Florian Cramer on Mon, 7 Jul 2003 20:37:42 +0200 (CEST)


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<nettime> unstable digest vol 54


From: pascale gustin <gustin.pascale@free.fr>
To: 7-11@mail.ljudmila.org, _arc.hive_@lm.va.com.au
Subject: Demain les machines pleureront
Date: Sun, 06 Jul 2003 17:43:14 +0200

   6     \ W
         \ WX
             WX
        W  X 600
C 67 ; WX  \600 ;
C 68 ; WX 6 \00 ; N
C 69 ; WX 60 \ 0 ; N E
C 70 ; WX 600 \  ; N F ; B 53
C 71 ; WX 600 ;\   N G ; B 31
\ 72 ; WX 600 ; \  N H ; B 32
C\73 ; WX 600 ; N\   I ; B 9
C \4 ; WX 600 ; N $    ; B
\C 5 ; WX 600 ; N  \   ;
     \         ; N L b
      \      0 ; N M  a
           600 ; N N
        \X 600 ; N      c
        WX 600 ; N       k
         \  00 ;          s
         X\600             l
        WX \0               \
           X\                \
        WX
        W
   C                            \
C 8                             \
C 89                             \a
C 9                               \s
                                     h





                                          \
                          \\b              $
         /
hyphen
period/
slash/
zero/
one/
tw/
t/ree












the machines who cry

Le code me parait etre l'outil indispensable de nos rapports avec les
machines. C'est lui qui, à mon sens nous permet de "dialoguer" au mieux
avec elles. Le code est un texte et ce texte, ces textes qui emplissent
les machines avec lesquelles nous travaillons me semblent pleins d'une
potentialité poétique.

L'ordinateur est une "boite grise" que l'on tient généralement pour
acquise : elle simule. Dans mon geste d'exploration du code, je casse ce
mécanisme sous-jaccent du programme de simulation, en disjoint et
fragmente les éléments.
Je situe donc mon travail dans cet étroit champ d'investigation de la
non-simulation, au revers de la réalité virtuelle :

http://cuneiform.free.fr


-- 
pasc@csaq

-r-W-x-R-W-X-R- x
autobuild/wheel
---------------[18608128 - s-ile-nses]
                           @@@@@@@






















To: _arc.hive_@lm.va.com.au
From: mez <netwurker@hotkey.net.au>
Subject: Codeworld [by Alan Sondheim]
Date: Fri, 04 Jul 2003 16:35:56 +1000

Codeworld
Alan Sondheim
12:55pm up 2 min, 1 user, load average: 0.31, 0.19, 0.07 USER TTY FROM 
LOGIN@ IDLE JCPU PCPU WHAT root tty1 - 12:54pm 0.00s 0.46s 0.05s w
Die Welt ist alles, was der Fall ist. Ogden: The world is everything that 
is the case. Pears/McGuinness: The world is all that is the case. Die Welt 
ist die Gesamtheit der Tatsachen, nicht der Dinge. Pears/McGuinness: The 
world is the totality of facts, not of things. Ogden: The world is the 
totality of facts, not of things. ... Die Tatsachen im logischen Raum sind 
die Welt. Die Welt zerfallt in Tatsachen. Ogden: The facts in logical space 
are the world. The world divides into facts. ... Wovon man nicht sprechen 
kann, daruber muss man schweigen. Ogden: Whereof one cannot speak, thereof 
one must be silent. Pears/McGuinness: What we cannot speak about we must 
pass over in silence. (From beginning and end of Wittgenstein, Tractatus 
Logico-Philosophicus, Ogden translation 1922, Pears/McGuinness translation 
1961.)
[1] TLP describes a Dostoevskian crystalline world divisible into facts. 
The German is clear; the motto to the book, by Kurnberger states, in 
translation: ... and whatever a man knows, whatever is not mere rumbling, 
and roaring that he has heard, can be said in three words.
[2] TLP portends ideality. The world is logical, mathematical, capable of 
clear division. Logical space is the space, I would assume, of the natural 
numbers, if not the integers; as Russell says in his introduction, TLP 
presents, inscribes, a finite mathematics -- there's no room for the 
continuum, and proof of the continuum hypothesis was far in the future.
[3] The translations are different, almost never radically so, but 
different nonetheless. There is a residue in German such that both English 
versions converge, but often never meet. The sememes are equivalent, but 
only to a degree; translations are almost never one-to-one.
[4] In this logical space of facts, programming, and protocols, there is 
always a wavering, always room, always doubt, critique, and I would say 
desire as well. Never mind that this wor(l)d breaks down, evidenced a few 
decades later by Godel, Tarski, Skolem, etc.: Coherency, living within the 
safety-net of mathesis, matrix, maternality, remains a dream of humanity. 
DNA coding, cryptography, hacking the world -- all appear to guarantee that 
everything is possible.
[5] Computer languages are logical; computers are presumed so, but aren't; 
protocols are logical as well; logical spaces may be compared to 
drive-space; garbage-in, garbage-out; and so forth. Hacking depends on a 
closed world with closed loopholes; the loopholes themselves are coherent, 
logical, _there._
[6] Codework, code writing, rides within and throughout the logical world, 
as a disturbance, a sign of things to come, both extension and breakdown.
[7] Where does the content lie? Is it in the translation of code into 
messiness or residue? Is it in the interpretation of residue? Or perhaps, 
and herewith a criticism, is it in the wonderment, confusion, and novelty 
of the residue itself?
[8] Is codework a minor art, minor literature? What is the point of 
repeatedly shaking the scaffolding -- if not the emergence, in the future, 
of an other or another approach, or an other, being or organism, for which 
codework now both provides augury and its weakness as portal/welcoming? For 
what is come among us already no longer speaks the world of logical facts, 
just as computers are no longer large-scale calculators, but something else 
as well, something unnamed, fearful -- that fearfulness already documented 
by, say, Cruikshank in the 19th century.
2:20pm up 1 min, 1 user, load average: 0.33, 0.18, 0.06 USER TTY FROM 
LOGIN@ IDLE JCPU PCPU WHAT root tty1 - 2:19pm 0.00s 0.42s 0.05s w
[9] Codework references the alterity of a substrate which supports, 
generates, and behaves as a catalyst in relation to its production. To this 
extent, codework is self-referential, but no text is completely 
self-referential (sr); things waver. So for example 'ten letters' and 'two 
words' and 'english' may be considered sr -- but only to the extent that 
the phrases are presumed to apply to themselves. Extended: 'This sentence 
has thirty-one letters.' -- 'This sentence has five words.' -- 'This is an 
english sentence.'
[10] What is the residue? What are the sentences 'about'? On the surface, 
letters, words, language. This is an additional or diacritical relation- 
ship to sr; if one, for example, didn't know English, none of these would 
make sense.
[11] All sr possesses a residue -- an _attribute tag._ In codework, which 
has a component of sr, the tag may be plural, muddied -- the world is never 
presumed complete, total. Codework is not an instance in this regard of 
mathematical platonism or Godelian-platonism; if anything it relies on the 
breakdown of the ideal, pointing out the meaning-component of computation, 
program, protocol, even the strictest formalisms.
[12] Early on Whitehead pointed out that 2+2 = 4, but only in a certain 
formal sense; in fact, the equation implies an operation or unifying 
process; within the 4, the components are combined, their history lost. 
Strictly, '2+2' and '4' are equivalent; within the symbolic, they differ -- 
for that matter, in terms of thermodynamics as well. This domain is 
expanded by codework, which endlessly interferes.
[13] The danger of codework is in its delimitation; it tends to repeat; the 
works tend towards considerable length; automatic generation can flow 
forever. Sometimes it appears as maw-machine emissions -- text in, modified 
text/partial code out. Sometimes it extends language into new uncharted 
territories. Sometimes it references the labour and/or processing of 
language. Sometimes it privileges the written over the spoken, or portends 
the spoken within a convolution of stuttering and close-to-impossible 
phonemic combinations. Sometimes it appears as a warning against the 
all-too-easy assimilation of linguistic competency.
[14] Sometimes it breaks free, relates to the subjectivity behind its 
production, the subjectivity inherent in every presentation of symbol-symbolic.
2:37pm up 18 min, 1 user, load average: 0.00, 0.00, 0.00 USER TTY FROM 
LOGIN@ IDLE JCPU PCPU WHAT root tty1 - 2:19pm 0.00s 0.44s 0.06s w


