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Table of Contents:
!: poker with the devil
Pit Schultz <pit@klubradio.de>
Relaunch: The Bicentennial of the Circus
Lists <lists@kriel.tv>
OneTrees Artist's Talk and Panel Discussion
chris bassett <chris@robot138.com>
deprogramming.us presents: extreme whitespace
Amy Alexander <plagiari@plagiarist.org>
Commercial application of new-media art technologies
Kurt Ralske <kranning@miau-miau.com>
EXPECT MAGAZINE
"J Lehmus" <jlehmus@neubauten.org>
Fwd: new issue::movement, bodies, sites vol 2 no 1 2003
"dr.woooo" <dr.woooo@nomasters.org>
1 July 2003 - launch of [R]-[R]-[F] - Festival
"NewMediaArtProjectNetwork" <agricola-w@netcologne.de>
------------------------------
Date: Mon, 28 Apr 2003 04:47:46 +0200
From: Pit Schultz <pit@klubradio.de>
Subject: !: poker with the devil
like: http://www.gatt.org/regime/
------------------------------
Date: Tue, 06 May 2003 16:12:59 -0700
From: Lists <lists@kriel.tv>
Subject: Relaunch: The Bicentennial of the Circus
Announcing the relaunch of a web-based artwork by Charles Kriel.
"'The Bicentennial of the Circus' by Lowell 'Bozo the Clown' Kriel, a Circus
Performer for 27 years", an artwork by Charles Kriel, has been relaunched at
http://www.kriel.tv/Bicentennial/kriel.html
This work was completed in 1998 with the support of London Arts (then London
Arts Board) and Artec, and grew out of a far-more complex CD-ROM based work
of the same name created in 1996. The soundtrack from that work, "Songs for
G", was awarded the Prix Ars Electronica Award of Distinction for Computer
Music. The images from that work were displayed as large-format digital
photographic prints at the gallery of Tomato Design, London. These
photographs were presented again as projections in 1999 in the Italian
Pavilion of the Venice Biennale.
Title of work:
The Bicentennial of the Circus by Lowell "Bozo the Clown" Kriel, a Circus
Performer for 27 years
URL of the work:
http://www.kriel.tv/Bicentennial/kriel.html
Artist: Charles Kriel
email: lists@kriel.tv
Description:
Bicentennial is a continuation of my work with circus themes and my identity
as a child circus performer. Lowell ³Bozo the Clown² Kriel was my
grandfather. Shortly after he died, I entered his trailer to take care of
his personal possessions. Among them, I found hundreds of family circus
photos, as well as several hundred pages of manuscript for a history book
titled ³The Bicentennial of the Circus² by Lowell "Bozo the Clown" Kriel, a
Circus Performer for 27 years. Not quite Henry Darger¹s In the Realms of the
Unreal, but then again, Darger wasn¹t a clown.
I was most struck by the rigid voice of my grandfather¹s manuscript, written
as though it were to be read from centre ring. My reaction to the work was
to begin writing my own stories about the circus, digitally manipulating the
family photographs to tell stories about the circus, and creating the circus
music I hear in my head ‹ the stories, the photographs and the music of the
circus I remember.
Some of these visual, sonic and textual stories are too direct to be told
normally, and so they have been written using the structure and language of
jokes, the kitsch imagery of posters and the music of dissonance.
My ³Bicentennial of the Circus² is an example of this strand of work,
rendered for the web. As such, it is built to be absorbed almost instantly
visually. Further exploration reveals a compositional complexity in the
music, a text-based story, and a series of image rollovers creating a
complex matrix of relationships between uncanny circus images.
Bio:
Charles Kriel
Media Artist/Theorist
Charles has been creating film/video and media works since relocating from
Atlanta ten years ago; first to Prague, then Venice and London. Born a
third-generation circus performer, Charles is PhD media art (pending viva)
from Central Saint Martins, and has received awards/grants/commissions from
Prix Ars Electronica, ICA, MOMA-Oxford, London Institute, Royal Festival
Hall, British Council, Dance on Screen, and London Arts. As a media artist,
he has exhibited in the gallery of Tomato Design, at the 1999 Venice
Biennale, and throughout the Middle East, Europe, Russia, the US and
Australasia.
