Ana Peraica on Thu, 4 Feb 2016 00:21:55 +0100 (CET)


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<nettime-ann> #whataboutyourselfie


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Dear Nettimers,

Contribute to our debate on differences between classic self-portraiture and ‘selfie’ starting February 1, 2016 on various network platforms: Facebook, Twitter, Instagram, Google*+* and Youtube, by adding the hashtag #whataboutyourselfie or by sending an e-mail contribution to *whataboutyourselfie@gmail.com
< whataboutyourselfie@gmail.com>*


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Self-portraits, since ancient times, have broadcasted a variety of private issues of artists' lives. They reported on, for example, processes of aging in the classic, drawn and painted self-portrait serials of Vermeer or Rembrandt, illness in the photo-works of Jo Spence, and identity crisis and mediated identities in photographs by Cindy Sherman. In each of them the relationship of subject/artist to audience is dynamic, based on psychological mirroring, empathy and identification.

Two types of self-portraits may be distinguished, with regard to audience;
(1) tautological, addressing no public at all, and (2) relational, asking for a relationship with the public. Contemporary social media ‘selfie’
phenomena prefers a monologue, diarist type of self-portrait that performs an exposure rather than truly uncovering.

This project invites relational self-portraits and links to self-portraits or their collections that:



   -
   force us to research our own selfhood
   -
   are made as homages and references to other’s identities
   -
   are “self-portraits as someone else” in terms of travesty and
   cross-dressing
   -
   mirror the viewer by specific implementation of technology or medium.



For more information see *whataboutyourselfie.info
< http://whataboutyourselfie.info/>*

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dr. sc. Ana Peraica
independent scholar and freelance curator  
PERISTIL bb
21 000 Split 
Croatia 
tel: +385 21 344646
fax: +385 21 320284
anaperaica@gmail.com 
www.atelierperajica.com 
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