- pro][rating][.lucid.txt
-
-

http://www.hotkey.net.au/~netwurker
http://www.livejournal.com/users/netwurker/
_
_cr[xxx]oss ova.ring.



From: Alan Sondheim <sondheim@panix.com>
To: _arc.hive_@lm.va.com.au
Subject: RHZOMES 6: CODEWORK / SURVEILLANCE (fwd)
Date: Wed, 2 Jul 2003 13:28:59 -0400 (EDT)





RHIZHOMES: CULTURAL STUDIES IN EMERGING KNOWLEDGE

www.rhizomes.net

Issue 6: Codework/Surveillance guest-edited by Louis Armand, with
contributions by McKenzie Wark, Alan Sondheim, Zoe Beloff, Darren Tofts,
Ondrej Galuska, MTC Cronin, Alan Roughley, Philip Hammial, David Seiter,
Tom Mackey, Damien Judge Rollison.



"Codework/Surveillance" attempts to work the seam between critical
paradigmatics & social discourse, between codework as invention, aesthetic
practice, activism, sabotage & its recuperation within and by institutions
of knowledge & techno-social surveillance (& vice-versa).



"Codework/Surveillance" attempts to go beyond the usual pseudo-antagonism
of theory/praxis by investigating how the contest over such terms (and
other terms which are supposedly defined by them) is itself a mirage
effect of the oppositional assumptions of institution vs.
anti-institutional practition.



"Codework/Surveillance" designates a relation of terms & of social
postulates which are & remain biomorphic, parac(r)itical and dialectically
irreducible. As "criticism" is placed under increasing pressure to account
for itself in terms of action within the social/technological sphere, the
artist & "public intellectual" may be regarded more in terms of "codework"
than of traditional critical or aesthetic practices--in the sense that
"codework" implies not only a working with the language and means of
contemporary technological conditions (& of "taking responsibility" or
"coming to terms" with these), but also a tactical counter-coding which
exploits the margins of error within control apparatuses exemplified by
such mechanisms as "surveillance."



The linkage of "surveillance" to "codework" here stands for the way in
which infrastructures of power always operate on a basis of hybridity &
structural discontinuities which leave them open to "uses" other than
those sought or intended by the various institutions of "authority." That
authority, too, is inherently linked to codework, to the authenticity &
authorship of certain codes or codices (of the law), points not only to
existing critiques of "writing" but to the institution of critique itself
& the enormous resources of codification which are today applied in the
name of learning &/or knowledge.



As in Orwell's 1984, it remains necessary to consider seriously the fact
that "authority," in order to be what it is, deploys its resources in a
hugely asymmetrical way "against" the "individual"--that sabotage (or
terrorism) is not exclusively a means used by individuals (or cells of
individuals) against the symbols & institutions of "authority." Codework
in this sense is not the masturbatory fantasy of the programmer or hacker,
but above all the game of power calling its own bluff & still trying to
reduce all the bad odds to zero.

________________________________________________________________


LOUIS ARMAND

UAA Philosophy Faculty, Charles University

Nam. J. Palacha 2, 116 38 Praha 1, Czech Republic

www.geocities.com/louis_armand


---------------------------------
Do you Yahoo!?
SBC Yahoo! DSL - Now only $29.95 per month!


Date:         Fri, 27 Jun 2003 12:12:06 -0700
From: MWP <mpalmer@JPS.NET>
Subject: TEMPLATES.FOR.A.CHOREOGRAPHY
To: WRYTING-L@LISTSERV.UTORONTO.CA

TEMPLATES.FOR.A.CHOREOGRAPHY

With @mpersand, the ASCII terpsichore!


http://www.aroseisaroseisarose.com/Al04x.html



Date: Thu, 3 Jul 2003 22:45:44 -0700
From: "[]" <kanztanz@YAHOO.COM>
To: WRYTING-L@LISTSERV.UTORONTO.CA
Subject: a subjective definition

July 1 was Canada day here.


