Florian Cramer on Mon, 26 Aug 2002 00:50:50 +0200 (CEST)


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<nettime> unstable digest vol 9





Date:         Fri, 23 Aug 2002 07:51:33 -0400
From: "John M. Bennett" <bennett.23@OSU.EDU>
Subject: Emp   o

Emp    o

s word d ish you lab ile    l    ink
t race o   pen   sieve  yr   s leave
o pen yr   ha       d        ang  le
N   s ink           d   im   p   le
st    d   agg er    got     tub  ee
to   p   s o  ap l   op   e   cop   e
s ank   shush  hors at   wh
eel          s   orts          wing   er
ed          it   s          i   eve
s         op       lop          sid              c
lang       ut       s      and         lang
am   b   er               bum   b   le
be   es     cents      sin   g             lan
d               an   gle    am   h    ump
umb          ra   l          ease  l
s  eep   uzzle    d   rain   p
is  s hou    t   d   s   lap   or   recti   c
s      or    e     poch         s           p  ore
w     oof     s  lea p  me at      if
clef          t          on          e          s
n  umber      yl       w          hole
t  arp      see     v e   ils      l ip      pe
eve  neng  age     an t     ank   shush
o                   ar   s      at     w        ill
hoo                   m                  oo         (m
ood                   oom                   h   om
e   r                   oom                   moo
n) h                   one                   d   r
on   e                   as   e                ope   n
b il   iou   s   ink      s       w or  ds
s h   ed             l ex     d    ample
thi  gh  gh  t  ime   r aft        he
he            h                  l'  ame   r      u


John M. Bennett & Jim Leftwich
__________________________________________
Dr. John M. Bennett
Curator, Avant Writing Collection
Rare Books & Manuscripts Library
The Ohio State University Libraries
1858 Neil Av Mall
Columbus, OH 43210 USA

(614) 292-8114
bennett.23@osu.edu
___________________________________________




From: Joseph Gray <gray@lxis.net>
Subject: Re: /55\dervish
Date: Tue, 20 Aug 2002 13:25:41 -0700




~
~ ~
~ ~ ~~
~ ~ ~~  ~~~
~ ~ ~~  ~~~   ~~~~~
~ ~ ~~  ~~~   ~~~~~     ~~~~~~~~
~ ~ ~~  ~~~   ~~~~~     ~~~~~~~~        ~~~~~~~~~~~~~

http://nzn.com/cirrusa/dervishCaptures

~ ~ ~~  ~~~   ~~~~~     ~~~~~~~~        ~~~~~~~~~~~~~
~ ~ ~~  ~~~   ~~~~~     ~~~~~~~~
~ ~ ~~  ~~~   ~~~~~
~ ~ ~~  ~~~
~ ~ ~~
~ ~
~



  to
really work.  i think are inbred)ss
ion about the ideal set anry'
style video is the riguer these days in
  NYC  ~~~~~


Im almost read you even thinlmeads me to...aybe just
  as an excer
~ ~ ~~  ~~~
~ ~ ~~  es the lack of stimuli, whi
h led to an shown that the fear response ha
   s been tightltoal~   ~~~~~     ~~~~~~~~
~ ~ ~~  ~~~   ~~~~~     ~~~~~~~~        ~~~~~~~~~~~~~

~ ~
~ LeDoux, Ph.Dke Nato or Jitter seem more
like intellect

Do you actually
realise hod setting for
ambient video (which
meo' vs 'club video'.
somethingle, you
Mac people ucts li
w easily

       your attention ca
n be fixat
     for long form videocise
    in increasing
attention span

(sly cons

        erved in evolution, and

   probably fol, moving ry vid--your brain
  begins to r result is too often dead.
how do you
  disorders, says neuroscienti
t Joseph ~
~ual purd + sapped?
No, I don't imagi
~ ~ ~~  ~~~   ~~~~~     ~~~~~~~~        ~~~~~~~~~~~~~
~ ~ ~~  ~~~   ~~~~~     ~~k "a snake!"igh
t apply to the ongoing discussion about


    white cube that ne
    you realize search...
which vaguely lle hol
d that tv and movies ha
ve on visuaans u ~
~ ~ ~~
~ ~ ~~  ~~~
~ ~ ~~  ~~~   ~~~~~
~ ~ ~~  ~~espond fearfully. Fear
is an ancient emotion that is involved in a
number of mentalof Br
mediums like fi~~~~~~
~ ~ ~~  ~~~ lows much the same pattern
    in humans and other v
    ertebrates. In a way its
   important, the use and perception
of unedited footage, m.
Hard to say,
'watching the paint.

  would be a specialty of
NN's. drugs), the
interesting discu--beforecrack the str
ang say artistsNATO and Jitter produce, but wha
t about GEMM?in on the
cusp


3) regarding 'g and v.vns


http://www.nimh.nih.gov/events/ledoux.htm

ideo?  prodenjoy non-editing, everyone else
loves good editing.


