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Table of Contents: NYC: 6 Sept: Toshio Iwai + PS1's Buzz Club stp_announce@parsons.edu Symposium TransUrbanism: cities enter atmospheric phase Boudewijn Ridder <ridder@v2.nl> Debord on Space & Time "Bureau of Public Secrets" <knabb@slip.net> [ot] [!nt] \n2+0\ xtravaganza integer@www.god-emil.dk Los Angeles Net Art Performance - B0timati0n & Netaesthesia Amy Alexander <plagiari@plagiarist.org> [artimage05] LAUNCH OF THE BIENNIAL-LAYERS layers <layers@artimage.at> 'Metamute Meets Echelon - A Literary Competition' Josephine Berry <josie@metamute.com> RE/MAP Kitakyushu Re-Mapping Project (for announcer) matthew fuller <matt@axia.demon.co.uk> ------------------------------ Date: Thu, 6 Sep 2001 01:06:58 -0400 From: stp_announce@parsons.edu Subject: NYC: 6 Sept: Toshio Iwai + PS1's Buzz Club ___ / /\ ___ ___ / /::\ /__/\ / /\ /__/:/\:\ \ \:\ / /::\ _\_ \:\ \:\ \__\:\ / /:/\:\ /__/\ \:\ \:\ / /::\ / /::\ \:\ \ \:\ \:\_\/ / /:/\:\ / /:/\:\_\:\ \ \:\_\:\ / /:/__\/ / /:/ \:\/:/ \ \:\/:/ /__/:/ /__/:/ \ \::/ \ \::/ \__\/ \__\/ \__\/ \__\/ the Social Technologies Program is pleased to present * when... Thursday - 6 September - 7pm [ * * * TONIGHT * * * ] * where... Parsons Center for New Design, 55 W 13th St, 9th Fl * who... Toshio Iwai, media artist and... David D'Heilly, co-curator of "Buzz Club: News from Japan" the current exhibition at PS1/MoMA * how... it's *FREE* * why... TOSHIO IWAI is the recipient of the 1997 Ars Electronica Golden Nica award winner, a 2000 ID Magazine Interactive Media Design Review finalist, a former artist-in-residence at San Francisco's Exploratorium, and a former artist-in- residence at the ZKM in Karlsruhe, Germany. Want to see why? Come see him put on his finest spectacle. DAVID D'HEILLY, a longtime resident of Tokyo, is a nonstop journalist and researcher who's spent the last decade-plus delving into and documenting the myriad nooks and crannies of electronic culture around the world. BUZZ CLUB, currently at PS1 in Long Island City, explores the urban sensibilities of Japanese media culture through the work of more than 100 artists, designers, and streetwise scenesters involved with digital media and/or technological approaches to traditional artistic disciplines--including animation, cellphone art, fashion, sculpture, anime, films, popular action figurines, electronic music, sound-light installations, and more. ------------------------------ Date: Wed, 05 Sep 2001 10:38:13 +0200 From: Boudewijn Ridder <ridder@v2.nl> Subject: Symposium TransUrbanism: cities enter atmospheric phase Symposium TransUrbanism: cities enter atmospheric phase As a sequel to 'The Art of the Accident' (1998) and 'Machine Times' (2000) V2_Organisation organizes on 29 and 30 November a symposium entitled 'TransUrbanism'. Data: Thursday 29 and Friday 30 November 2001 Location: NAI Netherlands Architecture Institute, Museumpark 25, Rotterdam, The Netherlands Symposium runs: 10:30 a.m. till 5:30 p.m. (doors open at 10:00 a.m.) Admission: fl. 100, - (2 days), students fl. 65, - More information and reservations: Marije Stijkel, e-mail marije@v2.nl or by phone +31(10) 206-7272. Lectures by: Rem Koolhaas (NL), Knowbotic Research (D/A), Scott Lash (GB), Rafael Lozano-Hemmer (MEX/CDN), Edward Soja (USA), Lars Spuybroek (NL), Roemer van Toorn (NL) and Mark Wigley (USA). The symposium will be moderated by Andreas Ruby (D). 'TransUrbanism' describes how our cities enter the new 'atmospheric phase'. The city and her boarders blur. It is no longer a material object of which one can easily say where it precisely starts or ends. The urban experience is continued in other media and is echoed by other cities. Some sort of urban continuity occurs that only condenses and precipitates here or there in a 'city'. Sometimes quite materially, sometimes in a very narrative way, sometimes statistic, sometimes economically, sometimes very visually, but mostly all these together. Anyhow the city's continuity is in the first place temporal and not spatial. Spatial continuity as provided by architecture and urban planning seems to be less important than creating a coherent stream of experience in the fusion of movement, brands, faces, conversations and media. It is the living individual, not the urban planning, that synthesizes all of these media streams. The city's substance is hardly material/architectural anymore. Public squares, market places, the layout of streets seem no longer relevant to how the city is experienced. Also, cities in general no longer seem to be the subject of individual experience. The urban experience is a continuous interaction between the city itself, the Internet, television and magazines. Consumer behavior and lifestyles are all temporary products of all of these different media concurrently and especially of how they interact. A lifestyle is the creation of an uninterrupted atmosphere in which urban elements such as certain shops and cafés are closely linked to a certain brand of shoes, cars, clothing and a certain vernacular. Rather than just attempting to analyze this, 'TransUrbanism' aims at a conscious practice: how can writers, artists and urban developers define new methods for inventing our future cities? This symposium brings together thinkers and doers, theorists and practitioners, analysts and catalysts. Not as passive contrasts but as active, mutually influencing ways of putting theory into practice and of theorizing about what is being practiced. More information can also be found on: www.v2.nl/2001 Production: a project of Las Palmas International Center for Image Culture and Media Technology, concept and production by V2_Organisatie. Co-financed by: Stimuleringsfonds voor Architectuur Sponsors: Netherlands Architecture Institute, Vereniging Leliman Special thanks to: Rotterdam 2001, Cultural Capital of Europe ------------------------------ Date: Wed, 5 Sep 2001 14:25:52 -0700 From: "Bureau of Public Secrets" <knabb@slip.net> Subject: Debord on Space & Time Ken Knabb's new translations of two more chapters from Guy Debord's THE SOCIETY OF THE SPECTACLE are now online at http://www.slip.net/~knabb/SI/debord Chapter 5, "Time and History," examines primitive societies, ancient Greece, the Middle Ages, millenarian movements, the Renaissance, and the rise of the bourgeoisie -- the entire range of human history that preceded the period of modern radical struggles dealt with in Chapter 4. Chapter 7, "The Domination of the Environment," examines the capitalist organization of social space -- urbanism as one of the main methods by which the ruling order is able to isolate and control people. * * * The Bureau of Public Secrets website features numerous texts by and about Guy Debord and other members of the Situationist International, the notorious avant-garde group that helped trigger the May 1968 revolt in France. BUREAU OF PUBLIC SECRETS PO Box 1044, Berkeley CA 94701, USA http://www.slip.net/~knabb knabb@slip.net ------------------------------ Date: Wed, 5 Sep 2001 21:24:27 +0200 (CEST) From: integer@www.god-emil.dk Subject: [ot] [!nt] \n2+0\ xtravaganza Jeff Morey <jm11@nyu.edu> to those in the Chicago area: performance: <---------- The Builders Association (http://www.thebuildersassociation.org) "Xtravaganza" Athenaeum Theatre 2936 N Southport Ave Chicago,<A0><A0>IL (773) 935-6860 Sept. 13-16 "The Builders Association draws on the history of multi-media entertainment, ranging from the film exhibitions of the 1910's to the Busby Berkeley dance numbers of the 1930<B9>s. Using our particular blend of live performance and contemporary technologies, XTRAVAGANZA mixes these early forms with current spectacular musical entertainment, including trip-hop and drum n'bass music and video. XTRAVAGANZA 'samples' fragments of the theatrical past through the language of contemporary DJ and VJ culture." schedule et tickets: http://chicago.citysearch.com/profile/11560821/ ----------> "Xtravaganza" will also be in NYC February 6-9, 2002 at the World Financial Center Winter Garden. dank u, jeffm~ jeff morey video associate max:nato video ivy the builders association ------------------------------ Date: Thu, 6 Sep 2001 00:05:43 -0700 (PDT) From: Amy Alexander <plagiari@plagiarist.org> Subject: Los Angeles Net Art Performance - B0timati0n & Netaesthesia Live B0timati0n/Netasthesia Net Art Performance! Saturday, Sept. 8th, 2001 6pm-10pm (Los Angeles Time) Electronic Orphanage 975 Chung King Road Los Angeles, California 90012 This Saturday at 6pm, from the Electronic Orphanage, opening out onto Chung King Road in Los Angeles, Programmer-turned-Hipster Uebergeek aka Amy Alexander of plagiarist.org performs her live, Psychedelic Psearch Engines, B0timati0n and Netaesthesia. The performance will be held in conjunction with the Pilot Operating Net project of the medi@terra international festival. In today's "Geek Age" - a time when formerly nerdy computer culture has crashed head-on into pop culture - Uebergeek puts down her pocket protector, picks up a can of Jolt Cola, and makes the Internet "cool." Live audience members and passersby on Chung King Road will use telephone message pads to submit search term requests to DJ Uebergeek (as well as any missed phone messages from the office...) Members of the Internet audience and those attending medi@terra may submit requests via web page at http://plagiarist.org/eo or by telephoning in their requests to the Electronic Orphanage at +1-213-617-4903 during the show. (We bought plenty of those message pads.) There will be "limited-seating" Internet streaming during the show. (As long as it works and until we overload the free version of RealServer we downloaded.) Uebergeek will submit the search term requests to the B0timati0n and Netaesthesia Performance Search Engines, where the search results will be converted to Amazing Animated Text, Groovy Graphics, and Scintillating Synthesized Sound. Including mind-bending Uebergeek solos on the Power Glove and Air Mouse; it's a Net Art Rave! (without the mosh pit.) For more info: Online show website http://plagiarist.org/eo B0timati0n website http://botimation.org Netaesthesia website http://plagiarist.org/neta Electronic Orphanage website http://electronicorphanage.com or e-mail Uebergeek uebergeek@plagiarist.org ------------------------------ Date: Wed, 05 Sep 2001 23:49:27 +0200 From: layers <layers@artimage.at> Subject: [artimage05] LAUNCH OF THE BIENNIAL-LAYERS PRESS RELEASE 006 5th graz biennial on media and architecture november 07 - 11 2001 >>> please scroll down for the english version www.artimage.at Liebe Kolleginnen und Kollegen, wir freuen uns, Ihnen den Launch der Biennial-Layers und damit gleichzeitig den virtuellen Auftakt der 5. Medien und Architektur Biennale Graz mitzuteilen. Wir laden Sie ein, diese permanente Plattform der Biennale bereits im Vorfeld des Festivals in Graz zur gemeinsamen Auseinandersetzung mit aktuellen Tendenzen in Architektur und urbaner Kultur zu nutzen. „Mit der Einführung der Biennial-Layers antworten wir auf aktuelle Herausforderungen, die die veränderten Produktions- und Präsentationsformen zeitgenössischer Kunst- und Kulturproduktion an ein Festival stellen“ sagt Charlotte Pöchhacker, Leiterin der Medien und Architektur Biennale Graz. "Durch diese virtuelle Ebene der Biennale haben wir ein zeitgemässes Dispositiv für eine kollaborative, prozesshafte, kulturelle Produktion und Mediation im Internet geschaffen. In Zusammenarbeit mit Architekten, Künstlern und Theoretikern aus unterschiedlichen Disziplinen entwickeln wir hier die Schwerpunktthemen der Medien und Architektur Biennale Graz. Dieser Prozess, der sich über einen längeren Zeitraum erstreckt, wird somit in einem die Öffentlichkeit einbeziehenden Rahmen ausgetragen." Diese anspruchsvolle Konzeption der Biennale - Site wurde in kongenialer Weise im Design und Programming von Alexander Kada + digital_context entworfen und umgesetzt. Ein besonders interessantes Beispiel für diese veränderte Arbeitsweise stellt das im Kontext der Biennial-Layers entwickelte Konzept einer „Konferenz als Prozess“ dar: Cityscapes: Imagineering the Urban Condition ist als ein 3 Monate dauernder Diskussionsprozess angelegt, an dem sich die zur Konferenz nach Graz eingeladenen Referenten beteiligen. Unter fachkundiger Moderation von Kultur- und Architekturtheoretikern diskutieren sie das Verhältnis von Bildern des Städtischen und städtischer Raumproduktion (Moderation: Kai Vöckler; Vortragende: Edward W. Soja, John Fiske, Walter Prigge, u.a.). Sie gehen den Veränderungen und neuen Existenzweisen nach, die sich aus dem Imagineering als zeitgenössischem Architekturparadigma ergeben (Moderation: Andreas Ruby; Vortragende: John Urry, Klaus Ronneberger, Patrick Schuhmacher, u.a.) und diskutieren das aktuelle Selbstverständnis der Stadtplanung angesichts des globalen Austauschs urbaner Wunsch- und Angstbilder (Moderation: Christian Kühn; Vortragende: Christopher Charles Benninger, Jorge Mario Jáuregui, Wolf D. Prix, u.a.). Dieser über den Zeitraum von 3 Monaten medial geführte interdisziplinäre Austausch lässt einen prozessualen Raum entstehen, der sich im Rahmen der Medien und Architektur Biennale in Graz für die Festivaldauer zu einem zwischenzeitlichen Abschluss verdichtet. Die im Netzraum der Biennial-Layers geführte Diskussion gipfelt während der Cityscapes Konferenz in Graz in 9 Panels und 4 Roundtables, an denen sich im Dialog mit dem Publikum mehr als 30 international renommierte Vortragende beteiligen. Zur Durchführung dieses Diskussionsprozesses im Netz wurde von dem belgischen Architektenteam Lab[au] eigens ein Tool für die Biennial-Layers entwickelt, das Cityscapes-Interface, das den medial geführten Informationsaustausch mit dem Ablauf der Konferenz in Graz verknüpft und über den gesamten Zeitraum kartographiert. Der traditionelle Höhepunkt der Medien und Architektur Biennale Graz, der internationale Wettbewerb, findet ebenso wie die weiteren Programmschwerpunkte seine Entsprechung sowohl auf der virtuellen Ebene der Biennial-Layers als auch im Realraum während der Festivaltage. Die Shortlist der im internationalen Wettbewerb nominierten Arbeiten finden Sie in den Biennial-Layers ab 30. September 2001 veröffentlicht. Die herausragenden Arbeiten, die sich mit visuellen Reflexionen zu Architektur und urbanen Befindlichkeiten beschäftigen, werden in dem speziellen Feature Meet the Artist vorgestellt. Die aktuellen Fragen, die Schnittstellen zwischen virtuellem und realem Raum sowie Gestaltungsmöglichkeiten von Informationsräumen betreffend, werden in der Konferenz Infoscapes: Processing Information/Communicating Architecture thematisiert. In vier hochkarätig besetzten Panels gehen Kuratoren, Künstler, Architekten und Designer den Möglichkeiten des Netzraums für neue Ansätze von Ausstellungskonzeptionen nach. Es diskutieren unter anderem: Steve Dietz (Walker Art Center), Christiane Rot (Whitney Museum) Gerfried Stocker (Ars Electronica), Monika Fleischmann (Frauenhofer Institut). Ganz speziell abgestimmt auf die Anforderungen von Architekturinstitutionen widmet sich das abschliessende Panel der Infoscapes-Konferenz dem Thema der Architekturdokumentation. Dort wird den spezifischen Darstellungsmöglichkeiten, die den unterschiedlichen Medien innewohnen, nachgegangen. Das Programmspecial Modular Living lädt zum Eintauchen in die frenetische Bilderwelt der Wohnutopien der 2. Hälfte des 