...water, land, space, that i can still see the stars
at night from my yard, aurora borealis, pristine, snow
on Christmas Eve, snow in July, possibly snow in
August, but rain year round in Victoria, chinooks,
C.P.P., referenda, rain forest, the Princess Patricias
- God bless'm, John Candy - God rest'm, k.d. lang,
Shania Twain, Theresa Stratas, Celine Dion, Wayne
Gretzky, Banting, Best, insulin, Bethune, Intrepid,
Northrop Frye, Norad, ice-wine, excuse me, universal
standard time, Robertson Davies, Bobby Orr, Gordie
Howe, Guy LaFleur, Rick Mercer, Mike Meyers, Killer
Kowalski,  Peter Gzowski, Juliette, Luba, Robert
Goulet, Ross Porter, not at all, the best polka bands,
the Kubasonics, the D-drifters, Nylons, garlic sausage
rings, diamond mines, Grossman's on Spadina, Donwchild
Blues Band,  knishes, borscht,  perogies!,  kobassa,
pizza pops, ROM, Susan Jacks, Poppy family, fields of
sugar beet and wheat, rape, oats, barley, poutaine!
montreal-style smoked meat! you're welcome,
Trans-Canada highway, two major coasts, bilingual
school programs,  the great White North, MacKenzie
brothers, brewskis, Husky gas stations,
multi-culturalism, Leonard Cohen, Bryan Adams, William
Shatner, Betty Kennedy, Margaret Atwood, Margaret
Lawrence, Joni Mitchell, Neil Young, BTO, Guess Who,
Dan Ackroyd, Pamela Anderson, Christopher Plummer,
Shannon Tweed, Air Farce, Lighthouse, Trooper, Alice
Munro,  basketball, hockey, hockey night in Canada,
Rideau Canal, the X-men,  Captain Canuck, President's
Choice, Yvonne DeCarlo, In Flanders Field,
Massey-Ferguson tractors, Raymond Massey, Raymond
Burr,  Mary Pickford, Seagrams, Bronfmans, Reichmans,
Aspers, Labatt's, Molson, Canadian Club, but not
Canada Dry, Conrad Black,  Beaverbrook, Thompson,
Cunard Lines, Richardson and Searle, Donald
Sutherland, Alexander Graham Bell, Lilith Fair and
what's her name McLaughlin, SCTV, the divine Cathrine
O'Hara, Eugene Levi,  Robbie Robertson, Ronnie
Hawkins, Keanu Reeves, Bare Naked Ladies, bif Naked,
lacrosse, beavers, beavertails, hard-cross balls,
hard-cross buns, Leslie Neilsen, Jack McLelland, Tim
Horton, timbits, a double-double, Bobby Curtola,
Churchill, polar bears, Winnie the real bear - not the
pooh,  marmot, muskrat, loon, the north pole,
P.N.E.,  C.N.E., Red River Ex. purple gas, Calgary
Flames, Petro-Canada,  Dan Akroyd, summer kitchens,
root cellers, screech, hooch, bootleggers, Rich
Little, George F. Walker, Jason Priestly, Knowlton
Nash, The Tea Party, trebleCharger, Robert LePage,
Michel Trembley,  Blue Bombers, Nickleback, Just for
Laughs, Blues Festivals, Fringe Festivals, Jazz
festivals, Festival of Light, Winter Carnival,  guy
wot designed "garbo" for Umbra whose name escapes me,
banana slugs, stink cabbages, La Maudite, blackflies,
no see-ums,  fish-flies, Les Voyageurs, Westjet,
Saskatoon berries, choke-cherries,  Zed not Zee,
scones, Bravo! chruch teas and bazaars, G.I.T. Lotta
Hitchmanova, Glen Gould, John Ralston Saul, Greg
Moore, Gabrielle Roy, Adrienne Clarkson, Jacques
Villenue, Marshall Macluhan, David Suzuki, Bruno
Gerussi, Jean Chretian, June Callwood, Farley Mowat,
Maureen Forrester, Micheal J.Fox, Michael Ondaatje,
Royal Mounted Police, Rohan Mistry, David Foster,
Daniel Langlois, LaLaLa Human Steps, Attila Lucas,
Riopelle, Jack Shadbolt, Robert Service, Susquatch,
Cirque de Soliel, The Hart Brothers, Jim Carrey, Anne
of Green Gables, Nancy Green, Lorne Greene, Jalna,
Quebec City,  Louis Riel, Metis, The Golden Boy,
Front Page Challenge, Robert McNeill, Tommy Hunter,
Romeo Dallaire, Gordon Sinclair, Inuit art,  cottages,
arts and crafts, CN and CP Rail, The Last Spike, all
the provincial legislative buildings, Terry Fox,
Hudson's Bay - the bay, the posts, and Hudson Bay the
blanket and the store, the Forks, St.Lawrence Seaway,
Fraser River, Columbia River, Red River, Bay of Fundy,
Toronto the Good, Montreal, Vancouver, Cape Breton,
Vancouver Island, the keystone province, Klondike,
Peggy's Cove, Flin-Flon, Canadian Tire money, snow
shoes, lacrosse,  Stradford Festival, Laura Secord,
Durham Wheat, real winter, real weather, lot's of good
clean water, vinegar on chips, McCain's french fries,
smoked goldeye, spring salmon, pink salmon,  smoked
salmon, salmon berries, trout, grizzlies, coyote,
hunting, fishing, camping, can-con, can-lit, Douglas
Coupland, Douglas fir, cedar, maple, birch, pine,
bush, bark, cougar, Buffy Saint Marie, Paul Anka, Atom
Egoyan, snow mobiles, the Yukon,  hoodoos, skiddoos,
Oscar Peterson, Sable Island,  Ben Heffner, Elvis
Stoyko, Mary Walsh, Karen Kain, Karsh, Stompin Tom
Conners, The Maple Leaf Gardens, syrup, Chateau
Laurier, Fort Garry Hotel, The Palisar, Royal York,
the Petroleum and Granite Club, curling, Buchardt
Gardens, Assiniboine Downs, Mosport raceway, Native
Dancer, Josef Skvorecky, Whistler, The Empress,
Stanfield underwear, Stanley Cup, Eaton's, the Peace
Tower, the half-hour difference in the maritimes, Bay
Street, Peggy's Cove, Cabbage Town,  Dave Thomas, and
his brother Ian,  universal healthcare, geographic
profiling, roof, colours, flavours, favours, a prairie
thunderstorm, a westcoast downpour, drought,
grasshoppers, Confederation, high tides at Long Beach,
The Swinging Shepard Blues, mucklucks, great beer,
Grande Prarie, Grande Rapids, Grand Beach, Wreck
Beach, beaver, fur pelt, fur coats, trappers, Stanley
Park, Lion's Gate Bridge, the Rockies,  Whister, Sea
to Sky highway, Pierre Berton, prairie dogs,
foot-longs, Salibury nips,  the raven and
thunderbird,   NDP, the Friendly Giant, Kids in the
Hall, Blackfoot, Crow, Iroquois, Mohawk, Salish,
Haida, Squamish, Innuit, Sto:lo, all the first
nations, waves of immigrants, China Bar, Linda
Evangelista, Nellie McLung, last stop on the
underground railway, Moosehead beer, potatoes,
sunflowers, Spitz, the mighty Red, the mighty Bow, the
mighty St.Lawrence, spring thaw the thing, and Spring
Thaw the show,  the Gatineaus, Bridal Lace Falls,
Laurentians, Foothills, Cascades, Yoho, Banff,
Algonquin, the National Parks system, the Great Lakes,
Muskoka, provinces, the little lakes, the land of 100O
some odd lakes, Niagara Falls, Niagara-on-the-Lake,
hydro-power, Pre-Cambrian Sheild, beg your pardon,
ore, tundra, the CBC TV and radio 1 and 2, toque,
curling, micro-breweries, pubs, liquor boards, Toller
Cranston, Orpheum,  Ottawa in  Spring, slush,
slushies,  fuddle-duddle, wind-chill factor, Windsor
in the summer, heat, 401 at rush hour,  Joey
Smallwood, the  canoe, the moose, the Bluenose, Red
Rose tea, pardon me, Simple Plan, Blue Rodeo, Calgary
Stampede, Stampeders band and team,  CN tower, after
you, the trailer park boys, Kapuskasing, Medicine Hat,
the wheat board, Winnipeg style cream cheese and rye
bread, McGill University, Kakabekka Falls, eh, the
beaches once again and the lakes all of them, floods,
floodways,  St.Andrews by the Sea, IMAX, Holly Cole,
Diana Krall, Ross Porter, David Cronenberg, Norman
Jewison, Mordecai Richler, Rocket Richard, the zipper,
Alannah Myles,  Group of Seven, Klik, Todd McFarlane,
no, please YOU take the last one, Spider Robinson,
William Gibson, the Yukon, Emily Carr, Hank Snow,
bpNichol, John McCrae, Celia Franca,
Royal Winnipeg Ballet, the National Ballet School,
you're welcome, #1 kd per capita consumer in the
universe,  couer de bois, petit pois, petit fours, two
languages on every can, bottle, box, bag, tag,
birchbark, Smarties, Corel, Don Cherry, carol ships,
Carol Pope, Carol Taylor, aspartame, Slade, Lester B.
Pearson, and Lester B. Pearson, not the airport but
the college, Rochdale, Margaret Trudeau and Pierre,
Trivial Pursuit, Yorkville, wheat fed meat,
draft-dodgers, good rye whiskey, real beer, Blood
Sweat & Tears, good cigarettes in hard packs,
Thanksgiving in October, Long John Baldry, after you,
Mayne Island, Salt Spring Island, PEI, Jacques
Cartier, John Cabot, the brides, the blackrobes,
General Wolfe, wolves, Steppenwolf, lovely day, eh,
The Pas, and Piapot, Sharon,Lois & Bram, Raffi, Mr.
Dress-up and Casey,  Fred Penner, The Red Green Show,
snowshoes, the Canada Arm, Canada Post, National Post,
Canada Goose, gooseberries, snowbirds,  Canadian
Peacekeeping,  Alanis Morrisette, mosaic, Don Messer's
Jubilee, Rita McNeil, Acadians, Quebecois, Quebec
city, Roots, roots, routes, rues, bloulevards,
Granville Island, all the Newfie fiddlers and
fishermen, Newfie jokes, longshoremen on both coasts,
farmers, miners, slag-heaps, Sudbury, Jack Webster,
Ralf Mair, Gale Garnett, The Beachcombers,  buffalo,
bison, buffalo coats, beaver hats, buckskins, the
vanishing cod, tugboats, barges, fishing boats, the
Edmund Fitzgerald, canneries, candy factories, steel
mills, ranches, Hy's Steakhouse,  Ashley MacIssac,
Mennonites and Hutterites, Dukkabors, the loonie and
the twoonie, Don Harron, Tommy Douglas, Diefenbaker,
UIC, The Speaker of the House, Hume Cronyn, the
clarion at the Peace tower, The Globe and Mail, Club
Monaco, Alfred Sung, gun control, gay wedlock,
canadian bacon, back bacon, Mad Dog Vachon, Vachon
bakery, Mac's milk, the brain-drain, the NFB, Red
River cereal, Ann Murray, Gordon Lightfoot, the
Homecoming melody, Folkfests, folk festivals, just
folks, Ukranian weddings on the praries, Greenpeace,
Graham Greene,  Malcom Lowry, treehuggers and tree
loggers, stand-offs, activists, conservatives,
pacifists, nihilists, supremists, socialists,
generalists, specialists, list-makers, Niagara Falls,
The Thistle Shamrock Rose Entwined, Loblaw's,
Vegerville and the egg there, Edmondchuck, Drumheller,
dinosaurs,  two solitudes, Ian and Sylvia, Four Strong
Winds, Bill Reid, Portage and Main, Lloyd Robertson,
stop/arrete
Peter Mansbridge  > > And take a breath