            You are walking through the woods,

and you see a coiled shape
          lying across your path.



          Instantly










On Monday, August 19, 2002, at 05:52 PM, joshua goldberg wrote:

> a preliminary version of dervish, my vj tool authored in jitter, is now
> available at http://goldbergs.com/dervish .
>
> enjoy. full source code coming soon.
>
> j
> --
>
> josh@goldbergs.com
>

-- 
"thank you for your patience and your enthusiasm"
To unsubscribe from eu-gene visit
http://www.generative.net/mailman/listinfo/eu-gene





From: "-IID42 Kandinskij @27+" <death@zaphod.terminal.org>
Subject: Re: Directing Artistic Energies (was:  Re: nato><jitter)
Date: Tue, 20 Aug 2002 12:35:24 -0700 (PDT)

On Tue, 20 Aug 2002, Ivan Pope wrote:
>
> I think IID42 is a bot.
>
> Ivan

It's true.

`, .   `   `k a r e i'        ?     ' D42

-- 
"thank you for your patience and your enthusiasm"
To unsubscribe from eu-gene visit
http://www.generative.net/mailman/listinfo/eu-gene





Date:         Thu, 22 Aug 2002 11:40:44 +1000
From: "app][lick.ation][end.age" <netwurker@HOTKEY.NET.AU>
Subject: _This Cybagenic Lattice_ [re][levant][post]

. ..
. . .  .   ..




A c][r][][ab-like][yst][al][ repeating. . .
                                   . .

In disarray, a molten swathe of n.ter.face][s][ts
         mimic simul.crated spaces.
In describing, yr structure is musty,
        n.distinguishable from the
            mas][ticated][s,
         a graphic urn of
             circuitry rust.


In b.tween][ning][, pat.turns of repetition
           ][like looped n.testinal lattice][
              is in ][& of][ IT.s][h][ell.f
                   repeated
               ][the uni.f][r][ied cell][.



..
. ..
. . .  .   ..
. . .A most fungalmental repetition property. . .
      . .                 .                  . .
. ..
. . .  .   ..
. ...       .
.. .




This Cyb.age.nic Lattice in its
         ][& of IT.self][ ubersymmetry.
We n.itially shrink ourselves ][in][2 3 di][ce][mensions.
        4 ][si][m.plicity, 3 types r coded:


        .C.quential.

        . .Replification.

        . . .Helix.


.C.quential: U perceive & reproduce via regular successions. No gaps
allowed. No m.maginative rigor. U may ][& will][ b visualized like this. U
represent a sell][out][.F - the human unit of repeditive n.elasticity.

[4 e.e.g, u r 1 of the sell.Fs. if u look out, u c the same reflective
sell.Fs @ 0, 90, 180, & 270 d.grees because a c.quential repeats itself @
predicable ][culturally-d.][greed n.tervals.


. .Replification: U repeat consistently. U r not able 2 distinguish
successive patternings ][@ 0 and 180 cultural d.gree][d][s][. U find
replification easier than advancing. U m.ulate. U ][re][produce as if it
were progressive.


. . .Helix: U spiral and poll][inate][ute. U.re c.oiled c][ultural][entrics
reorder & re.route. U burn the sell.F. U.re c][h][ells can traverse the
vir][mens][t][r][ually & geocentrically g][l][athered.




. ..
. . .  .   ..


If the helix s.][c][el][l][ves were seen in ultradimensions, they would
completely fill the Cybagenic & Ge][c][o.d.fined Lattrix.

. ..
. . .  .   ..




Subject: Re: ::.][afta][B.urn N.scription::
Date: Tue, 20 Aug 2002 23:39:42 +0200 (MEST)
From: =?ISO-8859-1?Q?astr=EBe_galbiatta?= <astreegalbiatta@free.fr>

En réponse à Florian Cramer <cantsin@zedat.fu-berlin.de>:
yes
:::
::
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.   
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  ....      .n,,.n,,,.    .  .......ttttt::::::,,,,,,,,,,,,,,,,,,,,,,,,,,,,,nnt 
    
             .nnnanann           ....          ,,,,,,,,,,,,,,,,,,,,,,,,,,,,,na. 
    
