Announcer on Fri, 7 Sep 2001 01:29:52 +0200 (CEST)


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<nettime> Announcements [x8]


Table of Contents:

   NYC: 6 Sept: Toshio Iwai + PS1's Buzz Club
     stp_announce@parsons.edu
   Symposium TransUrbanism: cities enter atmospheric phase 
     Boudewijn Ridder <ridder@v2.nl> 
   Debord on Space & Time    
     "Bureau of Public Secrets" <knabb@slip.net> 
   [ot] [!nt] \n2+0\ xtravaganza   
     integer@www.god-emil.dk   
   Los Angeles Net Art Performance - B0timati0n & Netaesthesia   
     Amy Alexander <plagiari@plagiarist.org>     
   [artimage05] LAUNCH OF THE BIENNIAL-LAYERS  
     layers <layers@artimage.at>     
   'Metamute Meets Echelon - A Literary Competition' 
     Josephine Berry <josie@metamute.com>  
   RE/MAP Kitakyushu Re-Mapping Project (for announcer)    
     matthew fuller <matt@axia.demon.co.uk>

------------------------------

Date: Thu, 6 Sep 2001 01:06:58 -0400
From: stp_announce@parsons.edu
Subject: NYC: 6 Sept: Toshio Iwai + PS1's Buzz Club
                 ___                                 
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             _\_ \:\ \:\       \__\:\        /  /:/\:\  
            /__/\ \:\ \:\      /  /::\      /  /::\ \:\ 
            \  \:\ \:\_\/     /  /:/\:\    /  /:/\:\_\:\
             \  \:\_\:\      /  /:/__\/   /  /:/  \:\/:/
              \  \:\/:/     /__/:/       /__/:/ \  \::/ 
               \  \::/      \__\/        \__\/   \__\/  
                \__\/                                
      
      the Social Technologies Program is pleased to present

  
* when...  Thursday - 6 September - 7pm [ * * * TONIGHT * * * ]

* where... Parsons Center for New Design, 55 W 13th St, 9th Fl

* who...   Toshio Iwai, media artist

  and...   David D'Heilly, co-curator of "Buzz Club: News from Japan"
           the current exhibition at PS1/MoMA

* how...  it's *FREE*

* why...  TOSHIO IWAI is the recipient of the 1997 Ars Electronica
          Golden Nica award winner, a 2000 ID Magazine Interactive
          Media Design Review finalist, a former artist-in-residence
          at San Francisco's Exploratorium, and a former artist-in-
          residence at the ZKM in Karlsruhe, Germany. Want to see
          why? Come see him put on his finest spectacle.

          DAVID D'HEILLY, a longtime resident of Tokyo, is a nonstop 
          journalist and researcher who's spent the last decade-plus 
          delving into and documenting the myriad nooks and crannies
          of electronic culture around the world.

          BUZZ CLUB, currently at PS1 in Long Island City, explores
          the urban sensibilities of Japanese media culture through
          the work of more than 100 artists, designers, and streetwise
          scenesters involved with digital media and/or technological
          approaches to traditional artistic disciplines--including
          animation, cellphone art, fashion, sculpture, anime, films,
          popular action figurines, electronic music, sound-light
          installations, and more.


------------------------------

Date: Wed, 05 Sep 2001 10:38:13 +0200
From: Boudewijn Ridder <ridder@v2.nl>
Subject: Symposium TransUrbanism: cities enter atmospheric phase

Symposium TransUrbanism: cities enter atmospheric phase

As a sequel to 'The Art of the Accident' (1998) and 'Machine Times' (2000) 
V2_Organisation organizes on 29 and 30 November a symposium entitled 
'TransUrbanism'.

Data: Thursday 29 and Friday 30 November 2001
Location: NAI  Netherlands Architecture Institute, Museumpark 25, 
Rotterdam, The Netherlands
Symposium runs: 10:30 a.m. till 5:30 p.m. (doors open at 10:00 a.m.)
Admission: fl. 100, - (2 days), students fl. 65, -
More information and reservations: Marije Stijkel, e-mail marije@v2.nl or 
by phone +31(10) 206-7272.

Lectures by: Rem Koolhaas (NL), Knowbotic Research (D/A), Scott Lash (GB), 
Rafael Lozano-Hemmer (MEX/CDN), Edward Soja (USA), Lars Spuybroek (NL), 
Roemer van Toorn (NL) and Mark Wigley (USA).
The symposium will be moderated by Andreas Ruby (D).

'TransUrbanism' describes how our cities enter the new 'atmospheric phase'. 
The city and her boarders blur. It is no longer a material object of which 
one can easily say where it precisely starts or ends. The urban experience 
is continued in other media and is echoed by other cities. Some sort of 
urban continuity occurs that only condenses and precipitates here or there 
in a 'city'. Sometimes quite materially, sometimes in a very narrative way, 
sometimes statistic, sometimes economically, sometimes very visually, but 
mostly all these together. Anyhow the city's continuity is in the first 
place temporal and not spatial. Spatial continuity as provided by 
architecture and urban planning seems to be less important than creating a 
coherent stream of experience in the fusion of movement, brands, faces, 
conversations and media. It is the living individual, not the urban 
planning, that synthesizes all of these media streams.

The city's substance is hardly material/architectural anymore. Public 
squares, market places, the layout of streets seem no longer relevant to 
how the city is experienced. Also, cities in general no longer seem to be 
the subject of individual experience. The urban experience is a continuous 
interaction between the city itself, the Internet, television and 
magazines. Consumer behavior and lifestyles are all temporary products of 
all of these different media concurrently and especially of how they 
interact. A lifestyle is the creation of an uninterrupted atmosphere in 
which urban elements such as certain shops and cafés are closely linked to 
a certain brand of shoes, cars, clothing and a certain vernacular.

Rather than just attempting to analyze this, 'TransUrbanism' aims at a 
conscious practice: how can writers, artists and urban developers define 
new methods for inventing our future cities?

