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Re: [Nettime-nl] Uitnodiging: lezing met aansluitende gestuurde brainsto
A.Andreas on Fri, 17 Sep 2010 17:27:58 +0200 (CEST)


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Re: [Nettime-nl] Uitnodiging: lezing met aansluitende gestuurde brainstorm --impact van remix cultuur op het buitenschoolse (kunst)en media onderwijs--


Haha,

Daar houd ik nu van:

"(Failed) Survival Strategies"

Een begrip waar we nog veeeel meer van gaan horen!

Zie ook:

" Critical Mass in F minor" - Hiroshima 2010

Kyrie:


Detritus: the rests of what remained
Renegade: the post post modern men


Credo:

The Cryptographic Gods of our ancestors dressed in Mosaic barbs, drenched in the excrement of history, draining an endless chain of failing survival strategies in a networked latrine.


Hosannah:

More radioactively than ever
we live further
in the fall-out rain
of the ARPAnet

Haleluja:

Atomical to in our soul


Agnus Dei:

Counting Geigers
Counting Death



AA, 6 augusts 2010


Andreas Jacobs

w: http://www.nictoglobe.com
w: http://burgerwaanzin.nl

On 26 Aug 2010, at 09:36, Alan Sondheim <sondheim {AT} PANIX.COM> wrote:

Culling Death and the C C Cafe


mass-substance, and the country into a complex of C Cs, squads, killing fields, refugee Cs. What of the orchestras, in fact, that played in the C
Cs, also what of the jazz performance.

---jazz performance in a C C--- mass-substance, and the country into a
complex of C Cs. zoo functioning as an inverse C C - the animals are
ideally the planet into one great C C of final and irrevocable # the
foiled assass- ination. the C C. the computer-roundup.

---jazz performance in a C C--- squads, killing fields, C Cs, refugee Cs. What is a C C. They were clad there, how would you call it... C Cs, the violence of in/scribing; the _trap_ of public Cs for nearly a year. the earlier culture of existentialism, the Cafe served a similar purpose, and I went to the small Cafe inside the train station. The man who served me would use all of this to extend his connections into the Aumont's Cafe and I was watching the Lumieres' cinematograph - moving from the Cafe at the cross-roads, it's maybe a half mile away. I'm usually linked to Pierre at the Cafe and coupled otherwise to the Beaver. The wall, the Cafe closes for the night, red and white checkered tablecloth would lose its contact with the world, with the Beaver, who waits for me with Pierre at the Cafe shortly after Klein went to the small Cafe inside the train station. The
man served me counterpoint; this is hardly the wide-awake state of
Sartre's Cafe life: latenight at the C C Cafe and the orkestra repeats.

 {AT}  CC Cafe we go on

 After Auschwitz
 After Auschwitz and
 Auschwitz is barbaric true
 America is barbaric true
 Auschwitz, Theodor Adorno proclaimed. true
 Auschwitz, no theology: From the chimneys of the
 Auschwitz.. true and
 No poetry after America and true
 Our Auschwitz true
 after Auschwitz, In other words, has the -
 after Auschwitz,? and, similarly, there can be
 after Auschwitz. &gt; What could that mean?
 and after Auschwitz, and, similarly, there can be
 and poetry after America and true
 before and after Auschwitz were separated ...
 lyric poetry after Auschwitz was itself
 no lyric poetry after Auschwitz...
 poetry after America and barbaric ...
 poetry before and after Auschwitz were
 that to write lyric poetry after Auschwitz
 that writing poetry after America is
 write lyric poetry after Auschwitz is
"A day of bright fall weather, if Auschwitz hadn't happened,
"If Auschwitz hadn't happened, if September were another,
This is the garb of the planet called Auschwitz. And I believe with
Auschwitz is a call to war. We will show nuclear explosions and napalm. Auschwitz. I was there for about two years. Time there was not like it is Auschwitz. enough. Auschwitz; Auschwitz a call nuclear explosions napalm.
If Auschwitz hadn't happened, if September were another,
So the question is: How do you make art - not after America -
This is not enough. We will show Auschwitz. We will not show Auschwitz;
and eleven years or so after america and he's penning
and insistent on the lyric after america, collaboration
and over from america
and plasma and fury/ always on the horizon/ universal america/ triumph
and the little town called Auschwitz
america later almost by the span of a man or woman,
but IN America? Because we are at the gates and work arbeit does
cut out, decomposed elsewhere, increased complexity of coding, Auschwitz,
functional enclaving. The world has become a mobius-strip Auschwitz,
insistent on the lyric after america, collaboration
little town called Auschwitz!
nervous zoom. hello you will see america on a shelf. will you slip away one might not write lyric poetry after Auschwitz, philosophy stands firm.
otherwise by - any the means of furious world america to get -
plasma and fury/ always on the horizon/ universal america/ triumph
stars influence our destiny, so does this planet of the ashes, Auschwitz
stars influence our destiny, so does this planet of the ashes, America


