| claire tolan on Thu, 31 Aug 2017 19:27:55 +0200 (CEST) |
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| Re: <nettime> predrepair Check-in |
Hey Niels!
I'm wrapping up for the night.
Some news from here:
I greatly underestimated the difficulty of getting the new JSON
structure to be correctly imported into the app -- I just got it working
now. The great difficulty was in correctly writing the Django models
when dealing with nested data, as we necessarily are with the new
structure. So, that consumed most of my day, but now the app is
correctly storing the API-returned JSON with the addition of the three
sub-categories for each of the predictive results.
These changes are live, and if you'd like to try them out, you can! The
"registration date" field is also live now. It's a bit awkward and will
get fixed up as part of the styling work tomorrow.
The results are appearing on the correct screens, but I've yet to
implement the "click to view" accordions, so just the top level results
are showing now. You can see that the "spare parts" screen will be quite
content-laden. The "click to expand" functionality will necessarily
require more space between the items, so there will be quite a bit of
scroll. If that's not functional, we can break these up into separate
screens.
The difficult work is done on this now, and I should be able to wrap up
the interface structure and style tomorrow!
Hope you had a great day!
Cheers,
Claire
On 8/31/17 11:24 AM, Niels Reinhard wrote:
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> Today's Topics:
>
> 1. John Harris: Liberals can?t hope to beat Trump until they
> truly understand him (Guardian) (Patrice Riemens)
>
>
> ----------------------------------------------------------------------
>
> Message: 1
> Date: Thu, 31 Aug 2017 10:59:14 +0200
> From: Patrice Riemens <patrice@xs4all.nl>
> To: nettime-l@kein.org
> Subject: <nettime> John Harris: Liberals can?t hope to beat Trump
> until they truly understand him (Guardian)
> Message-ID: <ff326e9b479d8f8ac277b67c640cd8ec@xs4all.nl>
> Content-Type: text/plain; charset=UTF-8; format=flowed
>
>
>
> Original to:
> https://www.theguardian.com/commentisfree/2017/aug/30/liberals-donald-trump-rightwing-populists
> (bwo Evel with thanks)
>
>
> Liberals can?t hope to beat Trump until they truly understand him
> Rightwing populists are operating according to different rules. If
> everything is a circus, who cares about bread?
>
>
> This week brought a fascinating spectacle indeed: Donald Trump telling
> the unvarnished truth. The occasion was a joint press conference with
> the stoic-looking president of Finland, three days after Hurricane
> Harvey made landfall and Trump simultaneously announced his pardon of
> Joe Arpaio ? the notorious former sheriff of Maricopa County, Arizona,
> who was facing a possible jail sentence for defying a court order to
> stop racially profiling Latino people. Up popped the White House
> correspondent for Fox News with a couple of simple questions: why had
> Trump done it, and what was his response to those people who insisted he
> was wrong?
>
> There was no reference here to the announcement?s odorous timing, but
> that was the point Trump chose to address. ?In the middle of a
> hurricane, even though it was a Friday evening, I assumed the ratings
> would be far higher than they would be normally,? he said. In other
> words, with Houston succumbing to historic suffering and damage and
> people glued to their TVs, he saw the perfect opportunity to drop yet
> another symbolic stunt: a shameful act by any normal political standards
> ? but one that he, being Trump, saw fit to boast about.
>
> We all know the daily drill by now: wake up, check phone, boggle at
> whatever new outrage Trump has perpetrated. We know too that whereas his
> presidency once threatened to follow a halfway substantial agenda ?
> America First economics, a withdrawal from commitments abroad, the
> fabled wall ? in any practical terms it has now swerved into a swamp of
> confusion and incoherence.
>
> From banning trans people from the US armed forces to America?s
> withdrawal from the Paris climate change accords, his policy
> announcements have plenty of real-world consequences. But they seem
> chiefly chosen for the extent to which they play up the US?s howling
> cultural divisions ? while the hourly blasts on Twitter compound the
> sense of an administration running on rhetoric and symbolism rather than
> any prospect of concrete achievement.
>
> Viewed from one perspective, all this might suggest desperation and
> failure. But look at it in a slightly different way, and Trump?s
> approach might just as well point towards political success. Forty years
> of what some people call neoliberalism have long since scaled down most
> people?s expectations of what government can achieve; for most people,
> politics has tended to resemble a distant game, replete with both
> irrelevance and tedium, which leaves 99% of lives untouched. In that
> context, even if he achieves next to nothing, the spectacle of a
> president endlessly provoking the liberal establishment, speaking to the
> prejudices of his electoral base, and putting on the mother of all
> political shows, has an undeniable appeal ? to the point that a second
> Trump term might be a more realistic prospect than many would like to
> think.
>
> In a recent issue of the New Yorker, a fascinating article on Trump
> supporters in Grand Junction, Colorado ? ?a rural place with problems
> that have traditionally been associated with urban areas?, where Trump
> took nearly 65% of the vote ? made all this explicit. Before the
> election, voters there had tended to see Trump?s stunts and provocations
> as proof of the combative qualities he would bring to an imagined
> reinvention of America and its economy. Now, his daily antics were
> seemingly close to being the whole point.
>
> ?The calculus seemed to have shifted: Trump?s negative qualities, which
> once had been described as a means to an end, now had value of their
> own,? writes Peter Hessler, a rare example of a writer who pushes beyond
> liberal loathing of the president into the reasons why so many people
> support him. ?The point wasn?t necessarily to get things done; it was to
> retaliate against the media and other enemies. The assumption has always
> been that, while emotional appeal might have mattered during the
> campaign, the practical impact of a Trump presidency would prove more
> important. Liberals claimed that Trump would fail because his policies
> would hurt the people who had voted for him. But the lack of legislative
> accomplishment seems only to make supporters take more satisfaction in
> Trump?s behaviour.?
>
> As evidenced by Blair or Berlusconi, or any number of pre-Trump US
> presidents, much of politics has long been about performance and
> provocation, and the frequent imperative to distract the public from
> awkward realities. Now the Trump experience suggests a new, surreal era
> with two key elements. First, as evidenced by credible academic studies,
> many voters? recognition of his lies does not seem to weaken their
> support for him. Second, Trump suggests that what might have once been
> maligned as smoke and mirrors can define the entirety of politics ? and,
> crucially, government ? while the increasingly untenable Anglo-American
> model of capitalism grinds on. Our public discourse is increasingly
> founded on confrontation, personality cults and dopamine hits. And if
> everything is a circus, who cares about the bread?
> The Guardian's Brexit Means ... The three ?whats? of leaving the EU ?