This symposium brings together thinkers and doers, theorists and 
practitioners, analysts and catalysts. Not as passive contrasts but as 
active, mutually influencing ways of putting theory into practice and of 
theorizing about what is being practiced.

More information can also be found on: www.v2.nl/2001

Production: a project of Las Palmas  International Center for Image Culture 
and Media Technology, concept and production by V2_Organisatie.

Co-financed by: Stimuleringsfonds voor Architectuur
Sponsors: Netherlands Architecture Institute, Vereniging Leliman
Special thanks to: Rotterdam 2001, Cultural Capital of Europe


------------------------------

Date: Wed, 5 Sep 2001 14:25:52 -0700
From: "Bureau of Public Secrets" <knabb@slip.net>
Subject: Debord on Space & Time

Ken Knabb's new translations of two more chapters from
Guy Debord's THE SOCIETY OF THE SPECTACLE
are now online at http://www.slip.net/~knabb/SI/debord

Chapter 5, "Time and History," examines primitive societies, ancient Greece,
the Middle Ages, millenarian movements, the Renaissance, and the rise of the
bourgeoisie -- the entire range of human history that preceded the period of
modern radical struggles dealt with in Chapter 4.

Chapter 7, "The Domination of the Environment," examines the capitalist
organization of social space -- urbanism as one of the main methods by which
the ruling order is able to isolate and control people.


* * *

The Bureau of Public Secrets website features numerous texts by and about
Guy Debord and other members of the Situationist International, the
notorious avant-garde group that helped trigger the May 1968 revolt in
France.


BUREAU OF PUBLIC SECRETS
PO Box 1044, Berkeley CA 94701, USA
http://www.slip.net/~knabb
knabb@slip.net


------------------------------

Date: Wed, 5 Sep 2001 21:24:27 +0200 (CEST)
From: integer@www.god-emil.dk
Subject: [ot] [!nt] \n2+0\ xtravaganza








Jeff Morey <jm11@nyu.edu>

to those in the Chicago area:
performance:
 
      <----------

The Builders Association (http://www.thebuildersassociation.org)
"Xtravaganza"
Athenaeum Theatre 
2936 N Southport Ave
Chicago,<A0><A0>IL
(773) 935-6860 

Sept. 13-16

"The Builders Association draws on the history of multi-media entertainment,
ranging from the film exhibitions of the 1910's to the Busby Berkeley dance
numbers of the 1930<B9>s. Using our particular blend of live performance and
contemporary technologies, XTRAVAGANZA mixes these early forms with current
spectacular musical entertainment, including trip-hop and drum n'bass music
and video. XTRAVAGANZA 'samples' fragments of the theatrical past through
the language of contemporary DJ and VJ culture."

schedule et tickets:
http://chicago.citysearch.com/profile/11560821/

      ---------->

"Xtravaganza" will also be in NYC February 6-9, 2002 at the World Financial
Center Winter Garden.


dank u,

jeffm~
jeff morey
video associate
max:nato video ivy
the builders association









------------------------------

Date: Thu, 6 Sep 2001 00:05:43 -0700 (PDT)
From: Amy Alexander <plagiari@plagiarist.org>
Subject: Los Angeles Net Art Performance - B0timati0n & Netaesthesia

Live B0timati0n/Netasthesia Net Art Performance!
Saturday, Sept. 8th, 2001
6pm-10pm (Los Angeles Time)
Electronic Orphanage
975 Chung King Road
Los Angeles, California 90012

This Saturday at 6pm, from the Electronic Orphanage, opening out onto
Chung King Road in Los Angeles, Programmer-turned-Hipster Uebergeek aka
Amy Alexander of plagiarist.org performs her live, Psychedelic Psearch
Engines, B0timati0n and Netaesthesia. The performance will be held in
conjunction with the Pilot Operating Net project of the medi@terra
international festival.

In today's "Geek Age" - a time when formerly nerdy computer culture has
crashed head-on into pop culture - Uebergeek puts down her pocket
protector, picks up a can of Jolt Cola, and makes the Internet "cool."

Live audience members and passersby on Chung King Road will use
telephone message pads to submit search term requests to DJ Uebergeek
(as well as any missed phone messages from the office...) Members of the
Internet audience and those attending medi@terra may submit requests via
web page at http://plagiarist.org/eo or by telephoning in their requests
to the Electronic Orphanage at +1-213-617-4903 during the show. (We
bought plenty of those message pads.) There will be "limited-seating"
Internet streaming during the show.  (As long as it works and until we
overload the free version of RealServer we downloaded.)

Uebergeek will submit the search term requests to the B0timati0n and
Netaesthesia Performance Search Engines, where the search results will
be converted to Amazing Animated Text, Groovy Graphics, and
Scintillating Synthesized Sound.  Including mind-bending Uebergeek solos
on the Power Glove and Air Mouse;  it's a Net Art Rave! (without the
mosh pit.)

For more info:

Online show website
http://plagiarist.org/eo

B0timati0n website
http://botimation.org

Netaesthesia website
http://plagiarist.org/neta

Electronic Orphanage website
http://electronicorphanage.com

or e-mail Uebergeek
uebergeek@plagiarist.org


------------------------------

Date: Wed, 05 Sep 2001 23:49:27 +0200
From: layers <layers@artimage.at>
Subject: [artimage05] LAUNCH OF THE BIENNIAL-LAYERS


PRESS RELEASE 006


5th graz biennial on media and architecture
november 07 - 11  2001
>>> please scroll down for the english version

www.artimage.at


Liebe Kolleginnen und Kollegen,

wir freuen uns, Ihnen den Launch der Biennial-Layers und damit
gleichzeitig den virtuellen Auftakt der 5. Medien und Architektur
Biennale Graz mitzuteilen. Wir laden Sie ein, diese permanente Plattform
der Biennale bereits im Vorfeld des Festivals in Graz zur gemeinsamen
Auseinandersetzung mit aktuellen Tendenzen in Architektur und urbaner
Kultur zu nutzen.

