igor mocanu on Sun, 1 Feb 2009 14:07:40 +0100 (CET)


[Date Prev] [Date Next] [Thread Prev] [Thread Next] [Date Index] [Thread Index]

[Nettime-ro] Fw: PAVILION UNICREDIT, Bucharest: The new center for contemporary art and culture



--- On Wed, 1/28/09, e-Flux <info@mailer.e-flux.com> wrote:
From: e-Flux <info@mailer.e-flux.com>
Subject: PAVILION UNICREDIT, Bucharest: The new center for contemporary art and culture
To: hierorfeu@yahoo.com
Date: Wednesday, January 28, 2009, 6:29 PM



	
		 
		
        


	
			
				
					
						
							
								

							
							
								

							

							
								

January 28, 2009

								

							
						
					
				
				
					

				
			
		
		
			
				
					

				
				
					

				
			
			
				
					

					PAVILION UNICREDIT, Bucharest
				
			
			
				
					

						
                    

                        Lia Perjovschi
 "Statement" 
                    

                
					

                
                
					

				
				
					
						The new center for 

contemporary art and culture



GRAND OPENING: 

FEBRUARY 19, 2009, 19.00 h.



With the exhibition "Statement" 

curated by Lia Perjovschi



PAVILION UNICREDIT,  Bucharest

Şos. Nicolae Titulescu, 

1 (Victoria Square), Bucharest

http://www.pavilionunicredit.ro
					


					
						
					
					

				
			
			
				
                    Share this announcement on: 
                    Facebook |
                    Delicious |
                    Twitter
				
			
			
				
					

					
						"STATEMENT" exhibition, curated by Lia Perjovschi

February 19th – April 19th 2009



For the first time in the last twenty years, a bank becomes an art centre. A centre in the centre of the city, not at its outskirts, as we were used so far by the logic of transition. The spaces for contemporary art, had they not been already displaced, closed or thrown at the periphery, are becoming smaller and smaller or more business-related. The history of the Romanian contemporary art is the history of the losses – a place, a market, a man, a few ideas. And, as always, an exaggeration is surpassed by an other, and the lack of the assorted art units is politically concealed by the ever too big and too dependent Central Unit: the museum.



An art magazine created a BIennale and now opens ONE permanent centre for the contemporary art.



The midpoint of PAVILION UNICREDIT is not "the show", as some may think, but "the archive/ information". The main focus here is the "the knowledge", the resource.



Any new place and any new project starts with a STATEMENT. In Romanian: declararaţie de credinţă. What the place want to be, and what it might be. 



STATEMENT is an expositional plan. A route. A process. The storyboard of a contemporary art centre nowadays. A conceptual expression for the lines of force structuring the intellectual life and the life in general. A multidisciplinary programme created with modesty (books, newspapers, quotations). A data bank and a possibilities bank. Art is not alone. Art is positioned in a cultural, political and scientific framework. Works of art admired and then given away as gifts, replicas more interesting than the original, hundreds of artists in texts, images, postcards. Institutional history in bags. A map of ideas that may go wild or may structure itself peacefully. A laboratory where the spectators become researchers.



STATEMENT breaks the vicious circle built up out of financial humiliation, bureaucratic imbecility, cultural ignorance and lack of understanding, institutional autism, the reduction to the state of always asking and always being rejected without any explanations, and the state of "everything against you". STATEMENT uses the "Do-It-Yourself" resources that the curator-researcher has coalesced for the last twenty years.

 

What do we define as an artistic object? Where should the artistic research start and how far can it go? How free is our thinking?



We have become conservative without even knowing it. We wish to be avant-gardists, to overthrow things, but we do everything within the same logic frame. We complain about the same things. We reiterate the same mistakes. Culturally, we are in the tunnel effect.



What can be done?



What if we change the perspective? What if we watch through the both ends of the telescope? Here in Universe. Here on Earth. Here in Romania. Here in Pavilion.

The resource in STATEMENT is not only the art theorist or the cultural philosopher, but also the artist, the astronaut, the string theory specialist, the astronomer and the inventor.



Are the artists also inventors? How does the world look when seen from outside the world?



Is a T-shirt art? Is a postcard a work of art? What do some images tell us when they are downloaded from the Internet and then xerocopied? What does the democratic access to information imply? For how long can we count on the popular anthology? Why does Second Life imitate life?