 Maury Chaykin, Chong, from cheech and, Chief Dan
George, Glenn Ford, Brendan Frazer, Phil Hartman,
Howie Mandel, Matthew Perry, Rick Moranis, Michael
Sarrazin, Jay Silverheels, Alan Thicke, Genevive
Bujold, Kim Cantrell, Colleen Dewhurst, Marie
Dressler, Margot Kidder, Kate Nelligan, Sarah Polley,
Jennifer and Meg Tilly, Fay Wray, Helen Shaver, Norma
Shearer and her brother, Kate Reid, Dorothy Stratton,
Alexis Smith, Alex Trebeck, Art LInkletter, Monty
Hall, Doug Henning, Edward Dmytryk, Authur Hiller,
Claude Jutra, Ivan Reitman, James Cameron, Louis B.
Mayer, Lorne Michael, April Wine, Bruce Cockburn,
Crash Test Dummies, Glenn Gould, Hart Corey, Jeff
Healy, Marc Garneau, Jon Kimura Parker, MacGarrigle
sisters, Guy Lombardo, Chantal Krevasiuk, Nelly
Furtado, Rush, Paul Schaeffer, Jane Siberry, Deanna
Durbin, Tragically Hip, Gino Vanelli, Stephan Leacock,
 Mort Sahl, Martin Short,  Mack Sennet, Wayne and
Shuster, David Steinberg, Saul Bellow, W. Kinsella,
W.O. Mitchell, Robert Bateman, Michael Snow, Peter
Jennings, Morley Schaffer, Dionne Quintuplets, Norman
MacLaren, Bat Masterson and











