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Re: [Nettime-nl] YBRIS Returned I-Worm.Hybris.c3, I-Worm.KakWorm.z, I-Wo
Martin Sjardijn on 14 Dec 2000 22:54:21 -0000


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Re: [Nettime-nl] YBRIS Returned I-Worm.Hybris.c3, I-Worm.KakWorm.z, I-Worm.Propec, MIME-Version:


a mirror in outer space
visible from earth
with the naked eye
at clear nights

----- Original Message -----
From: "JODI" <jodi {AT} jodi.org>
To: <nettime-lat {AT} nettime.org>
Cc: <dramos {AT} uol.com.br>; <nijosi {AT} dodo.jyu.fi>; <teterin {AT} newmail.ru>;
<nettime-l {AT} nettime.org>; <nettime-ro {AT} nettime.org>; <nettime-fr {AT} ada.eu.org>;
<nettime-nl {AT} nettime.org>; <nettime-bold {AT} nettime.org>
Sent: Thursday, December 14, 2000 8:43 PM
Subject: [Nettime-nl] YBRIS Returned I-Worm.Hybris.c3, I-Worm.KakWorm.z,
I-Worm.Propec, MIME-Version:


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> ----------------------------------
> X-Authentication-Warning: server: jodi owned process doing -bs
> X-Sender: mikemosh {AT} mail.well.com
> Mime-Version: 1.0
> Date: Thu, 14 Dec 2000 11:21:18 -0500
> To: JODI <jodi {AT} jodi.org>
> From: mikemosh {AT} well.com (Mike Mosher)
> Subject: Re: *Subscription / nettime-lat {AT} nettime.org
> Cc: Jason Ditmars <u27534 {AT} SDSC.EDU>
>
> Jodi, you sure don't know how to set up a mailing list!
>
> And I really didn't need ten copies of a message only in HTML (I use
> Eudora), the mark of a real newbie y'know.  I can use that big artists'
> mailing list though, so thanks.
>
> Cheers,
>
> --Mike M.
>
>
> ----------------------------------
> Date:     Thu, 14 Dec 2000 12:15:25 +0100
> From: "Postmaster" <postmaster {AT} ns.ilimit.es>
> Sender: <postmaster {AT} ns.ilimit.es>
> To: <jodi {AT} jodi.org>
> Subject:  Undeliverable Mail
>
> Delivery failed 20 attempts: janine {AT} artn.nwu.edu
> Delivery failed 20 attempts: mccormick {AT} brt.deakin.edu.au
> Delivery failed 20 attempts: joanna {AT} chel-vr.demon.co.uk
> Delivery failed 20 attempts: kevin {AT} chel-vr.demon.co.uk
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>
> Original message follows.
>
> Received: from tro.filnet.es [195.77.1.10] by mail.ilimit.es with ESMTP
>   (SMTPD32-6.00) id AEBEF9BA0084; Thu, 14 Dec 2000 02:13:34 +0100
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> Date: Thu, 14 Dec 2000 01:19:53 +0100
> To: nettime-lat {AT} nettime.org
> Subject: Original message follows.-------------------- Returned message
>  follows ---------------------
> Cc: hardi {AT} imagedesign.ch, j.bezzant {AT} mmu.ac.uk, j.dashow {AT} agora.stm.it,
>  j.drever {AT} dartington.ac.uk, j.fairclough {AT} auckland.ac.nz,
j.hyatt {AT} mmu.ac.uk,
>  j.k.brown {AT} mmu.ac.uk, j.m.clarke {AT} hud.ac.uk, J.S.Bielicki {AT} geod.geonet.de,
>  j.thomson {AT} ucl.ac.uk, j.webb {AT} cqu.edu.au, jackox {AT} bway.net,
>  James.A.Johnson {AT} colorado.edu, james.sayers {AT} sheridanc.on.ca,
