PAVILION [contemporary art & culture magazine] on Sun, 21 Oct 2007 20:07:54 +0200 (CEST)


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[Nettime-ro] Bucharest Biennale & Pavilion at Stockholm


Romanian Cultural Institute, Stockholm (RumÃnska Kulturinstitutet)
presents

/for Romanian scrol down

PAVILION & BB3:
Temporary StructuresÂ

Bucharest Biennale - Bucharest International Biennial for Contemporary Art - generated by Pavilion, integrates the city in its curatorial project, proposing both a spatial and temporal, itinerant trajectory to the visitor, which leads to the discovery of hidden geographies.

Despite being in a rather introductory stage, the Bucharest Biennale has already positioned itself internationally, and the third edition is expected to express the growing potential of this type of artistic encounter. BB3 questions cartography and proposes aÂremapping of contemporary art, in extending the art conceptÂtowards discursive manifestations with a sociopolitical impact.

PROGRAM

24 October 2007
ICR Stockholm, Skeppsbron 20, StockholmÂ

18.00 h
The Magazine as a Temporary Structure
A lecture by Eugen Radescu (RO) on the structure of Pavilion â contemporary art & culture magazine.Â
The magazine is a structure, which is mainly located in the present, although it sometimes deals with the recent past and is often used as a source of reference for the future â in the future as a reference to the past - and it sometimes presents clairvoyant visions of the future. The mission of a magazine for contemporary art and culture is to analyze the present and to make a statement about what this present could be â the decision of âwhich presentâ to display comes with certain responsibility.
It is no longer possible to make a clear distinction between politics and art/aesthetics. Therefore, it could be viewed as one of the main missions of a contemporary magazine to have a clear vision of the present and to make an analysis of the strategies of representation by means of aesthetics, ethics and politics. This undertaking can only be successful, if the magazine maintains its temporary structure.ÂÂ


19.00h
BB3. Being Here. Mapping the Contemporary
Live talk on the topic of Bucharest Biennale 3.Â
Participants: Maria Lantz (SE), Jan-Erik Lundstrom (SE), Razvan Ion (RO), Eugen Radescu (RO).Â
Mapping is, in fact, not a mimetic exercise, a process of analogue imitation by way of reduction and abstraction, a means towards the splendid and refractory lives of copies and reproductions. Maps are, rather, parallel worlds, rich and powerful out of their own specific properties, producers of other spaces and alternative geographies. And exactly because of this: resourceful and productive and beautiful instrumentalities for the contemporary moment, for navigation â or withdrawal? In these strange times, in the midst of the landscapes of terror, fear and loss, of the territories of restricted movement, control and surveillance, of borders which are walls, of globalization with its promises and defeats.
Curated by Jan-Erik Lundstrom & Johan Sjostrom, BB3 (23 May â 21 June 2008) attends to the geographical turn in contemporary creativity and current representational practices.Â
Bucharest Biennale is proudly supported by Pilsner Urquell.ÂÂ
Â
Launch of the latest issue of PAVILION "What Was Socialism, and What Comes Next".
Open buffet.Â



26 October 2007, 12.30 PM
Galleri Mejan, FlaggmansvÃgen 1, Skeppsholmen, Stockholm (in front of Moderna Museet)Â


Political Statement of the Biennale Â
Open lunch talk with Eugen Radescu (RO) & Razvan Ion (RO)
Participants: students of the Royal University College of Fine Arts and the public.Â



Maria Lantz
Artist and teacher at the Royal University College of Fine Arts. She is also editor of Motiv magazine. She has exhibited widely and in 2008 will be part of Bucharest Biennale 3.