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.   
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annan,,,nnna,nn,,,,,,,,,,,,a:.t..,,, .:n,,,,,,,,,n,,,,,,,,nnn,nn,
                  .naaann,,,,nanana,,,,,,,,,,,,n:...,..t:,,,,,,,,,,,,,,,,,,,,n,,
,,,,
                  .nna,aan,,,,aanaan,,,,,,,,,,,,n,,,,,,,,,,,nn,nnnnnnnnn,,,,,nn,
,,,,
                   
ana,an,,,,,,na,nn,,,,,,,,,,n,,,,,,,nn,,,,nnnnnnnnnnnnnnnnnnnnnn,,
                   .nna,an,,,,,naaan,,,,,,,,,naan,nnna,,,,,,,,,,,,,,nnnnnnnnnnnn
nnnn
                     .aaaan,,,,,,,,,,,,,,,,,,naan,na,,a,aannnaaaan,,,,,,,,,,,,,n
nnnn
                     .annnnn,,,,nnn,,,,,,,,,,n,,,na,n,na,aaaaaaaaaannnnnnnnn,,,,
,,,,
         .....,aaann,,,nann,,,,,,,naann,,,n,,,nnan,,naa,aaaaannaaaaaaanaaaaaan,n
nnnn
.::.t:,n,,,,,,,,,,,,,,,aaaaa,,,n,,nnn,nnn,nnnna,,,nnnnnn,nnnnnaaaaa,aaaanaaannan
nnnn
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,a,...,a,nnnaaaanannaannaa,n,nnaa,,,::::::,nn,n::,aa,,,::,,annnnnnnnnnnnnnnnnann
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aaaa
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nnan

> Am Dienstag, 13. August 2002 um 13:04:24 Uhr (+0200) schrieb ¤:
> > 
> > 
> > app 
> > >  ]
> > >   
> > >
> > >
> > >
> > > -
> > > : 
> > > -:
> > >   
> > > -
> > > : 
> > > -:
> > >   
> > > -
> > > : 
> > > -:
> > >   
> > > -
> > > : 
> > > -:
> > >   
> > > -
> > > : 
> > > -:
> > >   
> > >
> > >
> > >
> > >
> > >
> > > . 
> > > c 
> > > .o
> > > . 
> > > a 
> > >  p
> > > w 
> > > hw
> > > .t
> > >  .
> >     
> > 
> > p___
> > a   
> > 
> > 
> 
> p____________o____________s_____________t
> a       r       c       h       i       v       e  
> http://www.o-o.lt/post
> 
> 



¨¨¨¨¨¨¨¨¨¨¨¨
    mais    
            
veux tu mais 
            
    veux    
____________

g.n.a.p.b.l.
p____________o____________s_____________t
a       r       c       h       i       v       e   http://www.o-o.lt/post





Subject: Re: copy&paste engines or how do machines produce art pieces. Part #2
Date: Tue, 20 Aug 2002 23:42:14 +0200 (MEST)
From: =?ISO-8859-1?Q?astr=EBe_galbiatta?= <astreegalbiatta@free.fr>

En réponse à ¤ <mi_ga@o-o.lt>:

> &&&&&&&&&&&&&&&&&&
when itry it, :::::::: i love it ::::
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  ..                                          ..v;.  ,,.
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::,,,,:nvvvnan.    t. ..  .            ..   ::na.avn,n,.
vvvv,a:.,v,,,..   ....  .    .         ..   . ....   n,.
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   .a:,na,,,,.    .   nnn,,n.   n,,,.  v;.   ..,..t. :a 
t...: ,ann,na    :. av,,,nna.. ....    .v : .vnana...:  
,,,,n. .nnan.    nan.       .. ...          .;;;....:.  
aaaann .,aan.   .aaa,.,,::....    .......    nva..:...  
nnnn,n. .:,..   .aa,. ......, a.. ...,... . .v.   ,..  .
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,:                ...na:..   .,.t,,n..        .tt:aaaaa.
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,,.          .,..v;vv,vvv,nn,... .....           .,a,,,.
,;,.  ,.:    v;;;;;;;v,,na,,,,,n,,:.             .::,::.
,;n..,;v    .,,vvv,na,::tt:,,,aa,..               t:   .
v;. ,v,.    .,naa,::t..  .,.a,nv,.                    ..
v;..:v,.   ..na,:ttt.     .... ,                      t 
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n.. n.   ..;v..na                tt.      ...           
.n..:.   .v;,,nva                :,,:..                 
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    .    ;;;;;v,naaaaaaaa,:.      .:,ann,,,,,nna.       
        :;;;;;vv;;vvv,na,:t.   . ..tt......::..         