As a composer, Charles has been awarded the Prix Ars Electronica Award of
Distinction, and has composed by commission an opera and several song
cycles. His work has been released by ÖRF (Austria) and Electroshock
(Moscow). As a filmmaker, writer and photographer, he is regularly
commissioned by BBC Radio 1 and BBC 1Xtra and has also been commissioned by
MTV, ITV and Channel 4.
Also a media theorist synthesising the works of McLuhan, Lacan and Freud as
they apply to digital media in his recent work Noise and the Uncanny, he has
delivered papers and talks at Congress of the Americas, University of
Westminster, Institute of Education, London Institute, Oxford Brookes, and a
selection of conferences.
Charles (VJ Kriel) is also a VJ, and has been called ³the world¹s leading
VJ² by the NME, and is resident VJ for BBC Radio 1, BBC 1Xtra and Pete
Tong¹s Essential Selection. He has been cited by The Times as ³club
culture's first superstar VJ,² and regularly performs in Ibiza, Ayia Napa,
and across Europe and SE Asia. Since Spring 2000, he has performed for
nearly 1.5 million clubbers internationally.
------------------------------
Date: Mon, 12 May 2003 19:56:40 -0700
From: chris bassett <chris@robot138.com>
Subject: OneTrees Artist's Talk and Panel Discussion
Begin forwarded message:
> From: Pond <pondpeople@mucketymuck.org>
> Date: Tue May 6, 2003 12:16:56 PM US/Pacific
> To: "'chris bassett'" <chris@robot138.com>
>
> OneTrees Artist=92s Talk & Panel Discussion:
> Natalie Jeremijenko (OneTrees originator)
>
>
> Panelists:
>
> James Crutchfield, Co-Founder of Art & Science Laboratory, Physicist
> at Santa Fe Institute
>
> Lisa Phipps,Artist, Biochemist
>
> Jeannene Przyblyski,Art Historian, Cultural Geographer, Exec. Dir. Of
> SF Bureau of Urban Secrets
>
> Marcia Tanner,Independent Art Critic & Curator
>
>
> Date:Saturday, May 17th, 2003,11 am
> Location:YerbaBuenaCenterfor the Arts Screening Room
> (701 Mission St.at Third)
>
> Tickets are $8. For tickets call 415.978.ARTS x 2787 or visit
> www.yerbabuenaarts.org
>
> All proceeds go to Pond, the non-profit art & activist organization
> working in collaboration with Jeremijenko on OneTrees
>
> Many thanks toYerbaBuenaCenterfor the Arts for their continued support
> of Pond and OneTrees.
>
>
> Q: What is OneTrees?
>
> A: OneTrees, an ongoing collaboration between artist-experimenter
> Natalie Jeremijenko and Pond, involves the planting of pairs of
> genetically identical trees (clones) throughout the Bay Area's diverse
> microclimates and social contexts. Over time, the trees=92 varied
> growth responses will render visible the differences in their
> environment. In Spring of 2003, 20 pairs of OneTrees were planted in
> publicly accessible sites, including the San Francisco Art Institute
> (NorthBeach), Warm Water Cove (MissionBay), AOV (Mission), and various
> residencies and educational institutions. Future sites include Yerba
> Buena Center for the Arts (2003), theBerkeleyArt Museumand Pacific
> Film Archive (2003), and Tilden Nature Preserve (2004) and others
> throughout the Bay Area. Plantings will continue through 2004.
>
>
> Biography: Natalie Jeremijenko
>
> Natalie Jeremijenko, 1999 Rockefeller fellow, is a design engineer,
> activist, and technoartist. She was recently named one of the top one
> hundred young innovators by the MIT Technology Review. Her work
> includes digital, electromechanical, and interactive systems in
> addition to biotechnological work that have recently been included in
> the Rotterdam Film Festival (2000), the Guggenheim Museum, New York
> (1999), the Museum Moderne Kunst, Frankfurt, the LUX Gallery, London
> (1999), the Whitney Biennial '97, Documenta '97, Ars Electronic prix
> '96, presented at the Museum of Modern Art in New York and at the
> Media Lab of the Massachusetts Institute Technology.