Jan-Erik LundstrÃm
Born in 1958, Jan LundstrÃm is the director of BildMuseet, Umeà University in Umeà Sweden, a museum of contemporary art and visual culture. He is equally involved in curating, organizing, giving lectures and writing. Previously, he was the curator of the Tirana Biennial, as well as the Thessaloniki Biennial. Furthermore, he is a guest professor at HISK in Antwerp, Belgium and at the Kunstakademie in Oslo, Norway. Jan LundstrÃm is a prolific international lecturer and writer, having contributed to various international symposia and to cultural magazines such as GlÃnta, European Photography, Paletten and tema celeste. He was appointed curator of Bucharest Biennale 3 together with Johan SjÃstrom.Â


Razvan Ion
Theoretician and political activist. Co-editor of Pavilion and co-director of the Bucharest Biennale. Razvan Ion has given lectures at University of California, (Berkeley), Headlands Center for the Arts, California, O3one, Belgrade, Facultatea de Stiinte Politice, Cluj, Facultatea de Arte, Timisoara, etc. His studies and texts have been published in various magazines. Razvan Ion is living and working in Bucharest.Â


Eugen Radescu
Curator, theoretician and co-editor of PAVILION. Eugen Radescu has produced art projects and mixed media performance, and has given lectures at the Art Academy in Timisoara. He was appointed curator for the 1st Bucharest Biennale, where he produced the exhibition "identity_factoriesâ. Eugen Radescu writes for various art magazines and is currently working on the curatorial project "How Innocent Is That?" and his book "Moral Relativity and Ethics". In 2006, he was appointed co-director of the Bucharest Biennale (together with Razvan Ion). Eugen Radescu is living and working in Bucharest.Â


For more information on the Bucharest Biennale and Pavilion:
www.pavilionmagazine.org
www.bucharestbiennale.orgÂ

For more information on the Romanian Cultural Institute in Stockholm (RumÃnska Kulturinstitutet):

www.rkis.se


Special thanks to: Dan Shafran, Giorgiana Zachia, Maria Lantz, Jan-Erik Lundstrom, Raluca Mihu, Corina Truta and all the team of ICR Stockholm + Bucharest.



----------------


Institutul Cultural Roman, Stockholm (RumÃnska Kulturinstitutet) prezintaÂ

PAVILION & BB3:
Structuri Temporare

O structura temporara genereaza o alta structura tocmai prin inconsistenta temporalitatii. Rezultatul acestui lant cauzal poate fi o a treia actiune, analiza strategiilor reprezentationale, delimitat de interesul spectatorului.

Bucharest Biennale - Biennala Internationala de Arta Contemporana Bucuresti - generata de Pavilion, integreaza orasul in proiectul sau curatorial, propunand o traiectoriei itineranta vizitatorului, atat spatiala cat si temporala, care duce la descoperirea geografiilor ascunse.

Bucharest Biennale, aflata mai degraba la inceputul sau, a capatat deja o reputatie internationala , iar cea de-a treia editie este de asteptat sa exprime potentialul de crestere a acestei forme de intalnire artistica. BB3 interogheaza cartografia si propune re-cartografierea artelor contemporane, extinzand intelesul cuvantului arta la manifestari discursive cu impact socio-politic.

PROGRAM

24 Octombrie 2007
ICR Stockholm, Skeppsbron 20, StockholmÂ

18h00Â
Revista - o structura temporara
Prelegere de Eugen Radescu (RO) despre structura revistei Pavilion â revista de arta si cultura contemporana.
Desi uneori se ocupa de un trecut (tanar), iar des este utilizata ca o sursa de referinta pentru viitor â in viitor devenind o referinta despre trecut â revista este in primul rand o structura localizata in prezent, care poate avea o viziune clarvazatoare despre viitor. Misiunea unei reviste de arta si cultura contemporana este de a analiza prezentul si a cocluziona ceea ce acest prezent poate fi â a decide care prezent este cel adevarat este o sarcina de raspundere.
Avand in vedere ca nu mai este posibil in ziua de astazi a face o distinctie clara intre politica si estetica, una dintre cele mai insemnate sarcini ale unei reviste contemporane ar putea fi considerata sustinerea unei viziuni clare despre prezent si analizarea strategiillor reprezentarii cu ajutorul esteticii, eticii si politicii.
Insa aceasta actiune poate reusi, numai atunci cand revista isi mentine structura sa temporara.