>  james {AT} ethereal.demon.co.uk, JamesFaureWalker {AT} compuserve.com,
>  jane {AT} cairn.demon.co.uk, janine {AT} artn.nwu.edu, JArtoux {AT} aol.com,
>  jbeckmann {AT} axismundi.com, jbutkus {AT} ne.uswest.net, jditmars {AT} artic.edu,
>  Jean-Paul.Monteil {AT} cnam.fr, jeff {AT} kuhub.cc.ukans.edu, jensen {AT} uscolo.edu,
>  jesis {AT} xs4all.nl, jevbratt {AT} cadre.sjsu.edu, j-ferolo {AT} nwu.edu,
>  jfshan0 {AT} pop.uky.edu, jfxm {AT} echonyc.com, jgh {AT} virginia.edu,
>  jgranner {AT} email.sjsu.edu, jharriso {AT} attila.stevens-tech.edu,
>  jhogle {AT} wahoo.sjsu.edu, jhunt {AT} accessmedia.com, jjc {AT} merlin.com.au,
>  JKlabbers {AT} csu.edu.au, jliebert {AT} crim.ca, jmacsva {AT} earthlink.net,
>  jmalloy {AT} artswire.org, jmalloy {AT} well.sf.ca.us, jmccampb {AT} ringling.edu,
>  jmilutis {AT} alpha1.csd.uwm.edu, jmilutis {AT} csd.uwm.edu, jmosle {AT} artic.edu,
>  joanna {AT} chel-vr.demon.co.uk, Jody.Diamond {AT} dartmouth.edu,
>  Jody.Diamond {AT} mac.dartmouth.edu, joel {AT} well.com, joel {AT} well.sf.ca.us,
>  joelle {AT} ina.fr, joey {AT} media.mit.edu, johanna.drucker {AT} yale.edu,
>  john.f.sherman.1 {AT} nd.edu, john.tonkin {AT} onaustralia.com.au,
>  johnmc {AT} deakin.edu.au, johnny {AT} ultralux.demon.co.uk, jon {AT} kzsu.stanford.edu,
>  jonmc {AT} bruce.cs.monash.edu.au, jons1 {AT} alpha2.axp.mdx.ac.uk, jools {AT} ucc.ie,
>
> [message truncated]
>
> -------------------------------
> From: LUIS_CRUZ {AT} eu.yr.com
> X-Authentication-Warning: localhost.my.domain: jodi owned process
doing -bs
> Mime-Version: 1.0
> Date: Thu, 16 Nov 2000 12:49:01 +0000
> Subject: AVISO_mail infectado
> To: jsmachado {AT} mail.sitepac.pt, sons {AT} publico.pt, ofaria {AT} publico.pt,
>         arco {AT} ifema.es, dnot {AT} mail.telepac.pt, publico {AT} publico.pt,
>         cultura {AT} publico.pt, jose.manuel.fernandes {AT} publico.pt,
>         vanessa.rato {AT} publico.pt, marginal {AT} ip.pt, mail {AT} mega.fm,
>         noticias {AT} jnoticias.pt, musicnet {AT} forum.pt, mcameira {AT} publico.pt,
>         sei {AT} avu.cz, fact {AT} fact.co.uk, jodi {AT} jodi.org,
joaoonofre {AT} hotmail.com,
>         isast {AT} sfsu.edu, lieshout {AT} wirehub.nl, dazed {AT} confused.co.uk,
>         digest {AT} rhizome.org, rolux-owner {AT} rolux.org, fjp {AT} virose.pt,
>         ecoclic {AT} mail.telepac.pt, rt {AT} ip.pt, sandra.gomes {AT} co.ip.pt,
>         arnaldopedro {AT} ip.pt, risco {AT} mail.telepac.pt,
>         barbara.says {AT} mail.telepac.pt, cecl {AT} fcsh.unl.pt,
stonix {AT} mail.telepac.pt,
>         mutelifedept {AT} hotmail.com, discos {AT} valentim.pt,
>         pedrotudela {AT} mail.teleweb.pt, ines.belo {AT} edimoda.pt,
>         mramos {AT} focus-online.net, storrao {AT} focus-online.net,
miso.music {AT} ip.pt,
>         plobo {AT} focus-online.net, ruth {AT} esoterica.pt, esap {AT} esoterica.pt
>
> ATENCAO!
