelle created film sequences of Karosta locations that used a split screen technique to suggest multiple
perspectives on a single place.
- -Kristin Bergaust created a short video piece contrasting similar Karosta locations in differing states of decay.
- -Marc Tuters shot time-lapse video of himself spray-painting walls of derelict bunkers as a play on the notion of geo-annotation.
- -Mika Meskanen worked on time-lapse sequences of locations around Karosta.
The workshop will continue to uploaded these and other annotated media files of Karosta to create an artist-generated map of the location,
accessible online as well as through a wireless client application for Java and Bluetooth-enabled "picture phones", in time for Riga’s RAM event
in 2004.
Indeed, the workshop's primary objectives were to _initiate future collaborative work_ in the field, on: developing tactics and methodologies for
locative media practice, exploring and prototyping interface metaphors, and articulating further flexible standards for collaborative
geo-annotation projects. The participants also began the process of generating ideas for the thematic structure of upcoming events, for which it
was determined that the workshop’s list-serve (locative@x-i.net) would be maintained and opened-up as a forum for those interested in aesthetic
and philosophical issues around grassroots GIS.
- ---------------------------------------------------------------------
* ABOUT THE LOCATION *
Karosta, Latvian for 'war port', was built by order of the Russian Tzar
Alexander III as a military port in the Baltic region. After the Soviet occupation of Latvia, Karosta became a military base housing some 25,000
and was closed to civilians by a fortress wall was build all around the whole city. The Soviet army evacuated Karosta in 1994, following Latvian
independence, leaving behind some 6000 people. Mostly Russian speaking, the stateless citizens of Karosta either carry Latvian issued so-called
'alien' passports, or old Soviet ones. Today the town appears to be a landscape of ruins. Many houses are completely destroyed, and the town is
plagued by mass unemployment. After and experience setting-up arts workshops there, documentary film-makers Kristine Briede & Carl Biorsmark began
making a film on Karosta and subsequently decided to step through the screen to "become documentary social workers" with the inauguration of the
K@2 Culture and Information Centre in December 2000.
http://www.karosta.org
http://www.karosta.lv
http://www.borderland.tv/main.html
- ---------------------------------------------------------------------
* PARTICIPANTS and RELATED locative media LINKS *
Locative Media Workshop
http://locative.x-i.net/
Janis Putrams (LV)
http://www.camp.lv/~janis/realtime/pic2.php?date=&scale=2.3&offset_y=22.2&offset_x=189 (real time map of Karosta - ongoing - part of Locative
Media project)
http://www.camp.lv/~janis/realtime/pic2.php?date=&scale=0.28&offset_y=58.6&offset_x=-190.4 (Rural Real Time - farmer path in Latgale- ongoing -
part of
Locative Media project)
Esther Polak (NL)
http://www.waag.org/realtime/ (Real Time Amsterdam, co-project with Waag Society)
http://www.rixc.lv/03/realtime.html (Real Time Riga, co-produced with Waag Society & RIXC, for Art+Communication 2003)
Ieva Auzina (LV)
http://locative.x-i.net/archive/2003-July/000058.html (proposal for Rural Real Time - co-project with Esther Polak & RIXC)
Marc Tuters (CA)
http://www.gpster.net
