Inke Arns on Sun, 14 Feb 1999 18:36:41 +0100 |
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Syndicate: SPLIT FILM FESTIVAL-CALL FOR ENTRIES |
From: "Splitski filmski festival" <split.filmfest@st.tel.hr> Subject: SPLIT FILM FESTIVAL-CALL FOR ENTRIES Date: Sun, 14 Feb 1999 10:13:30 +0100 CALL FOR ENTRIES ---------------------------------------------------------------------------- ---------------------------------------------------------------------------- INTERNATIONAL FESTIVAL OF NEW FILM - Split, Croatia ---------------------------------------------------------------------------- ---------------------------------------------------------------------------- The 4th Int'l Festival of New Film will take place from September 25th to October 2nd 1999 in Split on the Adriatic coast of Croatia. The Festival is open to all new, creative, innovative, personal, radical, subversive etc work (FILM, VIDEO & NEW MEDIA) of all styles, themes, genres and lengths, preferably from outside the mainstream, whether it's involving traditional film techniques or the latest technology of electronic image. REGULATIONS All works must have been completed after January 1st 1998. The deadline for entries is June 1st 1999. Screening copies must reach Split by September 10th 1999. All submisions must include a VHS preview tape, or CD-ROM, as applicable, accompanied by an entry form (or neccesary information on artist and work) completed in Croatian or English, along with supporting documentation. Preview entries should be mailed as Small Packet/petit Pacquet and must be clearly labelled for custom purposes as follows: Video cassette, no commercial value, cultural exchange only. Please allow ONLY ONE item per tape. PREVIEW TAPES & DOCUMENTS WILL NOT BE RETURNED. There's no limit to the duration of entries. The selection panel will select work for competition (or other programmes), the international juries will award prizes. Entries selected for screenings will be notified promptly after selection of procedures for transporting screening copies. The Festival will make all reasonable effort to present work in the best possible conditions. Transport of the copies is at the risk of the sender. The screening copies will be returned after 15 days (if not agganged otherwise). The cost of return shipment will, as a rule, be paid by the Festival. Unless specific written notice is given to the contrary, the Festival reserves the right to print any accompaying information and still photographs for promotional reasons, or in Festival's catalogue. Screenings of selected films and videos, CD-ROMs, installations, Internet projects, performnces, retrospectives, hommages, (workshops), discussions and the catalogue will be presented at the Festival Along with special money prizes, the Festival sculpture (Grand Prix: The Tail) will be awarded for each category (film, video & new media) by international juries. ---------------------------------------------------------------------------- ---------------------------------------------------------------------------- All entries should be sent to: SPLIT FILM FESTIVAL PO Box 244 Split 21 000 Croatia (Hrvatska) ---------------------------------------------------------------------------- ---------------------------------------------------------------------------- More information could be found (soon) on Festival's web site: http://www.st.carnet.hr/split-filmfest/ where the entry form can be downloaded, completed and sent back. split.filmfest@st.tel.hr ---------------------------------------------------------------------------- ---------------------------------------------------------------------------- Sunny Split might also be a good place for the promotion of recent production as an Art Film Market will take place during the Festival. It will concentrate on growing South European market area as majority of distributors for this part of the world are located in Croatia. ---------------------------------------------------------------------------- ---------------------------------------------------------------------------- Media and tehnology play an increasingly important role in contemporary society. Recent developements in audiovisual medium indicate that more artists adopt new ways of expression which is often less answerable to cinema's traditional properties. Current and newly established relationships and structures in the art of the moving image could be a platform for discussion. ---------------------------------------------------------------------------- ----------------------------------------------------------------------------