<nettime> fUTURE dIGITAL SOUNDS

[Alessandro Ludovico <a.ludovico@agora.stm.it>]

S u o n i   F u t u r i   D i g i t a l i
(F u t u r e  D i g i t a l   S o u n d s)
Alessandro Ludovico, ed. Apogeo, 192 pages
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

. . . . What's happening in the mp3 world?
. . . . Who is the most pirated artist of the Internet?
. . . . What are the newest dj tools?
. . . . How do the artists promote themselves on the net?
. . . . Could the music generate itself?
. . . . Is it possible to make the brain play?
. . . . Where are the jam sessions on the Internet?
. . . . Which instruments can be emulated?
. . . . How can music be represented visually?
. . . . Which are the best cd-rom albums?
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 
. . . . . . .

These and other questions are answered in this book on the future of
music. The result of in-depth research, it chronicles the history of the
innovations that have drastically changed how we produce and experience
sounds. The book, written in Italian, is aimed at those for whom music is
more than a passing news report;  those who inhale and exhale sounds as
necessary to life itself.  . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . 

info: http://www.apogeonline.com/catalogo/614.html
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 
. . . . . . .




#  distributed via <nettime>: no commercial use without permission
#  <nettime> is a moderated mailing list for net criticism,
#  collaborative text filtering and cultural politics of the nets
#  more info: majordomo@bbs.thing.net and "info nettime-l" in the msg body
#  archive: http://www.nettime.org contact: nettime@bbs.thing.net