http://www.impakt.nl/online/box/songlines/utrecht.html (real-time, wireless geo-annotation project in and about Utrecht)
Raitis Smits (LV)
Rasa Smite (LV)
http://rixc.lv/03
http://locative.x-i.net/archive/2003-July/000084.html
Jo Walsh (UK)
http://space.frot.org/ (collaborative mapping on the semantic web)
http://locative.x-i.net/archive/2003-July/000094.html (introduction, and more projects)
Ben Russell (UK)
http://www.headmap.org (location aware devices - know your place)
Honor Harger (UK, NZ)
Adam Hyde (UK, NZ)
http://www.radioqualia.net/real/frame.html (Locative Media : declassified satellite images / The Wireless Tuner)
Kate Rich (AU, UK)
http://uphone.org/ (an experimental utility immediate sound archiving phone to web)
Andrew Paterson (UK, FI)
http://www.mlab.uiah.fi/~apaterso
http://aware.uiah.fi
Jaanis Garancs (LV)
http://www.cellulae.net/flux/ (Cell[ular]Flux. Cellular Cities)
http://www.cellulae.net/humans/ ("MultiCultureMolecular Humans", Society as a MultiCultureMolecular Virus Epidemy)
Pete Gomes (UK)
http://www.mutantfilm.com/wireless/
Mari Keski-Korsu (FI)
http://www.katastro.fi/~mkk/expand
Mika Meskanen (FI)
http://koti.org/mesq/
http://www.amfibio.org/
Cheryl L'Hirondelle (CN)
http://ndnnrkey.net/climbing/
Gabriel Lopez Shaw (US)
http://www.rockmediafellows.org/content.php?section=artists&sub=artist_detai
l&fellowID=627
Pall Thayer (IS)
http://www.this.is/pallit
http://130.208.220.190/panse/ (an open platform for the development of
audio-visual netart)
Kristin Bergaust (NO)
http://www.kristinbergaust.no
Zita Joyce (NZ)
Adam Willetts (NZ)
Daina Silina (LV)
Linda Zemite (LV)
Signe Pucena (RIXC, LV)
Voldomars Johansons (LV)
Zaiga Putrama (LV)
Normunds Kozlovs (LV)
and others.
- ---------------------------------------------------------------------
http://locative.x-i.net/
- ---------------------------------------------------------------------
------------------------------
Date: Tue, 5 Aug 2003 18:56:02 +0200
From: "[R]-[R]-[F] Festival" <agricola-w@netcologne.de>
Subject: RRF News - InteractivA '03 - Biennale for New Media Art
Agricola de Cologne and
[R]-[R]-[F] Festival - Version 1.0
www.newmediafest.org/rrf/
participating New Media project in
InteractivA '03 - Biennale for New Media Art
www.cartodigital.org/interactiva
at Museum of Contemporary Art Merida (Yucatan/Mexico)-
11 July - 28 September 2003
************************************
News
0. For all who visited the Interactiva'03 Biennale site already, it took
some time but now all participating curators and artists are listed by name
on the Biennale site.
1. [R]-[R]-[F] Festival - Version 1.0 is featured on Blogwork of ASAC of
50th Venice Biennale
http://www.labiennale.org/blogwork
2. recent PRESS RELEASE of
InterActiva'03 Biennale
>>>>>>>>>>>>
Cartodigital.org - Museo de Arte Contemporáneo Ateneo de Yucatán (MACAY)
Presentan/Present
InteractivA'03 (www.cartodigital.org/interactiva)
Un encuentro bienal internacional de las Artes Mediáticas y Electrónicas
An interantional biennale of New Media and Electronic Art
En/At MACAY: 11 de Julio-Agosto 30/July 11-August 30
Expsoción/Exhibit Virtual: 6 de Agosto-20 de Septiembre/August 6-September
20
Curador Ejecutivo/Executive Curator: Raul Ferrera-Balanquet
Curadores Invitados/Guest Curators: Fatima Lasay, Pooja Sood, Agricola de
Cologne
Ensayos/Essays: Laura Baigorri - Heidi Figueroa-
Museografía/Museographer: Jose Luis Rodriguez de Arma
Artistas/Artists
Arte en Red/Net Art