> Brexit Means podcast
> The team look at what kind of transition Britain wants, what might be in
> the government?s position papers and what size of divorce bill Brexiters
> are willing to pay
> Listen
>
> Trump is not the only example. On this side of the Atlantic, Brexit was
> sold to many who voted for it not as a specified set of outcomes but an
> infectious feeling, laced with the sense of sticking it to a rotten
> establishment. And for all the exposure of the leave campaign?s serial
> lies, the lack of a public backlash is remarkable. As they entered this
> year?s general election, Theresa May and her allies had almost nothing
> to say about the economy or society, but campaigned instead on a mess of
> stuff relating to her supposed character, the idea that she was about to
> stick it to the French and Germans, and the kind of loathing of
> left-liberal politics embodied by all those front pages of the Daily
> Mail. The fact that the Tories were so wrong-footed by a Labour offered
> some hope, but a substance-free Conservative campaign still attracted
> the party?s highest share of the vote since 1983.
>
> On both left and right, meanwhile, the bigger cultural-political picture
> is not exactly encouraging. The dread term ?post-truth? barely begins to
> describe what?s going on. Overheated commentary increasingly takes
> precedence over old-fashioned journalism. The symbolic seems more
> important than the practical, so that it is more fashionable to argue
> over, say, statues we should or should not take down than to think hard
> about the condition of society, and how a whole array of massive issues
> ? deepening inequalities, ageing, automation, you name it ? might be
> dealt with.
>
> Social media are dissolving the connection between everyday experience
> and political argument to the point that the latter often seems to take
> place in its own self-sealed universe, purely as an ever more hysterical
> kind of entertainment. And from that, no end of awful political
> consequences could follow.
>
> Certainly, Trump will not be the last leader to so brazenly leave
> reality behind. We have a whole lexicon ? rhetoric, presentation, ?spin?
> ? for the supposedly ephemeral aspects of politics, as if beneath them
> lurks the noble stuff to which we can somehow return. But what if it has
> gone, and there is no way of getting it back?
>
>
>
>
> ------------------------------
>
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> From: "Thilmann, Pia" <Thilmann@hkw.de>
> To: 'claire tolan' <cst@cst.yt>
> Subject: AW: Reminder: Claire Tolan @ No! Music Festival / contract draft
> version for your approval, press material requested
> Thread-Topic: Reminder: Claire Tolan @ No! Music Festival / contract draft
> version for your approval, press material requested
> Thread-Index: AdMag1r9wnyUr4e8QPulfxhf3WayNgG4AzCAAEH1ERA=
> Date: Thu, 31 Aug 2017 15:10:52 +0000
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> References: <B3CCAF6FEF33CB4AABA5D5E440DEA2CC010773649F@KBBMX02.kbb.intern>
> <6e81f289-1875-8482-1990-049c6dfc1334@cst.yt>
> In-Reply-To: <6e81f289-1875-8482-1990-049c6dfc1334@cst.yt>
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>
> Dear Claire,
> thank you fort he Bio and pictures, but the files are quite small, would yo=
> u have one 1MB size, for print only high resolution can be considered,
> thank you
> best
> Pia
>
>
> Von: claire tolan [mailto:cst@cst.yt]
> Gesendet: Mittwoch, 30. August 2017 11:42
> An: Thilmann, Pia
> Betreff: Re: Reminder: Claire Tolan @ No! Music Festival / contract draft v=
> ersion for your approval, press material requested
>
> Hey Pia!
>
> Requested information below:
>
> Cheers,
> Claire
>
> PHOTOS:
> https://mega.nz/#F!rVcmjarb!w-pyIkKuNXcYI4sfe7Pr4g
>
> All credit to me
>
> BIO:
>
> Since 2013, much of Claire Tolan=92s work has found its foundation in the s=
> ounds of ASMR, Autonomous Sensory Meridian Response. Tolan has hosted =84Yo=
> u=92re Worth It,=93 an ASMR show on Berlin Community Radio for more than th=
> ree years. She has also worked with ASMR in performance, recording, and exh=
> ibition, collaborating with musician Holly Herndon, writer and artist Inger=
> Wold Lund, and artist Camilla Steinum, among others. Tolan was the 2015 Go=
> ethe-Institut and SPACE Perlin Noise sound artist-in-residence at London=92=
> s White Building and a 2016 Musicboard Berlin fellow.
>
> LINKS
> - You're Worth It on Berlin Community Radio: http://www.berlincommunityradi=
> o.com/youre-worth-it
> - ASMR ringtones: http://tones.shush.systems
>
>
>
> On 8/21/17 4:42 PM, Thilmann, Pia wrote:
> - One or preferably several photos in high resolution, with photo=
> grapher=92s name for credit
> - A short artist bio/CV
> - Audio- or video-links if possible
>
>
>
>
> --
>
> Claire Tolan
>
>
>
> +49 1718415878
>
> http://cst.yt
>
> gpg: http://cst.yt/cst/key.txt
>
> ...........................................................................=
> ................................................................
>
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> <p class=3D"MsoNormal"><span lang=3D"EN-US" style=3D"font-size:10.0pt;font-=
> family:"Arial","sans-serif";color:#1F497D">Dear Claire,
> <o:p></o:p></span></p>
> <p class=3D"MsoNormal"><span lang=3D"EN-US" style=3D"font-size:10.0pt;font-=
> family:"Arial","sans-serif";color:#1F497D">thank you fo=
> rt he Bio and pictures, but the files are quite small, would you have one 1=
> MB size, for print only high resolution can be considered,
> <o:p></o:p></span></p>
> <p class=3D"MsoNormal"><span lang=3D"EN-US" style=3D"font-size:10.0pt;font-=
> family:"Arial","sans-serif";color:#1F497D">thank you<o:=
> p></o:p></span></p>
> <p class=3D"MsoNormal"><span lang=3D"EN-US" style=3D"font-size:10.0pt;font-=
> family:"Arial","sans-serif";color:#1F497D">best<br>
> Pia<o:p></o:p></span></p>
> <p class=3D"MsoNormal"><span lang=3D"EN-US" style=3D"font-size:10.0pt;font-=
> family:"Arial","sans-serif";color:#1F497D"><o:p> <=
> /o:p></span></p>
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> <div>
> <div style=3D"border:none;border-top:solid #B5C4DF 1.0pt;padding:3.0pt 0cm =
> 0cm 0cm">
> <p class=3D"MsoNormal"><b><span style=3D"font-size:10.0pt;font-family:"=
> ;Tahoma","sans-serif";color:windowtext">Von:</span></b><span=
> style=3D"font-size:10.0pt;font-family:"Tahoma","sans-serif&=
> quot;;color:windowtext"> claire tolan [mailto:cst@cst.yt]
> <br>
> <b>Gesendet:</b> Mittwoch, 30. August 2017 11:42<br>
> <b>An:</b> Thilmann, Pia<br>
> <b>Betreff:</b> Re: Reminder: Claire Tolan @ No! Music Festival / contract =
> draft version for your approval, press material requested<o:p></o:p></span>=
> </p>
> </div>
> </div>
> <p class=3D"MsoNormal"><o:p> </o:p></p>
> <div>
> <p class=3D"MsoNormal">Hey Pia!<br>
> <br>
> Requested information below:<br>
> <br>
> Cheers,<br>
> Claire<br>
> <br>
> PHOTOS:<br>
> <span style=3D"font-size:10.0pt;font-family:"Arial","sans-se=
> rif";color:#333333"><a href=3D"https://mega.nz/#F!rVcmjarb!w-pyIkKuNXc=
> YI4sfe7Pr4g">https://mega.nz/#F!rVcmjarb!w-pyIkKuNXcYI4sfe7Pr4g</a><br>
> <br>
> All credit to me<br>
> </span><br>
> BIO:<br>
> <br>
> <span style=3D"font-size:13.5pt">Since 2013, much of Claire Tolan=92s work =
> has found its foundation in the sounds of ASMR, Autonomous Sensory Meridian=
> Response. Tolan has hosted =84You=92re Worth It,=93 an ASMR show on Berlin=
> Community Radio for more than three years.