We know what we are made from (our genome), we know where we are (in the Universe), but do we know why? (Lia Perjovschi translated for media by Dan Perjovschi).





What is PAVILION UNICREDIT?



Most of the 140 million inhabitants from Russia are living in Communist block of flats, in apartments they call hruschiovi ("khrushchevs"), after the name of the former Communist leader of the '60s, the period when they were built. But the initiator of the project was actually Stalin. He imagined them and he also turned the project into reality. As a country dominated by Russia for 45 years, Romania may pride itself on the same type of habitat. Hruschiovi have some small kitchenettes, and this was a big step forward, as compared to the so-called kommunalki (they had common kitchens, common bathrooms and, sometimes, even common bedrooms. The idea of the New Man, who has nothing to hide, went into the background. Today the comfort becomes the main propagandistic tool.



PAVILION UNICREDIT is located in Victoria Square, at the ground floor of such an apartment building. The aforementioned space became a banking center in 1993 and it has stayed like this for the last 15 years. The actual building of the edifice started in the years of the communist regime and it was concluded five years after the fall of the communism. The hruschiovi from the center of Bucharest have witnessed the changes of a Stalinist society into a capitalist society, with strong social and political marks. PAVILION UNICREDIT uses this space for its messages, for its location (right across the center of the executive power – the Romanian Government building) and, moreover, for its hastily forgotten history. It is a space without an extraordinary history, a space of the broken up history, of the revolutionary delays. A space for the knowledge and interest in society, city and community.



PAVILION UNICREDIT is a work-in-progress independent space, a space for the production and research in the fields of visual, discursive and performative. It is a space of the critical thinking, and it promotes a certain artistic perspective on art and cultural institutions, one that implies a socio-political involvement. Still, the basic function of the space will remain the concretisation.



PAVILION UNICREDIT will set up every year three-four exhibitions, discursive events, a film projection schedule and an informal educational program entitled The Free Academy.



The centre will shelter one of the most important areas of information in the entire country, which is constituted of the CONTEMPORARY ART ARCHIVE (archive created by Lia and Dan Perjovschi) and the PAVILION RESOURCE ROOM (a non-archive created by Răzvan Ion and Eugen Rădescu).



The structural design, the architecture of the space was created by Adriana Mereuţă, one of the most remarkable Romanian architects. The space is an unusual one for a centre of contemporary art and it was designed in such a way so as to preserve the elements of the original space, of the Communist building. Simultaneously, the architectural project added functionality and conception to is utility, while maintaining as centre of gravity, in its core, the archives/informations.



---



Team

Director: Răzvan Ion

Research Curator: Lia Perjovschi

Coordinator: Andrei Crăciun

Project manager: Raluca Pop

Assistant Director: Ioana Niţu

Website/ Software design: Alexandru Enăchioaie

Space Design/ Architecture: Adriana Mereuţă

Intern: Silvia Vasilescu



Board

Dan Perjovschi

Eugen Rădescu (president)

Ioana Paun

Felix Vogel



---



PAVILION UNICREDIT is the first centre for contemporary art and culture from Romania and it is the result of an extended cooperation between PAVILION magazine, BUCHAREST BIENNALE and UNICREDIT ŢIRIAC BANK.



---



The projects PAVILION, BUCHAREST BIENNALE, PAVILION UNICREDIT are devised and founded by Răzvan Ion and Eugen Rădescu.



---



Visiting address: Şos. Nicolae Titulescu, 1 (Victoria Square), Bucharest

E-mail: pavilion@pavilionmagazine.org

Website: http://www.pavilionunicredit.ro

Telephone: 031-103-4131



---



Opening hours:

Tuesday-Friday: 12.00 – 19.00 p.m.

Saturday-Sunday: 14.00 – 21.00 p.m.

Closed on Mondays 




					

					 

					
						
					
					

					

				
			
			
				
                    
                        Become a fan on Facebook |
                        Follow us on Twitter
                    
				
			
		
		
			
				
					
						
							
								

							
							
								

							
							
								

								

								

									
									41 Essex street

									New York, NY 10002, USA


									
									
										
											
												
												Contact us

												Subscribe

												Unsubscribe

												
											
											 
											
										
									
								

							
						
					
				
			
		
	 



      
_______________________________________________
Nettime-ro mailing list
Nettime-ro@nettime.org
http://www.nettime.org/cgi-bin/mailman/listinfo/nettime-ro
-->
arhiva: http://amsterdam.nettime.org/