„Mit der Einführung der Biennial-Layers antworten wir auf aktuelle
Herausforderungen, die die veränderten Produktions- und
Präsentationsformen zeitgenössischer Kunst- und Kulturproduktion an ein
Festival stellen“ sagt Charlotte Pöchhacker, Leiterin der Medien und
Architektur Biennale Graz. "Durch diese virtuelle Ebene der Biennale
haben wir ein zeitgemässes Dispositiv für eine kollaborative,
prozesshafte, kulturelle Produktion und Mediation im Internet
geschaffen. In Zusammenarbeit mit Architekten, Künstlern und
Theoretikern aus unterschiedlichen Disziplinen entwickeln wir hier die
Schwerpunktthemen der Medien und Architektur Biennale Graz. Dieser
Prozess, der sich über einen längeren Zeitraum erstreckt, wird somit in
einem die Öffentlichkeit einbeziehenden Rahmen ausgetragen." Diese
anspruchsvolle Konzeption der Biennale - Site wurde in kongenialer Weise
im Design und Programming von Alexander Kada + digital_context entworfen
und umgesetzt.

Ein besonders interessantes Beispiel für diese veränderte Arbeitsweise
stellt das im Kontext der Biennial-Layers entwickelte Konzept einer
„Konferenz als Prozess“ dar: Cityscapes: Imagineering the Urban
Condition ist als ein 3 Monate dauernder Diskussionsprozess angelegt, an
dem sich die zur Konferenz nach Graz eingeladenen Referenten beteiligen.
Unter fachkundiger Moderation von Kultur- und Architekturtheoretikern
diskutieren sie das Verhältnis von Bildern des Städtischen und
städtischer Raumproduktion (Moderation: Kai Vöckler; Vortragende: Edward
W. Soja, John Fiske, Walter Prigge, u.a.). Sie gehen den Veränderungen
und neuen Existenzweisen nach, die sich aus dem Imagineering als
zeitgenössischem Architekturparadigma ergeben (Moderation: Andreas Ruby;
Vortragende: John Urry, Klaus Ronneberger, Patrick Schuhmacher, u.a.)
und diskutieren das aktuelle Selbstverständnis der Stadtplanung
angesichts des globalen Austauschs urbaner Wunsch- und Angstbilder
(Moderation: Christian Kühn; Vortragende: Christopher Charles Benninger,
Jorge Mario Jáuregui, Wolf D. Prix, u.a.).

Dieser über den Zeitraum von 3 Monaten medial geführte interdisziplinäre
Austausch lässt einen prozessualen Raum entstehen, der sich im Rahmen
der Medien und Architektur Biennale in Graz für die Festivaldauer zu
einem zwischenzeitlichen Abschluss verdichtet. Die im Netzraum der
Biennial-Layers geführte Diskussion gipfelt während der Cityscapes
Konferenz in Graz in 9 Panels und 4 Roundtables, an denen sich im Dialog
mit dem Publikum mehr als 30 international renommierte Vortragende
beteiligen. Zur Durchführung dieses Diskussionsprozesses im Netz wurde
von dem belgischen Architektenteam Lab[au] eigens ein Tool für die
Biennial-Layers entwickelt, das Cityscapes-Interface, das den medial
geführten Informationsaustausch mit dem Ablauf der Konferenz in Graz
verknüpft und über den gesamten Zeitraum kartographiert.

Der traditionelle Höhepunkt der Medien und Architektur Biennale Graz,
der internationale Wettbewerb, findet ebenso wie die weiteren
Programmschwerpunkte seine Entsprechung sowohl auf der virtuellen Ebene
der Biennial-Layers als auch im Realraum während der Festivaltage. Die
Shortlist der im internationalen Wettbewerb nominierten Arbeiten finden
Sie in den Biennial-Layers ab 30. September 2001 veröffentlicht. Die
herausragenden Arbeiten, die sich mit visuellen Reflexionen zu
Architektur und urbanen Befindlichkeiten beschäftigen, werden in dem
speziellen Feature Meet the Artist vorgestellt.

Die aktuellen Fragen, die Schnittstellen zwischen virtuellem und realem
Raum sowie Gestaltungsmöglichkeiten von Informationsräumen betreffend,
werden in der Konferenz Infoscapes: Processing Information/Communicating
Architecture thematisiert. In vier hochkarätig besetzten Panels gehen
Kuratoren, Künstler, Architekten und Designer den Möglichkeiten des
Netzraums für neue Ansätze von Ausstellungskonzeptionen nach. Es
diskutieren unter anderem: Steve Dietz (Walker Art Center), Christiane
Rot (Whitney Museum) Gerfried Stocker (Ars Electronica), Monika
Fleischmann (Frauenhofer Institut). Ganz speziell abgestimmt auf die
Anforderungen von Architekturinstitutionen widmet sich das
abschliessende Panel der Infoscapes-Konferenz dem Thema der
Architekturdokumentation. Dort wird den spezifischen
Darstellungsmöglichkeiten, die den unterschiedlichen Medien innewohnen,
nachgegangen.
Das Programmspecial Modular Living lädt zum Eintauchen in die
frenetische Bilderwelt der Wohnutopien der 2. Hälfte des 20.
Jahrhunderts ein. Installationen, Videos, Internetprojekte und
Musikclips zeigen das breite Spektrum zwischen Extremsituationen und
sensiblen Spurensicherungen in den weltweiten Wohnkomplexen auf.

Die Medien und Architektur Biennale Graz lädt Sie mit diesen
vielfältigen Programmpunkten zu einer Entdeckungsreise in aktuelle Denk-
und Diskussionsräume ein.

Für weitere Fragen wenden Sie sich bitte an:

Thomas Moser oder Roland Gruber
(Presse-und Öffentlichkeitsarbeit)





PRESS RELEASE 006


5th graz biennial on media and architecture
november 07 - 11  2001


Dear Friends and Colleagues,

we are pleased to announce the launch of Biennial-Layers, the virtual
start of the 5th graz biennial on media and architecture. We would like
to invite you to take advantage of this permanent Biennial platform in
the run-up to the festival in Graz to join us in exploring current
trends in architecture and urban culture.