20. Jahrhunderts ein. Installationen, Videos, Internetprojekte und Musikclips zeigen das breite Spektrum zwischen Extremsituationen und sensiblen Spurensicherungen in den weltweiten Wohnkomplexen auf. Die Medien und Architektur Biennale Graz lädt Sie mit diesen vielfältigen Programmpunkten zu einer Entdeckungsreise in aktuelle Denk- und Diskussionsräume ein. Für weitere Fragen wenden Sie sich bitte an: Thomas Moser oder Roland Gruber (Presse-und Öffentlichkeitsarbeit) PRESS RELEASE 006 5th graz biennial on media and architecture november 07 - 11 2001 Dear Friends and Colleagues, we are pleased to announce the launch of Biennial-Layers, the virtual start of the 5th graz biennial on media and architecture. We would like to invite you to take advantage of this permanent Biennial platform in the run-up to the festival in Graz to join us in exploring current trends in architecture and urban culture. “The inception of the Biennial-Layers is our response to current challenges posed to a festival by the changed forms of production and presentation of contemporary art and culture production” says Charlotte Pöchhacker, director of graz biennial on media and architecture. "With this virtual layer of the Biennial, we have established a contemporary dispositif for collaborative, process-based, cultural production and mediation on the Internet. In co-operation with architects, artists and theorists from a range of disciplines, we develop in this virtual lab the focal issues of graz biennial on media and architecture." The design and programming of the demanding concept of the biennial website was ideally implemented by Alexander Kada + digital_context . A particulary interesting example of this changed working situation is marked by the concept of a “conference as process” developed in the context of the Biennial-Layers. The conference Cityscapes: Imagineering the Urban Condition is designed as a 3-month process of discussion between the invited speakers. This permanent media-based exchange creates a discursive space hosted by international culture and architecture theorists. The themes of discussion focuse on the relation of images of the urban sphere and of the production of urban space (host: Kai Vöckler; speakers: Edward W. Soja, John Fiske, Walter Prigge, and others), the changes and new modes of existence that result from imagineering as a contemporary paradigm of architecture (host: Andreas Ruby; speakers: John Urry, Klaus Ronneberger, Patrick Schuhmacher, and others) and the current self-perception of urban planning in view of the global exchange of urban wishful images and images of fear (host: Christian Kühn; speakers: Christopher Charles Benninger, Jorge Mario Jáuregui, Wolf D. Prix, and others). In order to implement this process of discussion on the Net, the Belgian architect team Lab[au] specially developed a tool for the Biennial-Layers, the Cityscapes Interface, that links the media-based exchange of information with the conference in Graz, mapping the exchange of information throughout the entire duration. This discussion held in the Biennial Layers Net space culminates during the 5th biennial on media and architecture in Graz in 9 panel discussions and 4 roundtables featuring more than 30 internationally renowned speakers in a dialogue with the public. The conferences Cityscapes–Imagineering the Urban Condition and Infoscapes–Processing Information/Communicating Architecture constitute the two core themes of the 5th graz biennial on media and architecture. The theoretical approaches presented and discussed at these events will constitute the range of topics that pose a specific challenge in terms of the reception of current media works for the International Competition Programme at the Biennial. The link between theoretical and artistic positions, then, sets out a dynamic field of observation covering complex perspectives on architectural spaces and social conditions in the urban context and makes the five days of the festival a dynamic platform for exciting debates and intensive exchange. For further information please contact Thomas Moser, Roland Gruber Public Relations ________________________________________________________ 5th biennial on media and architecture November, 7-11, 2001 ________________________________________________________ Layers Hallerschlossstrasse 21, A - 8010 Graz, Austria fon: +43 316 356155 fax: +43 316 356156 http://www.artimage.at ------------------------------ Date: Thu, 6 Sep 2001 16:32:32 +0000 From: Josephine Berry <josie@metamute.com> Subject: 'Metamute Meets Echelon - A Literary Competition' Metamute.com, announcement 4 September 2001, contact echelon@metamute.com 'Metamute Meets Echelon - A Literary Competition' to coincide with Jam Echelon Day 2001. see http://cipherwar.com/echelon Total prize money 1000euro Submission closing date 21 October 2001 Send entries to echelon@metamute.com SMS +44[0]7866830757 Fax/snail see below. Echelon is the worldwide signals intelligence network run by the US National Security Agency and the UK Government Communications Headquarters in collaboration with Canada, Australia and New Zealand. Echelon