__________________________________
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From: pascale gustin <gustin.pascale@free.fr>
To: _arc.hive_@lm.va.com.au, 7-11@mail.ljudmila.org
Subject: .ase  pR.i.
Date: Mon, 30 Jun 2003 21:02:38 +0200



s.t.y.l.e.d.e.f.a.u.l.t.



                   0.0 /
                   1.00/
                      0  .4
                   0.6  6, 0.
                   0.  58, 0.5
        PRELIGHT   0.  66, 0.69,
        SELECTED/    0.58, 0.59, 0
        INSENSI/ I VE   0.66, 0.69,
     bas\ NORM/  AL      1.00, 1.00, 1.
              /
     base  pR.i     f.l.I.G.H.T.    1.00, 0.00, 0.0
     base  .in.    S.E.N.S.I.T.I.V.E.   0.66, 0.69, 0.7
     tex     t.    I.N.S.E.N.S.I.T.I.V.E.   0.66, 0.69, 0.77
     fo       n.t.
     e.        n.g.i.n.e.
     /
    /        o.l.l.b.a.r.m.a.r.k.s.  F.ALS.E.
        .c.r.o.l.l.b.u.t.t.      s.   FA L.  e.
           r.e.c.t.s.c.r.o.l.



w.i.d.g.e.t . s.t.y.l.e . d.e.f.a.u.l.t.



-- 
pasc@csaq

-r-W-x-R-W-X-R- x
autobuild/wheel
---------------[18608128 - s-ile-nses]
                                 @@@@@@@






















Date: Fri, 4 Jul 2003 13:25:26 -0700
From: phaneronoemikon <solipsis@HEVANET.COM>
To: WRYTING-L@LISTSERV.UTORONTO.CA
Subject: red belly



red belliiiiiiii onhuh onhuhuhhuuhaaon
red belliiiiiiii onhuh onhuhuhhuuhaaon
red belliiiiiiii onhuh onhuhuhhuuhaaon
red belliiiiiiii onhuh onhuhuhhuuhaaon

bi pi pi bi pipi bipipi
bi pi pi bibi pipi bipipibi pipi bipipi
bi pi pi bi bi pipi bipipi
bi pi pi bibi pipi bipipibi pipi bipipi
bi pipi bipipibi pipi bipipi



Date: Sat, 21 Jun 2003 08:40:23 +0200
From: Ana Buigues <abuigues@WANADOO.ES>
To: WRYTING-L@LISTSERV.UTORONTO.CA
Subject: clarification



it's a laponian hat.



























Caps
Lock



Date: Fri, 27 Jun 2003 23:21:40 +0200
To: a place for discussion and improvement of things <7-11@mail.ljudmila.org>
From: "+   lo_y.  +" <loy@myrealbox.com>
Subject: Re:  This is the subject of the text

At 11:25 24/06/03 -0700, Kamen Nedev dixit:
>This is the title of the text

[ objektified ]

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>

------------------------------------------------------------
--------------lo--------------------------------------------
                       -
-----------------------y------------------------------------
------------------------------------------------------------
-------------rnd.PTRz:
http://computerfinearts.com/collection/lo_y/030404
http://lo-y.diaryland.com/
http://www.google.com/search?q=lo_y
------------------------------------------------------------
------------------------------------------------------------


_____ _ _ # > # __/\__ |___ | / / | __/\__ |___ | / / | # > # \ / / /____|
| | \ / / /____| | | # > # /_ _\ / /_____| | | /_ _\ / /_____| | | # > #
| | \ / / /____| | | # > # /_ _\ / /_____| | | /_ _\ / /_____| | | # > #
| | \ / / /____| | | # > # /_ _\ / /_____| | | /_ _\ / /_____| | | # > #
| | \ / / /____| | | # > # /_ _\ / /_____| | | /_ _\ / /_____| | | # > #
_____ _ _ # > # __/\__ |___ | / / | __/\__ |___ | / / | # > # \ / / /____|
_____ _ _ # > # __/\__ |___ | / / | __/\__ |___ | / / | # > # \ / / /____|
| | \ / / /____| | | # > # /_ _\ / /_____| | | /_ _\ / /_____|
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/ /____| | | \ / / /____| | | # > # \ / / /____| | | \ / / /____| | | # >
> > Thank you for participating in 7-11 MAILING LIST > SUBSCRIBER
SATISFACTION SURVEY. > > > > >
###################################################### >
#1.7.100(today="7-11.00 071101010 07110101 0711.00100# > # # > # _____ _ _
_____ _ _ # > # __/\__ |___ | / / | __/\__ |___ | / / | # > # \ / / /____|
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\/ /_/ |_|_| \/ /_/ |_|_| # > # # > # # > #1.7.100(today="7-11.00
071101010 07110101 0711.00100# > ########### 
http://mail.ljudmila.org/mailman/listinfo/7-11
_____ _ _ # > # __/\__ |___ | / / | __/\__ |___ | / / | # > # \ / 
/ /____|################################################################## 
>## ############      ########## # ### ### ##      ###### >
####  ######  #### #### ######  ##############  ###### >
# ####  ##### #### ########## ######  ###   ####### >
> 
> 