Carlo Zani (Italy)- Ricardo Miranda Zuñiga (Nicaragua/USA)-Anjali Arora
(India)-Juan Devis y OnRamp Arts (Colombia/USA)-Teknokultura (Puerto
Rico)-Tina Gonsalves (Australia)-Samuel Bianchini (France)- Gita Hashemi
(Iran/Canada)-Antonio Domínguez/Daniel Lara Ballesteros (Mexico)-Giselle
Beiguelman (Brazil)-Marcus Bastos (Brazil)-Raphael Marchetti Renno
(Argentina)-Colectivo Pinto mi Raya (Mexico)-Colectivo Transnational Temps
(Spain/France/USA)-Eduardo Navas (USA/El Salvador)-Yucef Merhi
(Venezuela/USA)- Mauro Ceolin ( Italy)-YOUNG-HAE CHANG HEAVY INDUSTRIES
(Korea)-Ricardo Báez Duarte (Venezuela)-Regina Célia Pinto (Brazil)-Juan
Manuel Patiño (Argentina)-Paula Córdova (Argentina)-Víctor Martínez Díaz
(Mexico)-Gregorio Rivera-Medellin (Mexico/USA)-Pat Binder
(Argentina/Germany)-Agricola de Cologne y Colectivo (Germany)-Ernesto León
(Venezuela)-Antonio Mendoza (USA/Cuba)-Mario García Torres (Mexico)-Daniel
García Andújar/The Technologies To The People Development Team (Spain)-Ellen
and Jim Fields (USA/Mexico)-OPTiQ_SYNDiCATE (Spain)
CD-Rom
Gita Hashemi (Iran/Canada)-Maysa Arabit .(The Philippines )-Catherine Lasam
.( The Philippines)-John Enrico Mortel .( The Philippines)-Nalini Malani
(India)
Fotografía/Photography
Eduardo Cervantes (México)-Isabel Ivars (España)-Jenny Fraser
(Australia)-Vivan Sundaram (India)-Maria Dybbro (US/Latina)-Jorge Luis
García (Mexico)
Instalación/Installation
Kathleen Ruiz (USA)-Santiago Perez Alfaro (Mexico)-Guto Nobrega (Brasil)
Juan José Díaz Infante (Mexico)-Raul Ferrera-Balaquet y Colectivo Esquinas
Rodantes (Cuba/Mexico/USA)- Regina Célia Pinto (Brazil)-Agustin Chong Amaya
(Mexico)-Arcangel Constantini (Mexico)-Carlo Zani (Italia)
Performance
Active Ingredient (Inglaterra)-Fernando Llanos/Enrique Greiner
(Mexico)-Adolfo SchneideWind (Argentina)-Raul Ferrera-Balanquet
(Cuba/México/USA)
Ricardo Loria/Enrique Rejón (México)-VJ Mud (Ricardo Heredia)
(Mexico)-Bandung Center for New Media Arts (Indonesia)-Mircea Turcan
(Mexico)
Sonido/Sound
Brian Mackern/Colectivo Haro (Uruguay/Argentina/Brazil/Mexico)-Fatima Lasay
(The Philippines)-Sergio Maltagliati (Italy)
Digital Video
John Alfred Fillwalk (USA)-Colectivo Re:combo, (Brasil)-Glenda León
(Cuba)-Tejal Shah (India)-Subodh Gupta, (India)-Kiran Subbiah,
(India)-Ranbir Kaleka (India)
Pooja Kaul (India) -Laura Carmona Barreda (México)-Chris Caines (Australia)
Monica Costa Coldwell (México)- Subba Ghosh(India)
InteractivA'03
http://www.cartodigital.org/interactiva
Mueso de Arte Contemporaneo Ateneo de Yucatan (Macay)
Pasaje de la Revolucion e/ 58 y 60
Merida, Yucatan, Mexico
http://www.macay.org
for information write
interactiva@cartodigital.org
coordinacion@macay.org
Raul Moarquech Ferrera-Balanquet,MFA
Artist/Writer/Curator
krosrods@cartodigital.org
ektenel@hotmail.com
http://www.cartodigital.org/krosrods
------------------------------
Date: Sat, 9 Aug 2003 01:29:25 -0700 (PDT)
From: Amy Alexander <plagiari@plagiarist.org>
Subject: =?ISO-8859-1?Q?=DCbergeek_and_Navasse_VJ=2FDJ_show_-_Los_An?= =?ISO-8859-1?Q?geles_?=
Übergeek (Amy Alexander) and Navasse (Eduardo Navas) bring to you their
CyberspaceLand performance a la Geek VJ/DJ set!
Tuesday August 12th at
The Neighborhood @ The Stone in Los Angeles.
5221 Hollywood Blvd. (3 blocks east of Western)
Hollywood, CA
Visuals from VJ Übergeek's B0timati0n 2 (the Internet Geek VJ) and
Extreme Whitespace (performance typing a la Linux terminal.)
Video from their latest performance online now at the following
locations!