uses large ground-based radio antennae in the United States, Italy, the UK, Turkey, New Zealand, Canada, Australia, and several other countries to intercept satellite transmissions and some surface traffic, as well as employing satellites to tap transmissions between cities. Echelon is reportedly capable of interecepting large portions of the world's communications, including phone conversations, email and SMS. It uses dictionaries to search for keywords that various security services consider to be of interest. Under the ECHELON system, a particular station's dictionary computer contains not only its parent agency's chosen keywords, but also a list for each of the other four agencies. Each station collects all the telephone calls, faxes, telexes, emails, internet traffic and other communications that pass through it and compares them against this list of keywords. The rationale of Jam Echelon Day was to use the publically available list of Echelon keywords to confuse the system by flooding the Internet with emails containing the list and to raise public awareness of the existence of Echelon and the fact that personal communications may be being monitored. One criticim of the Jam Echelon project is that Echelon is too sophisticated to respond to simple lists of words. Reportedly, Echelon analyses the grammatical structure of sentences and the context in which keywords arise. Metamute Meets Echelon has been created to motivate the production of fictional works that use the Echelon wordlist with the degree of sophisticated contextualisation that could actually cause the system to notice and respond. Or at least get seriously confused. Rules Participants should utilise words from the Echelon dictionary http://metamute.com/echelonlist.txt to produce an original literary work. Any literary genre is admissable - from short stories to drama to poetry to speeches to the epistolary form. Fictional company memos and e-mail exchanges are admissable, as are IRC and SMS conversations, or any other form. The work produced must not be about Echelon in any way, shape or form, and the term 'Echelon' must not appear anywhere in the work. 1st Prize in the competition is 500 Euros, and two runners up will each receive a prize of 250 Euros each. Judges' criteria Entries will be judged against two key criteria: 1) the literary merit of the piece of work and 2) the number of words from the Echelon word list that are present in the work. Both criteria are given equal weight. For example, a piece with good literary merit and fewer Echelon keywords will not necessarily lose to a weaker piece that contains more keywords. Indeed, where it is felt that the overuse of words from the Echelon wordlist has actively impaired the literary quality, entries will be marked down. Simple lists of keywords in an entry will automatically disqualify it. 'Literary merit' is decided by the judges, and their decision is final. Conditions 1. Entries must be received by 21st October 2001. Entries may emailed to echelon@metamute.com, posted to Mute Magazine, 2nd Floor East, Universal House, 88-94 Wentworth St., London E1 7SA. Faxed to +44 [0] 20 7377 9520 or SMS +44 [0]7866830757. Entries will be accepted either on paper or as digital media. 2. Entrants may submit multiple entries up to a maximum of 10 in total. 3. The upper word limit for entries is 2,500 words. Any entries over this length (i.e, 2501 words or more) will be automatically disqualified. 4. Metamute reserves the right now or in the future to publish entires in any form. 5. Entries must be entirely fictional. - -- END Info on this project can be found on the metamute.com forum THE LIST The official competition word list Metamute.com, announcement 4 September 2001, contact echelon@metamute.com 'Metamute Meets Echelon - A Literary Competition' to coincide with Jam Echelon Day 2001. see http://cipherwar.com/echelon START Rewson, SAFE, Waihoai, INFOSEC, ASIC, MI6, Information Security, SAI, Information Warfare, IW, IS, rivacy, Information Terrorism, Terrorism Defensive Information, Defense Information Warfare, Offensive Information, Offensive Information Warfare, The Artful Dodger, NAIA, SAM, ASU, ASTS, National Information Infrastructure, InfoSec, SAO, Reno, Comsec, JICS, Comuter Terrorism, Firewalls, Secure Internet Connections, RS, ISS, JDF, Ermes, asswords, NAA, DefCon V, RSO, Hackers, Encrytion, ASWS, CUN, CISU, CUSI, M.A.R.E., MARE, UFO, IFO, acini, Angela, Esionage, USDOJ, NSA, CIA, S/Key, SSL, FBI, Secert Service, USSS, Defcon, Damian, Military, White House, Undercover, NCCS, Mayfly, G, SALDV, EM, resta, RSA, erl-RSA, MSNBC, bet, AOL, AOL TOS, CIS, CBOT, AIMSX, STARLAN, 3B2, BITNET, SAMU, COSMOS, DATTA, Furbys, E911, FCIC, HTCIA, IACIS, UT/RUS, JANET, ram, JICC, ReMOB, LEETAC, UTU, VNET, BRLO, SADCC, NSLE, Daffy Duck, SACLANTCEN, FALN, 877, NAVELEXSYSSECENGCEN, BZ, CANSLO, CBNRC, CIDA, JAVA, rsta, Active X, Comsec 97, RENS, LLC, DERA, JIC, ri, rb, Wu, RDI, Mavricks, BIOL, Meta-hackers, ^?, SADT, Steve Case, Tools, RECCEX, Telex, Aldergrove, OTAN, monarchist, NMIC, NIOG, IDB, MID/KL, NADIS, NMI, SEIDM, BNC, CNCIS, STEELEBUSH, RG, BSS, DDIS, mixmaster, BCCI, BRGE, Eurool, ball- biter, SARL, Military