19.00 h
BB3. Fiind Aici. Topografia Contemporaneitatii
Discutie pe tema Bucharest Biennale 3.Â
Participanti: Maria Lantz (SE), Jan-Erik Lundstrom (SE), Razvan Ion (RO), Eugen Radescu (RO).Â
Cartografierea nu este un act mimetic prin reducere si abstractizare sau o cale catre minunatele vieti ale copiilor si reproducerilor. Hartile sunt mai degraba lumi paralele, imbogatite si potentate de trasaturile lor specifice. Hartile creeaza alte spatii si geografii alternative. Si tocmai din aceasta cauza, hartile sunt instrumente eficiente si inventive pentru timpul actual, pentru navigarea in aceste vremuri stranii in mijlocul unui peisaj dominat de teroare, frica si pierdere, al unor spatii de miscare limitate, al controlului si supravegherii, al granitelor de netrecut, al globalizarii cu promisiunile si esecurile ei.
BB3 atrage atentia asupra laturii geografice a creativitatii contemporane si actualelor practici reprezentationale.


19h00Â
Lansarea ultimului numar al revistei PAVILION "What Was Socialism, and What Comes Next"
Bufet deschisÂ



26 Octombrie 2007, 12h30
Galleri Mejan, FlaggmansvÃgen 1, Skeppsholmen, Stockholm (in front of Moderna Museet)Â


Declaratia politica a Bienalei Â
Discutie la amiaza deschisa publicului cu Eugen Radescu (RO) & Razvan Ion (RO)
Participanti: Studenti de la Royal University College of Fine Arts si publicul.ÂÂ




Maria Lantz
Artista si profesoara la Royal University College of Fine Arts. Este de asemenea editoarea revistei Motiv. Maria Lantz a participat in cadrul unui numar larg de expozitii, iar in 2008 va face part din Bucharest Biennale 3.Â



Jan-Erik LundstrÃm
Nascut in 1958, este director la BildMuseet â muzeul de arta contemporana al Universitatii din UmeÃ, Suedia. El se dedica in acelasi timp activitatilor curatoriale, organizarii de evenimente, scrisului si dezbaterilor. Printre proiectele sale curatoriale se numara Tirana Biennial si Thessaloniki Biennial. Este profesor asociat la HISK, Antwerp, Belgia si la Academia de arta din Oslo, Norvegia. Jan-Erik LundstrÃm este un scriitor si conferentiar cunoscut la nivel international si colaborator permanent la revistele de arta contemporana GlÃnta, European Photography, Paletten si tema celeste. Jan-Erik LundstrÃm este curator al Bucharest Biennale 3 impreuna cu Johan SjÃstrÃm.Â


Razvan Ion
Teoretician si activist politic. Razvan Ion este co-redactor al revistei Pavilion si co-director al Bucharest Biennale 3. A sustinut conferinte la University of California (Berkeley), Headlands Center for the Arts (California), Political Science Faculty (Cluj), Facultatea de Arte (Timisoara), etc. A publicat studii si texte pentru diferite reviste. Razvan Ion locuieste si lucreaza in Bucuresti.Â


Eugen Radescu
Curator, teoretician si co-redactor al revistei PAVILION. Eugen Radescu a produs numeroase proiecte de arta si intermedia performance si a sustinut conferinte la Facultatea de Arte in Timisoara. In cadrul Bucharest Biennale 1, a produs expozitia âidentity_factoriesâ. Eugen Radescu scrie pentru diferite reviste de arta si se ocupa in momentul de fata de proiectul sau curatorial "How Innocent Is That?" si cartea "Moral Relativity and Ethics". In 2006 a fost ales co-director pentru Bucharest Biennale 3 (impreuna cu Razvan Ion). Eugen Radescu locuieste si lucreaza in Bucuresti.



Mai mult despre Bucharest Biennale: www.pavilionmagazine.org www.bucharestbiennale.org

Mai mult despre Institutul Cultural Roman din Stockholm (RumÃnska Kulturinstitutet):
www.rkis.se


Special thanks to: Dan Shafran, Giorgiana Zachia, Maria Lantz, Jan-Erik Lundstrom, Raluca Mihu, Corina Truta and all the team of ICR Stockholm + Bucharest._______________________________________________
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