>
> a Viatura responsavel pelo Via: cidade: suburbio: capital.
>
> teve conhecimento que foi enviado por mariana.mata {AT} publico.pt um email com
o
> virus navidad.exe para todos os enderecos que constam da nossa mailing
list
>
>
> pedimos as maiores desculpas, por este incidente
>
>
> a Viatura
>
>
>
>
> Viatura, responsible for Via
> just acknowledged that an email containing thr virus navidad.exe was sent
by
> mariana to all the addresses in our mailing list
>
> please accept our apologies for the incident
>
>
> Viatura
>
> ybris o la desmesura
>
>
>                  La hybris era para los griegos la 'desmesura'. Hay
momentos
>                  y espacios propicios para la desmesura, como en las
elecciones.
>                  En todo proceso electoral se exacerban las efusiones
>                  emocionales. Las campaas ja, Niemcy. Dwiki jakie jest
mi dane doby z tego skadaka s rwnie> spor rozpitoci, tak jak i
> samo pojcie el kustyki. Pyt waciwie mo>na tyki. Pyt waciwie mo>na
tyki. Pyt waciwie mo>na tyki. Pyt waciwie mo>na tyki. Pyt
waciwie mo>na tyki. Pyt waciwie mo>na tyki. Pyt waciwie mo>na
tyki. Pyt waciwie mo>na tyki. Pyt waciwie mo>na tyki. Pyt
waciwie mo>na tyki. Pyt waciwie mo>na tyki. Pyt waciwie mo>na
tyki. Pyt waciwie mo>na tyki. Pyt waciwie mo>na tyki. Pyt
waciwie mo>na tyki. Pyt waciwie mo>na tyki. Pyt waciwie mo>na
tyki. Pyt waciwie mo>na tyki. Pyt waciwie mo>na tyki. Pyt
waciwie mo>na tyki. Pyt waciwie mo>na tyki. Pyt waciwie mo>na
tyki. Pyt waciwie mo>na tyki. Pyt waciwie mo>na tyki. Pyt
waciwie mo>na tyki. Pyt waciwie mo>na tyki. Pyt waciwie mo>na
tyki. Pyt waciwie mo>na tyki. Pyt waciwie mo>na tyki. Pyt
waciwie mo>na tyki. Pyt waciwie mo>na tyki. Pyt waciwie mo>na
tyki. Pyt waciwie mo>na tyki. Pyt waciwie mo>na tyki. Pyt waci!
> wie mo>na tyki. Pyt waciwie mo>na tyki. Pyt waciwie mo>na tyki.
Pyt waciwie mo>na tyki. Pyt waciwie mo>na tyki. Pyt waciwie
mo>na tyki. Pyt waciwie mo>na tyki. Pyt waciwie mo>na tyki. Pyt
waciwie mo>na tyki. Pyt waciwie mo>na tyki. Pyt waciwie mo>na
tyki. Pyt waciwie mo>na tyki. Pyt waciwie mo>na tyki. Pyt
waciwie mo>na tyki. Pyt waciwie mo>na tyki. Pyt waciwie mo>na
tyki. Pyt waciwie mo>na tyki. Pyt waciwie mo>na tyki. Pyt
waciwie mo>na tyki. Pyt waciwie mo>na tyki. Pyt waciwie mo>na
tyki. Pyt waciwie mo>na tyki. Pyt waciwie mo>na tyki. Pyt
waciwie mo>na tyki. Pyt waciwie mo>na tyki. Pyt waciwie mo>na
tyki. Pyt waciwie mo>na tyki. Pyt waciwie mo>na tyki. Pyt
waciwie mo>na tyki. Pyt waciwie mo>na tyki. Pyt waciwie mo>na
tyki. Pyt waciwie mo>na tyki. Pyt waciwie mo>na tyki. Pyt
waciwie mo>na tyki. Pyt waciwie mo>na tyki. Pyt waciwie mo>na!