> She has also worked with ASMR in performance, recording, and exhibition, c=
> ollaborating with musician Holly Herndon, writer and artist Inger Wold Lund=
> , and artist Camilla Steinum, among others. Tolan was the <em><span st=
> yle=3D"font-style:normal">2015 Goethe-Institut</span></em> and <e=
> m><span style=3D"font-style:normal">SPACE
> Perlin Noise</span></em> sound artist-in-residence at London=92s =
> ;<em><span style=3D"font-style:normal">White Building</span></em> and =
> a 2016 <em><span style=3D"font-style:normal">Musicboard Berlin</span><=
> /em> fellow.</span><br>
> <br>
> LINKS<br>
> - You're Worth It on Berlin Community Radio: <a href=3D"http://www.berlinco=
> mmunityradio.com/youre-worth-it">
> http://www.berlincommunityradio.com/youre-worth-it</a><br>
> - ASMR ringtones: <a href=3D"http://tones.shush.systems";>http://tones.shush=
> .systems</a><br>
> <br>
> <br>
> <br>
> On 8/21/17 4:42 PM, Thilmann, Pia wrote:<o:p></o:p></p>
> </div>
> <blockquote style=3D"margin-top:5.0pt;margin-bottom:5.0pt">
> <p class=3D"MsoNormal" style=3D"mso-margin-top-alt:auto;mso-margin-bottom-a=
> lt:auto"><span lang=3D"EN-US" style=3D"font-size:10.0pt;font-family:"A=
> rial","sans-serif";color:#1F497D">- &=
> nbsp; One or preferably several photos in hig=
> h resolution, with photographer=92s name
> for credit</span><o:p></o:p></p>
> <p class=3D"MsoNormal" style=3D"mso-margin-top-alt:auto;mso-margin-bottom-a=
> lt:auto"><span lang=3D"EN-US" style=3D"font-size:10.0pt;font-family:"A=
> rial","sans-serif";color:#1F497D">- &=
> nbsp; A short artist bio/CV</span><o:p></o:p>=
> </p>
> <p class=3D"MsoNormal" style=3D"mso-margin-top-alt:auto;mso-margin-bottom-a=
> lt:auto"><span lang=3D"EN-US" style=3D"font-size:10.0pt;font-family:"A=
> rial","sans-serif";color:#1F497D">- &=
> nbsp; Audio- or video-links if possible</span=
>> <o:p></o:p></p>
> </blockquote>
> <p class=3D"MsoNormal"><o:p> </o:p></p>
> <p><o:p> </o:p></p>
> <pre>-- <o:p></o:p></pre>
> <pre>Claire Tolan<o:p></o:p></pre>
> <pre><o:p> </o:p></pre>
> <pre>+49 1718415878<o:p></o:p></pre>
> <pre><a href=3D"http://cst.yt";>http://cst.yt</a><o:p></o:p></pre>
> <pre>gpg: <a href=3D"http://cst.yt/cst/key.txt";>http://cst.yt/cst/key.txt</=
> a><o:p></o:p></pre>
> </div>
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> <b>Art Without Death: Russischer Kosmismus | Russian Cosmism</b><br>
> Ausstellung, Konferenz | Exhibition, conference<br>
> 01.09. - 03.10.2017<br>
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> Subject: =?utf-8?Q?New=20exhibitions=2C=20performances=20and=20open=20calls?=
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> n/new-exhibitions-performances-and-open-calls?e=3D84936f6f4b)
> Delfina logo
>
>
> ** NEWSLETTER - SEPTEMBER 2017
> ------------------------------------------------------------
>
>
> ** PRIVATE COLLECTION: UNPERFORMED OBJECTS
> ------------------------------------------------------------
>
> First UK solo show by South Korean artist Geumhyung Jeong
> http://delfinafoundation.com/whats-on/geumhyung-jeong-exhibition/
>
> Private view: 27th September 2017=2C 18:00 to 21:00
>
> Immerse yourself in Jeong (../../../../in-residence/geumhyung-jeong/) 's b=
> izarre collection of everyday objects =E2=80=93 brought to life through th=
> e artist=E2=80=99s intense performances involving risky interactions with=
> her body. The exhibition at Delfina Foundation runs from 28th September t=
> o 11th November 2017.
>
> =E2=80=93
> MORE (http://delfinafoundation.com/whats-on/geumhyung-jeong-exhibition/)
>
>
> ** PERFORMANCE: '7WAYS' AT TATE
> ------------------------------------------------------------
>
> http://delfinafoundation.com/whats-on/geumhyung-jeong-live-performance-at-=
> tate/
>
> Experience Geumhyung Jeong's live performance 7ways during Frieze Week at=
> Tate Modern (http://www.tate.org.uk/whats-on/tate-modern/performance/tate=
> -live-geumhyung-jeong) =2C which will punctuate a week-long presentation o=
> f the artist's work in the Tanks=2C coinciding with Delfina Foundation's e=
> xhibition.
>
> =E2=80=93
> MORE (http://delfinafoundation.com/whats-on/geumhyung-jeong-live-performan=
> ce-at-tate/)
>
>
>
> ** NEW INSTALLATION: ALI MIHARBI
> ------------------------------------------------------------
>
> http://delfinafoundation.com/whats-on/an-installation-for-horniman-gardens=
> -by-ali-miharbi/
>
> Take a trip to the Horniman Museum=2C South London and experience Ali Miha=
> rbi (../../../in-residence/ali-miharbi) 's newly-commissioned installation=
> Wind Organ=2C inspired by the museum's collection of musical instruments.=
> On view until 26th November 2017.
>
> =E2=80=93
> MORE (http://delfinafoundation.com/whats-on/an-installation-for-horniman-g=
> ardens-by-ali-miharbi/)
>
>
> ** OPEN STUDIO: AVANI TANYA
> ------------------------------------------------------------
>
> http://delfinafoundation.com/whats-on/open-studios-avani-tanya-3/
>
> Meet resident artist Avani Tanya (../../../../in-residence/avani-tanya/) =
> in her studio at the Victoria & Albert Museum on the weekend of the 16th=
> and 17th September 2017=2C where she is producing a new work in response=
> to the museum's South Asian Collections.