“The inception of the Biennial-Layers is our response to current
challenges posed to a festival by the changed forms of production and
presentation of contemporary art and culture production” says Charlotte
Pöchhacker, director of graz biennial on media and architecture. "With
this virtual layer of the Biennial, we have established a contemporary
dispositif for collaborative, process-based, cultural production and
mediation on the Internet. In co-operation with architects, artists and
theorists from a range of disciplines, we develop in this virtual lab
the focal issues of graz biennial on media and architecture." The design
and programming of the demanding concept of the biennial website was
ideally implemented by Alexander Kada + digital_context .

A particulary interesting example of this changed working situation is
marked by the concept of a “conference as process” developed in the
context of the Biennial-Layers. The conference Cityscapes: Imagineering
the Urban Condition is designed as a 3-month process of discussion
between the invited speakers. This permanent media-based exchange
creates a discursive space hosted by international culture and
architecture theorists. The themes of discussion focuse on the relation
of images of the urban sphere and of the production of urban space
(host: Kai Vöckler; speakers: Edward W. Soja, John Fiske, Walter Prigge,
and others), the changes and new modes of existence that result from
imagineering as a contemporary paradigm of architecture (host: Andreas
Ruby; speakers: John Urry, Klaus Ronneberger, Patrick Schuhmacher, and
others) and the current self-perception of urban planning in view of the
global exchange of urban wishful images and images of fear (host:
Christian Kühn; speakers: Christopher Charles Benninger, Jorge Mario
Jáuregui, Wolf D. Prix, and others).

In order to implement this process of discussion on the Net, the Belgian
architect team Lab[au] specially developed a tool for the
Biennial-Layers, the Cityscapes Interface, that links the media-based
exchange of information with the conference in Graz, mapping the
exchange of information throughout the entire duration. This discussion
held in the Biennial Layers Net space culminates during the 5th biennial
on media and architecture in Graz in 9 panel discussions and 4
roundtables featuring more than 30 internationally renowned speakers in
a dialogue with the public.

The conferences Cityscapes–Imagineering the Urban Condition and
Infoscapes–Processing Information/Communicating Architecture constitute
the two core themes of the 5th graz biennial on media and architecture.
The theoretical approaches presented and discussed at these events will
constitute the range of topics that pose a specific challenge in terms
of the reception of current media works for the International
Competition Programme at the Biennial.
The link between theoretical and artistic positions, then, sets out a
dynamic field of observation covering complex perspectives on
architectural spaces and social conditions in the urban context and
makes the five days of the festival a dynamic platform for exciting
debates and intensive exchange.

For further information please contact

Thomas Moser, Roland Gruber
Public Relations


________________________________________________________
5th biennial on media and architecture November, 7-11, 2001
________________________________________________________

Layers
Hallerschlossstrasse 21, A - 8010 Graz, Austria
fon: +43 316 356155 fax: +43 316 356156
http://www.artimage.at

------------------------------

Date: Thu, 6 Sep 2001 16:32:32 +0000
From: Josephine Berry <josie@metamute.com>
Subject: 'Metamute Meets Echelon - A Literary Competition'


Metamute.com, announcement 4 September 2001,
contact echelon@metamute.com

'Metamute Meets Echelon - A Literary Competition'
to coincide with Jam Echelon Day 2001.
see http://cipherwar.com/echelon

Total prize money 1000euro
Submission closing date 21 October 2001
Send entries to echelon@metamute.com SMS +44[0]7866830757
Fax/snail see  below.

Echelon is the worldwide signals intelligence network run by the US
National  Security Agency and the UK Government Communications
Headquarters in  collaboration with Canada, Australia and New
Zealand. Echelon uses large  ground-based radio antennae in the
United States, Italy, the UK, Turkey, New  Zealand, Canada,
Australia, and several other countries to intercept  satellite
transmissions and some surface traffic, as well as employing
satellites to tap transmissions between cities.

Echelon is reportedly capable of interecepting large portions of the
world's  communications, including phone conversations, email and
SMS. It uses  dictionaries to search for keywords that various
security services consider  to be of interest. Under the ECHELON
system, a particular station's  dictionary computer contains not only
its parent agency's chosen keywords,  but also a list for each of the
other four agencies. Each station collects  all the telephone calls,
faxes, telexes, emails, internet traffic and other  communications
that pass through it and compares them against this list of keywords.


The rationale of Jam Echelon Day was to use the publically available
list of  Echelon keywords to confuse the system by flooding the
Internet with emails  containing the list and to raise public
awareness of the existence of  Echelon and the fact that personal
communications may be being monitored.

One criticim of the Jam Echelon project is that Echelon is too
sophisticated  to respond to simple lists of words. Reportedly,
Echelon analyses the  grammatical structure of sentences and the
context in which keywords arise.  Metamute Meets Echelon has been
created to motivate the production of  fictional works that use the
Echelon wordlist with the degree of  sophisticated contextualisation
that could actually cause the system to  notice and respond. Or at
least get seriously confused.

Rules
Participants should utilise words from the Echelon dictionary
http://metamute.com/echelonlist.txt to produce an original literary
work.  Any literary genre is admissable - from short stories to drama
to poetry to  speeches to the epistolary form. Fictional company
memos and e-mail  exchanges are admissable, as are IRC and SMS
conversations, or any other  form.

The work produced must not be about Echelon in any way, shape or
form, and  the term 'Echelon' must not appear anywhere in the work.

1st Prize in the competition is 500 Euros, and two runners up will
each  receive a prize of 250 Euros each.

Judges' criteria
Entries will be judged against two key criteria: 1) the literary
merit of  the piece of work and 2) the number of words from the
Echelon word list that  are present in the work.