>  tyki. Pyt waciwie mo>na tyki. Pyt waciwie mo>na tyki. Pyt
waciwie mo>na tyki. Pyt waciwie mo>na tyki. Pyt waciwie mo>na
tyki. Pyt waciwie mo>na tyki. Pyt waciwie mo>na tyki. Pyt
waciwie mo>na tyki. Pyt waciwie mo>na tyki. Pyt waciwie mo>na
tyki. Pyt waciwie mo>na tyki. Pyt waciwie mo>na tyki. Pyt
waciwie mo>na tyki. Pyt waciwie mo>na tyki. Pyt waciwie mo>na
tyki. Pyt waciwie mo>na tyki. Pyt waciwie mo>na tyki. Pyt
waciwie mo>na tyki. Pyt waciwie mo>na tyki. Pyt waciwie mo>na
tyki. Pyt waciwie mo>na tyki. Pyt waciwie mo>na tyki. Pyt
waciwie mo>na podzieli na par czci- na szczcie brzmi to w miar
spjnie dla wytrawnego odbiorcy wszelkiego rodzaju eksperymentu.
> Wemy takiego John`a Palmer, ktry tworzy niekontrolowane, wrcz
chaotyczne haasiki poskadane ze wszelkiego rodzaju urywanych dwikw w
sprytny kola>, bdcy na
> pierwszy odbir niezrozumia, wibrujc plam bezsensu i absurdu
muzycznego- w efekcie okazuje si by ewenementem swego rodzaju, gdy> pord
tego mtliku da si odczu
> ca nerwowo systemu ludzkiego i zaamania temu towarzyszce. Podobnie
Martin Alejandro Fumarola z Argentyny. Wariacje zahaczajce o wspczesn
muzyk powa>n,
> acz w elektronicznym wydaniu. Pene napicia i swoistego rodzaju grozy
dwiki przedstawione w icie surrealistycznym stylu. Mo>e nie jest to
mistrzostwo wiata, ale dla
> sympatykw gatunku na pewno bdzie to mia chwila. Podobnie Pete Stollery,
ktry zaczyna od niepokojcych "przesuwanych" dwikw, by zamilkn na
chwil, by dotara do
> nas cisza, wzgldnie odgosy spoza naszego pokoju. Wszystko jest
niepokojce, wyczekujce i "przedmiotowe"- odgosy niby znane z
codziennoci, przeksztacone w
> zwariowan struktur. To jakby dwiki otoczenia, porozrzucane i w efekcie
wwiane w mroczny kocio. Nastpnie pojawia si Rudiger Gleisberg ze swoim
"African Moods"- znw
> cisza, za chwil rytualne, transowe gosy afrykaYskich wojownikw, by
szybko przeksztaci si w elektroniczny pasa> prbujcy stworzy afrykaYski
nastrj- moim zdaniem niezbyt
> udanie, gdy> jest to bli>sze kulturze raczej europejskiej, no tak Rudiger
pochodzi z Niemiec. Utwr swym do wzniosym (niestety czasem pompatycznym)
nastrojem, jak gdyby
> zaczyna drugie oblicze skadanki- bardziej elektroniczne, nastrojowe,
pene kolorw i swoistej onirii. Taki jest Alejandro Iglesias, ktry zaczyna
do wyciszonymi dwikami, by za
> chwil atakowa pot>nymi gromami i groz niczym ze staro indiaYskich
mitw- to ju> moja wyobrania, gdy> Alejandro pochodzi z Argentyny i myl,
ten wiat ma wpyw na
> tworzone przez niego dwiki. Przynajmniej ja to tak odbieram. Myl, >e w
tego typu twrczoci jest to gwn si i podstawowym argumentem, dlatego
warto sign po
> zaczarowan muzyk, pen "otoczeY", ilustracji- nasza wyobrania ma
wwczas niesamowite pole do popisu. Polecam taplanie si "dwikowych
opowiastkach" (ArtH.93) SIC #4 - CD Tym razem zbir nagraY archiwalnych z
lat 1964-1971!!! Sdzc po nazwiskach w caoci powicone
> rosyjskim twrcom, co w sumie po zapoznaniu si z caoci wygenerowanych
dwikw jest dla mnie bardzo du> niespodziank w pozytywnym tego sowa
znaczeniu. Archiwum
> owo dowodzi, >e lata industrialne dotyczyy rwnie> i naszych wschodnich
ssiadw i czu tu bardzo du>e zaanga>owanie i klas poszczeglnych twrcw.