RealVideo format:
http://thebot.org/video/crcap1.ram
http://thebot.org/video/crcap2.ram
Windows Media format:
http://thebot.org/video/crcap1.wmv
http://thebot.org/video/crcap2.wmv
More info:
Navasse:
http://navasse.net
http://navasse.net/navasseFall01/perfUpdate.html
Übergeek:
http://botimation.org
http://deprogramming.us/exwhindex.html
Venue info, Directions:
http://www.abstractmachine.com/theneighborhood.html
Bookmark our excitingly animated information page at:
http://navasse.net/compuCulture
CyberspaceLand - Post-dotcom entertainment...
------------------------------
Date: Sat, 09 Aug 2003 19:06:25 +1000
From: "shannon o'neill" <alias@aliasfrequencies.org>
Subject: [sydney] DISORIENTATION
D I S O R I E N T A T I O N
live electronic audiovisual performance
Wednesday August 13
@ Lanfranchis Memorial Discotheque
Lvl 2, 144 Cleveland St, Chippendale
From 8pm. $5 donation.
Featuring:
Winner
Bradbury
Black Galant
WINNER is Sydney's own psychotic supergroup covers band.
Your favourite pop hits as you've never heard them before. Get
down to such classics as Bohemian Rhapsody and Smells
Like Teen Spirit as performed by a feral, demented (Eno-era)
Roxy Music.
Garry BRADBURY is a legendary figure in Australian electronic
music. A former member of Severed Heads, he has recently
composed music for the Sydney Theater Company's productions
of Macbeth and The Tempest. A genuine musical visionary,
his work is full of beauty, humour, pathos and crunch.
BLACK GALANT is Sina Djavadkhani doing beats, samples,
and melodies threading ambient and synth pop waters. This
debut performance will also feature MC Slypussy of Anti-Kati
on Kaos pad and scratching.
DISORIENTATION is a monthly series of events, aiming to bring
together both well-known and emerging artists working in audio or
audiovisual performance. For more information contact
Shannon.ONeill@uts.edu.au
DISORIENTATION is supported by:
UTS Media Arts and Production
Lanfranchis Memorial Discotheque
2SER-FM
2MBS-FM
------------------------------
Date: Mon, 11 Aug 2003 11:04:34 +0200
From: "=?iso-8859-1?Q?Producci=F3n_Ciber@RT?=" <produccion@ciberart-bilbao.net>
Subject: Ciber@RT Bilbao 2004 - Call for papers / entries
Dear Sir / Madam:
We would be very grateful if you would include the call for entries for CiberART Festival in the various Nettime mailing lists. Enclosed, we send you the information.
We have already send the information in the Spanish list using the following e-mail address:
nettime-lat@nettime.org
Do not hesitate to contact us if you need any further information.
Thanking you in advance for your collaboration.
Best regards,
Ángela Molina
Director
N.B: Please, could you also send us a copy of the Email bulletin when this information is published, we would need it for our press book. Thanks again!
____________________________________________________________________________________
Dear friends,
We are pleased to inform you the International Festival of New Technologies, Art and Communication: Ciber@RT Bilbao 2004 has opened its registration period for the Call for entries. Under the theme "Challenges for a Ubiquitous Identity", the festival will take place in Bilbao from the 23rd to the 30th of April, 2004.
If you are interested in presenting works to the various sections of the festival (Net-Art, Off-Line Multimedia Projects, International Conference, Computer-generated Animation, "Minimisation" and Interactive Installations) you can find the Call for participation (Rules) on our web page www.ciberart-bilbao.net
For more information regarding the International Conference, see http://www.ciberart-bilbao.net/congreso_en.htm
The deadline for presenting papers for the congress is the 30th of November 2003 and the deadline for the artwork is the 15th of December 2003.
We would be very grateful if you could help us in passing this message on.
Best regards from the Ciber@RT Bilbao 2004 team.