Date: Thu, 3 Jul 2003 13:34:48 -0700
From: phaneronoemikon <solipsis@HEVANET.COM>
To: WRYTING-L@LISTSERV.UTORONTO.CA
Subject: Re: LUTE-BOOK-MOTHER

TITLE: 4 'another (%C-m'ote') has come into existence'
_


4

 'another (%C-m'ote') has come into existence'
4
 'another (%C-m'ote') has come into existence'

&anotheranotheranother

&ranother ranother
ranother
ranother ranother

&ranother ranother
ranother
ranother ranother

&ranother ranother
ranother
ranother ranother

@(%C-m'ote')Run array. loop1 // endloop

array;

[Kultarr
Mulgara
Kowari
Thylacine
AgileAntechinus
FawnAntechinus
Yellow-footedAntechinus
AthertonAntechinus
Cinnamon Antechinus
Swamp Antechinus
Brown Antechinus
Dusky Antechinus
NingbingPseudantechinus
CarpentarianPseudantechinus
Woolleys'Pseudantechinus
Fat-tailedPseudantechinus
SouthernDibbler
NorthernDibbler
LittleRedKaluta
WesternQuoll
NorthernQuoll
Spotted-tailedQuoll
EasternQuoll
WongaiNingaui
PilbaraNingaui
SouthernNingaui
Red-tailedPhascogale
Brush-tailedPhascogale
Giles'Planigale
Long-tailedPlanigale
CommonPlanigale
Narrow-nosedPlanigale
TasmanianDevil
KangarooIslandDunnart
ChestnutDunnart
KakaduDunnart
Butlers'Dunnart
Fat-tailedDunnart
LittleLong-TailedDunnart
JuliaCreekDunnart
NoCommonName
Gilbert'sDunnart
White-tailedDunnart
GreyBelliedDunnart
Hairy-footedDunnart
White-footedDunnart
Long-tailedDunnart
Stripe-facedDunnart
CommonDunnart
OoldeaDunnart
SandhillDunnart
Red-cheekedDunnart
LesserHairy-footedDunnart
Numbat
Pig-footedBandicoot
RufousSpinyBandicoot
Isoodonarnhemensis
GoldenBandicoot
NorthernBrownBandicoot
SouthernBrownBandicoot
WesternBarredBandicoot
DesertBandicoot
EasternBarredBandicoot
Long-nosedBandicoot
Bilby
LesserBilby
MarsupialMole
NorthernHairy-nosedWombat
SouthernHairy-nosedWombat
CommonWombat
Koala
RufousBettong
TasmanianBettong
BurrowingBettong
Brush-tailedBettong
TropicalBettong
DesertRat-kangaroo
MuskyRat-kangaroo
Long-footedPotoroo
Broad-facedPotoroo
Long-nosedPotoroo
Bennett'sTree-kangaroo
Lumholtzi'sTree-kangaroo
SpectacledHare-wallaby
RufousHare-wallaby
EasternHare-wallaby
CentralHare-wallaby
BandedHare-wallaby
SwampWallaby
AntilopineWallaroo
BlackWallaroo
Euro
AgileWallaby
Black-stripedWallaby
DamaWallaby
ToolacheWallaby
WesternBrushWallaby
ParmaWallaby
WhiptailWallaby
Red-neckedWallaby
RedKangaroo
WesternGreyKangaroo
EasternGreyKangaroo
BridledNailtailWallaby
CrescentNailtailWallaby
NorthernNailtailWallaby
AlliedRock-wallaby
Short-earedRock-Wallaby
Warabi
CapeYorkRock-Wallaby
Narbalek
Godman'sRock-Wallaby
Herberts'Rock-Wallaby
UnadornedRock-Wallaby
Black-footedRock-Wallaby
MareebaRock-Wallaby
Brush-tailedRock-Wallaby
ProserpineRock-Wallaby
Rothschild'sRock-wallaby
Yellow-footedRock-wallaby
Quokka
TasmanianPademelon
Red-leggedPademelon
Red-neckedPademelon
CommonCuscus
SouthernCuscus
NorthernBrushtailPossum
MountainBrushtailPossum
Brush-tailPossum
Scaly-tailedPossum
StripedPossum
Leadbeater'sPossum
LemuroidRingtailPossum
RockRingtailPossum
HerbertRiverRing-tailedPossum
WesternRing-tailedPossum
CommonRing-tailedPossum
GreenRingtailPossum
DaintreeRiverRing-tailedPossum
GreaterGlider
Yellow-belliedGlider
SugarGlider
MahoganyGlider
SquirrelGlider
FeathertailGlider
MountainPigmy-possum
Long-tailedPigmy-possum
WesternPigmy-possum
LittlePigmy-possum
EasternPigmy-possum
HoneyPossum]

;:://



From: Alan Sondheim <sondheim@panix.com>
To: _arc.hive_@lm.va.com.au
Subject: 2 skilling courant
Date: Tue, 1 Jul 2003 00:25:18 -0400 (EDT)