Dwiki konkretne,
> swoiste zewy "kosmosu" i wiata przebiegajcego rwnolegle, s tu bardzo
wyran kresk wyrysowane. Cisza i rosncy niepokj ery industrialnej
przejawiajcej si w
> nawizaniach do pierwotnych zalotw nieznanej natury wiata. Wszystko
zbudowane z prbek dwiku, zaptlone, zilustrowane w tajemniczy, acz
znajomy dla najgbszych
> pokadw psychiki sposb. Wszystko co znajduje si na tej pycie spotykamy
noc w cichncym miecie, w ustronnych miejscach zindustrializowanej natury.
To cisza, ktra
> "zjada" nasze ego i wypluwa na zewntrz. Tak tworzono ponad 30-ci lat temu
w Rosji i na Wyspach, gdzie tworzya si scena kierowana przez Genesisa
P-Orridge, gdzie
> sycha dronowato La Monte Young`a- ciekawe co na wyczyny obecnych tu
twrcw powiedzieliby by panowie Balance i Christopherson z kultowego dzi
przedstawiciela
> WORLD SERPENT, projektu o nazwie COIL. Ciekawe ile> wpyww zaczerpn
legendarny ju> dzi mistrz S. Stapleton (m.in. NURSE WITH WOUND), ile razy
zachwyciby si
> niejaki Lustmord. Z pyty Electroshock v.4 bije alchemia dwiku i to na
bardzo wysokim poziomie. Pojawia si swoisty eksperyment z instrumentami
nieobcymi muzyce klasycznej (z
> wyjtkow psychodel). Czasem te> sycha przyjazne trzaski, dobywajce
si niczym z pyt a comiciales crean un contexto en el
>                  que la tolerancia retrocede y los ms exaltados tienden a
copar
>                  el escenario hasta el punto de no dejar or a los que ms
y
>                  mejor han meditado lo que dicen.
>
>                  Esta irracionalidad no sera tan lamentable si el
contenido de la
>                  discusin se ocupara de temas cardinales. Eso al menos
>                  colocara el foco de atencin sobre lo que vale la oi  NI
> >I was wondering if you (both or either one of you) would have interest
and time
> >to take part in my (PhD) research concerning artists and technology, the
role
>
> h8ypin
> -------------------------------------------------------===================
=======
>
>
asdfghjklkjhgfqwertyuiop[-0987654321zxcvbnm,.';lkjhgfdsaqwertyuiop[-09876543
2
>
asdfghjklkjhgfqwertyuiop[-0987654321zxcvbnm,.';lkjhgfdsaqwertyuiop[-09876543
2
>
asdfghjklkjhgfqwertyuiop[-0987654321zxcvbnm,.';lkjhgfdsaqwertyuiop[-09876543
2
> asd fghj klkjhgfq
wertyuiop[-0987654321zxcvbnm,.';lkjhgfdsaqwertyuiop[-098765asdfghjklkjhgfqwe
rtyuiop[-0987654321zxcvbnm,.';lkjhgfdsaqwertyuiop[-098765432
>
asdfghjklkjhgfqwertyuiop[-0987654321zxcvbnm,.';lkjhgfdsaqwertyuiop[-09876543
2
>
asdfghjklkjhgfqwertyuiop[-0987654321zxcvbnm,.';lkjhgfdsaqwertyuiop[-09876543
2
> asd fghj klkjhgfq
wertyuiop[-0987654321zxcvbnm,.';lkjhgfdsaqwertyuiop[-098765432asdfghjklkjhgf
qwertyuiop[-0987654321zxcvbnm,.';lkjhgfdsaqwertyuiop[-098765432
>
asdfghjklkjhgfqwertyuiop[-0987654321zxcvbnm,.';lkjhgfdsaqwertyuiop[-09876543
2
>
asdfghjklkjhgfqwertyuiop[-0987654321zxcvbnm,.';lkjhgfdsaqwertyuiop[-09876543
2
> asd fghj klkjhgfq
wertyuiop[-0987654321zxcvbnm,.';lkjhgfdsaqwertyuiop[-098765432432
>  pena. Pero no
>                  es as. El eje de la discusin se ha situado casi
exclusivamente en
>                  asuntos que debieran ser de inters privado: los
negociados de
>                  los polticos, las preferencias sexuales, los manejos
dolosos de
>                  este o aquel funcionario, las calificaciones
zoolgicas... Pareciera
>                  esto ms bien la Granja de animales de George Orwell que
unas
>                  elecciones de un pas de humanos, pues el debate se
dirime
>                  entre gallinas, guilas, moscas, serpientes y otras
bestezuelas.