>
> =E2=80=93
> MORE (http://delfinafoundation.com/whats-on/open-studios-avani-tanya-3/)
>
>
>
> ** NEW RESIDENT: DAISUKE MIYATSU
> ------------------------------------------------------------
>
> http://delfinafoundation.com/in-residence/daisuke-miyatsu-5/
>
> Welcome to the 'salary-man collector' Daisuke Miyatsu from Japan=2C our ne=
> w collector-in-residence=2C along with his wife Shizu. During his short st=
> ay=2C Daisuke is exploring the philosophy=2C psychology and politics of co=
> llecting alongside our resident artists.
>
> =E2=80=93
> MORE (http://delfinafoundation.com/in-residence/daisuke-miyatsu-5/)
>
>
> ** CURRENT OPEN CALLS
> ------------------------------------------------------------
>
> http://delfinafoundation.com/programmes/residency-programme/open-calls/
>
> Apply to our open calls for residencies for practitioners in Indonesia (..=
> /../../../programmes/residency-programme/open-calls/open-call-for-indonesi=
> an-artists/) =2C Angola (../../../../programmes/residency-programme/open-c=
> alls/open-call-for-angolan-artists-and-curators/) =2C and The Netherlands=
> (../../../../programmes/residency-programme/open-calls/open-call-for-neth=
> erlands-based-artists-and-mediators/) =2C as well as the ArteVue ArtePrize=
> (http://delfinafoundation.com/news/artevue-arteprize/) for young artists=
> based anywhere in the world.
>
> =E2=80=93
> MORE (http://delfinafoundation.com/programmes/residency-programme/open-cal=
> ls/)
>
>
>
> ** JOE MORAN AT SADLERS WELLS
> ------------------------------------------------------------
>
> http://delfinafoundation.com/in-residence/joe-moran/
>
> Book now to see the UK premiere of choreographer Joe Moran's dance experim=
> ent On The Habit of Being Oneself =E2=80=93 developed during his 2016 resi=
> dency at Delfina Foundation =E2=80=93 at Sadler's Wells Theatre (http://ww=
> w.sadlerswells.com/whats-on/2017/joe-moran-dance-art-foundation-on-the-hab=
> it-of-being-oneself/) on 28th and 29th September 2017.
>
> =E2=80=93
> MORE (http://delfinafoundation.com/in-residence/joe-moran/)
> EMAIL US (mailto:info@delfinafoundation.com) =C2=A9 DF 2012 UNSUBSCRIBE (h=
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> =09=09=09=09=09=09<p style=3D"font-family: 'Courier New'=2CCourier=2Cmonos=
> pace;font-size: 11px;margin-top: 3px;margin-bottom: 5px;padding-top: 10px;=
> ">Email not displaying properly?<br><a class=3D"basic-link" href=3D"http:/=
> /mailchi.mp/delfinafoundation/new-exhibitions-performances-and-open-calls?=
> e=3D84936f6f4b" target=3D"_blank">Click here to view it in your browser.</a>=
> </p>
> =09=09=09=09=09</td>
> =09=09=09=09=09</tr>
> =09=09=09=09=09<!-- end view online -->
> =09=09=09=09=09
> =09=09=09=09=09<!-- content -->
> =09=09=09=09=09<tr style=3D"padding: 0;">
> =09=09=09=09=09<td class=3D"content" style=3D"padding: 0;">
> =09=09=09=09=09
> =09=09=09=09=09=09<!-- header -->
> =09=09=09=09=09=09<table class=3D"header" cellpadding=3D"0" cellspacing=3D=
> "0" align=3D"center" valign=3D"top" border=3D"0" style=3D"height: 184px;pa=
> dding-top: 50px;text-align: center;">
> =09=09=09=09=09=09=09<tbody style=3D"padding: 0;">
> =09=09=09=09=09=09=09<tr style=3D"padding: 0;">
> =09=09=09=09=09=09=09=09<td class=3D"logo" style=3D"padding: 0;width: 340p=
> x;height: 93px;">
> =09=09=09=09=09=09=09=09=09<img src=3D"http://delfinafoundation.com/images=
> /email/logo.png" alt=3D"Delfina logo" width=3D"340" height=3D"93" style=3D=
> "display: block;border: none;">
> =09=09=09=09=09=09=09=09</td>
> =09=09=09=09=09=09=09</tr>
> =09=09=09=09=09=09=09<tr style=3D"padding: 0;">
> =09=09=09=09=09=09=09=09<td valign=3D"top" height=3D"100" style=3D"padding=
> -top: 5px;padding: 0;">
> =09=09=09=09=09=09=09=09=09<h1 class=3D"title" style=3D"font-size: 15px;fo=
> nt-family: 'Arial'=2C'Helvetica'=2Csans-serif;text-align: center;padding-t=
> op: 10px;">NEWSLETTER - SEPTEMBER 2017</h1>
> =09=09=09=09=09=09=09=09</td>
> =09=09=09=09=09=09=09</tr>
> =09=09=09=09=09=09=09</tbody>
> =09=09=09=09=09=09</table>=09
> =09=09=09=09=09=09<!-- end header -->
> =09=09=09=09=09=09
> =09=09=09=09=09=09<!-- lead story -->
> =09=09=09=09=09=09<table class=3D"lead" cellpadding=3D"0" cellspacing=3D"0=
> " align=3D"center" valign=3D"top" border=3D"0" style=3D"text-align: left;p=
> adding-bottom: 40px;">
> =09=09=09=09=09=09=09<tbody style=3D"padding: 0;">
> =09=09=09=09=09=09=09<tr style=3D"padding: 0;">
> =09=09=09=09=09=09=09=09<td class=3D"border" style=3D"padding: 0;border-to=
> p: 1px solid #000000;font-family: 'Courier New'=2CCourier=2Cmonospace;font=
> -size: 15px;">
> =09=09=09=09=09=09=09=09=09<h3 class=3D"heading" style=3D"margin: 0;font-s=
> ize: 15px;font-family: 'Arial'=2C'Helvetica'=2Csans-serif;color: #000000;f=
> ont-weight: bold;padding-top: 3px;">PRIVATE COLLECTION: UNPERFORMED OBJECT=
> S</h3>
> =09=09=09=09=09=09=09=09=09<p class=3D"caption" style=3D"font-family: 'Cou=
> rier New'=2CCourier=2Cmonospace;font-size: 15px;margin-top: 3px;margin-bot=
> tom: 5px;">First UK solo show by South Korean artist Geumhyung Jeong</p>
> =09=09=09=09=09=09=09=09=09<a href=3D"http://delfinafoundation.us5.list-ma=
> nage2.com/track/click?u=3Dee42212c4e3cb5c6bc09473aa&id=3D413e6f468f&e=3D=
> 84936f6f4b" style=3D"color: #000000;"><img src=3D"/resources/3439/Geumhyung=
> _Jeong_Newsletter_September_2017_Panel medium.jpg" width=3D"560" height=3D=
> "370" style=3D"display: block;border: none;"></a>
> =09=09=09=09=09=09=09=09=09
> =09=09=09=09=09=09=09=09=09<!-- p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; fon=