__________________________
Ciber@RT
Av. Reino de Valencia, 58 - 8
46008 Valencia
España - Spain
Tel.: 00 34 96 373 10 82
Fax: 00 34 96 373 05 45
www.ciberart-bilbao.net
------------------------------
Date: Mon, 21 Jul 2003 13:04:00 -0700
From: Carol Hobson <chobson@ucsd.edu>
Subject: SIGGRAPH03: CRCA Computing Arts Cafe
Please Post:
CRCA Computing Arts Cafe
Monday, July 28, 7:00 - 11:00 PM
Reincarnation Project, 1091 J Street
between 10th and 11th streets, downtown San Diego
http://crca.ucsd.edu/events/index.html
The UCSD Center for Research in Computing & the Arts (CRCA) will host
a reception event presenting new media and digital arts researchers
and their current projects. The CRCA Computing Arts Cafe will
showcase digital video, Internet performance, software installation
and DJ sets by artists including Sheldon Brown, Harold Cohen, Jordan
Crandall, Amy Alexander, Eduardo Navas, Brody Condon, Lisa Hutton,
Carol Hobson, Ted Apel, Brad Borevitz, Matt Hope, Rachel Beth
Egenhoefer, Joel Swanson and Phillip Sharpe.
This event is FREE and Open to the Public. Light refreshments and a
no-host bar will be available. The Reincarnation Project is
accessible to people with special needs.
Many thanks for their support and cooperation to: SIGGRAPH2003, Ruben
Seja, Creative Projects Management, LLC, Wayne Buss, Carnation LLC,
Debra Owens, the Debra Owens Gallery, the Worldbeat Center, GEFROM
Productions, and Levine Menzies & Associates.
*Please forgive if you receive multiple emails, but feel free to
forward to friends and associates who may be attending SIGGRAPH in
San Diego this month.
- -----------------------------------------------------+-
CRCA is an organized research unit of UCSD whose mission is to
facilitates the invention of new art forms that arise out of the
developments of digital technologies. Current areas of interest
include interactive networked multimedia, virtual reality,
computer-spatialized audio, and live performance techniques for
computer music and graphics.
- -----------------------------------------------------+-
- --
Carol J. Hobson
New Media Arts Manager
CRCA/UCSD, Cal(IT)2, UC DARNet
chobson@ucsd.edu
(858) 534-4383, fax: (858) 534-7944
http://crca.ucsd.edu/~chobson
------------------------------
Date: Tue, 22 Jul 2003 21:20:55 +1000
From: Ned Rossiter <Ned.Rossiter@arts.monash.edu.au>
Subject: INTIMATE DISTANCE: Liveness and Affect
Date: Tue, 22 Jul 2003 03:34:42 +1000
From: pia <pia.ednie-brown@ems.rmit.edu.au>
INTIMATE DISTANCE: Liveness and Affect
Visiting Fellows Program, RMIT University
As part of the SIAL Graduate Certificate Program.
August 4th - 11th 2003.
Liveness is the sense of living presence. This often involves the
sense of a presence that is elsewhere, where actions are registered
simultaneously across different spaces (geographical, operational,
perceptual, disciplinary....). Today, related phenomena are
frequently tied up with the increasing perceptual sensitivity of
technological operations, often acting to animate objects and events
with new kinds of life-like power and complexity. This occurs in
quite literal ways through technological invention (such as the
proliferation of sensors, artificial intelligence systems etc) and
can be felt through the intensified variability, instability and
sensitivity of socio-cultural operations.
The SIAL Graduate Certificate program explores these conditions with
an emphasis on the production of closeness across geographic and/or
representational distance or, in other words, the sense of immediate,
intimate presence through remote means. Attention is focused on ways
that affective (qualitative, emergent) dimensions of events might be
transduced across distinct media, moments and spaces: how we allow
the openness of affectivity to survive (instrumental) shifts of
register.
INTIMATE DISTANCE: Liveness and Affect is a week long visiting
fellows program involving lectures, colloquium and workshops related
to the above issues. Workshop activity will predominantly be aimed at
developing an installation-event for October 2003:SKINS OF INTIMATE
DISTANCE ; surfacing unnatural histories being produced by the RMIT
SIAL Graduate Certificate program in partnership with Experimedia
(State Library of Victoria) and RMIT undergraduate students from
Fashion, Communications Design and Architecture.