>
>                  Lo ms grave no es solo que se distraen las energas en
temas
>                  de poca monta, sino que se ocultan y escamotean los que
son
>                  verdaderamente cruciales z ATROPOS i za choler nie wiem
co niby jedno z drugim miaoby mie wsplnego- przecitno? Mo>na by si
zgodzi, ale o ile ATROPOS mo>na
> jeszcze posdzi o jak przyszo, tak tu... kolejny "mortiis`ek" nam
si zrodzi! Kolejny kole, ktry swe elektroniczne prby zechcia wypuci
na wiato dzienne... ups!
> przepraszam- na mrok nocy, bo koledzy z bloku obok powiedzieli, >e fajne i
trzeba by wyda. C>, po ponad dwch latach le>enia w szufladzie wypezo to
w wiat. Jaka szkoda,
> >e i tak pena przecitniactwa firma COLD MEAT postanowia swego czasu
zawojowa chon scen metalow. Oto efekty. A> przykro, gdy potem czyta si
w biografiach tego
> typu projektw, ile to oni maj wsplnego z Ambient. A mogo sobie le>e w
szufladzie... (ArtH.93)
>
> Ciemno wszdzie, mrocznie wszdzie... Miki sentara Barlog`owi kaset
wydawa bdzie- a waciwie wyda. I tak mamy tu bardzo mroczny po czci
industrialny, po czci
> zahaczajcy o Illbient materia. Wolno, monotonnie sunce si plamy
dwikowe, ktre daj popali strzaskanym nerwom. P. Quisiramos un debate
electoral que
>                  concentrara sus enfoques en cuestiones como la poltica
>                  fronteriza, la educacin, el papel de la Fuerza Armada,
la
>                  economa, el petrleo, la reconstruccin de Vargas, la
>                  autonoma de los poderes regionales, la seguridad, las
>                  telecomunicaciones, etc. Una lista enorme si consideramos
>                  tambin los asuntos de inters estadal, municipal y hasta
>                  parroquial que no por ello carecen de inters.
>
>                  En este asunto los medios de comunicacin tienen una
>                  responsabilidad decisiva. Es por ello que Venezuela
Analtica
>                  reitera que sus pginas estn abiertas a todos los
candidatos
>                  de todos los niveles para que expongan sus puntos de
vista
>                  sobre materias del tipo de las que mencionamos arriba,
que
>                  mantendran el debate en la altura que requieren los
asuntos
>                  nacionales de
> Rewelacja! Wspczesna muzyka improwizowana mo>e nie ma zbyt wielu
wyznawcw, ale wiadczy to te> o trudnoci w odbiorze takich dwikw. Tak
jak i poprzedni materia
> Jesionki wywar na mnie multum wra>eY, tak i teraz jestem peen
r>norakich odczu. Po raz pierwszy wysuchaem tego materiau przy otwartym
oknie, skd dobiegay mnie
> dodatkowe atrakcje w postaci odgosw z ulicy, pobliskiego podwrka i
przyznaj, >e po pewnym czasie pogubiem si co skd dobiega- czy to jeszcze
dwiki z gonikw, czy
> ju> z ulicy i vice versa. Niby zboczone, bo przecie> Warszawska to taka
elita pena duchowych uniesieY. C>, tak ukierunkowana ma psychika- te
wariacje powa>kowe odbieram w
> taki a nie inny sposb. Doskonale odzwierciedlaj klimat muzyki tytuy,
chocia>by "Z wizyt u muzykologa", gdzie to w wietny sposb zobrazowano
panujcy tam nastrj (czy>by
> prba wejcia w gow pen chonitego dwiku tego> fachowca? Wspczuj
wic muzykologowi che che), nastpnie "May koncert na klarnet i baterie",
czy wczeniejsza
> "Kuwertura do opery MISTACHE". Awangardowe podejcie do tworzenia, pene
zaamaY, niespodziewanego chaosu, pozornego nieadu, trzaskw,
niekontrolowanych
> dwikw instrumentw klasycznych, ktre ukadaj si w niemal>e free
jazzowe, zgrabne formy. Wielopoziomowa struktura, gdzie na ka>dej z osobna
toczy si opowie,
> niejednokrotnie bardzo zaskakujca. Sztuka, ktra zmusza do wysiku i po
jakim czasie mo>e wywoa bl gowy- jest wic efekt, i o to chyba chodzi?
