???

[integer@www.god-emil.dk]

"Joel Westerberg" <tux@powerbase-alpha.com>

>> Being that my work's already scattered on the Net and the European focus
>> of Syndicate, I don't send texts here - but I joined after Nn seems to
>> have left 7-11 - her writing for me is some of the most valuable on the
>> Net, period - like Mez and myself (and none of us are alike), s/t/he/y
>> uses lists as continuous dialog, distribution, fabricating other webs
>> within the net, membranes. She's the only person I read consistently here
>> - and unlike spammmers, everything she's written, at least that I've seen,
>> has been of interest - and some of the longer posts are simply fantastic.
>>
>> Eye see her as a kind of consciousness inhabiting writing & those spaces
>> she creates between words/phrases. I also hope this is settled & she
>> doesn't migrate as she seemed to from 7-11.
>
>
>get real.


hallo jankee



>Her messages are pathetic, repetitive, irritating and extremely boring. I
>don't wanna be a fucking "membrane" for poetic spam freaks like
>integer, and that's why I have her filtered. The messages were fun at first
>but surely, now they have become beyond boring. If those messages
>are the most rewarding messages on the lists, surely the situation is
>seriously
>fucked. Not that I hold other messages on nettime and syndicate in very
>high esteem either, but the occasional message have potential beyond
>the stupid teen-age revolt / hatred of the establishment or net-art self-
>righteous rants.
>
>Net-art is pathetic, mostly because it's so occupied with form, basically


! read u l!ztn. 

dze mor fundamntl objekz!on 2 dze !dee ov part!klz. zubpart!klz etc
= dzat dze underl!ng real!t! ov dze velt ma! b f!eld l!ke [l!fef!eldz]
radzr dzn part!kl l!ke. b! zpl!t!ng part!klz !ndef. ue ar!v at dze luvl!
konkluz!e dzat dzere = onl! 4rm + no kontent.



>it's media art, like painting for painting, or networking for the sake of
>networking. "Look, here we can see how the actual packets move
>between the computer, you get a whole new perspective - where does
>the art actually happen? (in the transaction, or the "no-space" of electric
>transmission...)". Like who cares? Where does the art of painting "happen"
>is it in the artist head or in the tip of the brush, or at the factory where
>they
>make "rembrant" paint and toothpaste? Questions like that are extremely
>redundant. The net is no longer a miracle, it's a fact of life, and as such
>it's
>becoming increasingly boring and domesticated.


b!e b!e jankee.







-

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