> t: 11.0px Calibri} span.s1 {font-kerning: none} --> <!-- p.p1 {margin: 0.0=
> px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; color: #454545} -->
> <p style=3D"font-family: 'Courier New'=2CCourier=2Cmonospace;font-size: 15=
> px;margin-top: 3px;margin-bottom: 5px;"><strong>Private view: 27th Septemb=
> er 2017=2C 18:00 to 21:00</strong></p>
> <p style=3D"font-family: 'Courier New'=2CCourier=2Cmonospace;font-size: 15=
> px;margin-top: 3px;margin-bottom: 5px;"><strong><span style=3D"font-weight=
> : normal;">Immerse yourself in </span><a style=3D"font-weight: normal;colo=
> r: #000000;" href=3D"http://delfinafoundation.us5.list-manage1.com/track/c=
> lick?u=3Dee42212c4e3cb5c6bc09473aa&id=3D4d135eb193&e=3D84936f6f4b">Jeong<=
> /a><span style=3D"font-weight: normal;">'s bizarre collection of=
> everyday objects – brought to life through the artist’s inten=
> se performances involving risky interactions with her body. The exhibition=
> at Delfina Foundation runs from 28th September to 11th November 2017.</sp=
> an></strong></p>=09=09=09=09=09=09=09=09=09<p class=3D"more" style=3D"font=
> -family: 'Courier New'=2CCourier=2Cmonospace;font-size: 15px;margin-top: 3=
> px;margin-bottom: 5px;">–<br>
> =09=09=09=09=09=09=09=09=09<a class=3D"more-link" href=3D"http://delfinafo=
> undation.us5.list-manage.com/track/click?u=3Dee42212c4e3cb5c6bc09473aa&id=
> =3Dcefb241c33&e=3D84936f6f4b" style=3D"color: #000000;font-size: 15px;">M=
> ORE</a></p>
> =09=09=09=09=09=09=09=09</td>
> =09=09=09=09=09=09=09</tr>
> =09=09=09=09=09=09=09</tbody>
> =09=09=09=09=09=09</table>
> =09=09=09=09=09=09<!-- end lead story -->
> =09=09=09=09=09=09
> =09=09=09=09=09=09
> =09=09=09=09=09=09<!-- articles -->
> =09=09=09=09=09=09<table class=3D"articles" cellpadding=3D"0" cellspacing=
> =3D"0" align=3D"center" valign=3D"top" border=3D"0" style=3D"text-align: l=
> eft;padding-bottom: 30px;">
> =09=09=09=09=09=09=09<tbody style=3D"padding: 0;">
> =09=09=09=09=09=09=09<!-- + article row -->
> =09=09=09=09=09=09=09<tr class=3D"article-row" style=3D"padding: 0;padding=
> -bottom: 10px;">
> =09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09
> =09=09=09=09=09=09=09=09<!-- graphic item -->
> =09=09=09=09=09=09=09=09<td width=3D"275" class=3D"border" valign=3D"top"=
> style=3D"padding: 0;border-top: 1px solid #000000;font-family: 'Courier N=
> ew'=2CCourier=2Cmonospace;font-size: 15px;">
> =09=09=09=09=09=09=09=09
> =09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09
> =09=09=09=09=09=09=09=09=09<h3 class=3D"heading" style=3D"margin: 0;font-s=
> ize: 15px;font-family: 'Arial'=2C'Helvetica'=2Csans-serif;color: #000000;f=
> ont-weight: bold;padding-top: 3px;">PERFORMANCE: '7WAYS' AT TATE</h3>
> =09=09=09=09=09=09=09=09=09<p class=3D"caption" style=3D"font-family: 'Cou=
> rier New'=2CCourier=2Cmonospace;font-size: 15px;margin-top: 3px;margin-bot=
> tom: 5px;"></p>
> =09=09=09=09=09=09=09=09=09<a href=3D"http://delfinafoundation.us5.list-ma=
> nage.com/track/click?u=3Dee42212c4e3cb5c6bc09473aa&id=3Dc348f096fe&e=3D=
> 84936f6f4b" style=3D"color: #000000;"><img src=3D"http://delfinafoundation.c=
> om/resources/3404/Geumhyung_Jeong_7ways_01_email.jpg" alt=3D"Performance:=
> '7ways' at Tate" width=3D"275" height=3D"180" style=3D"display: block;bor=
> der: none;"></a>
> =09=09=09=09=09=09=09
> =09=09=09=09=09=09=09=09=09<p style=3D"font-family: 'Courier New'=2CCourie=
> r=2Cmonospace;font-size: 15px;margin-top: 3px;margin-bottom: 5px;">Experie=
> nce Geumhyung Jeong's live performance <em>7ways</em> during Frieze W=
> eek at <a href=3D"http://delfinafoundation.us5.list-manage1.com/track/clic=
> k?u=3Dee42212c4e3cb5c6bc09473aa&id=3D95a18af0d3&e=3D84936f6f4b" target=3D=
> "_blank" style=3D"color: #000000;">Tate Modern</a>=2C which will punctuate=
> a week-long presentation of the artist's work in the Tanks=2C coinciding=
> with Delfina Foundation's exhibition. </p>=09=09=09=09=09=09=09=09=
> =09<p class=3D"more" style=3D"font-family: 'Courier New'=2CCourier=2Cmonos=
> pace;font-size: 15px;margin-top: 3px;margin-bottom: 5px;">–<br>
> =09=09=09=09=09=09=09=09=09<a class=3D"more-link" href=3D"http://delfinafo=
> undation.us5.list-manage.com/track/click?u=3Dee42212c4e3cb5c6bc09473aa&id=
> =3Dc7f0fba31f&e=3D84936f6f4b" style=3D"color: #000000;font-size: 15px;">M=
> ORE</a></p>
> =09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09</td>
> =09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09<td class=3D"gutter" width=
> =3D"10" style=3D"padding: 0;font-family: 'Courier New'=2CCourier=2Cmonospa=
> ce;font-size: 15px;"> </td>
> =09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=
> =09=09=09=09=09=09=09=09=09=09=09=09
> =09=09=09=09=09=09=09=09<!-- graphic item -->
> =09=09=09=09=09=09=09=09<td width=3D"275" class=3D"border" valign=3D"top"=
> style=3D"padding: 0;border-top: 1px solid #000000;font-family: 'Courier N=
> ew'=2CCourier=2Cmonospace;font-size: 15px;">
> =09=09=09=09=09=09=09=09
> =09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09
> =09=09=09=09=09=09=09=09=09<h3 class=3D"heading" style=3D"margin: 0;font-s=
> ize: 15px;font-family: 'Arial'=2C'Helvetica'=2Csans-serif;color: #000000;f=
> ont-weight: bold;padding-top: 3px;">NEW INSTALLATION: ALI MIHARBI</h3>
> =09=09=09=09=09=09=09=09=09<p class=3D"caption" style=3D"font-family: 'Cou=
> rier New'=2CCourier=2Cmonospace;font-size: 15px;margin-top: 3px;margin-bot=
> tom: 5px;"></p>
> =09=09=09=09=09=09=09=09=09<a href=3D"http://delfinafoundation.us5.list-ma=