Both criteria are given equal weight. For example, a piece with good
literary merit and fewer Echelon keywords will not necessarily lose
to a  weaker piece that contains more keywords. Indeed, where it is
felt that the  overuse of words from the Echelon wordlist has
actively impaired the  literary quality, entries will be marked down.
Simple lists of keywords in  an entry will automatically disqualify
it.

'Literary merit' is decided by the judges, and their decision is
final.

Conditions
1. Entries must be received by 21st October 2001. Entries may emailed
to  echelon@metamute.com, posted to Mute Magazine, 2nd Floor East,
Universal  House, 88-94 Wentworth St., London E1 7SA. Faxed to +44
[0] 20 7377 9520 or  SMS +44 [0]7866830757. Entries will be accepted
either on paper or as  digital media.
2. Entrants may submit multiple entries up to a maximum of 10 in
total.
3. The upper word limit for entries is 2,500 words. Any entries over
this  length (i.e, 2501 words or more) will be automatically
disqualified.
4. Metamute reserves the right now or in the future to publish
entires in
 any form.
5. Entries must be entirely fictional.

- --
END


Info on this project can be found on the metamute.com forum

THE LIST
The official competition word list

Metamute.com, announcement 4 September 2001, contact
echelon@metamute.com

'Metamute Meets Echelon - A Literary Competition'
to coincide with Jam Echelon Day 2001. see
http://cipherwar.com/echelon