>
> Jeremijenko is currently the director of the Engineering Design Studio
> at Yale University and researcher at the Media Research Lab/Center for
> Advanced Technology in the Computer Science Dept., NYU. Other
> research positions include several years at Xerox PARC (computer
> science) and the Advanced Computer Graphics Lab, RMIT. She has also
> been on faculty in digital media and computer art at the School Of Visual
> Art, New York and the San Francisco Art Institute. She occasionally
> contributes her efforts at the Bureau of Inverse Technology.
> http://cat.nyu.edu/natalie or http://www.onetrees.org
>
> ****
>
> Pond: a place for art, activism, and ideas
> 324 14th St.b/wValencia&Mission St.,San Francisco,CA94103
> www.mucketymuck.org | pondpeople@mucketymuck.org
> t: 415.437.9151 | f: 800.867.2839
>
> become a member or OneTree(s) sponsor at:
> https://www.paypal.com/xclick/
> =business=3Dpondpeople%40mucketymuck.org&item_name=3DMember+Sign+Up&no_note=
=3D
> 1&tax=3D0¤cy_code=3DUSD
>
>
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arrrr matey, there be booty here...
------------------------------
Date: Mon, 19 May 2003 22:54:20 -0700 (PDT)
From: Amy Alexander <plagiari@plagiarist.org>
Subject: deprogramming.us presents: extreme whitespace
extreme whitespace
(read between the lines... )
deprogramming.us presents v.0.1 of their perl software, extreme
whitespace. extreme whitespace reveals your linux/unix/macos-x terminal's
natural talent as a VJ instrument. typing as performance, rap, sport -
even reverse karaoke!
http://deprogramming.us/exwhindex.html
deprogramming.us is dedicated to celebrating deshackled software
development and culture in the post-dotcom renaissance. don't let the
dotcom bust you - cast off your markov chains and start deprogramming!
more on the deprogrammers' lofty views on programming culture and
psychiatric drugs can be found at:
http://runme.org/project/+deprogramming/
hey! extreme whitespace makes its performance debut featuring Übergeek on
May 31st at read_me 2.3 in Helsinki.
special bonus: a really wee introduction to BeepMusic.
http://www.m-cult.org/read_me/program.php
------------------------------
Date: Mon, 05 May 2003 12:19:50 -0400
From: Kurt Ralske <kranning@miau-miau.com>
Subject: Commercial application of new-media art technologies
A commercial application of technologies that I've previously seen only in
interactive art installations:
http://www.reactrix.com/webdemo.php
...if a technology becomes "pedestrian", how is its role in art-making
affected?
Kurt Ralske
http://242pilots.org
------------------------------
Date: Wed, 7 May 2003 10:53:49 +0300
From: "J Lehmus" <jlehmus@neubauten.org>
Subject: EXPECT MAGAZINE
EXPECT AVANT-GARDE TEXT & IMAGE
http://exp.sevcom.com
Will be a monthly showcase of visuals & writing, the pages are catered as
PNG image files, so copy&paste will not be an option, not properly new
media, no flash etc. Low resolution photography will be considered.
Issue #1 will be available on May 15, 2003. EXPECT CONCEPTION
You may submit if interested. Please note though that I have unpublished
work in backlog, reaching back to 1992 I think.
All coverage, links &c is greatly appreciated. Send news items please. Ad
space will be available later
This was supposed to be Linguablanca Journal (LBJ), on cd-rom. EXP
photomagazine is a distinct project, screen-resolution photography on
cd-rom, issue #3 is available in June 2003, multiple-exposure photography
by Thomas Lowe Taylor.
Other projects &c can be found at: http://members.surfeu.fi/exp
Thanks for your interest
Jukka Lehmus
Editor & publisher, Expect Magazine, &c
exp@surfeu.fi
tel +358-9-8638585
------------------------------
Date: Thu, 15 May 2003 14:39:49 +1000
From: "dr.woooo" <dr.woooo@nomasters.org>
Subject: Fwd: new issue::movement, bodies, sites vol 2 no 1 2003
- ----- Forwarded message from Anthony Burke <a.burke@adelaide.edu.au> -----
Date: Tue, 13 May 2003 13:21:47 +0930
From: Anthony Burke <a.burke@adelaide.edu.au>
Reply-To: "The newsletter for borderlands e-journal."
