Regina Célia Pinto on Wed, 28 Apr 2004 11:13:24 +0200 (CEST) |
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[nettime-lat] Novidades de Abril / Museum of the Essential and Beyond That |
News / Museum of the Essential and Beyond ThatAPRIL / NEWS - MUSEUM OF THE ESSENTIAL AND BEYOND THAT 1- The Museum Newsletter The newsletter has already its space on the net: http://arteonline.arq.br/newsletter Browser the newsletter adress to know the first work chosen. Next MAY 3rd we will publish the first collaborative review. 2- News at the library / first floor: Articles and Reviews: 2.1- CRONICA DE UN VIAJE PERFORMATICO AL VIEJO MUNDO by Clemente Padín Everything started in a November 2003 afternoon when I received a call from Cardiff, Gales, Gran Bretaña,... (Language: Spanish, the document has images) http://www.iis.com.br/~regvampi/museu/ensaios/ensaiosantigos/clemente1.htm 2.2- LOS ARTISTAS REINTERPRETAN LA BIBLIA, A SHAKESPEARE Y PULGARCITO La brasileña Regina Celia Pinto adapta la narrativa de Julio Cortázar al lenguaje hipertextual y a la narrativa visual en 'Viewing Axolotls' by Roberta Bosco Y Stefano Caldana "Viewing Axolotls", electronic book, which belongs to Library of Marvels (Museum of the Essential and Beyond That / first floor) deserved a review published in Cyberp@is / El Pais. (Language: Spanish, the document has images) Numerous net.artists in their search of new languages are inspired by the poetic of authors widely known to propose an unpublished and creative approach to their works. According to the Brazilian artist Regina Celia Pinto, the Magic Realism and the narrative structure of the Argentinean Julio Cortazar adapt perfectly to the possibilities of hypertextual language and visual narrative. In order to demonstrate she has launched "Viewing Axolotls.", where the protagonist is transformed into one of the small Mexican salamanders of almost prehistoric characteristics that give title to the book. Viewing Axolotls is part of the Library of Marvels, an artist's books collection on the net, that uses different kind of electronic narrative to reflect on the impact of technology in Literature." http://www.iis.com.br/~regvampi/museu/ensaios/ensaiosantigos/elpais1.htm 2.3- THE NEOCONCRETE MOVIMENT by Regina Célia Pinto (English Version) (The document has not images.) http://www.iis.com.br/~regvampi/museu/ensaios/ensaiosantigos/neoconcrete.htm O MOVIMENTO NEOCONCRETO por Regina Célia Pinto (Portuguese Version) (Sem imagens) "We split from the Concrete Group from São Paulo because they wanted to create a ten-year plan for future work. The Rio group thought this was taking rationalism to the extreme. We wanted to work intuitively but freely. We exchanged a great deal of information, but there was also a certain impregnation, to the extent that one person conversed with another. The NeoConcrete (movement) did not arise by chance, nor was it something we developed and then started working on. We were led to it by our previous experiments..." http://www.iis.com.br/~regvampi/museu/ensaios/ensaiosantigos/neoconcreto.htm _______________________________________________ Nettime-lat mailing list Nettime-lat@nettime.org http://amsterdam.nettime.org/cgi-bin/mailman/listinfo/nettime-lat