START

Rewson, SAFE, Waihoai, INFOSEC, ASIC, MI6, Information Security, SAI,
Information Warfare, IW, IS, rivacy, Information Terrorism, Terrorism
Defensive Information, Defense Information Warfare, Offensive
Information, Offensive Information Warfare, The Artful Dodger, NAIA,
SAM, ASU, ASTS, National Information Infrastructure, InfoSec, SAO,
Reno, Comsec, JICS, Comuter Terrorism, Firewalls, Secure Internet
Connections, RS, ISS, JDF, Ermes, asswords, NAA, DefCon V, RSO,
Hackers, Encrytion, ASWS, CUN, CISU, CUSI, M.A.R.E., MARE, UFO, IFO,
acini, Angela, Esionage, USDOJ, NSA, CIA, S/Key, SSL, FBI, Secert
Service, USSS, Defcon, Damian, Military, White House, Undercover,
NCCS, Mayfly, G, SALDV, EM, resta, RSA, erl-RSA, MSNBC, bet, AOL, AOL
TOS, CIS, CBOT, AIMSX, STARLAN, 3B2, BITNET, SAMU, COSMOS, DATTA,
Furbys, E911, FCIC, HTCIA, IACIS, UT/RUS, JANET, ram, JICC, ReMOB,
LEETAC, UTU, VNET, BRLO, SADCC, NSLE, Daffy Duck, SACLANTCEN, FALN,
877, NAVELEXSYSSECENGCEN, BZ, CANSLO, CBNRC, CIDA, JAVA, rsta, Active
X, Comsec 97, RENS, LLC, DERA, JIC, ri, rb, Wu, RDI, Mavricks, BIOL,
Meta-hackers, ^?, SADT, Steve Case, Tools, RECCEX, Telex, Aldergrove,
OTAN, monarchist, NMIC, NIOG, IDB, MID/KL, NADIS, NMI, SEIDM, BNC,
CNCIS, STEELEBUSH, RG, BSS, DDIS, mixmaster, BCCI, BRGE, Eurool, ball-
biter, SARL, Military Intelligence, JICA, Scully, recondo, Flame,
Infowar, FRU, Bubba, Freeh, Archives, ISADC, CISS, Sundevil, jack,
Investigation, JOTS, ISACA, NCSA, ASVC, sook words, RRF, 1071, Bugs
Bunny, Verisign, Secure, ASIO, Lebed, ICE, NRO, Lexis-Nexis, NSCT,
SCIF, FLiR, JIC, bce, Lacrosse, Flashbangs, HRT, IRA, EODG, DIA,
USCOI, CID, BO, FINCEN, FLETC, NIJ, ACC, AFSC, BMDO, site, SASSTIXS,
NAVWAN, NRL, RL, NAVWCWNS, NSWC, USAFA, AHCRC, ARA, SARD, LABLINK,
USACIL, SAT, USCG, NRC, ~, O, NSA/CSS, CDC, DOE, SAAM, FMS, HCC,
NTIS, SEL, USCODE, CISE, SIRC, CIM, ISN, DJC, LLNL, bemd, SGC, UNCCJ,
CFC, SABENA, DREO, CDA, SADRS, DRA, SHAE, bird dog, SACLANT, BECCA,
DCJFTF, HALO, SC, TA SAS, Lander, GSM, T Branch, AST, SAMCOMM, HAHO,
FKS, 868, GCHQ, DITSA, SORT, AMEMB, NSG, HIC, EDI, benelux, SAS, SBS,
SAW, UDT, EODC, GOE, DOE, SAMF, GEO, JRB, 3-HV, Masuda, Forte, AT,
GIGN, Exon Shell, radint, MB, CQB, TECS, CONUS, CTU, RCM, GRU, SASR,
GSG-9, 22nd SAS, GEOS, EADA, SART, BBE, STE, Echelon, Dictionary,
MD2, MD4, MDA, diwn, 747, ASIC, 777, RDI, 767, MI5, 737, MI6, 757, Kh-
11, EODN, eject-specimen-from-the-hive, SHS, ^X, Shayet-13, SADMS,
Setznaz, Recce, 707, CIO, NOCS, Halcon, NSS, Duress, RAID, Uziel,
wojo, syos, SASCOM, grom, NSIRL, D-11, DF, ZARK, SERT, VI, ARC,
S.E.T. Team, NSWG, M5k, SATKA, DREC, DEVGR, DSD, FDM, GRU, LRTS,
SIGDEV, NACSI, MEU/SOC,SAC, TT, RFI, ZL31, SIGDASYS, TDM. SUKLO,
Schengen, SUSLO, TELINT, fake, TEXTA. ELF, LF, MF, Mafia, JASSM,
CALCM, TLAM, Wieout, GII, SIW, MEII, C2W, Burns, Tomlinson, Ufologico
Nazionale, Centro, CICA, MIR, Belkna, Tac, rebels, BLU-97 A/B, 007,
nowhere.ch, bronze, Rubin, Arnett, BLU, SIGS, VHF, Recon, eaod,
A598D28, Sall, dort, 50MZ, 11Emc Choe, SATCOMA, UHF, The Hague, SHF,
ASIO, SAS, WANK, Colonel, domestic disrution, 5ESS, smuggle, Z-200,
15kg, DUVDEVAN, RFX, nitrate, OIR, retoria, M-14, enigma, Bletchley
ark, Clandestine, NSO, nkvd, the borg, argus, afsatcom, CQB, NVD,
Counter Terrorism Security, Enemy of the State, SARA, Raid Reaction,
JSOFC3I, Cororate Security, OSAll, 192.47.242.7, Baldwin, Wilma,
ie.org, coso.osis.gov, olice, Dateline, Tyrell, KMI, 1ee, od, 9705
Samford Road, 20755-6000, snier, S, ASIS, ASLET, TSCM, Security
Consulting, M-x sook, Z-150T, Steak Knife, High Security, Security
Evaluation, Electronic Surveillance, MI-17, ISR, NSAS,
Counterterrorism, real, sies, IWO, eavesdroing, debugging, CCSS,
intercetion, COCOT, NACSI, rhost, rhosts, ASO, SETA, Amherst,
Broadside, Caricorn, NAVCM, Gamma, Gorizont, Guy, NSS, rita, ISSO,
submiss, ASDIC, .tc, 2EME RE, FID, 7NL SBS, tekka, catain, 226, .45,
nonac, .li, Tony oe, MJ-12, JASON, Society, Hmong, Majic, evil,
zigun, tax, bootleg, warez, TRV, ERV, rednoise, mindwar, nailbomb,
VLF, ULF, aercli, Chatter, MKULTRA, MKDELTA, Bluebird, MKNAOMI, White
Yankee, MKSEARCH, 355 ML, Adriatic, Goldman, Ionoshere, Mole,
Keyhole, NABS, Kilderkin, Artichoke, Badger, Emerson, Tzvrif, SDIS,
T2S2, STTC, DNR, NADDIS, NFLIS, CFD, BLU-114/B, quarter, Cornflower,
Daisy, Egret, Iris, JSOTF, Hollyhock, Jasmine, Juile, Vinnell, tony
blair, B.D.M., Shinx, Stehanie, Reflection, Soke, Talent, Trum, FX,
FXR, IMF, OCSAG, rusers, Covert Video, Intiso, r00t, lock icking,
Beyond Hoe, LASINT, csystems, .tm, asswd, 2600 Magazine, JUWTF,
Cometitor, EO, Chan, athfinders, SEAL Team 3, JTF, Nash, ISSAA, B61-
11, floss, Alouette, executive, Event Security, Mace, Ca-Stun,
stakeout, ninja, ASIS, ISA, EOD, Oscor, Tarawa, COSMOS-2224, COSTIND,
hit word, hitword, Hitwords, Regli, VBS, Leuken-Baden, number key,
Zimmerwald, DDS, GRS, AGT. AMME, ANDVT, Tye I, Tye II, VFCT, VGL,
WHCA, WSA, WS, WWABNC, ZNI1, FSK, gummer, FTS2000, GOSI, GOTS, SACS
STU-III, RF, MS, CMT, I&A, JRSC, ITSDN, Keyer, KG-84C, KWT-46, KWR-
46, KY-75, KYV-5, LHR, ARKHILL, LDMX, LEASAT, SNS, SVN, TACSAT,
TRANSEC, DONCAF, EAM, DSCS, DSNET1, DSNET2, DSNET3, ECCM, EI, EKMS,
EKMC, DDN, DD, Merlin, NTT, SL-1, Rolm, TIE, Tie-fighter, BX, SLI,
NTT, MSCJ, MIT, 69, RIT, Time, MSEE, Cable & Wireless, CSE, SUW, J2,
Embassy, ETA, orno, Fax, finks, Fax encrytion, white noise, Fernsah,
MYK, GAFE, forcast, imort, rain, tiger, buzzer, N9, ink noise, CRA,
M..R.I., to secret, Mossberg, 50BMG, Macintosh Security, freedom,
Macintosh Internet Security, OC3, Macintosh Firewalls, Unix Security,
VI rotection, SIG, swee, Medco, TRD, TDR, Z, WTO, sweeing, SURSAT,
5926, TELINT, Audiotel, Harvard, 1080H, SWS, Asset, Satellite