<borderlands_news@edna.edu.au>
Subject: [borderlands_news] new issue::movement, bodies, sites vol 2 no 1 2003
To: "The newsletter for borderlands e-journal."
<borderlands_news@edna.edu.au>
http://www.borderlandsejournal.adelaide.edu.au/
:::in the latest issue...
"Tango is the dance of the milieu – the in-between...tango never finds
its rightful place, dancing instead at the borders of existence in the
interloping worlds between here and there." Erin Manning
"The airport not only transforms a body on the ground into a body in the
air, but it also involves the incorporeal transformation of the
travelling body — as a citizen, a passenger (pax), a baggage allowance,
an accused or an innocent." Gillian Fuller
"Whether God or the law—or indeed capital—are decreed as sovereign, in
each case this sovereignty consists not in the recognition of universal
human rights but in the stipulation of who has the right to be regarded
as human, and who has not. In this way, there is always a space created
for those who are excluded from the community and from definitions of
humanity: non-citizen, non-believer and the uncommodifiable." Angela
Mitropoulos
"...what took place in Seattle was a kind of explosion that lead to the
construction of a new global imaginary...It seemed to us [DeriveApprodi]
that this was the first time in the history of anti-systemic movements
that a movement had emerged that took the unification of the planet not
as an end but as a starting point." Sandro Mezzadra
"Worriers cannot care about their nation because they have not been and
are not being cared for properly by it." Ghassan Hage
Volume 2 Number 1, 2003
DANCE OF THE IN-BETWEEN: HUMANS, MOVEMENT, SITES
Editor: Anthony Burke
http://www.borderlandsejournal.adelaide.edu.au/issues/vol2no1.html
ESSAYS::DIALOGUE::COMMENTARY::REVIEWS::POETRY
Sandro Mezzadra & Brett Neilson:: Né qui, né altrove‹Migration,
Detention, Desertion
Tanya Reinhart:: Sophisticated Transfer in Palestine
Erin Manning:: Negotiating Influence: Argentine tango and
a politics of touch
Ghassan Hage:: On Worrying: the lost art of the well-administered
national cuddle
Gillian Fuller:: Life in Transit: between airport and camp
Steve Hemming & Daryle Rigney:: Adelaide Oval: a postcolonial 'site'?
Angela Mitropoulos:: The Barbed End of Human Rights
Don McMaster:: Asylum Seekers and the Politics of Citizenship
Katrina Lee Koo:: Complex in Nature: reading environmental security
debates
(Simon Dalby, Environmental Security, U. Minnesota Press, 2002).
McKenzie Wark & Simon Dalby:: Symposium: empire, analysis, disorder
(Alain Joxe, Empire of Disorder, Semiotext(e), 2002)
Catherine Mills:: An Ethics of Bare Life: Agamben on witnessing
(Giorgio Agamben, Remnants of Auschwitz, Zone 1999)
Cassi Plate:: Making Connections: reporting refugee policy
(Peter Mares, Borderline, UNSW Press, 2002)
Mohsan Soltani Zand:: Two poems-Sand & Rain
RECENT BORDERLANDS ISSUES
http://www.borderlandsejournal.adelaide.edu.au/issues/index.html
:::On What Grounds? Sovereignties, Territorialities & Indigenous Rights
http://www.borderlandsejournal.adelaide.edu.au/issues/vol1no2.html
:::09/11/02: Unhappy Anniversary
http://www.borderlandsejournal.adelaide.edu.au/issues/vol1no1.html
:::Borderphobias: The Politics of Insecurity post-9/11
http://www.borderlandsejournal.adelaide.edu.au/issues/vol1no1.html
PLEASE CIRCULATE THIS ANNOUNCEMENT WIDELY
Please circulate this announcement to friends, students, colleagues and
anyone who may be interested in the writings in borderlands ejournal.
Please ask your library to create a catalogue entry for borderlands
ejournal - no subscription or prior permission is required.