> nage.com/track/click?u=3Dee42212c4e3cb5c6bc09473aa&id=3D03e2bfc035&e=3D=
> 84936f6f4b" style=3D"color: #000000;"><img src=3D"http://delfinafoundation.c=
> om/resources/3410/Ali_Miharbi_Wind_Organ_Horniman_03_email.jpg" alt=3D"New=
> Installation: Ali Miharbi" width=3D"275" height=3D"180" style=3D"display:=
> block;border: none;"></a>
> =09=09=09=09=09=09=09
> =09=09=09=09=09=09=09=09=09<p style=3D"font-family: 'Courier New'=2CCourie=
> r=2Cmonospace;font-size: 15px;margin-top: 3px;margin-bottom: 5px;">Take a=
> trip to the Horniman Museum=2C South London and experience <a href=3D"htt=
> p://delfinafoundation.us5.list-manage.com/track/click?u=3Dee42212c4e3cb5c6=
> bc09473aa&id=3D55822b1205&e=3D84936f6f4b" style=3D"color: #000000;">Ali M=
> iharbi</a>'s newly-commissioned installation <em>Wind Organ</em>=2C inspir=
> ed by the museum's collection of musical instruments. On view until 26th N=
> ovember 2017.</p>=09=09=09=09=09=09=09=09=09<p class=3D"more" style=3D"fon=
> t-family: 'Courier New'=2CCourier=2Cmonospace;font-size: 15px;margin-top:=
> 3px;margin-bottom: 5px;">–<br>
> =09=09=09=09=09=09=09=09=09<a class=3D"more-link" href=3D"http://delfinafo=
> undation.us5.list-manage.com/track/click?u=3Dee42212c4e3cb5c6bc09473aa&id=
> =3D2ec8a346d6&e=3D84936f6f4b" style=3D"color: #000000;font-size: 15px;">M=
> ORE</a></p>
> =09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09</td>
> =09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09</tr>
> =09=09=09=09=09=09=09=09<!-- + end article row -->
> =09=09=09=09=09=09=09<!-- + article row -->
> =09=09=09=09=09=09=09<tr class=3D"article-row" style=3D"padding: 0;padding=
> -bottom: 10px;">
> =09=09=09=09=09=09=09=09<td class=3D"spacer" colspan=3D"3" height=3D"40" s=
> tyle=3D"padding: 0;font-family: 'Courier New'=2CCourier=2Cmonospace;font-s=
> ize: 15px;"></td>
> =09=09=09=09=09=09=09</tr>
> =09=09=09=09=09=09=09<tr class=3D"article-row" style=3D"padding: 0;padding=
> -bottom: 10px;">
> =09=09=09=09=09=09=09
> =09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=
> =09=09=09=09=09
> =09=09=09=09=09=09=09=09<!-- graphic item -->
> =09=09=09=09=09=09=09=09<td width=3D"275" class=3D"border" valign=3D"top"=
> style=3D"padding: 0;border-top: 1px solid #000000;font-family: 'Courier N=
> ew'=2CCourier=2Cmonospace;font-size: 15px;">
> =09=09=09=09=09=09=09=09
> =09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09
> =09=09=09=09=09=09=09=09=09<h3 class=3D"heading" style=3D"margin: 0;font-s=
> ize: 15px;font-family: 'Arial'=2C'Helvetica'=2Csans-serif;color: #000000;f=
> ont-weight: bold;padding-top: 3px;">OPEN STUDIO: AVANI TANYA</h3>
> =09=09=09=09=09=09=09=09=09<p class=3D"caption" style=3D"font-family: 'Cou=
> rier New'=2CCourier=2Cmonospace;font-size: 15px;margin-top: 3px;margin-bot=
> tom: 5px;"></p>
> =09=09=09=09=09=09=09=09=09<a href=3D"http://delfinafoundation.us5.list-ma=
> nage1.com/track/click?u=3Dee42212c4e3cb5c6bc09473aa&id=3D03fa73b76e&e=3D=
> 84936f6f4b" style=3D"color: #000000;"><img src=3D"http://delfinafoundation.=
> com/resources/3435/Avani_open_studios_Sept_email.jpeg" alt=3D"Open Studio:=
> Avani Tanya" width=3D"275" height=3D"180" style=3D"display: block;border:=
> none;"></a>
> =09=09=09=09=09=09=09
> =09=09=09=09=09=09=09=09=09<p style=3D"font-family: 'Courier New'=2CCourie=
> r=2Cmonospace;font-size: 15px;margin-top: 3px;margin-bottom: 5px;">Meet re=
> sident artist <a href=3D"http://delfinafoundation.us5.list-manage2.co=
> m/track/click?u=3Dee42212c4e3cb5c6bc09473aa&id=3Db3a8ac4357&e=3D=
> 84936f6f4b" style=3D"color: #000000;">Avani Tanya</a> in her studio at the Vic=
> toria & Albert Museum on the weekend of the 16th and 17th September 20=
> 17=2C where she is producing a new work in response to the museum's South=
> Asian Collections. </p>=09=09=09=09=09=09=09=09=09<p class=3D"more"=
> style=3D"font-family: 'Courier New'=2CCourier=2Cmonospace;font-size: 15px=
> ;margin-top: 3px;margin-bottom: 5px;">–<br>
> =09=09=09=09=09=09=09=09=09<a class=3D"more-link" href=3D"http://delfinafo=
> undation.us5.list-manage1.com/track/click?u=3Dee42212c4e3cb5c6bc09473aa&id=
> =3Da5ec863eb9&e=3D84936f6f4b" style=3D"color: #000000;font-size: 15px;">M=
> ORE</a></p>
> =09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09</td>
> =09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09<td class=3D"gutter" width=
> =3D"10" style=3D"padding: 0;font-family: 'Courier New'=2CCourier=2Cmonospa=
> ce;font-size: 15px;"> </td>
> =09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=
> =09=09=09=09=09=09=09=09=09=09=09=09
> =09=09=09=09=09=09=09=09<!-- graphic item -->
> =09=09=09=09=09=09=09=09<td width=3D"275" class=3D"border" valign=3D"top"=
> style=3D"padding: 0;border-top: 1px solid #000000;font-family: 'Courier N=
> ew'=2CCourier=2Cmonospace;font-size: 15px;">
> =09=09=09=09=09=09=09=09
> =09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09
> =09=09=09=09=09=09=09=09=09<h3 class=3D"heading" style=3D"margin: 0;font-s=
> ize: 15px;font-family: 'Arial'=2C'Helvetica'=2Csans-serif;color: #000000;f=
> ont-weight: bold;padding-top: 3px;">NEW RESIDENT: DAISUKE MIYATSU</h3>
> =09=09=09=09=09=09=09=09=09<p class=3D"caption" style=3D"font-family: 'Cou=
> rier New'=2CCourier=2Cmonospace;font-size: 15px;margin-top: 3px;margin-bot=
> tom: 5px;"></p>
> =09=09=09=09=09=09=09=09=09<a href=3D"http://delfinafoundation.us5.list-ma=
> nage.com/track/click?u=3Dee42212c4e3cb5c6bc09473aa&id=3D2e441b2202&e=3D=
> 84936f6f4b" style=3D"color: #000000;"><img src=3D"http://delfinafoundation.c=