Intelligence, JICA, Scully, recondo, Flame, Infowar, FRU, Bubba, Freeh, Archives, ISADC, CISS, Sundevil, jack, Investigation, JOTS, ISACA, NCSA, ASVC, sook words, RRF, 1071, Bugs Bunny, Verisign, Secure, ASIO, Lebed, ICE, NRO, Lexis-Nexis, NSCT, SCIF, FLiR, JIC, bce, Lacrosse, Flashbangs, HRT, IRA, EODG, DIA, USCOI, CID, BO, FINCEN, FLETC, NIJ, ACC, AFSC, BMDO, site, SASSTIXS, NAVWAN, NRL, RL, NAVWCWNS, NSWC, USAFA, AHCRC, ARA, SARD, LABLINK, USACIL, SAT, USCG, NRC, ~, O, NSA/CSS, CDC, DOE, SAAM, FMS, HCC, NTIS, SEL, USCODE, CISE, SIRC, CIM, ISN, DJC, LLNL, bemd, SGC, UNCCJ, CFC, SABENA, DREO, CDA, SADRS, DRA, SHAE, bird dog, SACLANT, BECCA, DCJFTF, HALO, SC, TA SAS, Lander, GSM, T Branch, AST, SAMCOMM, HAHO, FKS, 868, GCHQ, DITSA, SORT, AMEMB, NSG, HIC, EDI, benelux, SAS, SBS, SAW, UDT, EODC, GOE, DOE, SAMF, GEO, JRB, 3-HV, Masuda, Forte, AT, GIGN, Exon Shell, radint, MB, CQB, TECS, CONUS, CTU, RCM, GRU, SASR, GSG-9, 22nd SAS, GEOS, EADA, SART, BBE, STE, Echelon, Dictionary, MD2, MD4, MDA, diwn, 747, ASIC, 777, RDI, 767, MI5, 737, MI6, 757, Kh- 11, EODN, eject-specimen-from-the-hive, SHS, ^X, Shayet-13, SADMS, Setznaz, Recce, 707, CIO, NOCS, Halcon, NSS, Duress, RAID, Uziel, wojo, syos, SASCOM, grom, NSIRL, D-11, DF, ZARK, SERT, VI, ARC, S.E.T. Team, NSWG, M5k, SATKA, DREC, DEVGR, DSD, FDM, GRU, LRTS, SIGDEV, NACSI, MEU/SOC,SAC, TT, RFI, ZL31, SIGDASYS, TDM. SUKLO, Schengen, SUSLO, TELINT, fake, TEXTA. ELF, LF, MF, Mafia, JASSM, CALCM, TLAM, Wieout, GII, SIW, MEII, C2W, Burns, Tomlinson, Ufologico Nazionale, Centro, CICA, MIR, Belkna, Tac, rebels, BLU-97 A/B, 007, nowhere.ch, bronze, Rubin, Arnett, BLU, SIGS, VHF, Recon, eaod, A598D28, Sall, dort, 50MZ, 11Emc Choe, SATCOMA, UHF, The Hague, SHF, ASIO, SAS, WANK, Colonel, domestic disrution, 5ESS, smuggle, Z-200, 15kg, DUVDEVAN, RFX, nitrate, OIR, retoria, M-14, enigma, Bletchley ark, Clandestine, NSO, nkvd, the borg, argus, afsatcom, CQB, NVD, Counter Terrorism Security, Enemy of the State, SARA, Raid Reaction, JSOFC3I, Cororate Security, OSAll, 192.47.242.7, Baldwin, Wilma, ie.org, coso.osis.gov, olice, Dateline, Tyrell, KMI, 1ee, od, 9705 Samford Road, 20755-6000, snier, S, ASIS, ASLET, TSCM, Security Consulting, M-x sook, Z-150T, Steak Knife, High Security, Security Evaluation, Electronic Surveillance, MI-17, ISR, NSAS, Counterterrorism, real, sies, IWO, eavesdroing, debugging, CCSS, intercetion, COCOT, NACSI, rhost, rhosts, ASO, SETA, Amherst, Broadside, Caricorn, NAVCM, Gamma, Gorizont, Guy, NSS, rita, ISSO, submiss, ASDIC, .tc, 2EME RE, FID, 7NL SBS, tekka, catain, 226, .45, nonac, .li, Tony oe, MJ-12, JASON, Society, Hmong, Majic, evil, zigun, tax, bootleg, warez, TRV, ERV, rednoise, mindwar, nailbomb, VLF, ULF, aercli, Chatter, MKULTRA, MKDELTA, Bluebird, MKNAOMI, White Yankee, MKSEARCH, 355 ML, Adriatic, Goldman, Ionoshere, Mole, Keyhole, NABS, Kilderkin, Artichoke, Badger, Emerson, Tzvrif, SDIS, T2S2, STTC, DNR, NADDIS, NFLIS, CFD, BLU-114/B, quarter, Cornflower, Daisy, Egret, Iris, JSOTF, Hollyhock, Jasmine, Juile, Vinnell, tony blair, B.D.M., Shinx, Stehanie, Reflection, Soke, Talent, Trum, FX, FXR, IMF, OCSAG, rusers, Covert Video, Intiso, r00t, lock icking, Beyond Hoe, LASINT, csystems, .tm, asswd, 2600 Magazine, JUWTF, Cometitor, EO, Chan, athfinders, SEAL Team 3, JTF, Nash, ISSAA, B61- 11, floss, Alouette, executive, Event Security, Mace, Ca-Stun, stakeout, ninja, ASIS, ISA, EOD, Oscor, Tarawa, COSMOS-2224, COSTIND, hit word, hitword, Hitwords, Regli, VBS, Leuken-Baden, number key, Zimmerwald, DDS, GRS, AGT. AMME, ANDVT, Tye I, Tye II, VFCT, VGL, WHCA, WSA, WS, WWABNC, ZNI1, FSK, gummer, FTS2000, GOSI, GOTS, SACS STU-III, RF, MS, CMT, I&A, JRSC, ITSDN, Keyer, KG-84C, KWT-46, KWR- 46, KY-75, KYV-5, LHR, ARKHILL, LDMX, LEASAT, SNS, SVN, TACSAT, TRANSEC, DONCAF, EAM, DSCS, DSNET1, DSNET2, DSNET3, ECCM, EI, EKMS, EKMC, DDN, DD, Merlin, NTT, SL-1, Rolm, TIE, Tie-fighter, BX, SLI, NTT, MSCJ, MIT, 69, RIT, Time, MSEE, Cable & Wireless, CSE, SUW, J2, Embassy, ETA, orno, Fax, finks, Fax encrytion, white noise, Fernsah, MYK, GAFE, forcast, imort, rain, tiger, buzzer, N9, ink noise, CRA, M..R.I., to secret, Mossberg, 50BMG, Macintosh Security, freedom, Macintosh Internet Security, OC3, Macintosh Firewalls, Unix Security, VI rotection, SIG, swee, Medco, TRD, TDR, Z, WTO, sweeing, SURSAT, 5926, TELINT, Audiotel, Harvard, 1080H, SWS, Asset, Satellite imagery, force, NAIAG, Cyherunks, NARF, 127, hell, Coderunks, TRW, remailers, relay, redheads, RX-7, exlicit, FLAME, J-6, ornstars, AVN, layboy, ISSS, Anonymous, W, Sex, chaining, codes, Nuclear, 20, subversives, SLI, toad, fish, data havens, unix, c, a, b, d, SUBACS, the, Elvis, quiche, DES, 1*, N-ISDN, NLS, OTAR, OTAT, OTCIXS, MISSI, MOSAIC, NAVCOMARS, NCTS, NES, MILSATCOM, AUTODIN, BLACKER, C3I, C4I, CMS, CMW, C, SBU, SCCN, SITOR, SHF/DOD, Finksburg MD, Link 16, LATA, NATIA, NATOA, sneakers, UXO, (), OC-12, counterintelligence, Shaldag, sort, NASA, TWA, DT, gtegsc, nowhere, .ch, hoe, emc, industrial esionage, SUIR, I, TSCI, sookwords, industrial intelligence, H.N.., SUAEWICS, Juiliett Class