Many of the events during the week will be open to the public through
webcam streaming. Links to the webcams and details of these events
will be available at http://liveness.sial.rmit.edu.au and through
http://www.sial.rmit.edu.au
Participants include: Brian Massumi, Natalie Jeremijenko, Hellen Sky,
Stelarc, Marcelyn Gow, Daniel Norell, Jonas Runberger, Mark Burry,
Pia Ednie-Brown, Tom Kovac, Spela Mlakar, Don Bates, Ned Rossiter +
others.
Public Lectures:
Wednesday 6th August, 5.30-8pm, Storey Hall RMIT University
Natalie Jeremijenko (techno-artist, Yale+ Centre of Advanced
Technology, NY) + Stelarc (international performance artist)
Thursday 7th August, 5.30-8pm, Storey Hall RMIT University
Marcelyn Gow (architect, SERVO; Los Angeles, Zurich, NY)
+ Brian Massumi (philosopher, Uni of Montreal)
------------------------------
Date: Mon, 21 Jul 2003 16:54:11 +0200
From: =?iso-8859-1?Q?Edith-Ru=DF-Haus_f=FCr_Medienkunst?= <info@edith-russ-haus.de>
Subject: =?iso-8859-1?Q?Stipendiaten-Abend_im_Edith-Ru=DF-Haus?=
(scroll down for english)
Zeigen und Erzählen
Künstler präsentieren ihre Zukunft
Am 25. Juli 2003, um 19 Uhr, geben Naomi Ben-Shahar und die Künstlergruppe Bernadette Corporation einen kurzen Einblick in ihre Arbeitsvorhaben für das Edith-Ruß-Haus Stipendium. Sie erarbeiten ein Programm mit der Verfilmung einer Party im Medienkunsthaus - ein Projekt, das sozialen Bewegungsmustern nachspürt - sowie mit Workshops, Künstlergesprächen, Buchprojekten und weiteren Aktivitäten.
Die Arbeitsstipendien des Edith-Ruß-Hauses für Medienkunst im Jahr 2003 wurden vergeben an: Dave Allen (Schottland/D), Bernadette Corporation (USA/F) und Naomi Ben-Shahar (USA/ISR).
Das Stipendiaten Programm wird gefördert durch die Stiftung Niedersachsen.
Show and Tell
Artists present their future
On July 25, 2003 at 7pm, Naomi Ben-Shahar and the artist group Bernadette Corporation will grant an audience at the Edith Russ Site a peek into their projects for the coming 6 months. Their progam includes filming a party at the media art site - a project that traces the forms of social movement - as well as workshops, artist talks, book projects and further activites.
The Edith Russ Site for Media Art work stipend for 2003 was awarded to Dave Allen (Scotland/D), Bernadette Corporation (USA/F) and Naomi Ben-Shahar (USA/ISR).
The stipend program is made possible by a grant from the Foundation of Lower Saxony.
Edith-Ruß-Haus für Medienkunst
Edith Russ Site for Media Art
Katharinenstraße 23
D-26121 Oldenburg
t. +49 (0)441 235 31 94
f. +49 (0)441 235 21 61
www.edith-russ-haus.de
info@edith-russ-haus.de
------------------------------
Date: Thu, 24 Jul 2003 22:34:15 -0700 (PDT)
From: Amy Alexander <plagiari@plagiarist.org>
Subject: Uebergeek and Navasse - CompuCulture VJ/DJ Shows, San Diego and LA
Uebergeek (Amy Alexander) and Navasse (Eduardo Navas) perform their
CompuCulture a la Geek VJ/DJ set
This Monday, July 28th at
Cafe CRCA @ The Reincarnation Building in San Diego
and
Tuesday August 12th at
The Neighborhood @ The Stone in Los Angeles.
Visuals from VJ Uebergeek's B0timati0n 2 (the Internet Geek VJ) and
Extreme Whitespace (performance typing a la Linux terminal.)
More info:
Navasse:
http://navasse.net
http://navasse.net/navasseFall01/perfUpdate.html
Uebergeek:
http://botimation.org
http://deprogramming.us/exwhindex.html
Venue info, Directions:
http://crca.ucsd.edu/events
http://www.abstractmachine.com/theneighborhood.html
CompuCulture - Post-dotcom entertainment...
------------------------------
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