> om/resources/3438/Daisuke_email.jpeg" alt=3D"New Resident: Daisuke Miyatsu=
> " width=3D"275" height=3D"180" style=3D"display: block;border: none;"></a>
> =09=09=09=09=09=09=09
> =09=09=09=09=09=09=09=09=09<p style=3D"font-family: 'Courier New'=2CCourie=
> r=2Cmonospace;font-size: 15px;margin-top: 3px;margin-bottom: 5px;">Welcome=
> to the 'salary-man collector' Daisuke Miyatsu from Japan=2C our new colle=
> ctor-in-residence=2C along with his wife Shizu. During his short stay=
> =2C Daisuke is exploring the philosophy=2C psychology and politics of coll=
> ecting alongside our resident artists.</p>=09=09=09=09=09=09=09=09=09<p cl=
> ass=3D"more" style=3D"font-family: 'Courier New'=2CCourier=2Cmonospace;fon=
> t-size: 15px;margin-top: 3px;margin-bottom: 5px;">–<br>
> =09=09=09=09=09=09=09=09=09<a class=3D"more-link" href=3D"http://delfinafo=
> undation.us5.list-manage1.com/track/click?u=3Dee42212c4e3cb5c6bc09473aa&id=
> =3D97378906fd&e=3D84936f6f4b" style=3D"color: #000000;font-size: 15px;">M=
> ORE</a></p>
> =09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09</td>
> =09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09</tr>
> =09=09=09=09=09=09=09=09<!-- + end article row -->
> =09=09=09=09=09=09=09<!-- + article row -->
> =09=09=09=09=09=09=09<tr class=3D"article-row" style=3D"padding: 0;padding=
> -bottom: 10px;">
> =09=09=09=09=09=09=09=09<td class=3D"spacer" colspan=3D"3" height=3D"40" s=
> tyle=3D"padding: 0;font-family: 'Courier New'=2CCourier=2Cmonospace;font-s=
> ize: 15px;"></td>
> =09=09=09=09=09=09=09</tr>
> =09=09=09=09=09=09=09<tr class=3D"article-row" style=3D"padding: 0;padding=
> -bottom: 10px;">
> =09=09=09=09=09=09=09
> =09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=
> =09=09=09=09=09
> =09=09=09=09=09=09=09=09<!-- graphic item -->
> =09=09=09=09=09=09=09=09<td width=3D"275" class=3D"border" valign=3D"top"=
> style=3D"padding: 0;border-top: 1px solid #000000;font-family: 'Courier N=
> ew'=2CCourier=2Cmonospace;font-size: 15px;">
> =09=09=09=09=09=09=09=09
> =09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09
> =09=09=09=09=09=09=09=09=09<h3 class=3D"heading" style=3D"margin: 0;font-s=
> ize: 15px;font-family: 'Arial'=2C'Helvetica'=2Csans-serif;color: #000000;f=
> ont-weight: bold;padding-top: 3px;">CURRENT OPEN CALLS</h3>
> =09=09=09=09=09=09=09=09=09<p class=3D"caption" style=3D"font-family: 'Cou=
> rier New'=2CCourier=2Cmonospace;font-size: 15px;margin-top: 3px;margin-bot=
> tom: 5px;"></p>
> =09=09=09=09=09=09=09=09=09<a href=3D"http://delfinafoundation.us5.list-ma=
> nage.com/track/click?u=3Dee42212c4e3cb5c6bc09473aa&id=3D5be0b450ca&e=3D=
> 84936f6f4b" style=3D"color: #000000;"><img src=3D"http://delfinafoundation.c=
> om/resources/3440/Open_Call_Netherlands_Website_email.jpg" alt=3D"Current=
> Open Calls" width=3D"275" height=3D"180" style=3D"display: block;border:=
> none;"></a>
> =09=09=09=09=09=09=09
> =09=09=09=09=09=09=09=09=09<p style=3D"font-family: 'Courier New'=2CCourie=
> r=2Cmonospace;font-size: 15px;margin-top: 3px;margin-bottom: 5px;">Apply t=
> o our open calls for residencies for practitioners in <a href=3D"http=
> ://delfinafoundation.us5.list-manage2.com/track/click?u=3Dee42212c4e3cb5c6=
> bc09473aa&id=3D37ce891c9a&e=3D84936f6f4b" target=3D"_blank" style=3D"colo=
> r: #000000;">Indonesia</a>=2C <a href=3D"http://delfinafoundation.us5.list=
> -manage2.com/track/click?u=3Dee42212c4e3cb5c6bc09473aa&id=3D999b0d1d6e&e=
> =3D84936f6f4b" target=3D"_blank" style=3D"color: #000000;">Angola</a>=2C=
> and <a href=3D"http://delfinafoundation.us5.list-manage.com/track/click?u=
> =3Dee42212c4e3cb5c6bc09473aa&id=3D4f83bfc767&e=3D84936f6f4b" style=3D"col=
> or: #000000;">The Netherlands</a>=2C as well as the <a href=3D"http://delf=
> inafoundation.us5.list-manage.com/track/click?u=3Dee42212c4e3cb5c6bc09473a=
> a&id=3Df067c0d8d7&e=3D84936f6f4b" class=3D"" rel=3D"" style=3D"color: #00=
> 0000;">ArteVue ArtePrize</a> for young artists based anywhere in the world=
> =2E</p>=09=09=09=09=09=09=09=09=09<p class=3D"more" style=3D"font-family: 'C=
> ourier New'=2CCourier=2Cmonospace;font-size: 15px;margin-top: 3px;margin-b=
> ottom: 5px;">–<br>
> =09=09=09=09=09=09=09=09=09<a class=3D"more-link" href=3D"http://delfinafo=
> undation.us5.list-manage.com/track/click?u=3Dee42212c4e3cb5c6bc09473aa&id=
> =3D7f2266b35b&e=3D84936f6f4b" style=3D"color: #000000;font-size: 15px;">M=
> ORE</a></p>
> =09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09</td>
> =09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09<td class=3D"gutter" width=
> =3D"10" style=3D"padding: 0;font-family: 'Courier New'=2CCourier=2Cmonospa=
> ce;font-size: 15px;"> </td>
> =09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=
> =09=09=09=09=09=09=09=09=09=09=09=09
> =09=09=09=09=09=09=09=09<!-- graphic item -->
> =09=09=09=09=09=09=09=09<td width=3D"275" class=3D"border" valign=3D"top"=
> style=3D"padding: 0;border-top: 1px solid #000000;font-family: 'Courier N=
> ew'=2CCourier=2Cmonospace;font-size: 15px;">
> =09=09=09=09=09=09=09=09
> =09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09
> =09=09=09=09=09=09=09=09=09<h3 class=3D"heading" style=3D"margin: 0;font-s=
> ize: 15px;font-family: 'Arial'=2C'Helvetica'=2Csans-serif;color: #000000;f=
> ont-weight: bold;padding-top: 3px;">JOE MORAN AT SADLERS WELLS</h3>
> =09=09=09=09=09=09=09=09=09<p class=3D"caption" style=3D"font-family: 'Cou=
> rier New'=2CCourier=2Cmonospace;font-size: 15px;margin-top: 3px;margin-bot=
> tom: 5px;"></p>
> =09=09=09=09=09=09=09=09=09<a href=3D"http://delfinafoundation.us5.list-ma=