Submarine, Locks, qrss, loch, 64 Vauxhall Cross, Ingram Mac-10, wwics, sigvoice, ssa, E.O.D., Vx, SEMTEX, enre, racal, OT, OSS, Siemens, RC, Met, CIA-DST, INI, watchers, keebler, contacts, Blowie, BTM, CCS, GSA, Kilo Class, squib, rimacord, RS, Z7, Becker, Nerd, fangs, Austin, no|d, Comirex, GMG, Seakeasy, humint, GEODSS, SORO, M5, BROMURE, ANC, zone, SBI, DSS, S.A.I.C., Minox, Keyhole, SAR, Rand Cororation, Starr, Wackenhutt, EO, burho, Wackendude, mol, Shelton, 2E781, F-22, 2010, JCET, cocaine, Vale, IG, Kosovo, Dake, 36,800, GBC, Hillal, esec, Hindawi, GGL, NAICC, CTU, botux, Virii, CCC, ISE, CCSC, Scud, SecDef, Magdeyev, VOA, Kosiura, Small ox, Tajik, +=, Blacklisted 411, TRDL, Internet Underground, BX, XS4ALL, wetsu, muezzin, Retinal Fetish, WIR, Fetish, FCA, Yobie, forschung, emm, ANZUS, Rerieve, NZC-332, edition, cards, mania, 701, CT, CATO, hon-e, Chicago osse, NSDM, l0ck, beanole, sook, keywords, QRR, LA, TDYC, W3, CUD, CdC, Weekly World News, Zen, World Domination, Dead, GRU, M72750, Salsa, 7, Blowfish, Gorelick, Glock, Ft. Meade, NSWT, ress-release, WISDIM, burned, Indigo, wire transfer, e-cash, Bubba the Love Songe, Enforcers, e-gold, Digicash, zi, SWAT, Ortega, , NACSE, cryto-anarchy, ^X, AT&T, SGI, SUN, MCI, Blacknet, ISM, JCE, Middleman, KLM, Blackbird, NSV, GQ360, X400, Texas, jihad, SDI, BRIGAND, Uzi, Fort Meade, *&, gchq.gov.uk, suercomuter, bullion, 3, NTTC, Blackmednet, :, roaganda, ABC, Satellite hones, IWIS, DD, lanet-1, ISTA, rs9512c, Jiang Zemin, South Africa, Sergeyev, Montenegro, Toeffler, Rebollo, sorot, Yucca Mountain, FARC, Toth, Xu Yongyue, Bach, Razor, AC, crytanalysis, nuclear, 52 52 N - 03 03 W, Morgan, Canine, GEBA, INSCOM, MEMEX, Stanley, FBI, anama, fissionable, Sears Tower, NORAD, Delta Force, SEAL, virtual, WASS, WID, Dolch, secure shell, screws, Black-Os, O/S, Area51, SABC, basement, ISWG, $@, data-haven, NSDD, black-bag, rack, TEMEST, Goodwin, rebels, ID, MD5, IDEA, garbage, market, beef, Stego, ISAF, unclassified, Sayeret Tzanhanim, ARASAR, Grian, irg, curly, Taiwan, guest, utoia, NSG, orthodox, CCSQ, Alica, SHA, Global, gorilla, Bob, UNSCOM, Fukuyama, Manfurov, Kvashnin, Marx, Abdurahmon, snullen, seudonyms, MITM, NARF, Gray Data, VLSI, mega, Leitrim, Yakima, NSES, Sugar Grove, WAS, Cowboy, Gist, 8182, Gatt, latform, 1911, Geraldton, UKUSA, veggie, XM, arvus, NAVSVS, 3848, Morwenstow, Consul, Oratory, ine Ga, Menwith, Mantis, DSD, BVD, 1984, blow out, BUDS, WQC, Flintlock, ABX, Electron, Chicago Crust, e95, DDR&E, 3M, KEDO, iButton, R1, erco, Toffler, FAS, RHL, K3, Visa/BCC, SNT, Ceridian, STE, condor, CiherTAC-2000, Etacs, Shiiro, ssor, iz, fritz, KY, 32, Edens, Kiwis, Kamumaruha, DODIG, Firefly, HRM, Albright, .SC, Bellcore, rail, csim, NMS, 2c, FIS140-1, CAVE, E-Bomb, CDMA, Fortezza, 355ml, ISSC, cybercash, NAWAS, government, NSY, hate, seedbum, joe, illuminati, BOSS, Kourou, Misawa, Morse, HF, xechelon.org, 415, ladylove, filofax, Gulf, lamma, Unit 5707, Sayeret Mat'Kal, Unit 669, Sayeret Golani, Lanceros, Summercon, NSADS, resident, ISFR, freedom, ISSO, walburn, Defcon VI, DC6, Larson, 99, c4i.org, HERF ie-bomb, 2.3 Oz., cocaine, $, imact, Roswell, ESN, COS, E.T., credit card, b9, fraud, ST1, assasinate, virus, ISCS, ISR, .VA, anarchy, rogue, mailbomb, 888, Chelsea, 1997, Whitewater, MOD, York, lutonium, William Gates, clone, BATF, SGDN, Nike, WWSV, Atlas, IWWSVCS, Delta, TWA, Kiwi, G 2.6.2., G 5.0i, G 5.1, siliconim, SASSTIXS, IWG, Lynch, 414, Face, ixar, IRIDF, NSRB, eternity server, Skytel, Yukon, Temleton, Johohonbu, LUK, Jackson, Cohiba, Soros, Standford, niche, ISE, ISEC, 51, H&K, US, ^, sardine, bank, EUB, US, CS, NRO, Red Cell, NSOF, DC7, Glock 26, snuffle, atel, ackage, ISI, INR, INS, GRU, RUO, GSS, NS, SRI, Ronco, Armani, BOSS, Chobetsu, FBIS, BND, SISDE, FSB, BfV, IB, froglegs, JITEM, SADF, advise, TUSA, LITE, KK, cororate cock,HoHoCon, SISMI, ISG, FIS, MSW, Syderco, UO, SSCI, NIMA, HAMASMOIS, SVR, SIN, advisors, SA, Monica, OAU, FS, Aladdin, AG, chameleon man, Hutsul, CESID, Bess, rail gun, .375, eering, CSC, Mute, Tangimoana Beach, Commecen, Vanuatu, Kwajalein, LHI, DRM, GSGI, DST, MITI, JERTO, SDF, Koancho, Blenheim, Rivera, Kyudanki, varon, 310, 17, 312, NB, CBM, CT, Sardine, SBIRS, jaws, SGDN, ADIU, DEADBEEF, ID, IDF, Halibut, SONANGOL, Flu, &, Loin, G 5.53, meta, Faber, SFD, EG&G, ISE, blackjack, Fox, Aum, AIEWS, AMW, RHL, Baranyi, WORM, M5K-SD, 1071, WINGS, cdi, metamute, VIA, DynCor, UXO, Ti, WWS, WID, osco, Mary, honor, Temlar, THAAD, ackage, CISD, ISG, BIOLWN, JRA, ISB, ISDS, chosen, LBSD, van, schloss, secos, DCSS, DSD, LIF, J-Star, RIME, SURVIAC, telex, Analyzer, solo, embassy, Golf, B61-7, Male, Tokyo, ERR, SBU, Threat, JL, Tess, SE, Alex, EL, SINTCOM, FOUO, ISS-AD, Merv, Mexico, SUR, Gorel, blocks, SO13, Rojdykarna, RSOC, USS Banner, S511, 20755, ytcracker, airframe, jya.com, Furby, ECSENC, football, Agfa, 3210, Crowell, moore, 510, OADR, Smith, toffee, FIS, N56, EuroFed, S4, Walnut, shelter, Cryto AG. - -- END Info on this project can be found on the metamute.com forum http://www.metamute.com/forum/viewtopic.php?topic=44&forum=1 - ------------------------ Yahoo! Groups Sponsor ---------------------~--> FREE