Gratuluj. (ArtH.93)
>
>
> Artiemiy jest szefem ELECTROSHOCK Recs.- o jego wydawnictwach (skadanki i
genialne dzieo Edwarda Artemiev`a) przeczytacie jeszcze w tym numerze
WIATRW. Jest to ju>
> pite wydawnictwo, ktrego dane jest mi wysucha i przyznam, >e robi ono
na mnie najwiksze wra>enie z dotychczasowych dokonaY tego twrcy. Na pewno
dojrzae i pene w
> swym przekazie, treci i formie. Brak bazeYskiej przypadkowoci (co nie
oznacza, >e na poprzednich wydawnictwach byo to ra>co syszalne!). Myl,
>e tytu na pewno du>o
> podpowie o dwikach tu zawartych ludziom, ktrzy z podobnego rodzaju
klimatem si spotkali. Wanie, Artemiy ponownie roztacza plamy dwikowe,
kojarzone z ambientalnymi
> zewami, pojawiajce si ilustracje muzyczne s pene spokojnych, wolno
mijajcych przed naszymi oczami obrazw. Nastrj tej pyty jest przepeniony
niepewnoci, zadum,
> groz i zaczajonym gdzie za rogiem strachem. Dwiki z drugiej strony
kontempluj cisz i ezoteryczne rejony. Mj zdecydowany faworyt, to
"Cataclysm Of The XX Century"
> objawiajcy obok taplajcych odgosw, przecigych zeww, monotonny,
transowy, "upiony" gos, niczym z powolnej, skupionej tybetaYskiej mantry.
W tle, jak wspomniaem
> dziej si pomalutku, ale konsekwentnie dziwne zajcia, wycignite niczym
z innego wiata- niekoniecznie z innej planety, a raczej na pewno nie, cho
skojarzenia z cisz
> kosmosu mog by rwnie> jak najbardziej na miejscu. Wszystko to przelewa
si wci> przez blisko 77 minut- niepokojce, stonowane (jakkolwiek
wyobrazicie sobie te
> przeciwieYstwa) przenosz w inny wymiar. To dobre... wrcz wskazane jest
wieczorn por zrzuci szaty zabrudzone i przesiknite ulic, by zasi
przy wiecy i potapla si w
> takim mistycyzmie. (ArtH.93)
>
>  esta hora: la mxima jerarqua en la atencin de
>                  todos.
>
>                  De otro modo ocuparemos toda nuestra energa intelectual
en
>                  resolver, si acaso, solo los problemas personales de los
>                  interesados en envilecer el debate porque solo en ese
nivel saben
>                  desenvolverse. En la sere
>
>                     Profile
>                     Virus Name
>                     Una tarjeta virtual hoax
>
>                     Aliases
>                     A virtual card hoax
>
>                     Variants
>                      None
>
>
>
>                     Description Added
>                     11/16/00 11:16:45 AM
>
>                     Virus Information
>
>
>                          Discovery Date:
>                                       11/16/00
>
>                                  Origin:
>                                       N/A
>
>                                 Length:
>                                       N/A
>
>                                   Type:
>                                       Hoax
>
>                                SubType:
>                                       E-mail
>
>                         Risk Assessment:
>                                       -
>
>                            Minimum Dat:
>                                       N/A
>
>                        DAT Release Date:
>
>
>                     Virus Characteristics
>
>                     AVERT HOAX Notice!!