De modus voor de 21ste eeuw



Andreas Maria Jacobs

w: http://www.nictoglobe.com
w: http://burgerwaanzin.nl

"Politics is the Architecture of Death"

On 17 Sep 2010, at 16:10, "Patrice Riemens" <patrice {AT} xs4all.nl> wrote:

Staat het afschaffen van het kunstonderwijs in de 21ste eeuw ook op de
agenda/ het programma?
(Anders praat je natuurlijk alleen maar over survival strategieen, cq
arbeidsplaatsenbehoud.)
;-)
Cheers, p+3D!



Beste nettimers,

We willen jullie graag uitnodigen vooreen lezing over de impact van de
remix cultuur op het buitenschoolse (kunst)en media onderwijs en een
aansluitende gestuurde brainstorm. Daarin ontwikkelen we gezamenlijk
toekomstscenario's voor het kunstonderwijs van de 21ste eeuw:-). Deze
lezing - brainstorm vindt plaats op 1 october in het compagnie theater
in Amsterdam

De volgende sprekers geven een presentatie: Petra Heck, curator van het
Nederlands Instituut voor Mediakunst (NIMk)laat zien hoe hedendaagse
media(kunst), participatie en remix cultuur elkaar beinvloeden. Emiel Heijnen, senior docent en onderzoeker aan de Amsterdamse Hogeschool voor
de Kunsten vertelt over zijn  promotieonderzoek aan de Radboud
Universiteit waarin de discipline-overstijgende aspecten van media- en kunsteducatie centraal staan. Eric Rosenbaum is een ITRI fellow aan het
MIT Media Lab. Zijn presentatie (via video conference) gaat over de
relatie tussen improviseren en leren: Creative Learning Remixed:
Improvisation and Expressive Inquiry. Hij zal enkele van zijn recente
projecten bespreken zoals zijn werk aan Scratch en zijn eigen projecten,
Glowdoodle, Mmmtsss, Singing Fingers, Drawdio, and Project Q.

Het volledige programma vind je hier.

http://www.kunstfactor.nl/kunstfactor/pagina.vm?id=2238

Aanmelden kan bij a.verboon {AT} kunstfactor.nl

Hopenlijk tot 1 October!

Met hartelijke groet

ArijJan


... ... ... ... ... .....................................................................
ArijJan Verboon
adviseur (Nieuwe Media)
werkdagen maandag t/m donderdag
... ... ... ... ... .....................................................................
Kunstfactor
sectorinstituut amateurkunst
Kromme Nieuwegracht 66, ingang via Jeruzalemstraat
Postbus 452, 3500 AL Utrecht
T+31 (0)30 711 5180
www.kunstfactor.nl
... ... ... ... ... .....................................................................
Kunstfactor Live! http://www.kunstfactor.nl/kunstfactorlive
30 september, 1 - 2 oktober Amsterdam

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______________________________________________________
* Verspreid via nettime-nl. Commercieel gebruik niet
* toegestaan zonder toestemming. <nettime-nl> is een
* open en ongemodereerde mailinglist over net-kritiek.
* Meer info, archief & anderstalige edities:
* http://www.nettime.org/.
* Contact: Menno Grootveld (rabotnik {AT} xs4all.nl).