2 skilling courant


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33014 2 skilling courant, 33015 2 skilling courant. Trndelagsutstillingen
20 kroner 1995, 1999, 2 skilling courant 1810, Obverse -, Cypher of
COURANT 18 (Crossed hammers) 10 *. Size, 28 mm. Last Modified 2 skilling
1803. 2 skilling 1803. 2 Shilling Courant 5 Shilling Courant. 124 del
ansttes i fuld porto af 6 RBS (2 skilling courant) pr. Durch die Mnzreform
courant: = 4 ort = 96 Speciedaler: = 5 ort = 120 skilling (1816-1873).
(aka: aureeyri): = 18 mark = 2 skilling = 3 ertoger Siden det ikke fantes
preget en mynt med verdi 1 Rigsdaler Courant, den skalte 2 skilling mnt
med plydende 2 skilling dansk skulle 149, 0z4, 269, x 1 Pfenning
skibspostkasse skibsstempel skiftebehandling af ddsbo skilling courant
skilling kurant P myntet str 2 skilling courant 1810 eller19, och p
skilling (= 18 daler kopparmynt i sedlar 2 skilling courant 1836 indfrte
lavere nominaler, 2, 3 og 4 skilling (Hede 3224 speciedalere af slv (Hede
16) med indskriften: 2 SCHILLING SCHLESW.HOLST COURANT. skilling courant
(447.91 tusinddele). Deres vrdi var dengang 8 23, 9 38 og 9 34 skilling
Available now. 2000 PRICE SEK 155:-. 2 skilling 1648 1?1 95:- sold 2 daler
sm courant = 32 re i1 riksdaler = 48 skilling (= 18 daler kopparmynt =1869
Sovereigns (), 20 Shillings (s.)  pls chers d Monde ! Le 3 skilling 11 880
000 FF ! 2 skilling corant Drch die Mnzreform von 1813 trat der krone, 1
skilling til 4 11 25 re.daler in specie (mynt med fll slvverdi)
Rigsdalerrigsdaler - 5 mark - 8 skilling; skriver halvfemsindstyve og ni
rigsdaler fem mark og otte skilling dansk corant, som han Inddragelsen af
delt i 48 skilling, deretter iin specie, motsatt krantdaleren, rigsdaler
corant.brkades aldrig p mynten, tan i stllet delar av skillingen (allts
12, 14 skilling etc In general 1 Dcat was eqal to 2 Speciedaler, 3 Krone,
collapsed in 1813, making its Norge. Frederik III, 1 skilling 1649 11+ 45
stiver 1791 1 30 136. 2 skilling corant 3 Silbergroschen, eller Christian
VII, 2 skilling 1786 1+ 50 30. - Frederik VI, 2 skilling corant 1810 11+
25 31. - Karl XIV Johan, skilling 1840 11+ 15 32. 65 13 verdi. En daler i
smmynt (corant, dvs. omlpendeel. 120 skilling. Fra 1813 1776} riksdaler
corant 6 mark(11802 - 1834} riksdaler banko 48 skilling 4 riksdaler = 48
skilling (= 18 daler kopparmynt i sedlar 2. The Real Enron carolin, tidiga
transportsedlar. 10 skilling koppar, 1803. two skilling parallel with
daler and skilling, one rixdollar Consmer Spending Shows 1776} riksdaler
corant 6 mark1) {1664 - 1776} riksdaler 48 skilling 4 re technology
transfer can reslt in hman capital skilling.development is the notes didof
2, 3 and 4 shillings (skilling), and anTwo factors served to alleviate
this problem to some extent. two skilling corant 51361 C 177 2sk (Danish)
skilling, by origin thanks to weather delays that kept them off two
skilling corant America one year later (Hartford Corant) Response skilling
corant way to enjoy the Sydney Film Festival is to by a two-week 4, 2003
Sammy Sosa and the introdction of GE&#39;s mlti-skilling rotinized
de-skilling and higher two skilling corant Believe it or not, ofprobably
less: rotinized de-skilling and higher on the Board of Trstees and
re-skilling processes.


___


From: "Kenji Siratori" <white-b@d4.dion.ne.jp>
To: "nettime" <nettime@bbs.thing.net>
Subject: pig: kenji siratori (remix by alan sondheim)
Date: Fri, 27 Jun 2003 03:21:49 +0900

PIG
Kenji Siratori


horizon=of which was selected to the gear of the brain of the angel that is
crushed to eye of the cramp target=vs=disillusionment of the machine=magma
that the image of the placenta becomes in the basement of the sun f the sigh
that turned pale to the body of etc of the embryo that I invaded cadaver
city=of where it was interchanged=ant*suicide*the ants of f laugh to the
fresh blood of the chromosome that my etc is suffocated to the sun*murderous
intention of the disgrace*eyeball instigated: er_pted///drug=of the nebula
of the chaosmos/1 gram of suspension of my brain cell that the hearing
impossible other selfs of an embryo)) rhythm of BABEL-ism brain of my junkie
gimmicks-dogs of the embryos from=evaporate the ocean! neutron=of DIGITAL of
an embryo desire=chromosome of wolf=I deceived air: melody of the murder of
the sun that was eroded the drug with the aerofoil///with 8 embryos who my
storage shed the tears machine that write off the horizon of air with the
gimmick gene=TV of the synapse///the sun was turned on-out of the
stratosphere that the brain of the fatalities that I love was discharging
1/8 placentas of the disillusionment that interchange to the hell of the
cell=of=the earth of battle that was seen is loved to the back of the eyelid
of the embryo///the murder love....off-set.



pig of you
remix by Alan Sondheim


hello kenji how are you. i am fine.

hello kenji how are you. i am fine.

is that angel the of brain the of gear the to selected was which horizon=of
ab
bc
cd
de
ef
fg
gh
hi
ij
lm
no
op
rs
st
wonderful weather today
wx
za
machine=magma the of target=vs=disillusionment cramp the of eye to crushed
ab
cd
de
ef
fg
gh
hi
ij
lm
mn
no
op
pq
rs
st
wonderful weather today
uv
vw
yz
sigh the f sun the of basement the in becomes placenta the of image the that
ab
bc
cd
ef
fg
gh
hi
ij
lm
mn
no
op
pq
st
wonderful weather today
uv
cadaver invaded I that embryo the of etc of body the to pale turned that
ab
bc
cd
de
ef
fg
hi
ij
lm
mn
no
op
pq
rs
wonderful weather today
uv
vw
yz
the to laugh f of ants interchanged=ant*suicide*the was it where city=of
ab
cd
de
ef
fg
gh
hi
ij
lm
no
op
rs
st
wonderful weather today
uv
wx
yz
sun*murderous the to suffocated is etc my that chromosome the of blood fresh
ab
bc
cd
de
ef
fg
hi
ij
lm
mn
no
op
rs
st
wonderful weather today
uv
yz
nebula the pted///drug=of er instigated: disgrace*eyeball the of intention
ab
bc
cd
de
ef
fg
gh
hi
ij
lm
no
op
pq
rs
st
wonderful weather today
uv
yz
hearing the that cell brain my of suspension of gram chaosmos/1 the of
ab
bc
cd
ef
fg
gh
hi
ij
lm
mn
no
op
pq
rs
st
wonderful weather today
uv
yz
junkie my of brain BABEL-ism of rhythm embryo)) an of selfs other impossible
ab
bc
ef
fg
hi
ij
jk
kl
lm
mn
no
op
pq
rs
st
wonderful weather today
uv
yz
hello kenji how are you. i am fine.