imagery, force, NAIAG, Cyherunks, NARF, 127, hell, Coderunks, TRW,
remailers, relay, redheads, RX-7, exlicit, FLAME, J-6, ornstars, AVN,
layboy, ISSS, Anonymous, W, Sex, chaining, codes, Nuclear, 20,
subversives, SLI, toad, fish, data havens, unix, c, a, b, d, SUBACS,
the, Elvis, quiche, DES, 1*, N-ISDN, NLS, OTAR, OTAT, OTCIXS, MISSI,
MOSAIC, NAVCOMARS, NCTS, NES, MILSATCOM, AUTODIN, BLACKER, C3I, C4I,
CMS, CMW, C, SBU, SCCN, SITOR, SHF/DOD, Finksburg MD, Link 16, LATA,
NATIA, NATOA, sneakers, UXO, (), OC-12, counterintelligence, Shaldag,
sort, NASA, TWA, DT, gtegsc, nowhere, .ch, hoe, emc, industrial
esionage, SUIR, I, TSCI, sookwords, industrial intelligence, H.N..,
SUAEWICS, Juiliett Class Submarine, Locks, qrss, loch, 64 Vauxhall
Cross, Ingram Mac-10, wwics, sigvoice, ssa, E.O.D., Vx, SEMTEX, enre,
racal, OT, OSS, Siemens, RC, Met, CIA-DST, INI, watchers, keebler,
contacts, Blowie, BTM, CCS, GSA, Kilo Class, squib, rimacord, RS, Z7,
Becker, Nerd, fangs, Austin, no|d, Comirex, GMG, Seakeasy, humint,
GEODSS, SORO, M5, BROMURE, ANC, zone, SBI, DSS, S.A.I.C., Minox,
Keyhole, SAR, Rand Cororation, Starr, Wackenhutt, EO, burho,
Wackendude, mol, Shelton, 2E781, F-22, 2010, JCET, cocaine, Vale, IG,
Kosovo, Dake, 36,800, GBC, Hillal, esec, Hindawi, GGL, NAICC, CTU,
botux, Virii, CCC, ISE, CCSC, Scud, SecDef, Magdeyev, VOA, Kosiura,
Small ox, Tajik, +=, Blacklisted 411, TRDL, Internet Underground, BX,
XS4ALL, wetsu, muezzin, Retinal Fetish, WIR, Fetish, FCA, Yobie,
forschung, emm, ANZUS, Rerieve, NZC-332, edition, cards, mania, 701,
CT, CATO, hon-e, Chicago osse, NSDM, l0ck, beanole, sook, keywords,
QRR, LA, TDYC, W3, CUD, CdC, Weekly World News, Zen, World
Domination, Dead, GRU, M72750, Salsa, 7, Blowfish, Gorelick, Glock,
Ft. Meade, NSWT, ress-release, WISDIM, burned, Indigo, wire transfer,
e-cash, Bubba the Love Songe, Enforcers, e-gold, Digicash, zi, SWAT,
Ortega, , NACSE, cryto-anarchy, ^X, AT&T, SGI, SUN, MCI, Blacknet,
ISM, JCE, Middleman, KLM, Blackbird, NSV, GQ360, X400, Texas, jihad,
SDI, BRIGAND, Uzi, Fort Meade, *&, gchq.gov.uk, suercomuter, bullion,
3, NTTC, Blackmednet, :, roaganda, ABC, Satellite hones, IWIS, DD,
lanet-1, ISTA, rs9512c, Jiang Zemin, South Africa, Sergeyev,
Montenegro, Toeffler, Rebollo, sorot, Yucca Mountain, FARC, Toth, Xu
Yongyue, Bach, Razor, AC, crytanalysis, nuclear, 52 52 N - 03 03 W,
Morgan, Canine, GEBA, INSCOM, MEMEX, Stanley, FBI, anama,
fissionable, Sears Tower, NORAD, Delta Force, SEAL, virtual, WASS,
WID, Dolch, secure shell, screws, Black-Os, O/S, Area51, SABC,
basement, ISWG, $@, data-haven, NSDD, black-bag, rack, TEMEST,
Goodwin, rebels, ID, MD5, IDEA, garbage, market, beef, Stego, ISAF,
unclassified, Sayeret Tzanhanim, ARASAR, Grian, irg, curly, Taiwan,
guest, utoia, NSG, orthodox, CCSQ, Alica, SHA, Global, gorilla, Bob,
UNSCOM, Fukuyama, Manfurov, Kvashnin, Marx, Abdurahmon, snullen,
seudonyms, MITM, NARF, Gray Data, VLSI, mega, Leitrim, Yakima, NSES,
Sugar Grove, WAS, Cowboy, Gist, 8182, Gatt, latform, 1911, Geraldton,
UKUSA, veggie, XM, arvus, NAVSVS, 3848, Morwenstow, Consul, Oratory,
ine Ga, Menwith, Mantis, DSD, BVD, 1984, blow out, BUDS, WQC,
Flintlock, ABX, Electron, Chicago Crust, e95, DDR&E, 3M, KEDO,
iButton, R1, erco, Toffler, FAS, RHL, K3, Visa/BCC, SNT, Ceridian,
STE, condor, CiherTAC-2000, Etacs, Shiiro, ssor, iz, fritz, KY, 32,
Edens, Kiwis, Kamumaruha, DODIG, Firefly, HRM, Albright, .SC,
Bellcore, rail, csim, NMS, 2c, FIS140-1, CAVE, E-Bomb, CDMA,
Fortezza, 355ml, ISSC, cybercash, NAWAS, government, NSY, hate,
seedbum, joe, illuminati, BOSS, Kourou, Misawa, Morse, HF,
xechelon.org, 415, ladylove, filofax, Gulf, lamma, Unit 5707, Sayeret
Mat'Kal, Unit 669, Sayeret Golani, Lanceros, Summercon, NSADS,
resident, ISFR, freedom, ISSO, walburn, Defcon VI, DC6, Larson, 99,
c4i.org, HERF ie-bomb, 2.3 Oz., cocaine, $, imact, Roswell, ESN, COS,
E.T., credit card, b9, fraud, ST1, assasinate, virus, ISCS, ISR, .VA,
anarchy, rogue, mailbomb, 888, Chelsea, 1997, Whitewater, MOD, York,
lutonium, William Gates, clone, BATF, SGDN, Nike, WWSV, Atlas,
IWWSVCS, Delta, TWA, Kiwi, G 2.6.2., G 5.0i, G 5.1, siliconim,
SASSTIXS, IWG, Lynch, 414, Face, ixar, IRIDF, NSRB, eternity server,
Skytel, Yukon, Temleton, Johohonbu, LUK, Jackson, Cohiba, Soros,
Standford, niche, ISE, ISEC, 51, H&K, US, ^, sardine, bank, EUB, US,
CS, NRO, Red Cell, NSOF, DC7, Glock 26, snuffle, atel, ackage, ISI,
INR, INS, GRU, RUO, GSS, NS, SRI, Ronco, Armani, BOSS, Chobetsu,
FBIS, BND, SISDE, FSB, BfV, IB, froglegs, JITEM, SADF, advise, TUSA,
LITE, KK, cororate cock,HoHoCon, SISMI, ISG, FIS, MSW, Syderco, UO,
SSCI, NIMA, HAMASMOIS, SVR, SIN, advisors, SA, Monica, OAU, FS,
Aladdin, AG, chameleon man, Hutsul, CESID, Bess, rail gun, .375,
eering, CSC, Mute, Tangimoana Beach, Commecen, Vanuatu, Kwajalein,
LHI, DRM, GSGI, DST, MITI, JERTO, SDF, Koancho, Blenheim, Rivera,
Kyudanki, varon, 310, 17, 312, NB, CBM, CT, Sardine, SBIRS, jaws,
SGDN, ADIU, DEADBEEF, ID, IDF, Halibut, SONANGOL, Flu, &, Loin, G
5.53, meta, Faber, SFD, EG&G, ISE, blackjack, Fox, Aum, AIEWS, AMW,
RHL, Baranyi, WORM, M5K-SD, 1071, WINGS, cdi, metamute, VIA, DynCor,
UXO, Ti, WWS, WID, osco, Mary, honor, Temlar, THAAD, ackage, CISD,
ISG, BIOLWN, JRA, ISB, ISDS, chosen, LBSD, van, schloss, secos, DCSS,
DSD, LIF, J-Star, RIME, SURVIAC, telex, Analyzer, solo, embassy,
Golf, B61-7, Male, Tokyo, ERR, SBU, Threat, JL, Tess, SE, Alex, EL,
SINTCOM, FOUO, ISS-AD, Merv, Mexico, SUR, Gorel, blocks, SO13,
Rojdykarna, RSOC, USS Banner, S511, 20755, ytcracker, airframe,
jya.com, Furby, ECSENC, football, Agfa, 3210, Crowell, moore, 510,
OADR, Smith, toffee, FIS, N56, EuroFed, S4, Walnut, shelter, Cryto AG.