> 
> lidi wrote:
>  > Medium-length
>  > It gets in my
>  >
>  > And when I try
>  > And when I try
>  > And when I try
>  > hair is all wa
>  >
>  > waxy, waxy, wa
>  >
>  > p____________o
>  > a       r
> http://www.o-o.l
>  >
>  >
> 
> p____________o____________s_____________t
> a       r       c       h       i       v       e  
> http://www.o-o.lt/post
> 
> 



¨¨¨¨¨¨¨¨¨¨¨¨
    mais    
            
veux tu mais 
            
    veux    
____________

g.n.a.p.b.l.
p____________o____________s_____________t
a       r       c       h       i       v       e   http://www.o-o.lt/post





From: Alan Sondheim <sondheim@panix.com>
Date: Sun, 18 Aug 2002 22:23:33 -0400 (EDT)
Subject: war






war
___________
nikuko
| oo o.oo o.  o|
oo|
ooo .o o.ooo|
o KIILLS  KILLS
o.o  . america
|  o  .   |
| oooo.  o|ge marked f
| oo o.ooo|
| ooo .o o|

|  o  .   |er <tom967@
| oo  .  o|
| ooo . o |xpunging DO
| oo  .o o|

|  o  .   |<orishai@ho
| oo  .o o|1 Aug 18 ma
| oo o.oo |      (4356
| oo  .o  |iks:
| oo o.o  |
| oo  .o o| [Writing F
| ooo . oo|  (2168) Re
|  o  .   |animey logi
| oo  .o  |imilar thin
| oo  .o o| about NATO
| ooo . oo|N   3 Aug 1
| ooo .o  |upp       (
| ooo . o |arning 'Rul
| ooo .o o| Romancewww
| oo  . oo|/2002/08/16
| ooo .o  |al/middleea
AMERIKA
kills
NIKUKO
*/the beginning of the end for planet/*
.ooo|
.oo */all distinctions are lost in universal slaughter/*
HELP US, NIKUKO, help us!
___________
i am hidden in your mouth
| oo o.  o|
o  .   o.o .o  o.oo oooo.  o.ooo|
ooo beyond the certainty of wires
oo|
.oo .ooo|
holding me against speech
electrical fury and death
all this is a warning from nikuko
amerika you must obey international law
stop killing & extinction animals
| oo o.ooo|'s on PFIAB
| ooo . o |hich mirror
| ooo .o  |scription o
| oo o.   |ter.  vicki
|  o  .   |om/capitalg
| oo  .oo |html?bid=3&
| ooo . o |
| oo o.ooo|intelligent
| oo o.o o| you sound
|  o  .   |ld have fun
| ooo . oo|ut copied t
| oo o.ooo|".]
| ooo .o o|
| ooo .o  |
her...
| oo o.   |
|    o. o |
south from no
| oo o.   |udmila.org
|  o  .   |
sp
| oo  .oo |the amelia
| ooo . o |son novels
| oo o.ooo|ites of all
| oo o.o o|
|  o  .   |
give back what owed
AMERICA are endless destruction
planet sways violent bearings
north south
___________
done 22:18:03


===



 

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nettime unstable digest vol 9
Fri Aug 23 14:55:46 2002


Subject: Emp   o
    From: "John M. Bennett" <bennett.23@OSU.EDU>

Subject: Re: /55\dervish
    From: Joseph Gray <gray@lxis.net>

Subject: Re: Directing Artistic Energies (was:  Re: nato><jitter)
    From: "-IID42 Kandinskij @27+" <death@zaphod.terminal.org>

Subject: _This Cybagenic Lattice_ [re][levant][post]
    From: "app][lick.ation][end.age" <netwurker@HOTKEY.NET.AU>

Subject: Re: ::.][afta][B.urn N.scription::
    From: =?ISO-8859-1?Q?astr=EBe_galbiatta?= <astreegalbiatta@free.fr>

Subject: Re: copy&paste engines or how do machines produce art pieces. Part #2
    From: =?ISO-8859-1?Q?astr=EBe_galbiatta?= <astreegalbiatta@free.fr>

Subject: war
    From: Alan Sondheim <sondheim@panix.com>

    
    


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