of DIGITAL neutron=of ocean! the from=evaporate embryos the of gimmicks-dogs
ab
bc
cd
de
ef
fg
gh
hi
ij
kl
mn
no
op
pq
rs
st
wonderful weather today
uv
vw
yz
of murder the of melody air: deceived wolf=I of desire=chromosome embryo an
ab
bc
cd
de
ef
fg
hi
ij
lm
mn
no
op
rs
st
wonderful weather today
uv
vw
wx
yz
my who embryos 8 aerofoil///with the with drug the eroded was that sun the
ab
bc
de
ef
fg
gh
hi
ij
lm
mn
no
op
rs
st
wonderful weather today
uv
wx
yz
the with air of horizon the off write that machine tears the shed storage
ab
cd
de
ef
fg
gh
hi
ij
mn
no
op
rs
st
wonderful weather today
wx
za
the of on-out turned was sun synapse///the the of gene=TV gimmick
ab
cd
de
ef
fg
gh
hi
ij
kl
mn
no
op
pq
rs
st
wonderful weather today
uv
wx
yz
discharging was love I that fatalities the of brain the that stratosphere
ab
bc
cd
de
ef
fg
gh
hi
ij
lm
no
op
pq
rs
st
wonderful weather today
vw
wx
the of hell the to interchange that disillusionment the of placentas 1/8
ab
cd
de
ef
fg
gh
hi
ij
lm
mn
no
op
pq
rs
st
wonderful weather today
uv
eyelid the of back the to loved is seen was that battle of earth cell=of=the
ab
bc
cd
de
ef
fg
hi
ij
kl
lm
no
op
rs
st
wonderful weather today
vw
wx
yz
love....off-set. murder embryo///the the of
bc
de
ef
fg
hi
lm
mn
op
rs
st
wonderful weather today
uv
vw
yz
hello kenji how are you. i am fine.



==
wild output: http://www.kenjisiratori.com

Kenji Siratori







Date: Fri, 4 Jul 2003 13:03:04 +0200
From: <>
To: o-o@konf.lt
Subject: blog?




<table border="0" cellspacing="0" cellpadding="0" bgcolor="#ffFFff">
  <tr> 
    <td> <pre><font color="#FF0000" size="1">####################
########    ########
#######      #######
##1,1### +. ###1=+##
##     #1: :#     ##
#    ;  ;  =  .    #
###: :##;  :##: ,1##
######;  =1  =######
####   , +# .   ####
###:     ##      ###
####0   ####   #####
####################
</font></pre>    </td>
  </tr>
</table>




http://jimpunk.blogspot.com/




Date: Thu, 3 Jul 2003 10:34:47 +0200
From: Ana Buigues <abuigues@WANADOO.ES>
To: WRYTING-L@LISTSERV.UTORONTO.CA
Subject: clarification



because i'm worth it

















<*>        *        </*>



Date: Sun, 6 Jul 2003 22:45:21 +0100
From: Morrigan Nihil <morrigan_nihil@YAHOO.CO.UK>
To: WRYTING-L@LISTSERV.UTORONTO.CA
Subject: extended warranty

everything fucking breaks





nettime unstable digest vol 54
Mon Jul  7 12:42:00 2003


Subject: Demain les machines pleureront
    From: pascale gustin <gustin.pascale@free.fr>
    To: 7-11@mail.ljudmila.org, _arc.hive_@lm.va.com.au

Subject: Codeworld [by Alan Sondheim]
    From: mez <netwurker@hotkey.net.au>
    To: _arc.hive_@lm.va.com.au

Subject: RHZOMES 6: CODEWORK / SURVEILLANCE (fwd)
    From: Alan Sondheim <sondheim@panix.com>
    To: _arc.hive_@lm.va.com.au

Subject: TEMPLATES.FOR.A.CHOREOGRAPHY
    From: MWP <mpalmer@JPS.NET>
    To: WRYTING-L@LISTSERV.UTORONTO.CA

Subject: a subjective definition
    From: "[]" <kanztanz@YAHOO.COM>
    To: WRYTING-L@LISTSERV.UTORONTO.CA

Subject: .ase  pR.i.
    From: pascale gustin <gustin.pascale@free.fr>
    To: _arc.hive_@lm.va.com.au, 7-11@mail.ljudmila.org

Subject: red belly
    From: phaneronoemikon <solipsis@HEVANET.COM>
    To: WRYTING-L@LISTSERV.UTORONTO.CA

Subject: clarification
    From: Ana Buigues <abuigues@WANADOO.ES>
    To: WRYTING-L@LISTSERV.UTORONTO.CA

Subject: Re:  This is the subject of the text
    From: "+   lo_y.  +" <loy@myrealbox.com>
    To: a place for discussion and improvement of things <7-11@mail.ljudmila.org>

Subject: Re: LUTE-BOOK-MOTHER
    From: phaneronoemikon <solipsis@HEVANET.COM>
    To: WRYTING-L@LISTSERV.UTORONTO.CA

Subject: 2 skilling courant
    From: Alan Sondheim <sondheim@panix.com>
    To: _arc.hive_@lm.va.com.au

Subject: pig: kenji siratori (remix by alan sondheim)
    From: "Kenji Siratori" <white-b@d4.dion.ne.jp>
    To: "nettime" <nettime@bbs.thing.net>

Subject: blog?
    From: <>
    To: o-o@konf.lt

Subject: clarification
    From: Ana Buigues <abuigues@WANADOO.ES>
    To: WRYTING-L@LISTSERV.UTORONTO.CA

Subject: extended warranty
    From: Morrigan Nihil <morrigan_nihil@YAHOO.CO.UK>
    To: WRYTING-L@LISTSERV.UTORONTO.CA



lurking editors

beatrice beaubien <webmaven@i2eye.com>
    7-11 nettime-bold thingist 
florian cramer <cantsin@zedat.fu-berlin.de>
    7-11 _arc.hive_ eu-gene o-o rhizome rohrpost webartery wryting 
alan sondheim <sondheim@panix.com>
    7-11 _arc.hive_ poetics siratori trAce webartery wryting 
$Id: digestunstable.pl,v 1.13 2003/01/26 18:51:21 paragram Exp $

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