>
>                     NAI Labs AVERT would like to inform you of a new email
HOAX.nidad alguien puede tener la razn,
>                  pero en este nivel de envilecimiento y de trivialidad
nadie puede
>                  tener la razn.
>                                     Recomendar esta pgina a un amigo
>                                     Preparar esta pgina para imprimir
>
> ybris o la desmesura
>
>
>
>
>     Home
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>                      F-Secure Anti-Virus AVP 3.0 Weekly Engine
>                      Updates
>
>
>
>
>                       By: F-Secure Inc.
>
>
>
>
>
>                      Latest Version:
>                      001208
>
>                      Last Updated:
>                      11-Dec-00
>
>                      Platform:
>                      Windows 95/98/NT
>
>                      Product Type:
>                      Freeware
>
>                      File Size:
>                      18.8 KB
>
>                      No. of Downloads:
>                      10,087
>
>                      Approx. Download Times:
>                        At 56k: 3 sec
>                        At 28k: 7 sec
>                        At 14k: 13 sec
> --------------------------------------
>  X-Authentication-Warning: server: jodi owned process doing -bs
> Date: Fri, 01 Dec 2000 20:58:25 +0900
> From: Marc Voge <marc {AT} totalmuseum.org>
> Reply-To: marc {AT} totalmuseum.org
> Organization: Total Museum
> X-Accept-Language: en,ko
> MIME-Version: 1.0
> CC: Hyungmin Moon <hyungmin {AT} earthlink.net>
> Subject: The Opening of Web Project 8
>
> Dear everyone,
>
> Thank you for your fine work.
>
> Please take a look at the show, and if you see anything that bugs you
> about your work, give a yell -- to Hyungmin -- and pass it along to me.
>
> More soon.
>
> Yours,
>
> Marc
>
> http://www.totalmuseum.org/webproject8.html
>
>
>
>
> ====================================================================
>                                          Abomb.728, Abomb.730, Alcom.257,
>                                          BAT.IBBM.Rbm, BAT.Rbm,
>                                          Backdoor.Cafeini.11.dr,
Backdoor.ControlTotal,
>                                          Backdoor.Gift,
>                                          Backdoor.IRC.Flood,
>                                          Backdoor.Incommander.16.f,
Backdoor.Monster,
>                                          Backdoor.RAdmin.10b,
Backdoor.Studio,
>                                          Backdoor.Sub7X.21,
>                                          Backdoor.TDS.SE.32,
Backdoor.Udps.10,
>                                          Backdoor.WebCT2,
>                                          Backdoor.WebDL, Belial.717,
CLME.Ming.1950,
>                                          CLME.Ming.2027,
>                                          Constructor.DPOG,
Constructor.IRC.SenSi.02,
>                                          Constructor.SennaSpy.OEM.10,
>
Constructor.TrojanRunner.EliteWrap.103,
>                                          Constructor.TrojanRunner.Gr,
DL.326, DL.328,
>                                          DemoCrazy.225, EE.a,
>                                          Eocb.899, Funk.501, HLLC.7322,
HLLP.6384,
>                                          HLLP.9344, Hoax.AnDum,
>                                          I-Worm.Benny, I-Worm.Energy.b,
>                                          I-Worm.Energy.c,
I-Worm.Hybris.c3,
>                                          I-Worm.KakWorm.z, I-Worm.Propec,
> -----------------------------------------
>
>
>
>
>
>
>
>
>
>
>
> ReAS sdfghjkree SpDiritdA67890-=s Of ddA PeDDmiADan Man, ODr D21D69
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>
>
>
>
> _______________________________________________
> nettime-lat mailing list
> nettime-lat {AT} nettime.org
>
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