> nage.com/track/click?u=3Dee42212c4e3cb5c6bc09473aa&id=3D6f3ae414da&e=3D=
> 84936f6f4b" style=3D"color: #000000;"><img src=3D"http://delfinafoundation.c=
> om/resources/3441/Joe_Moran_performance_10_May_2016_email.jpg" alt=3D"Joe=
> Moran at Sadlers Wells" width=3D"275" height=3D"180" style=3D"display: bl=
> ock;border: none;"></a>
> =09=09=09=09=09=09=09
> =09=09=09=09=09=09=09=09=09<p style=3D"font-family: 'Courier New'=2CCourie=
> r=2Cmonospace;font-size: 15px;margin-top: 3px;margin-bottom: 5px;">Book no=
> w to see the UK premiere of choreographer Joe Moran's dance experiment <em=
>> On The Habit of Being Oneself</em> – developed during his 2016 resi=
> dency at Delfina Foundation – at <a href=3D"http://delfinafound=
> ation.us5.list-manage.com/track/click?u=3Dee42212c4e3cb5c6bc09473aa&id=3D9=
> 7f2ba5e4e&e=3D84936f6f4b" target=3D"_blank" style=3D"color: #000000;">Sad=
> ler's Wells Theatre</a> on 28th and 29th September 2017.</p>=09=09=09=09=
> =09=09=09=09=09<p class=3D"more" style=3D"font-family: 'Courier New'=2CCou=
> rier=2Cmonospace;font-size: 15px;margin-top: 3px;margin-bottom: 5px;">&nda=
> sh;<br>
> =09=09=09=09=09=09=09=09=09<a class=3D"more-link" href=3D"http://delfinafo=
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> =3D87c0a6c3f2&e=3D84936f6f4b" style=3D"color: #000000;font-size: 15px;">M=
> ORE</a></p>
> =09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09</td>
> =09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09</tr>
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> tyle=3D"padding: 0;font-family: 'Courier New'=2CCourier=2Cmonospace;font-s=
> ize: 15px;"></td>
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> =09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09=09</tr>
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> =09=09=09=09=09=09=09=09<td class=3D"left" style=3D"padding: 0;text-align:=
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> =09=09=09=09=09=09=09=09=09<a href=3D"mailto:info@delfinafoundation.com"; t=
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> From: "Atlassian Bitbucket" <noreply@mailer.bitbucket.org>
> To: <cst@cst.yt>
> Subject: 12 new features from Bitbucket Pipelines
> Date: Thu, 31 Aug 2017 11:09:22 -0600
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> Atlassian
>
> August - Bitbucket trends
>
> 12 new features from Bitbucket Pipelines shipped in the last six months
>
> We've continuously improved Pipelines since launch, adding a number of awesome features and improvements focused on speed, power and flexibility.
>
> With our latest feature, scheduled pipelines, you can configure pipelines on an hourly, daily, or weekly schedule which is perfect for nightly builds that take longer to run, tracking performance over time, or simply running jobs that aren't coupled to code changes.
>
> Check out the other 11 features shipped in just the last 6 months!
>
> Check out our new features >>
>>> http://click.mailer.atlassian.com/?qs=434a0a349168153f89624f8e6f5698be09179a432bf58d003d2bba7c7c031d656144ae52af90d175cb8898053cc765a7cee6d8555257bb9f
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> Share for swag
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> For every 100 shares, we're giving away swag to 5 people.
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> Share 12 features
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> <a href="http://click.mailer.atlassian.com/?qs=4d1db62fcb34fed09c0993449df45d194850a310197e5eff0130bf170bef57ee1a86217ea8957e4a22c66e96b4370a6acbf5972367fa280e"; style="text-decoration:none;color:#253858;font-weight:bold;" >
> August - Bitbucket trends</a>
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> <tr>
> <td style="padding-top:20px;font-family:'Helvetica neue', Helvetica, Arial, Verdana, sans-serif;font-size:20px;line-height:22px;color:#42526E;text-align:center;">
> 12 new features from Bitbucket Pipelines <br>shipped in the last six months
> </td>
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> <a href="http://click.mailer.atlassian.com/?qs=4d1db62fcb34fed05f18aa20db48a05348a3714274b5807504905aa419892f797e25f05241e49a7e25a2a02be55e9585f5604e900da20206"; style="font-family:'Helvetica neue', Helvetica, Arial, Verdana, sans-serif;font-size:12px;color:#205081;text-decoration:none;">
> <img src="http://image.mailer.atlassian.com/lib/fec2157377620c74/m/7/bitbucket-piplines.png"; alt="12 awesome features from Bitbucket Pipelines" title="12 awesome features from Bitbucket Pipelines" border="0" width="580" style="display:block;outline:0;padding:0;width:100%;height:auto;font-family:'Helvetica neue', Helvetica, Arial, Verdana, sans-serif;font-size:16px;color:#205081;" /></a>
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> We've <em>continuously improved</em> Pipelines since launch, adding a number of awesome features and improvements focused on <strong>speed, power and flexibility</strong>.
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> With our latest feature, scheduled pipelines, you can configure pipelines on an hourly, daily, or weekly schedule which is perfect for nightly builds that take longer to run, tracking performance over time, or simply running jobs that aren't coupled to code changes.
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> Check out the other 11 features shipped in just the last 6 months!
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> Share for swag
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