BORDERLANDS ELECTRONIC NEWSLETTER
For regular email updates on borderlands issues, calls for papers, books
for review and interesting events, send a blank email to:
join-borderlands_news@edna.edu.au
COPYRIGHT STATEMENT
All content in borderlands ejournal is copyright.
Borderlands is willing to consider the republication of its material,
but permission must be sought from the publisher, Anthony Burke,
beforehand.
Email: borderlands@pobox.com
BORDERLANDS EJOURNAL:::ISSN 1447-0810
_______________________________________________________________
Dr. Anthony Burke
Publisher/Managing Editor
::: borderlands ejournal :::
http://www.borderlandsejournal.adelaide.edu.au/
email: borderlands@pobox.com
- ---
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To unsubscribe send a blank email to leave-borderlands_news-79827M@edna.edu.au
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http://slash.autonomedia.org
http://www.agp.org
------------------------------
Date: Thu, 15 May 2003 09:01:03 +0200
From: "NewMediaArtProjectNetwork" <agricola-w@netcologne.de>
Subject: 1 July 2003 - launch of [R]-[R]-[F] - Festival
A Virtual Memorial -
Memorial project against the Forgetting and for Humanity
www.a-virtual-memorial.org
- the online New Media art environment -
announces proudly the launch of
[R]-[R]-[F] Festival - Version 1.0
for 1 July 2003,
on occasion of the participation in
InteractivA '03 - Biennale for New Media Art
at Museum of Contemporary Art Merida (Yucatan/Mexico)-
11 July - 28 September 2003
***************************
A short introduction to
[R]-[R]-[F] - Remembering, Repressing, Forgetting
>From its structures, [R] - [R] - [F] - Festival is an
experimental New Media art project in form of an online festival created,
programmed and realized by Agricola de Cologne.
Its central subject, abbreviated in the capital letters of the title, is
"Remembering, Repressing, Forgetting".
A new way of art working is practiced: networking as artworking.
Experimental fields of memory are developed by inviting curators from
different countries around the globe, eg directors of media festivals or
curators specialized in New Media, who have to select a number of artists of
their choice according the terms of the project.
The dynamic of this ongoing and continously changing project,
as it is set up for being presented in festivals and media exhibitions,
manifests itself not only in the artistic online environment, especially
created for [R] - [R] - [F] - Festival, but also progressing when for each
new presentation a new project version is created, including new subject
related aspects, new curators and new artists and new visualizations of the
connected memory fields.
Continuously expanding, these memory fields containing curators
and artists of the previous project versions will be always present in the
background while slowly a networking universe of collective memory comes up.
The project uses the Internet not only as an artistic environment,
but primarily also as a communicating medium and a data base
which is closely connected to memory and loss of memory,
thus the subject of the festival project.
The Internet represents not only the ideal medium in many ways,
but allows above that direct intercultural networking like no other medium.
These invited, selecting and participating curators form the basis
of Version 1.0 of [R] - [R] - [F] - Festival:
Fran Ilich (Mexico, Mexico)
Wilton Azevedo (Sao Paulo,Brazil)
Anna Hatziyannaki (Athens, Greece)
Branca Bencic (Pula, Croatia)
Vincent Makowski (Lille, France)
Eugeny Umansky (Kaliningrad, Russia)
Caterina Davinio (Rome-Milan, Italy)
Agricola de Cologne, Melody Parker Carter (both Cologne, Germany)
More details, eg the selected, participating artists, etc
can be found on [R] - [R] - [F] - Festival site:
www.newmediafest.org/rrf/
[R]-[R]-[F] - Festival -
'Remembering-Repressing-Forgetting'
New Media project in form of an 'online festival'
- - conception and realisation by Agricola de Cologne
- - copyright © 2003. All rights reserved.
www.newmediafest.org/rrf/
A Virtual Memorial -
Memorial project against the Forgetting and for Humanity
www.a-virtual-memorial.org
is a corporate member of
NewMediaArtProjectNetwork,
- the experimental platform for net based art -
founded and created by Agricola de Cologne,
media artist and New Media curator operating from Cologne/Germany.
More info about Agricola de Cologne on
TURBULENCE Spotlight:
http://turbulence.org/spotlight/agricola
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