COLLEGE MONEY CLICK HERE to search 600,000 scholarships! http://us.click.yahoo.com/47cccB/4m7CAA/ySSFAA/9rHolB/TM - ---------------------------------------------------------------------~-> To unsubscribe from this group, send an email to: meetmute-unsubscribe@egroups.com . Mute may forget, but never forgives (you're warned). Your use of Yahoo! Groups is subject to http://docs.yahoo.com/info/terms/ the divine diva of websites ->- www.metamute.com -<- has risen again * ->- www.ouimadame.org -<- * to follow ------------------------------ Date: Thu, 6 Sep 2001 14:05:15 +0100 From: matthew fuller <matt@axia.demon.co.uk> Subject: RE/MAP Kitakyushu Re-Mapping Project (for announcer) - ------------------------------------- RE/MAP Kitakyushu Re-Mapping Project $B!! (B - ------------------------------------ CONCEPT This project aims to draw a contemporary 'map' or several 'maps' of Kitakyushu through a series of workshop by using the latest digital technology. What does it mean to draw a map today ? The standard map we know is a two dimensional trace of a aerial photograph. Not until recently, however, did we recognize this kind of map as the 'standard' one. If you have a chance to look at a map in the medieval age, you can see that the map is drawn not from a rational and objective perspective of space in a modern sense, but through much more sensorial recognition of space. Although the map may be distorted, it is real and more practical. $B!!!! (B It is often said to be difficult to draw a map today. This is partly because the urban space we live in is no more merely a physical existence due to the development of information technology and globalization. Any points can connect any points in the world through computer and mobile phone networks. $B!!!! (B As the city becomes more complicated, it is more difficult to simulate the city in a single map. Even those who live in the same city need different maps. For example, the psychological map that a primary school boy uses in everyday life differs from his father's one. These psychological maps may contain smell, sound and people they meet in the street. You may draw different maps when you ride a bicycle or drive a car, or need more maps depending on whether you walk in daytime or nighttime. The project attempts to create a file of different maps by recording, gathering and editing the cityscape through the medium of video cameras, digital cameras and DAT. They are more personal and multi-dimensional 'cognitive' maps. It is also an attempt to invent a new 'navigation system' for the real everyday life in Kitakyushu. PROJECT OUTLINE The project is roughly divided into two parts. PART 1 The first part of the project is to create maps through fieldwork in the city by using video cameras, digital cameras and DAT. They will eventually come out as a DVD package after they have been edited. This is initiated by artists in Kitakyushu, but also overseas artists, postgraduate and overseas students in universities including Kyushu University, The University of Kitakyushu, Kyushu Institute of Design and those who live in Kitakyushu. More than twenty people are expected to participate. PART 2 The second part consists of workshops and symposiums that will reconsider the idea of map theoretically and technologically. In the theoretical part, geographers, urban sociologists, artists, architects, urban planners, social activists and navigation system engineers will organize a series of workshops, in which anyone can take part, discuss and exchange their ideas. Through these workshops, the problem and merits of the city, Kitakyushu will be pointed out. Human Media Creation Center/Kyushu will support the project. The participants can join in the DVD editing process at Human Media Creation Center/Kyushu after the fieldwork if they desire. They can also learn the basic skill of editing DVD. Part of the work will be exhibited at Higashida IT Club in the Japan EXPO 2001 Kitakyushu. The DVD software will be distributed among various different media (televison stations, newspapers, journals), multimedia institutions, museums and libraries around the world after the exhibition. SCHEDULE: 23 Sep 2001 (SUN)-30 Sep 2001 (SUN) Symposiums 23 or/and 30 Sep Workshops 23-30 Sep VENUE: Gallery Soap and Kitakyushu City 1-8-23Kajimachi,Kokurakita-ku,Kitakyushu,JAPAN phone + fax 093-551-5522 e-mail: real@seafolk.ne.jp Yoshitaka MORI (Kyushu University) Keiichi MIYAGAWA (Artist, Gallery Soap) Hidenobu MORI (Artist) Hisao Sotoda (Artist) Kazunori MIZUSHIMA (Osaka Sangyo University) Chan-Ho KIM (Yonsei University, Korea) federico baronello (Artist, Italy) Masao YAHAGI (Architect) Shigeru KUWAHARA (Architect) Ren FUKUZUMI Mizuki ENDO Kaoru NISHITANI Toshihiko ONO Hyunsuk OH Hiroshi HOSODA Richard SVERRISSON ------------------------------ # distributed via <nettime>: no commercial use without permission # <nettime> is a moderated mailing list for net criticism, # collaborative text filtering and cultural politics of the nets # more info: majordomo@bbs.thing.net and "info nettime-l" in the msg body # archive: http://www.nettime.org contact: nettime@bbs.thing.net