nettime on Wed, 8 Jan 2003 10:23:54 +0100 (CET) |
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<nettime> hip hop digest vol. 6 [levesque, buhard] |
Maroussia Lévesque <sourma@yahoo.com> hip hop: ownership? "Elnor Buhard" <buhard@mail.com> Re: <nettime> hip hop digest vol. 5 [Guderian, Wark] ------------------------------------------------------- Date: Tue, 7 Jan 2003 20:54:38 +0100 (CET) From: Maroussia Lévesque <sourma@yahoo.com> Subject: hip hop: ownership? "It's not where you're from, it's where you at." Or is it the other way around? In his response, Art Mcgee wrote:"WE created it, and WE feel a sense of ownership of it", referring to black people as creators of hip hop. The message of hip hop in his early state is in fact rooted in a specific context, namely that of a minority fighting for its rights in the UNited States? But the message can and has to be interpreted on a more universal scale, embracing values like equity, respect and turning negative energy into positive. If you provide a song, a genre or a culture out there, it doesn't belong to you anymore. In the public sphere, so-called hip hop artifact are always being modified and emulated. But the ideology has been recuperated both for its marketing potential by companies and for its universal message in other cultures. In her book No Logo, Naomi Klein exposes a figure case with fashion: in poor urban areas, Tommy Hilfiger gave retailers extras merchandise that could be stolen. So the (poor) black kids acted as trendsetters for white suburbs kids, because they incarnate hip hop's stereotipical true "nigga". On the other hand, Dutch, Germans, Cubans, Japanese, Chilians, Mexicans and French have adopted hip hop's ideology and inserted their own social fight. Hip hop is not about being black or latino and working class. It's about any social cause, or, for that matter, simply unity and awareness. And about the "white middle-class libertarian academic male", that's a little below the belt. I understand that this resentment has some serious basis, but it isn't very constructive. In that sense it's somehow antithetic to hip hop's struggle for better tomorrow(s). btw, I am neither white nor male Maroussia Lévesque ===== http://hybrid.concordia.ca/~4868390 ------------------------------------------------------- Date: Tue, 07 Jan 2003 16:54:56 -0500 From: "Elnor Buhard" <buhard@mail.com> Subject: Re: <nettime> hip hop digest vol. 5 [Guderian, Wark] hi - the only complaint i have about all these posts is that none of them are funny, here, this is funny: http://www.blackpeopleloveus.com/ and highlights the trend, in this conversation, for all y'all to try to claim to be down through knowledge of hip-hop. .... which is in itself proof that hip hop is alive as a cultural currency - altho the days of Wild Style (1982 film chronicling a hiphop culture dominated by graffiti artists), yeah, sure those have past. elnor ------------------------------------------------------- # distributed via <nettime>: no commercial use without permission # <nettime> is a moderated mailing list for net criticism, # collaborative text filtering and cultural politics of the nets # more info: majordomo@bbs.thing.net and "info nettime-l" in the msg body # archive: http://www.nettime.org contact: nettime@bbs.thing.net