- --
END

Info on this project can be found on the metamute.com forum
http://www.metamute.com/forum/viewtopic.php?topic=44&forum=1


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------------------------------

Date: Thu, 6 Sep 2001 14:05:15 +0100
From: matthew fuller <matt@axia.demon.co.uk>
Subject: RE/MAP Kitakyushu Re-Mapping Project (for announcer)

- -------------------------------------
RE/MAP Kitakyushu Re-Mapping Project $B!! (B
- ------------------------------------


CONCEPT

This project aims to draw a contemporary 'map' or several 'maps' of
Kitakyushu through a series of workshop by using the latest digital
technology.
     What does it mean to draw a map today ?  The standard map we know
is a two dimensional trace of a aerial photograph. Not until recently,
however, did we recognize this kind of map as the 'standard' one. If you
have a chance to look at a map in the medieval age, you can see that the
map is drawn not from a rational and objective perspective of space in a
modern sense, but through much more sensorial recognition of space.
Although the map may be distorted, it is real and more practical.
 $B!!!! (B It is often said to be difficult to draw a map today.  This is
partly because the urban space we live in is no more merely a physical
existence due to the development of information technology and
globalization. Any points can connect any points in the world through
computer and mobile phone networks.
 $B!!!! (B As the city becomes more complicated, it is more difficult to
simulate the city in a single map. Even those who live in the same city
need different maps. For example, the psychological map that a primary
school boy uses in everyday life differs from his father's one. These
psychological maps may contain smell, sound and people they meet in the
street. You may draw different maps when you ride a bicycle or drive a
car, or need more maps depending on whether you walk in daytime or
nighttime.
    The project attempts to create a file of different maps by
recording, gathering and editing the cityscape through the medium of
video cameras, digital cameras and DAT. They are more personal and
multi-dimensional 'cognitive' maps. It is also an attempt to invent a
new 'navigation system' for the real everyday life in Kitakyushu.

PROJECT OUTLINE

The project is roughly divided into two parts.
PART 1
The first part of the project is to create maps through fieldwork in the
city by using video cameras, digital cameras and DAT. They will
eventually come out as a DVD package after they have been edited.
   This is initiated by artists in Kitakyushu, but also overseas
artists, postgraduate and overseas students in universities including
Kyushu University, The University of Kitakyushu, Kyushu Institute of
Design and those who live in Kitakyushu. More than twenty people are
expected to participate.

PART 2
The second part consists of workshops and symposiums that will
reconsider the idea of map theoretically and technologically.
   In the theoretical part, geographers, urban sociologists, artists,
architects, urban planners, social activists and navigation system
engineers will organize a series of workshops, in which anyone can take
part, discuss and exchange their ideas. Through these workshops, the
problem and merits of the city, Kitakyushu will be pointed out.
  Human Media Creation Center/Kyushu will support the project. The
participants can join in the DVD editing process at Human Media Creation
Center/Kyushu after the fieldwork if they desire. They can also learn
the basic skill of editing DVD.

Part of the work will be exhibited at Higashida IT Club in the Japan
EXPO 2001 Kitakyushu. The DVD software will be distributed among various
different media (televison stations, newspapers, journals), multimedia
institutions, museums and libraries around the world after the
exhibition.

SCHEDULE:
23 Sep 2001 (SUN)-30 Sep 2001 (SUN)
Symposiums  23 or/and 30 Sep
Workshops 23-30 Sep

VENUE:
Gallery Soap and Kitakyushu City
1-8-23Kajimachi,Kokurakita-ku,Kitakyushu,JAPAN
phone + fax 093-551-5522
e-mail: real@seafolk.ne.jp

Yoshitaka MORI (Kyushu University)
Keiichi MIYAGAWA (Artist, Gallery Soap)
Hidenobu MORI (Artist)

Hisao Sotoda (Artist)
Kazunori MIZUSHIMA (Osaka Sangyo University)
Chan-Ho KIM (Yonsei University, Korea)
federico baronello (Artist, Italy)
Masao YAHAGI (Architect)
Shigeru KUWAHARA (Architect)
Ren FUKUZUMI
Mizuki ENDO
Kaoru NISHITANI
Toshihiko ONO
Hyunsuk OH
Hiroshi HOSODA
Richard SVERRISSON


------------------------------

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